Lisbon Story (1994 film)

{{Infobox film

| name = Lisbon Story

| image = Lisbon story.jpg

| director = Wim Wenders

| producer = Paulo Branco
Ulrich Felsberg
João Canijo
Wim Wenders

| writer = Wim Wenders

| starring = Rüdiger Vogler
Patrick Bauchau

| music = Jürgen Knieper
Madredeus

| cinematography = Lisa Rinzler

| editing = Peter Przygodda
Anne Schnee

| distributor =Atalanta Filmes {{small|(Portugal)}}

| released = {{Film date|1994}}

| runtime = 100 minutes

| country = Germany
Portugal
France
Spain

| language = German
Portuguese
English

}}

Lisbon Story ({{langx|pt|O Céu de Lisboa (Brasil)}}; {{langx|de|Lisbon Story}}) is a 1994 feature film directed by Wim Wenders. It was screened in the Un Certain Regard section at the 1995 Cannes Film Festival.{{cite web |url= http://www.festival-cannes.com/en/archives/ficheFilm/id/3395/year/1995.html |title=Festival de Cannes: Lisbon Story |accessdate=2009-09-06|work=festival-cannes.com}} As part of Lisbon's programme as the European City of Culture in 1994, Wenders and three Portuguese filmmakers were invited to make a documentary about the city. The result was the fictional Lisbon Story.{{cite news| first= Marcelino |last= Santos| title= The image of the city – Wim Wenders' Lisbon Story| work= City + Cinema: Essays on the specificity of location in film| publisher= Datutop | number= 29| year= 2007}}

Plot

File:Wim Wenders with the producer and actors of Lisbon Story.jpg

Lisbon Story is partially a sequel to Wenders' 1982 film, The State of Things. The fictitious film director in the previous film, Friedrich Munro, reappears, again played by Patrick Bauchau.

In Lisbon Story Friedrich has moved to Lisbon, Portugal (the country where The State of Things was set). The principal character, Philip Winter (Rüdiger Vogler), a sound engineer, receives a postcard invitation from Friedrich to come to Lisbon to record sounds of the capital city for his forthcoming film. On arriving, Winter finds Friedrich's house occupied with his film editing equipment and many reels of film, but the director is nowhere to be found. Some children who apparently work with him indicate he will return, but don't know when. This sets in motion Winter's quest to find the missing Friedrich.

The sound engineer doesn't meet up with the director until the end of the movie, when it materialises that, disturbed by the commercialization of images, he had set out to capture what he terms the "unseen image" of the city, one devoid of the subjective view (executed by strapping a rolling camera onto his back, or carried about unaimed in plastic bags with holes cut for the lens), and then shown to no one, lest the source of the photo "die" with their viewing. This is after giving up on his initial project shot using an early hand-cranked motion picture camera, what he calls "pretending that the whole history of cinema had never happened." After this meeting, Winter leaves his own message for Friedrich using sound, his medium, and convinces him to continue his original project using the old-fashioned camera and his sound, together.

A semi-non-fictional aspect of the plot is the appearance of the internationally famous Portuguese folk music group Madredeus and Manoel de Oliveira.

Homage to ''The Road Movie Trilogy''

During the mid-1970s, Wim Wenders made three films which have come to be referred to as The Road Movie Trilogy. Lisbon Story pays subtle homage to these films. The sound engineer in Lisbon Story, Philip Winter, has the same name and is played by the same actor (Rüdiger Vogler) as the lead character in Alice in the Cities (1974), though the character Phil Winter was a writer in the first film. The name Winter is repeated in Kings of the Road (1976), also starring Vogler, although his full name in Kings is Bruno Winter and he is a projection-equipment mechanic.

Featured cast

class="wikitable"

! Actor !! Role

Rüdiger VoglerPhilip Winter
Patrick BauchauFriedrich Monroe
Vasco SequeiraTruck Driver
Canto e CastroBarber
Viriato José da SilvaShoemaker
João CanijoCrook
Ricardo ColaresRicardo
Joel Cunha Ferreira
Sofia Bénard da CostaSofia
Vera Cunha RochaVera
Elisabete Cunha RochaBeta
Teresa SalgueiroHerself (Madredeus)
Pedro Ayres MagalhãesHimself (Madredeus)
Rodrigo LeãoHimself (Madredeus)
Gabriel GomesHimself (Madredeus)
José PeixotoHimself (Madredeus)
Francisco RibeiroHimself (Madredeus)
Manoel de OliveiraHimself

Reception

In Portugal, the film was the fourth most popular Portuguese film in 1995 with admissions of 16,000.{{cite magazine|magazine=Screen International|title=Portugal 1995 Domestic Top 10|page=25|date=5 April 1996}}

References

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