List of compositions by Camille Saint-Saëns

Below is a sortable list of compositions by Camille Saint-Saëns. The works are categorised by genre, opus number, Ratner catalogue number, date of composition and titles. R numbers are from Camille Saint-Saëns 1835–1921: A Thematic Catalogue of His Complete Works by Sabina Teller Ratner (Oxford University Press).

class="sortable wikitable" style="margins:auto; width=95%;" !width="95"\|Genre !scope="col"\|Opus !scope="col"\|R !scope="col"\|Date !width=\|French title (original title) !width=\|English title !width="200"\|Scoring !width="340"\|Notes
valign="top" \| Opera	align=center\|—	align=center\|289	align=center\|1864–1865	Le timbre d'argent	{{hs\|Silver Bell}}The Silver Bell		Drame lyrique in 4 acts; libretto by Jules Barbier and Michel Carré; first performance in 1877
valign="top" \| Opera	align=center\|{{hs\|0}}30	align=center\|287	align=center\|1872	La princesse jaune	{{hs\|Yellow Princess}}The Yellow Princess		Opéra comique in 1 act; libretto by Louis Gallet
valign="top" \| Opera	align=center\|{{hs\|0}}47	align=center\|288	align=center\|1877	Samson et Dalila	Samson and Dalila		Opera in 3 acts; libretto by Ferdinand Lemaire
valign="top" \| Opera	align=center\|—	align=center\|290	align=center\|1879	{{hs\|Etienne Marcel}}Étienne Marcel	{{hs\|Etienne Marcel}}Étienne Marcel		Opera in 4 acts; libretto by Louis Gallet
valign="top" \| Opera	align=center\|—	align=center\|291	align=center\|1881–1882	Henry VIII	Henry VIII		Opera in 4 acts; libretto by Léonce Détroyat and Armand Silvestre
valign="top" \| Opera	align=center\|—	align=center\|292	align=center\|1887	Proserpine	Proserpine		Drame lyrique in 4 acts; libretto by Louis Gallet after Auguste Vacquerie
valign="top" \| Opera	align=center\|—	align=center\|293	align=center\|1887–1888	Ascanio	Ascanio		Opera in 5 acts; libretto by Louis Gallet after the play Benvenuto Cellini by Paul Meurice
valign="top" \| Opera	align=center\|—	align=center\|294	align=center\|1893	Phryné	Phryné		Opéra comique in 2 acts; libretto by Lucien Augé de Lassus
valign="top" \| Opera	align=center\|—	align=center\|	align=center\|1895	{{hs\|Fredegonde}}Frédégonde	{{hs\|Fredegonde}}Frédégonde		Drame lyrique in 5 acts; libretto by Louis Gallet
valign="top" \| Opera	align=center\|—	align=center\|295	align=center\|1900–1901	Les barbares			Tragédie lyrique in 3 acts; libretto by Victorien Sardou and Pierre-Barthélemy Gheusi
valign="top" \| Opera	align=center\|—	align=center\|296	align=center\|1902–1903	{{hs\|Helene}}Hélène	{{hs\|Helene}}Hélène		Poème lyrique in 1 act; libretto by the composer
valign="top" \| Opera	align=center\|—	align=center\|297	align=center\|1905	L'ancêtre	L'ancêtre		Drame lyrique in 3 acts; libretto by Lucien Augé de Lassus
valign="top" \| Opera	align=center\|—	align=center\|298	align=center\|1909–1910	{{hs\|Dejanire}}Déjanire	{{hs\|Dejanire}}Déjanire		Drame lyrique in 4 acts; libretto by the composer after the play by Louis Gallet; original version: 1892 incidental music for the play by Gallet
valign="top" \| Ballet	align=center\|—	align=center\|306	align=center\|1896	Javotte	Javotte		Ballet in 1 act; libretto by Jean-Louis Croze
valign="top" \| Film	align=center\|128	align=center\|331	align=center\|1908	L'assassinat du duc de Guise	{{hs\|Assassination of the Duke of Guise}}The Assassination of the Duke of Guise		produced Paris, Salle Charras, 16 November 1908
valign="top" \| Incidental	align=center\|—	align=center\|	align=center\|1892	Déjanire	Déjanire		Incidental music for the play by Louis Gallet; revised as an opera in 1911
valign="top" \| Incidental	align=center\|—	align=center\|317	align=center\|1893	Antigone	Antigone		Incidental music for the play by Sophocles in French adaptation by Paul Meurice and Auguste Vacquerie
valign="top" \| Incidental	align=center\|—	align=center\|312	align=center\|1902	Parysatis	Parysatis		Incidental music for the play by Jane Dieulafoy
valign="top" \| Incidental	align=center\|—	align=center\|320	align=center\|1902	Andromaque	Andromaque		Incidental music for the play by Jean Racine
valign="top" \| Incidental	align=center\|130	align=center\|321	align=center\|1908	La foi	La foi		Incidental music for the play by Eugène Brieux; also adapted for the concert stage as 3 Symphonic Pictures after "La Foi"
valign="top" \| Incidental	align=center\|—	align=center\|	align=center\|1917	On ne badine pas avec l'amour			Incidental music for the play by Alfred de Musset
valign="top" \| Orchestral	align=center\|—	align=center\|	align=center\|{{hs\|1850}}{{Abbreviation\|c.\|circa}}{{nbsp}}1850	Ouverture d'un opéra comique	Comic Opera Overture in e minor	for orchestra
valign="top" \| Orchestral	align=center\|—	align=center\|	align=center\|{{hs\|1850}}{{Abbreviation\|c.\|circa}}{{nbsp}}1850	Scherzo en la majeur	Scherzo in A major	for chamber orchestra
valign="top" \| Orchestral	align=center\|—	align=center\|159	align=center\|{{hs\|1850}}{{Abbreviation\|c.\|circa}}{{nbsp}}1850	Symphonie en la majeur	Symphony in A major	for orchestra
valign="top" \| Orchestral	align=center\|{{hs\|00}}2	align=center\|	align=center\|1853	Symphonie nº 1 en mi bémol majeur	Symphony No. 1 (Saint-Saëns)	for orchestra
valign="top" \| Orchestral	align=center\|—	align=center\|162	align=center\|1854	Ouverture d'un opéra comique inachevé en sol majeur	Overture to an Unfinished Comic Opera in G major	for orchestra
valign="top" \| Orchestral	align=center\|—	align=center\|163	align=center\|1856	Symphonie en fa majeur "Urbs Roma"	Symphony in F major "Urbs Roma"	for orchestra
valign="top" \| Orchestral	align=center\|{{hs\|0}}55	align=center\|	align=center\|1859	Symphonie nº 2 en la mineur	Symphony No. 2 in A minor	for orchestra
valign="top" \| Orchestral	align=center\|{{hs\|0}}49	align=center\|165	align=center\|1863	Suite en ré majeur {{ordered list\| Prélude \| Sarabande \| Gavotte \| Romance \| Finale }}	Suite in D major {{ordered list\| Prélude \| Sarabande \| Gavotte \| Romance \| Finale }}	for orchestra
valign="top" \| Orchestral	align=center\|—	align=center\|166	align=center\|1863	Spartacus, Ouverture en mi bémol majeur	Spartacus, Overture in E{{music\|flat}} major	for orchestra	after the tragedy by Alphonse Pagès
valign="top" \| Orchestral	align=center\|{{hs\|007b}}7b	align=center\|177	align=center\|1866, 1891	Rhapsodie bretonne	Rhapsodie bretonne	for orchestra	1891 orchestration of 3 Rhapsodies sur des cantiques bretons for organ
valign="top" \| Orchestral	align=center\|{{hs\|0}}25	align=center\|	align=center\|1869	Orient et occident		for orchestra	original for military band
valign="top" \| Orchestral	align=center\|{{hs\|0}}34	align=center\|168	align=center\|1871	Marche héroïque en mi bémol majeur	Heroic March in E{{music\|flat}} major	for orchestra	also exists in versions for piano 4-hands (1870), and 2-piano 8-hands
valign="top" \| Orchestral	align=center\|—	align=center\|	align=center\|1872	Chant du soir (Abendlied)	Evening Song	for orchestra	transcription of Abendlied (for piano 4-hands), Op. 85 No. 12 from 12 Klavierstücke für kleine und große Kinder by Robert Schumann; also a version for piano 2-hands
valign="top" \| Orchestral	align=center\|{{hs\|0}}31	align=center\|169	align=center\|1872	Le rouet d'Omphale en la majeur	{{hs\|Spinning Wheel of Omphale}}The Spinning Wheel of Omphale in A major	for orchestra
valign="top" \| Orchestral	align=center\|{{hs\|0}}39	align=center\|170	align=center\|1873	{{hs\|Phaeton}}Phaéton en ut majeur	{{hs\|Phaeton}}Phaéton in C major	for orchestra
valign="top" \| Orchestral	align=center\|{{hs\|0}}40	align=center\|171	align=center\|1874	Danse macabre, Poème symphonique en sol mineur	Danse macabre, Symphonic Poem in G minor	for orchestra
