Lily Vorperian

Vorperian first learnt embroidery when she was twelve from older women in the Armenian refugee community either who worked at the textile factory her parents ran in Syria or came to her house to receive aid distributed from her parent's home. They taught her eighteen different styles of regional embroidery, but Kambourian took to the Marash style "because it was the hardest". She carried on embroidering in her adult life and after her move to the United States. In 1986, took part in a folk arts program in Los Angeles{{Cite news |last=Hamilton |first=Denise |date=1995-07-27 |title=Stitches in Time : Through Her Elaborate, Intricate Works, Lily Vorperian Keeps Alive a Centuries-Old Art Form |url=https://www.newspapers.com/article/the-los-angeles-times/170695878/ |access-date=2025-04-19 |website=Los Angeles Times |language=en-US |via=Newspapers.com}} and she was given a National Heritage Fellowship by the National Endowment for the Arts in 1994.

Vorperian's work included traditional Armenian designs such as khachkars{{Citation |last=Dakessian |first=Sylvia |title=Stitching it Up |date=November 1995 |work=Armenian International Magazine |pages=45}} flowers, geometric designs, the Armenian alphabet, and lines from Armenian poetry. A re-occurring theme of her later pieces was the Armenian genocide and people. She embroidered for seven to eight hours each day, with the remaining hours going towards planning new designs. A 1995 review of Vorperian's embroidery in The Los Angeles Times noted the complexity of her work and said that to call her an embroiderer was akin to "calling Coco Chanel a dressmaker". She refused to sell her designs, preferring instead to keep the majority of her work and occasionally loan individual pieces to museums, though in 1990 she embroidered a copy of the logo of the Armenian Relief Society for the organization to display.{{Citation |title=National Heritage Award Winners, 1982-1996 |pages=46–47 |url=https://tile.loc.gov/storage-services/service/afc/afc2014008/afc2014008_ms1001/afc2014008_ms1001.pdf |publisher=NEA}}{{Citation |title=ARS logo by NEA Heritage award winner Lily Vorperian |date=2012-07-13 |url=https://www.facebook.com/260274654057858/photos/336262666459056/?_rdr |publisher=Armenian Relief Society Nairy Chapter, Montebello, California}}

In 1995, Vorperian's art was put on display alongside two other Armenian artists at the Fresno Metropolitan Museum of Art and Science. The exhibit was called "In Silver and Threads: Patterns of Armenian Tradition" and was sponsored by the National Endowment for the Arts, the Armenian National Committee of America, and the Armenian Studies program at California State University.{{Cite news |date=1995-03-10 |title=Silver and thread crafts speak of varied Armenian traditions |url=https://www.newspapers.com/article/the-fresno-bee-silver-and-thread-crafts/170696570/ |access-date=2025-04-20 |work=The Fresno Bee |pages=56}}{{Cite news |date=1995-04-30 |title=Standard fare: Museums |url=https://www.newspapers.com/article/the-fresno-bee-standard-fare-museums/170696511/ |access-date=2025-04-20 |work=The Fresno Bee |pages=95}}

In 2022, her son, Hratch Vorperian, published a book dedicated to her embroidery.{{Cite book |last=Vorperian |first=Hratch |title=Lily Vorperian - Marash Embroidery |date=2022 |publisher=Primedia eLaunch LLC |isbn=979-8-88757-194-2}}

Born Lily Kambourian in Aleppo, Syria,{{Cite web |title=Lily Vorperian |url=https://www.arts.gov/honors/heritage/lily-vorperian |access-date=2025-04-20 |website=National Endowment for the Arts |language=en}} she was the youngest of three children in an Armenian family{{Cite thesis |last=Melkonian |first=Karen Soma |title=Traditional Armenian needlework: Marash interlaced embroidery and the artistry of Lily Vorperian |date=1994 |degree=Masters |publisher=California State University, Dominguez Hills}}{{ProQuest|304138229}} from Marash. Her mother, Zekia, had spent time in Germany and worked as a translator for the German military in Turkey, and her father, Haroutioun Kambourian, was a textile merchant. They survived the Armenian genocide,{{Cite news |last=Couzian |first=Diane |date=1996-05-21 |title=Armenians' struggle inspires artist |url=https://www.newspapers.com/article/the-gazette-armenians-struggle-inspires/170695945/ |access-date=2025-04-20 |work=The Gazette |pages=22 |via=Newspapers.com}} fleeing Turkey for Syria a few years before their youngest daughter's birth.{{Cite book |last1=Congdon |first1=Kristin G. |author-link1=Kristin G. Congdon |title=American folk art: a regional reference |last2=Hallmark |first2=Kara Kelley |date=2012 |publisher=ABC-CLIO |isbn=978-0-313-34936-2 |location=Santa Barbara, Calif |pages=660–661}} Kambourian grew up in an Armenian refugee community in Aleppo. She married a local businessman, Haroutioun Vorperian, in 1937. The couple had four children, including Rita Vorperian.{{Cite news |last=Kouymjian |first=Dickran |date=March 1995 |title=Celebration of Armenian folk arts |work=Hye Sharzhoom |pages=1, 6 |volume=16 |issue=3}}{{Cite thesis |last=Vorperian |first=Rita |title=A feminist reading of Krikor Zohrab |date=1999 |degree=PhD |publisher=University of California, Los Angeles}} {{ProQuest|304507729}} Haroutioun died in 1953, and Lily Vorperian was forced to sell her belongings to look after their children.

Vorperian moved to Beirut in 1964, but was forced to move to the United States in 1978 due to the Lebanese Civil War. She eventually settled in Glendale, California.

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Category:1919 births

Category:National Heritage Fellowship winners

Category:People from Aleppo

Category:Artists from Glendale, California

Category:20th-century Armenian artists

Category:20th-century Armenian women artists

Category:Embroiderers

Category:Armenian emigrants to the United States

Category:Possibly living people