valign="top" \| Orchestral	align=center\|{{hs\|0}}50	align=center\|172	align=center\|1877	La jeunesse d'Hercule en mi bémol majeur		for orchestra
valign="top" \| Orchestral	align=center\|{{hs\|0}}60	align=center\|173	align=center\|1880	Suite algérienne en ut majeur {{ordered list\| Prélude \| Rhapsodie mauresque \| Rêverie du soir \| Marche militaire française }}		for orchestra	recorded by the composer in piano reduction in 1919
valign="top" \| Orchestral	align=center\|{{hs\|0}}63	align=center\|175	align=center\|1880	Une nuit à Lisbonne en mi bémol majeur		for orchestra
valign="top" \| Orchestral	align=center\|{{hs\|0}}64	align=center\|174	align=center\|1880	La jota aragonese en la majeur		for orchestra
valign="top" \| Orchestral	align=center\|{{hs\|0}}69	align=center\|	align=center\|1881	{{hs\|Hymne a Victor Hugo}}Hymne à Victor Hugo	Hymn to Victor Hugo	for orchestra (with chorus ad libitum)
valign="top" \| Orchestral	align=center\|{{hs\|0}}78	align=center\|176	align=center\|1886	Symphonie nº 3 ("avec orgue") en ut mineur	Symphony No. 3 "Organ Symphony" in C minor	for orchestra
valign="top" \| Orchestral	align=center\|{{hs\|0}}93	align=center\|	align=center\|1892	Sarabande et rigaudon en mi majeur	Sarabande and Rigaudon in E major	for orchestra
valign="top" \| Orchestral	align=center\|117	align=center\|180	align=center\|1902	Marche du couronnement	Coronation March in E{{music\|flat}} major	for orchestra	written for the Coronation of Edward VII of the United Kingdom
valign="top" \| Orchestral	align=center\|130	align=center\|	align=center\|1908	Trois tableaux symphoniques d'après La foi	{{hs\|Symphonic Pictures after La Foi}}3 Symphonic Pictures after "La Foi"	for orchestra	adapted from the incidental music for the play by Eugène Brieux
valign="top" \| Orchestral	align=center\|133	align=center\|181	align=center\|1910	Ouverture de fête en fa majeur		for orchestra
valign="top" \| Orchestral	align=center\|—	align=center\|	align=center\|1915	Hail! California	Hail! California	for orchestra, band and organ	composed for the 1915 Panama–Pacific International Exposition{{cite book \|last=Bierley \|first=Paul E. \|date=2001 \|title=John Philip Sousa: American Phenomenon \|location=Miami, FL \|publisher=Warner Bros. Publications \|page=76 }}
valign="top" \| Band	align=center\|{{hs\|0}}25	align=center\|	align=center\|1869	Orient et occident		for military band	also arranged for orchestra by the composer
valign="top" \| Band	align=center\|—	align=center\|	align=center\|1900	Hymne franco-espagnol
valign="top" \| Band	align=center\|125	align=center\|	align=center\|1908	Sur les bords du Nil, Marche militaire		for military band	also for piano 4-hands
valign="top" \| Band	align=center\|152	align=center\|	align=center\|1918	Vers la victoire, Pas redoublé pour musique militaire		for military band	Two-step; also for piano 4-hands
valign="top" \| Band	align=center\|155	align=center\|153	align=center\|1918	Marche interalliée		for military band	also for piano 4-hands
valign="top" \| Concertante	align=center\|{{hs\|00}}6	align=center\|183	align=center\|1857	Tarantelle	Tarantelle in A minor	for flute, clarinet and orchestra
valign="top" \| Concertante	align=center\|{{hs\|0}}17	align=center\|185	align=center\|1858	Concerto pour piano nº 1 en ré majeur	Piano Concerto No. 1 in D major	for piano and orchestra
valign="top" \| Concertante	align=center\|{{hs\|0}}58	align=center\|184	align=center\|1858	Concerto pour violon nº 2 en ut majeur	Violin Concerto No. 2 in C major	for violin and orchestra
valign="top" \| Concertante	align=center\|{{hs\|0}}20	align=center\|186	align=center\|1859	Concerto pour violon nº 1 en la majeur	Violin Concerto No. 1 in A major	for violin and orchestra
valign="top" \| Concertante	align=center\|{{hs\|016b}}16b	align=center\|211	align=center\|1862, 1919	Suite {{ordered list\| Prélude \| Sérénade \| Gavotte \| Romance \| Tarantelle }}	Suite {{ordered list\| Prélude \| Sérénade \| Gavotte \| Romance \| Tarantelle }}	for cello and orchestra	original version for cello and piano
valign="top" \| Concertante	align=center\|{{hs\|0}}28	align=center\|188	align=center\|1863	Introduction et rondo capriccioso en la mineur	Introduction and Rondo Capriccioso in A minor	for violin and orchestra
valign="top" \| Concertante	align=center\|{{hs\|0}}22	align=center\|190	align=center\|1868	Concerto pour piano nº 2 en sol mineur	Piano Concerto No. 2 in G minor	for piano and orchestra
valign="top" \| Concertante	align=center\|{{hs\|0}}29	align=center\|191	align=center\|1869	Concerto pour piano nº 3 en mi bémol majeur	Piano Concerto No. 3 in E{{music\|flat}} major	for piano and orchestra
valign="top" \| Concertante	align=center\|{{hs\|0}}37	align=center\|192	align=center\|1871	Romance en ré bémol majeur	Romance, Op. 37 (Saint-Saëns)	for flute and piano or orchestra
valign="top" \| Concertante	align=center\|{{hs\|0}}33	align=center\|193	align=center\|1872	Concerto pour violoncelle nº 1 en la mineur	Cello Concerto No. 1 in A minor	for cello and orchestra
valign="top" \| Concertante	align=center\|{{hs\|0}}36	align=center\|195	align=center\|1874	Romance en fa majeur	Romance in F major	for horn (or cello) and orchestra
valign="top" \| Concertante	align=center\|{{hs\|0}}48	align=center\|196	align=center\|1874	Romance en ut majeur	Romance in C major	for violin and orchestra
valign="top" \| Concertante	align=center\|{{hs\|0}}44	align=center\|197	align=center\|1875	Concerto pour piano nº 4 en ut mineur	Piano Concerto No. 4 in C minor	for piano and orchestra
valign="top" \| Concertante	align=center\|—	align=center\|	align=center\|{{hs\|1878}}{{Abbreviation\|c.\|circa}}{{nbsp}}1878	Cadences pour le concerto en sol de Beethoven	Cadenzas for Beethoven's Piano Concerto No. 4	for piano
valign="top" \| Concertante	align=center\|{{hs\|0}}61	align=center\|198	align=center\|1880	Concerto pour violon nº 3 en si mineur	Violin Concerto No. 3 in B minor	for violin and orchestra
valign="top" \| Concertante	align=center\|{{hs\|0}}62	align=center\|	align=center\|1880	Morceau de concert en mi mineur	Concert Piece in E minor	for violin and orchestra
valign="top" \| Concertante	align=center\|{{hs\|0}}67	align=center\|189	align=center\|1885	Romance en mi majeur	Romance in E major	for horn (or cello) and orchestra	also for horn (or cello) and piano
valign="top" \| Concertante	align=center\|{{hs\|0}}70	align=center\|{{hs\|0}}37	align=center\|1884	Allegro appassionato en ut dièse mineur	Allegro appassionato in C{{music\|sharp}} minor	for piano and orchestra	also for piano solo
valign="top" \| Concertante	align=center\|{{hs\|0}}73	align=center\|	align=center\|1884	Rhapsodie d'Auvergne en ut majeur	Rhapsody of the Auvergne in C Major	for piano and orchestra	also for piano solo
valign="top" \| Concertante	align=center\|{{hs\|0}}76	align=center\|124	align=center\|1885	Wedding Cake, Caprice-valse en la bémol majeur	Wedding Cake, Caprice-valse in A{{music\|flat}} major	for piano and orchestra
valign="top" \| Concertante	align=center\|{{hs\|0}}83	align=center\|202	align=center\|1887	Havanaise en mi majeur	Havanaise in E major	for violin and orchestra
valign="top" \| Concertante	align=center\|{{hs\|0}}94	align=center\|	align=center\|1887	Morceau de concert en fa mineur	Concert Piece in F minor	for horn and orchestra
valign="top" \| Concertante	align=center\|{{hs\|0}}89	align=center\|204	align=center\|1891	Africa en sol mineur	Africa in G minor	for piano and orchestra	Also for piano solo
valign="top" \| Concertante	align=center\|103	align=center\|205	align=center\|1896	Concerto pour piano nº 5 "L'Égyptien" en fa majeur	Piano Concerto No. 5 "Egyptian" in F major	for piano and orchestra
valign="top" \| Concertante	align=center\|—	align=center\|	align=center\|1900	Cadences pour le concerto de violon de Beethoven	Cadenzas for Beethoven's Violin Concerto	for violin
valign="top" \| Concertante	align=center\|119	align=center\|	align=center\|1902	Concerto pour violoncelle nº 2 en ré mineur	Cello Concerto No. 2 in D minor	for cello and orchestra
valign="top" \| Concertante	align=center\|122	align=center\|207	align=center\|1904	Caprice andalou en sol majeur	Caprice andalou in G major	for violin and orchestra
valign="top" \| Concertante	align=center\|—	align=center\|	align=center\|1906	Andante extrait d'un concerto pour piano		for violin and orchestra (or piano)	transcription of movement II from Piano Concerto No. 21, K.467 by Wolfgang Amadeus Mozart
valign="top" \| Concertante	align=center\|132	align=center\|208	align=center\|1910	La muse et le poète en mi mineur	La muse et le poète in E minor	for violin, cello and orchestra (or piano)
valign="top" \| Concertante	align=center\|—	align=center\|281	align=center\|1911	Cadences pour le concerto en mi bémol de Mozart	Cadenzas for Mozart's Piano Concerto No. 22, K.482	for piano
valign="top" \| Concertante	align=center\|—	align=center\|279	align=center\|1911	Cadences pour le concerto en ut mineur de Mozart	Cadenzas for Mozart's Piano Concerto No. 24, K.491	for piano
valign="top" \| Concertante	align=center\|154	align=center\|	align=center\|1918	Morceau de concert en sol majeur	Concert Piece in G major	for harp and orchestra
valign="top" \| Concertante	align=center\|156	align=center\|210	align=center\|1919	Cyprès et lauriers en ré mineur		for organ and orchestra
valign="top" \| Concertante	align=center\|162	align=center\|212	align=center\|1920	Odelette en ré majeur	Odelette in D major	for flute and orchestra
valign="top" \| Chamber music	align=center\|—	align=center\|107	align=center\|1851–1853	Quatuor en mi majeur pour piano et cordes	Piano Quartet in E major	for violin, viola, cello and piano
valign="top" \| Chamber music	align=center\|{{hs\|0}}14	align=center\|	align=center\|1855	Quintette en la mineur pour piano et cordes	Piano Quintet in A minor	for {{hs\|violins 2 viola cello piano}}2 violins, viola, cello and piano
valign="top" \| Chamber music	align=center\|—	align=center\|	align=center\|1859	Caprice brillant en si mineur	Caprice brillant in B minor	for violin and piano
valign="top" \| Chamber music	align=center\|{{hs\|016a}}16	align=center\|112	align=center\|1862	Suite {{ordered list\| Prélude \| Sérénade \| Scherzo \| Romance \| Finale }}	Suite {{ordered list\| Prélude \| Sérénade \| Scherzo \| Romance \| Finale }}	for cello and piano	also a version for cello and orchestra
valign="top" \| Chamber music	align=center\|{{hs\|0}}18	align=center\|	align=center\|1863	Trio nº 1 en fa majeur pour piano, violon et violoncelle	Piano Trio No. 1 in F major	for violin, cello and piano
valign="top" \| Chamber music	align=center\|{{hs\|0}}15	align=center\|114	align=center\|1865	{{hs\|Serenade}}Sérénade en mi bémol majeur	Serenade in E-flat major (Saint-Saëns)	for piano, organ, violin, and viola or cello
valign="top" \| Chamber music	align=center\|{{hs\|0}}27	align=center\|	align=center\|1868	Romance	Romance in B{{music\|flat}} major	for violin, piano and organ
valign="top" \| Chamber music	align=center\|—	align=center\|	align=center\|1869	Marche religieuse de Lohengrin		for violin, harmonium and piano	transcription from the opera Lohengrin by Richard Wagner
valign="top" \| Chamber music	align=center\|—	align=center\|	align=center\|{{hs\|1870}}{{Abbreviation\|c.\|circa}}{{nbsp}}1870	Les odeurs de Paris		for chamber ensemble
valign="top" \| Chamber music	align=center\|{{hs\|0}}38	align=center\|	align=center\|1871	Berceuse en si bémol majeur	Berceuse in B{{music\|flat}} major	for violin and piano
valign="top" \| Chamber music	align=center\|{{hs\|0}}32	align=center\|	align=center\|1872	Sonate pour violoncelle nº 1 en ut mineur	Cello Sonata No. 1 in C minor	for cello and piano
valign="top" \| Chamber music	align=center\|{{hs\|0}}41	align=center\|	align=center\|1875	Quatuor en si bémol majeur pour piano et cordes	Piano Quartet in B-flat major (Saint-Saëns)	for violin, viola, cello and piano
valign="top" \| Chamber music	align=center\|{{hs\|0}}43	align=center\|194	align=center\|1875	Allegro appassionato en si mineur	Allegro appassionato in B minor	for cello and piano (or orchestra)	version with orchestra, R 119
valign="top" \| Chamber music	align=center\|—	align=center\|	align=center\|1875	{{hs\|Orphee, Poeme symphonique}}Orphée, Poème symphonique		for violin, cello and piano	transcription of the symphonic poem Orpheus, S.98 (1853–1854) by Franz Liszt
valign="top" \| Chamber music	align=center\|{{hs\|0}}51	align=center\|	align=center\|1877	Romance en ré majeur	Romance in D major	for cello and piano
valign="top" \| Chamber music	align=center\|{{hs\|0}}65	align=center\|122	align=center\|1881	Septuor en mi bémol majeur	Septet (Saint-Saëns)	for trumpet, 2 violins, viola, cello, double bass and piano
valign="top" \| Chamber music	align=center\|{{hs\|0}}67	align=center\|	align=center\|1885	Romance en mi majeur	Romance in E major	for horn (or cello) and piano	also for horn (or cello) and orchestra
valign="top" \| Chamber music	align=center\|{{hs\|0}}75	align=center\|123	align=center\|1885	Sonate pour violon nº 1 en ré mineur	Violin Sonata No. 1 in D minor	for violin and piano
valign="top" \| Chamber music	align=center\|—	align=center\|125	align=center\|1886	Le carnaval des animaux, grande fantaisie zoologique	{{hs\|Carnival of the Animals}}The Carnival of the Animals (Le cygne)	for {{hs\|pianos 2}}2 pianos, 2 violins, viola, cello, double bass, flute (also piccolo), clarinet, glass harmonica and xylophone
valign="top" \| Chamber music	align=center\|{{hs\|0}}79	align=center\|126	align=center\|1887	Caprice sur des airs danois et russes		for flute, oboe, clarinet and piano
valign="top" \| Chamber music	align=center\|{{hs\|0}}91	align=center\|127	align=center\|1892	Chant saphique		for cello and piano
valign="top" \| Chamber music	align=center\|{{hs\|0}}92	align=center\|129	align=center\|1892	Trio nº 2 en mi mineur pour piano, violon et violoncelle	Piano Trio No. 2 in E minor	for violin, cello and piano
valign="top" \| Chamber music	align=center\|{{hs\|0}}95	align=center\|	align=center\|1893	Fantaisie	Fantaisie	for harp	in A minor
valign="top" \| Chamber music	align=center\|102	align=center\|130	align=center\|1896	Sonate pour violon nº 2 en mi bémol majeur	Violin Sonata No. 2 in E{{music\|flat}} major	for violin and piano
valign="top" \| Chamber music	align=center\|108	align=center\|	align=center\|1897	Barcarolle en fa majeur	Barcarolle in F major	for violin, cello, harmonium and piano
valign="top" \| Chamber music	align=center\|—	align=center\|	align=center\|1897	Nocturne sur des motifs d'Hellé, opéra d'Alphonse Duvernoy		for violin and piano	transcription after the 1896 opera Hellé by Victor Alphonse Duvernoy; also a version for piano solo
valign="top" \| Chamber music	align=center\|112	align=center\|	align=center\|1899	{{hs\|Quatuor a cordes 1}}Quatuor à cordes nº 1 en mi mineur	String Quartet No. 1 in E minor	for {{hs\|violins 2 viola cello}}2 violins, viola and cello
valign="top" \| Chamber music	align=center\|123	align=center\|135	align=center\|1905	Sonate pour violoncelle nº 2 en fa majeur	Cello Sonata No. 2 in F major	for cello and piano
valign="top" \| Chamber music	align=center\|124	align=center\|	align=center\|1907	Fantaisie	Fantaisie	for violin and harp
valign="top" \| Chamber music	align=center\|136	align=center\|	align=center\|1912	Triptyque {{ordered list\| Prémice \| Vision congolaise \| Joyeuseté }}	Triptyque	for violin and piano
valign="top" \| Chamber music	align=center\|143	align=center\|	align=center\|1915	{{hs\|Elegie 1}}Élégie	{{hs\|Elegie 1}}Élégie [No. 1]	for violin and piano
valign="top" \| Chamber music	align=center\|144	align=center\|140	align=center\|1915	Cavatine en ré bémol majeur	Cavatine (Saint-Saëns)	for trombone and piano
valign="top" \| Chamber music	align=center\|—	align=center\|	align=center\|{{hs\|1918}}{{Abbreviation\|c.\|circa}}{{nbsp}}1918	L'air de la pendule		for violin and piano
valign="top" \| Chamber music	align=center\|153	align=center\|	align=center\|1918	{{hs\|Quatuor a cordes 2}}Quatuor à cordes nº 2 en sol majeur	String Quartet No. 2 in G major	for {{hs\|violins 2 viola cello}}2 violins, viola and cello
valign="top" \| Chamber music	align=center\|158	align=center\|143	align=center\|1919	{{hs\|Priere}}Prière		for cello (or violin) and organ	version for violin, R 144
valign="top" \| Chamber music	align=center\|160	align=center\|145	align=center\|1920	{{hs\|Elegie 2}}Élégie	{{hs\|Elegie 2}}Élégie [No. 2]	for violin and piano
valign="top" \| Chamber music	align=center\|166	align=center\|146	align=center\|1921	Sonate pour hautbois en ré majeur	Oboe Sonata in D major	for oboe and piano
valign="top" \| Chamber music	align=center\|167	align=center\|147	align=center\|1921	Sonate pour clarinette en mi bémol majeur	Clarinet Sonata in E{{music\|flat}} major	for clarinet and piano
valign="top" \| Chamber music	align=center\|168	align=center\|148	align=center\|1921	Sonate pour basson en sol majeur	Bassoon Sonata in G major	for bassoon and piano
valign="top" \| Chamber music	align=center\|—	align=center\|108	align=center\|1853	Adagio en mi bémol majeur	Adagio in E{{music\|flat}} major	for horn and organ
valign="top" \| Chamber music	align=center\|—	align=center\|	align=center\|	Gavotte	Gavotte	for cello and piano or orchestra
valign="top" \| Keyboard	align=center\|{{hs\|00}}1	align=center\|	align=center\|1852	Trois morceaux	{{hs\|Pieces 3}}3 Pieces	for harmonium
valign="top" \| Keyboard	align=center\|{{hs\|008a}}8	align=center\|110	align=center\|1858	Six Duos	{{hs\|Duets 6}}6 Duets	for harmonium and piano
valign="top" \| Keyboard: organ	align=center\|—	align=center\|	align=center\|{{hs\|1853}}{{Abbreviation\|c.\|circa}}{{nbsp}}1853	Deux pièces	{{hs\|Pieces 2}}2 Pieces	for organ
valign="top" \| Keyboard: organ	align=center\|—	align=center\|{{hs\|0}}78	align=center\|1857	Fantaisie en mi bémol majeur	Fantaisie in E{{music\|flat}} major	for organ
valign="top" \| Keyboard: organ	align=center\|{{hs\|00}}9	align=center\|{{hs\|0}}80	align=center\|1859	{{hs\|Benediction nuptiale}}Bénédiction nuptiale	{{hs\|Benediction nuptiale}}Bénédiction nuptiale in F major	for organ
valign="top" \| Keyboard: organ	align=center\|—	align=center\|	align=center\|1863	La prédication aux oiseaux, St François d'Assise, Légende		for organ	transcription of the first St. Francis Legend, S. 175 No. 1 by Franz Liszt
valign="top" \| Keyboard: organ	align=center\|{{hs\|0}}13	align=center\|{{hs\|0}}80	align=center\|1865	{{hs\|Elevation, ou communion}}Élévation, ou communion	{{hs\|Elevation, or communion}}Élévation, or Communion in E major	for organ or harmonium
valign="top" \| Keyboard: organ	align=center\|{{hs\|007a}}7	align=center\|{{hs\|0}}87	align=center\|1866	{{hs\|Rhapsodies sur des cantiques bretons}}3 Rhapsodies sur des cantiques bretons, Pélérinage au pardon de Sainte Anne-la-Palud		for organ	orchestrated in 1891 as Rhapsodie bretonne, Op. 7b
valign="top" \| Keyboard: organ	align=center\|{{hs\|0}}99	align=center\|	align=center\|1894	Trois préludes et fugues {{ordered list\| Prélude et fugue en mi majeur \| Prélude et fugue en si majeur \| Prélude et fugue en mi bémol majeur }}	{{hs\|Preludes and Fugues 3}}3 Préludes and Fugues {{ordered list\| Prélude and Fugue in E major \| Prélude and Fugue in B major \| Prélude and Fugue in E{{music\|flat}} major }}	for organ
valign="top" \| Keyboard: organ	align=center\|101	align=center\|	align=center\|1895	Fantaisie nº 2 en ré bémol majeur	Fantaisie No. 2 in D{{music\|flat}} major	for organ
valign="top" \| Keyboard: organ	align=center\|107	align=center\|{{hs\|0}}96	align=center\|1897	Marche religieuse en fa majeur		for organ
valign="top" \| Keyboard: organ	align=center\|109	align=center\|	align=center\|1898	Trois préludes et fugues {{ordered list\| Prélude et fugue en ré mineur \| Prélude et fugue en sol majeur \| Prélude et fugue en ut majeur }}	{{hs\|Preludes and Fugues 3}}3 Préludes and Fugues {{ordered list\| Prélude and Fugue in D minor \| Prélude and Fugue in G major \| Prélude and Fugue in C major }}	for organ
valign="top" \| Keyboard: organ	align=center\|150	align=center\|100	align=center\|1916–1917	Sept improvisations	{{hs\|Improvisations 7}}7 Improvisations	for organ
valign="top" \| Keyboard: organ	align=center\|157	align=center\|	align=center\|1919	Fantaisie nº 3 en ut majeur	Fantaisie No. 3 in C major	for organ
valign="top" \| Keyboard: organ	align=center\|—	align=center\|	align=center\|	Cinq morceaux	{{hs\|Pieces 5}}5 Pieces	for organ or harmonium
valign="top" \| Keyboard: organ	align=center\|—	align=center\|	align=center\|	Morceau		for organ
valign="top" \| Keyboard: organ	align=center\|—	align=center\|	align=center\|	{{hs\|Prelude}}Prélude en fa majeur	{{hs\|Prelude}}Prélude in F major	for organ
valign="top" \| Keyboard: piano	align=center\|135	align=center\|{{hs\|0}}54	align=center\|1912	{{hs\|Six Etudes pour la main gauche seule}}Six Études pour la main gauche seule {{ordered list\| Prélude \| Alla fuga \| Moto perpetuo \| Bourrée \| Élégie \| Gigue }}	{{hs\|Etudes for the Left Hand 6}}6 Études for the Left Hand {{ordered list\| Prélude \| Alla fugue \| Moto perpetuo \| Bourrée \| Élégie \| Gigue }}	for piano left hand
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1850}}{{Abbreviation\|c.\|circa}}{{nbsp}}1850	Variations sur le chœur de Judas Macchabée	Variations on the Chorus from Judas Maccabaeus	for piano 4-hands	theme: "See, the Conqu'ring Hero Comes!", Act III chorus from the oratorio Judas Maccabaeus, HWV 63 by George Frideric Handel
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}11	align=center\|	align=center\|1855	Duettino	Duettino in G major	for piano 4-hands
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}59	align=center\|	align=center\|1880	König Harald Harfagar	König Harald Harfagar	for piano 4-hands
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}81	align=center\|{{hs\|0}}61	align=center\|1887	Feuillet d'album		for piano 4-hands
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}86	align=center\|150	align=center\|1887	Pas redoublé en si bémol majeur		for piano 4-hands
valign="top" \| Keyboard: piano	align=center\|105	align=center\|{{hs\|0}}63	align=center\|1896	Berceuse en mi majeur	Berceuse in E major	for piano 4-hands
valign="top" \| Keyboard: piano	align=center\|125	align=center\|	align=center\|1908	Sur les bords du Nil, Marche militaire		for piano 4-hands	original for military band
valign="top" \| Keyboard: piano	align=center\|152	align=center\|	align=center\|1918	Vers la victoire, Pas redoublé pour musique militaire		for piano 4-hands	original: two-step for military band; arrangement by the composer
valign="top" \| Keyboard: piano	align=center\|155	align=center\|{{hs\|0}}64	align=center\|1918	Marche interalliée		for piano 4-hands	original for military band; arrangement by the composer
valign="top" \| Keyboard: piano	align=center\|163	align=center\|{{hs\|0}}65	align=center\|1921	Marche dédiée aux étudiants d'Alger		for piano 4-hands with chorus ad libitum
valign="top" \| Keyboard: piano	align=center\|{{hs\|008b}}8b	align=center\|{{hs\|0}}70	align=center\|1858, 1897	Duo	Duo	for {{hs\|pianos 2}}2 pianos	after the 6 Duets for harmonium and piano
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}35	align=center\|{{hs\|0}}66	align=center\|1874	Variations sur un thème de Beethoven	Variations on a Theme of Beethoven in E{{music\|flat}} major	for {{hs\|pianos 2}}2 pianos	theme: Trio from movement III, Menuetto, of Ludwig van Beethoven's Piano Sonata No. 18, Op. 31 No. 3 (1802)
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}96	align=center\|{{hs\|0}}69	align=center\|1884	Caprice arabe		for {{hs\|pianos 2}}2 pianos
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1884	Lenore, poème symphonique pour orchestre d'après la Ballade de Bürger	Lenore, Symphonic Poem after the Ballade de Bürger	for {{hs\|pianos 2}}2 pianos	transcription of the symphonic poem by Henri Duparc
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}77	align=center\|{{hs\|0}}67	align=center\|1885	Polonaise en fa mineur	Polonaise in F minor	for {{hs\|pianos 2}}2 pianos
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}87	align=center\|{{hs\|0}}68	align=center\|1889	Scherzo		for {{hs\|pianos 2}}2 pianos
valign="top" \| Keyboard: piano	align=center\|106	align=center\|{{hs\|0}}71	align=center\|1898	Caprice héroïque		for {{hs\|pianos 2}}2 pianos
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1907	Sonate en si bémol mineur de Frédéric Chopin, Op. 35	Piano Sonata No. 2 (Chopin), Op. 35	for {{hs\|pianos 2}}2 pianos	transcription
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1914	Sonate en si mineur de Franz Liszt	Sonata in B Minor by Franz Liszt	for {{hs\|pianos 2}}2 pianos	transcription
valign="top" \| Keyboard: piano	align=center\|—	align=center\|{{hs\|00}}7	align=center\|1841	Andante en sol majeur	Andante in G major	for piano
valign="top" \| Keyboard: piano	align=center\|—	align=center\|{{hs\|0}}15	align=center\|1842	Allegretto en mi bémol majeur	Allegretto in E{{music\|flat}} major	for piano
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1843}}{{Abbreviation\|c.\|circa}}{{nbsp}}1843	Valse	Waltz	for piano
valign="top" \| Keyboard: piano	align=center\|{{hs\|00}}3	align=center\|{{hs\|0}}25	align=center\|1855	Six bagatelles	{{hs\|Bagatelles 6}}6 Bagatelles	for piano
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1858	Scherzo du Songe d'une nuit d'été de Mendelssohn	Scherzo from "A Midsummer Night's Dream" by Mendelssohn	for piano	transcription from A Midsummer Night's Dream by Felix Mendelssohn
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1858–1859	Trois transcriptions de quatuors de Beethoven {{ordered list\| Adagio du 6^me quatuor \| Scherzo du 7^me quatuor \| Finale du 9^me quatuor }}	{{hs\|Transcriptions from String Quartets by Beethoven}}3 Transcriptions from String Quartets by Beethoven{{ordered list\| Adagio from String Quartet No. 6, Op. 18 No. 6 \| Scherzo from String Quartet No. 7, Op. 59 No. 1 \| Finale from String Quartet No. 9, Op. 59 No. 3 }}	for piano	transcription of string quartet movements by Ludwig van Beethoven
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1861}}{{Abbreviation\|c.\|circa}}{{nbsp}}1861	Adagio de la 3^e cantate d'église		for piano	transcription after Johann Sebastian Bach
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1861}}{{Abbreviation\|c.\|circa}}{{nbsp}}1861	Air de la 36^e cantate d'église		for piano	transcription after Johann Sebastian Bach
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1861}}{{Abbreviation\|c.\|circa}}{{nbsp}}1861	Andante de la 3^e Sonate de Violon		for piano	transcription from Sonata for Violin No. 2, BWV 1003 by Johann Sebastian Bach
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1861}}{{Abbreviation\|c.\|circa}}{{nbsp}}1861	Andantino de la 8^e cantate d'église		for piano	transcription after Johann Sebastian Bach
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1861}}{{Abbreviation\|c.\|circa}}{{nbsp}}1861	Bourrée de la 2^e Sonate de Violon		for piano	transcription of Tempo di Borea from Partita for Violin No. 1, BWV 1002 by Johann Sebastian Bach
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1861}}{{Abbreviation\|c.\|circa}}{{nbsp}}1861	{{hs\|Choeur de la 30e cantate d'église}}Chœur de la 30^e cantate d'église		for piano	transcription after Johann Sebastian Bach
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1861}}{{Abbreviation\|c.\|circa}}{{nbsp}}1861	Fugue de la 5^e Sonate de Violon		for piano	transcription from Sonata for Violin No. 3, BWV 1005 by Johann Sebastian Bach
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1861}}{{Abbreviation\|c.\|circa}}{{nbsp}}1861	Gavotte de la 6^e Sonate de Violon		for piano	transcription of Gavotte en rondeau from Partita for Violin No. 3, BWV 1006 by Johann Sebastian Bach
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1861}}{{Abbreviation\|c.\|circa}}{{nbsp}}1861	Introduction et air de al 15^e cantate d'église		for piano	transcription after Johann Sebastian Bach
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1861}}{{Abbreviation\|c.\|circa}}{{nbsp}}1861	Largo de la 5^e Sonate de Violon		for piano	transcription from Sonata for Violin No. 3, BWV 1005 by Johann Sebastian Bach
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1861}}{{Abbreviation\|c.\|circa}}{{nbsp}}1861	Ouverture de la 28^e cantate d'église [sic]		for piano	transcription from Cantata No. 29, BWV 29 after Johann Sebastian Bach
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1861}}{{Abbreviation\|c.\|circa}}{{nbsp}}1861	Presto de la 35^e cantate d'église		for piano	transcription after Johann Sebastian Bach
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1861}}{{Abbreviation\|c.\|circa}}{{nbsp}}1861	{{hs\|Recitativ et air de la 30e cantate d'église}}Récitativ et air de la 30^e cantate d'église		for piano	transcription after Johann Sebastian Bach
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1862	Kermesse et valse de Faust, opéra de C. Gounod		for piano	transcription from the opera Faust by Charles Gounod
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}21	align=center\|	align=center\|1862	Mazurka nº 1 en sol mineur	Mazurka No. 1 in G minor	for piano
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1867	Caprice sur les airs de ballet d'Alceste de Gluck		for piano	transcription after the opera Alceste by Christoph Willibald Gluck
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1867	Menuet d'Orphée		for piano	transcription from the opera Orphée et Eurydice by Christoph Willibald Gluck
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1869	Andante de la 36^me symphonie d'Haydn		for piano	transcription from Symphony No. 36 by Joseph Haydn
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1869	{{hs\|Choeur des Derviches Tourneurs}}Chœur des Derviches Tourneurs tiré des Ruines d'Athèns de Beethoven	Dervish Chorus from The Ruins of Athens	for piano	transcription of the chorus from The Ruins of Athens, Op. 113 by Ludwig van Beethoven
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1869	Paraphrase sur Mandolinata de E. Paladilhe	Mandolinata	for piano	transcription of the song by Émile Paladilhe
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1870	Improvisation sur la Beethoven-Cantate de F. Liszt	Improvisation on the Beethoven Cantata by Franz Liszt	for piano	transcription after Franz Liszt
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}23	align=center\| 31 \| align="center" \|1871	Gavotte en ut mineur	Gavotte in C minor	for piano
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}24	align=center\|	align=center\|1871	Mazurka nº 2 en sol mineur	Mazurka No. 2 in G minor	for piano
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1871	Paraphrase sur la Isleña (Havanaise), mélodie de Paladilhe	La Isleña (Havanaise)	for piano	transcription of the song by Émile Paladilhe
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1871	Romance sans paroles en si mineur	Romance sans paroles in B minor	for piano
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1872	Chant du soir (Abendlied)	Evening Song	for piano	transcription for piano, 2-hands, of the original Abendlied for piano 4-hands, Op. 85 No. 12 from 12 Klavierstücke für kleine und große Kinder by Robert Schumann; also a version for orchestra
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}70	align=center\|200	align=center\|1884	Allegro appassionato en ut dièse mineur	Allegro appassionato in C{{music\|sharp}} minor	for piano	also for piano with orchestra ad libitum
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1875	Paraphrase sur Gallia, Cantate de C. Gounod		for piano	transcription of the 1871 oratorio by Charles Gounod
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}52	align=center\|{{hs\|0}}35	align=center\|1877	{{hs\|Six Etudes}}Six Études {{ordered list\| Prélude \| Pour l'indépendence des doigts \| Prélude et fugue en fa mineur \| Étude de rythme \| Prélude et fugue en la majeur \| En forme de valse }}	{{hs\|Etudes 6}}6 Études {{ordered list\| Prélude \| Pour l'indépendence des doigts \| Prélude et fugue in F minor \| Étude de rythme \| Prélude et fugue in A major \| En forme de valse }}	for piano
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}56	align=center\|{{hs\|0}}34	align=center\|1872	Menuet et valse	Menuet and Waltz	for piano
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1880	Andante de la 94^me symphonie "La surprise" d'Haydn		for piano	transcription of movement II from Symphony No. 94 by Joseph Haydn
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}66	align=center\|	align=center\|1882	Mazurka nº 3 en si mineur	Mazurka No. 3 in B minor	for piano
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}72	align=center\|	align=center\|1884	Album {{ordered list\| Prélude \| Carillon \| Toccata \| Valse \| Chanson napolitaine \| Finale }}	Album	for piano
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1884	Andantino	Andantino	for piano
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1884	Chanson des Maucroix de J. Durand		for piano	transcription of the song by Jacques Durand
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}73	align=center\|201	align=center\|1884	Rhapsodie d'Auvergne en ut majeur		for piano	also for piano and orchestra; recorded by the composer for Welte-Mignon, 13 December 1905
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1885	Improvisation	Improvisation	for piano
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}80	align=center\|{{hs\|0}}40	align=center\|1887	Souvenir d'Italie en sol majeur		for piano
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}85	align=center\|{{hs\|0}}42	align=center\|1889	Les cloches du soir en la bémol majeur		for piano
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}88	align=center\|{{hs\|0}}43	align=center\|1890	Valse canariote en la mineur	Valse canariote in A minor	for piano
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}90	align=center\|	align=center\|1891	Suite en fa majeur {{ordered list\| Prélude et fugue \| Menuet \| Gavotte \| Gigue }}	Suite in F major {{ordered list\| Prélude and Fugue \| Menuet \| Gavotte \| Gigue }}	for piano
valign="top" \| Keyboard: piano	align=center\|{{hs\|0}}97	align=center\|{{hs\|0}}45	align=center\|1894	Thème varié	Theme and Variations	for piano
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1895	La mort de Thaïs, Paraphrase de concert sur l'opéra de J. Massenet	{{hs\|Death of Thaïs}}The Death of Thaïs, Concert paraphrase	for piano	transcription after the opera Thaïs by Jules Massenet
valign="top" \| Keyboard: piano	align=center\|100	align=center\|	align=center\|1895	Souvenir d'Ismaïlia		for piano
valign="top" \| Keyboard: piano	align=center\|104	align=center\|{{hs\|0}}47	align=center\|1896	Valse mignonne en mi bémol majeur		for piano
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1897	Nocturne sur des motifs d'Hellé, opéra d'Alphonse Duvernoy		for piano	transcription after the 1896 opera Hellé by Victor Alphonse Duvernoy; also a version for violin and piano
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|{{hs\|1898}}{{Abbreviation\|c.\|circa}}{{nbsp}}1898	Quatre morceaux	{{hs\|Pieces 4}}4 Pieces	for piano
valign="top" \| Keyboard: piano	align=center\|110	align=center\|{{hs\|0}}48	align=center\|1898	Valse nonchalante en ré bémol majeur		for piano
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1899	Deux fantaisies écrites pour le luth par D. Luis Milan de Valence (Compositeur espagnol du XVI^e siècle)		for piano	transcription after Luis de Milán
valign="top" \| Keyboard: piano	align=center\|111	align=center\|{{hs\|0}}49	align=center\|1899	{{hs\|Six Etudes}}Six Études {{ordered list\| Tierces majeures et mineures \| Traits chromatiques \| Prélude et fugue en mi bémol mineur\| Les cloches de Las Palmas \| Tierces majeures chromatiques \| Toccata (d'après le cinquième concerto) }}	{{hs\|Etudes 6}}6 Études	for piano
valign="top" \| Keyboard: piano	align=center\|120	align=center\|{{hs\|0}}51	align=center\|1903	Valse langoureuse		for piano
valign="top" \| Keyboard: piano	align=center\|—	align=center\|	align=center\|1909	Feuillet d'album	Album Leaf	for piano
valign="top" \| Keyboard: piano	align=center\|139	align=center\|{{hs\|0}}55	align=center\|1912	Valse gaie		for piano
valign="top" \| Keyboard: piano	align=center\|161	align=center\|	align=center\|1920	Six Fugues	{{hs\|Fugues 6}}6 Fugues	for piano
valign="top" \| Keyboard: piano	align=center\|169	align=center\|{{hs\|0}}58	align=center\|1921	Feuillet d'album	Album Leaf	for piano
valign="top" \| Choral: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1851}}{{Abbreviation\|c.\|circa}}{{nbsp}}1851	Moïse sauvé des eaux			Oratorio; words by Victor Hugo
valign="top" \| Choral: sacred	align=center\|{{hs\|00}}4	align=center\|	align=center\|1855	Messe	Mass	for {{hs\|solo voices 4}}4 solo voices, chorus, orchestra and organ
valign="top" \| Choral: sacred	align=center\|{{hs\|00}}5	align=center\|	align=center\|1856	Tantum ergo	Tantum ergo	for chorus and organ
valign="top" \| Choral: sacred	align=center\|{{hs\|0}}12	align=center\|	align=center\|1858	Oratorio de Noël		for solo voices, chorus, string quartet, harp and organ	Oratorio
valign="top" \| Choral: sacred	align=center\|—	align=center\|	align=center\|1858	Veni creator en ut majeur	Veni creator in C major	for chorus with organ ad libitum
valign="top" \| Choral: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1860}}{{Abbreviation\|c.\|circa}}{{nbsp}}1860	{{hs\|O Saint Autel}}Ô Saint Autel, Cantique en ré majeur		for {{hs\|altos 3}}3 altos, chorus and piano	Canticle
valign="top" \| Choral: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1860}}{{Abbreviation\|c.\|circa}}{{nbsp}}1860	Pour vous bénir, Signeur, Cantique en mi majeur		for {{hs\|altos 3}}3 altos, chorus and piano	Canticle; words by A. Cuinet
valign="top" \| Choral: sacred	align=center\|{{hs\|0}}42	align=center\|	align=center\|1865	{{hs\|Coeli enarrant}}Cœli enarrant (Psaume XVIII)	{{hs\|Coeli enarrant}}Cœli enarrant (Psalm 18)	for solo voices, chorus and orchestra
valign="top" \| Choral: sacred	align=center\|{{hs\|0}}45	align=center\|	align=center\|1875	{{hs\|Le Deluge}}Le déluge	{{hs\|Flood}}The Flood	for solo voices, chorus and orchestra	Oratorio; words by Louis Gallet
valign="top" \| Choral: sacred	align=center\|{{hs\|0}}54	align=center\|	align=center\|1878	Requiem	Requiem	for solo voices, chorus and orchestra
valign="top" \| Choral: sacred	align=center\|—	align=center\|	align=center\|1904	Offertoire pour la Toussaint en fa majeur		for chorus, organ with cello and double bass ad libitum	first version
valign="top" \| Choral: sacred	align=center\|—	align=center\|	align=center\|1904, 1913	Offertoire pour la Toussaint en fa majeur		for chorus and orchestra	second version 1913
valign="top" \| Choral: sacred	align=center\|127	align=center\|	align=center\|{{hs\|1908}}{{Abbreviation\|c.\|circa}}{{nbsp}}1908	Psaume CL "Laudate Dominum"	Psalm 150 "Praise Ye the Lord"	for double mixed chorus, orchestra and organ
valign="top" \| Choral: sacred	align=center\|140	align=center\|	align=center\|1913	La terre promise	{{hs\|Promised Land}}The Promised Land	for vocal soloists, chorus and orchestra	Oratorio in 3 parts; words by Hermann Klein
valign="top" \| Choral: sacred	align=center\|145	align=center\|	align=center\|1914	Ave Maria	Ave Maria	for mixed chorus a cappella
valign="top" \| Choral: sacred	align=center\|147	align=center\|	align=center\|1914	Tu es Petrus	Tu es Petrus	for male chorus and organ
valign="top" \| Choral: sacred	align=center\|148	align=center\|	align=center\|1915	Quam Dilecta	Quam Dilecta, Motet	for mixed chorus and organ with harp ad libitum
valign="top" \| Choral: sacred	align=center\|149	align=center\|	align=center\|1916	Laudate Dominum	Laudate Dominum	for mixed chorus a cappella
valign="top" \| Choral: sacred	align=center\|—	align=center\|	align=center\|	Ave verum en ré majeur	Ave verum in D major	for female chorus, organ and horn obbligato
valign="top" \| Choral: sacred	align=center\|—	align=center\|	align=center\|	Neuf chants religieux latins	{{hs\|Sacred Latin Chants 9}}9 Sacred Latin Chants
valign="top" \| Choral: sacred	align=center\|—	align=center\|	align=center\|	Psaume CXXXVI "Super flumina Babylonis"	Psalm 136 "Super flumina Babylonis"	for chorus
valign="top" \| Choral: sacred	align=center\|—	align=center\|	align=center\|	{{hs\|Six choeurs religieux}}Six chœurs religieux	{{hs\|Sacred Choruses 6}}6 Sacred Choruses
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|{{hs\|1848}}{{Abbreviation\|c.\|circa}}{{nbsp}}1848	Imogine			Cantata
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|{{hs\|1848}}{{Abbreviation\|c.\|circa}}{{nbsp}}1848	Les Israëlites sur la montagne d'Oreb			Oratorio; fragment
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|{{hs\|1848}}{{Abbreviation\|c.\|circa}}{{nbsp}}1848	Télésille			Cantata; words by Amable Tastu
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|{{hs\|1849}}{{Abbreviation\|c.\|circa}}{{nbsp}}1849	Cantate	Cantata		words by Amable Tastu
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|{{hs\|1850}}{{Abbreviation\|c.\|circa}}{{nbsp}}1850	La rose
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|1852	Le Retour de Virginie, Cantate		for {{hs\|voices 3}}3 voices and orchestra
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|1852	Les cloches			Symphonic ode
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|1852	Fugue et chœur	Fugue and Chorus
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|1852	Ode à Sainte-Cécile		for vocal soloists, chorus and orchestra
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|1857	La toilette de la marquise de Présalé
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|1858	Macbeth	Macbeth	for chorus and orchestra
valign="top" \| Choral	align=center\|{{hs\|0}}19	align=center\|	align=center\|1867	Les noces de Prométhée		for narrator, soprano, baritone, double mixed chorus and orchestra	libretto by Romain Cornut
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|1867	{{hs\|Serenade d'hiver}}Sérénade d'hiver		for male chorus	words by Henri Cazalis
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|1875	La nuage
valign="top" \| Choral	align=center\|{{hs\|0}}46	align=center\|	align=center\|1876	Les soldats de Gédéon		for male chorus	words by Louis Gallet
valign="top" \| Choral	align=center\|{{hs\|0}}53	align=center\|	align=center\|1878	L'art d'être grand-père, Deux chœurs {{ordered list\| Chanson de grand-père \| Chanson d'ancêtre }}		{{hs\|for female chorus and orchestra}}1. for female chorus and orchestra 2. for baritone, male chorus and orchestra	words by Victor Hugo
valign="top" \| Choral	align=center\|{{hs\|0}}57	align=center\|	align=center\|1879	La lyre et la harpe		for solo voices, chorus and orchestra	words by Victor Hugo
valign="top" \| Choral	align=center\|{{hs\|0}}69	align=center\|	align=center\|1881	{{hs\|Hymne a Victor Hugo}}Hymne à Victor Hugo	Hymn to Victor Hugo	for orchestra with chorus ad libitum
valign="top" \| Choral	align=center\|{{hs\|0}}68	align=center\|	align=center\|1882	Deux chœurs {{ordered list\| Calme des nuits \| Les fleurs et les arbres }}	{{hs\|Choruses 2}}2 Choruses	for mixed chorus with piano ad libitum
valign="top" \| Choral	align=center\|{{hs\|0}}71	align=center\|	align=center\|1884	Deux chœurs {{ordered list\| Les marins de Kermor \| Les titans }}	{{hs\|Choruses 2}}2 Choruses	for chorus a cappella	words by Théobald Saint-Félix
valign="top" \| Choral	align=center\|{{hs\|0}}74	align=center\|	align=center\|1885	Saltarelle	Saltarelle	for male chorus	words by Émile Deschamps
valign="top" \| Choral	align=center\|{{hs\|0}}84	align=center\|	align=center\|1888	Les guerriers		for male chorus	words by Georges Audigier
valign="top" \| Choral	align=center\|{{hs\|026b}}26b	align=center\|	align=center\|1891	Nuit persane {{ordered list\| La solitaire \| La vallée de l'union \| Fleurs de sang \| Songe d'opium }}		for tenor, alto, narrator, mixed chorus and orchestra	words by Armand Renaud (1836–1895)
valign="top" \| Choral	align=center\|113	align=center\|	align=center\|1899	Chants d'automne		for male chorus a cappella	words by S. Sicard
valign="top" \| Choral	align=center\|114	align=center\|	align=center\|1900	La nuit		for soprano, female chorus and orchestra	words by Georges Audigier
valign="top" \| Choral	align=center\|115	align=center\|	align=center\|1900	Le feu céleste		for narrator, soprano, chorus, orchestra and organ	words by Armand Silvestre
valign="top" \| Choral	align=center\|121	align=center\|	align=center\|1903	{{hs\|A la France}}À la France		for male chorus with mixed chorus ad libitum	words by Jules Combarieu (1859–1916)
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|1905	Ode d'Horace		for male chorus a cappella
valign="top" \| Choral	align=center\|126	align=center\|	align=center\|1906	La gloire de Corneille		for soloists, chorus and orchestra	Cantata; words by Sébastien-Charles Leconte (1860–1934) and Pierre Corneille
valign="top" \| Choral	align=center\|129	align=center\|	align=center\|1909	Le matin		for male chorus a cappella	words by Alphonse de Lamartine
valign="top" \| Choral	align=center\|131	align=center\|	align=center\|1911	La gloire		for tenor, baritone, mixed chorus and piano	words by Lucien Augé de Lassus
valign="top" \| Choral	align=center\|134	align=center\|	align=center\|1912	Aux aviateurs		for male chorus	words by Jean Bonnerot
valign="top" \| Choral	align=center\|137	align=center\|	align=center\|1912	Aux mineurs		for male chorus	words by Jean Bonnerot
valign="top" \| Choral	align=center\|138	align=center\|	align=center\|1912	Hymne au printemps		for male chorus	words by Jean Bonnerot
valign="top" \| Choral	align=center\|141	align=center\|	align=center\|1913	Deux chœurs {{ordered list\| Des pas dans l'allée: Madrigal \| Trinquons: Chanson à boire }}	{{hs\|Choruses 2}}2 Choruses	for mixed chorus a cappella	1. words by Maurice Boukay 2. words by Pierre-Jean de Béranger
valign="top" \| Choral	align=center\|142	align=center\|	align=center\|1914	Hymne au travail		for male chorus	words by Jean Bonnerot
valign="top" \| Choral	align=center\|151	align=center\|	align=center\|1917	Trois chœurs {{ordered list\| Chansons des aiguilles \| Salut au chevalier \| Le sourire }}	{{hs\|Choruses 3}}3 Choruses	for female chorus and piano	1. words by Jean Bonnerot 2. words by Paul Fournier 3. words by Jean Mirval
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|1920	{{hs\|Hymne a Jeanne d'Arc}}Hymne à Jeanne d'Arc		for chorus and organ
valign="top" \| Choral	align=center\|164	align=center\|	align=center\|—	Aux conquérants de l'air		for chorus of 2 equal voices and piano
valign="top" \| Choral	align=center\|165	align=center\|	align=center\|—	Le printemps		for chorus of 2 equal voices and piano	words by Jean de La Fontaine
valign="top" \| Choral	align=center\|—	align=center\|	align=center\|—	Canon		for female chorus a cappella
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1844}}{{Abbreviation\|c.\|circa}}{{nbsp}}1844	{{hs\|A Saint Joseph}}À Saint Joseph, Cantique			Canticle
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1844}}{{Abbreviation\|c.\|circa}}{{nbsp}}1844	Dans ce beau moi, Cantique			Canticle
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1844}}{{Abbreviation\|c.\|circa}}{{nbsp}}1844	Nous qu'en ces lieux, Cantique			Canticle
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1844}}{{Abbreviation\|c.\|circa}}{{nbsp}}1844	{{hs\|Recois mes hommages}}Reçois mes hommages, Cantique			Canticle
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1855}}{{Abbreviation\|c.\|circa}}{{nbsp}}1855	La madonna col bambino, Cantique en fa majeur		for alto and piano	Canticle; words by St. Alfonso di Liguori
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|1858	O salutaris en si bémol majeur	O salutaris in B{{music\|flat}} major	for soprano, alto, baritone and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1859}}{{Abbreviation\|c.\|circa}}{{nbsp}}1859	Ave Maria en si bémol majeur	Ave Maria in B{{music\|flat}} major	for soprano and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1859}}{{Abbreviation\|c.\|circa}}{{nbsp}}1859	Ave Maria en mi majeur	Ave Maria in E major	for baritone and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1860}}{{Abbreviation\|c.\|circa}}{{nbsp}}1860	Ave Maria en la majeur	Ave Maria in A major	for {{hs\|altos 2}}2 altos and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1860}}{{Abbreviation\|c.\|circa}}{{nbsp}}1860	Ave verum en si bémol majeur	Ave verum in B{{music\|flat}} major	for soprano, alto, tenor, bass and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1860}}{{Abbreviation\|c.\|circa}}{{nbsp}}1860	Heureux qui du cœur de Marie, Cantique en la majeur		for alto (or chorus) and piano	Canticle
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1860}}{{Abbreviation\|c.\|circa}}{{nbsp}}1860	O salutaris en la majeur	O salutaris in A major	for alto and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1860}}{{Abbreviation\|c.\|circa}}{{nbsp}}1860	Reine des cieux, Cantique en la bémol majeur		for alto (or chorus) and piano	Canticle
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1860}}{{Abbreviation\|c.\|circa}}{{nbsp}}1860	Sub tuum en fa mineur	Sub tuum in F minor	for soprano, alto and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1860}}{{Abbreviation\|c.\|circa}}{{nbsp}}1860	Tantum ergo en mi bémol majeur	Tantum ergo in E{{music\|flat}} major	for {{hs\|sopranos 2}}2 sopranos, alto and organ with chorus ad libitum
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|{{hs\|1863}}{{Abbreviation\|c.\|circa}}{{nbsp}}1863	Ave verum en si mineur	Ave verum in B minor	for soprano, alto and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|1865	Ave Maria en la majeur	Ave Maria in A major	for soprano or tenor and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|1865	Inviolata en ré majeur	Inviolata in D major	for alto and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|1869	O salutaris en la bémol majeur	O salutaris in A{{music\|flat}} major	for soprano, alto, baritone and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|1875	O salutaris en mi bémol majeur	O salutaris in E{{music\|flat}} major	for soprano and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|1884	O salutaris en mi majeur	O salutaris in E major	for tenor, baritone and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|1884	O salutaris en mi bémol majeur	O salutaris in E{{music\|flat}} major	for alto and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|1885	Deus Abraham en fa majeur	Deus Abraham in F major	for alto and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|1885	Pie Jesu en ut mineur	Pie Jesu in C minor	for bass and organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|1898	Panis angelicus en fa majeur	Panis angelicus in F major	for tenor or soprano, string quartet or organ
valign="top" \| Vocal: sacred	align=center\|—	align=center\|	align=center\|1917	Litanies à la Sainte Vierge		for voice and organ
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|	Les heures		for narrator and piano
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1841	Ariel		for voice and piano
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1841	Le soir		for voice and piano	words by Marceline Desbordes-Valmore
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1841}}{{Abbreviation\|c.\|circa}}{{nbsp}}1841	La maman		for voice and piano	words by Amable Tastu
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1844	Tandis que sur vos ans		for voice and piano
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1847}}{{Abbreviation\|c.\|circa}}{{nbsp}}1847	La Golfe de Baya		for voice and piano	words by Alphonse de Lamartine
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1849	Télésille		for voice and piano	words by Amable Tastu
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1850	Bergeronnette		for voice and piano	words by J. Lombard
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1850	Lamento		for voice and piano	words by Théophile Gautier
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1850	Le lac		for voice and piano	words by Alphonse de Lamartine
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1851	Guitare		for voice and piano	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1851	Le poète mourant		for voice and piano	words by Alphonse de Lamartine
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1851	Le rendezvous		for voice and piano	words by Eugène Fiéffé
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1851	{{hs\|Reverie}}Rêverie		for voice and orchestra	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1852	Idylle		for voice and piano	words by Deschoulières
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1852}}{{Abbreviation\|c.\|circa}}{{nbsp}}1852	L'automne		for voice and piano	words by Alphonse de Lamartine
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1852	Le pas d'armes du Roi Jean		for voice and orchestra	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1852	{{hs\|Melodie}}Mélodie		for voice and orchestra	words by Alphonse de Lamartine
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1853	Le feuille de peuplier		for voice and orchestra	words by Amable Tastu
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1854	Ruhethal		for voice and piano	words by Ludwig Uhland
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1854}}{{Abbreviation\|c.\|circa}}{{nbsp}}1854	La chasse du burgrave		for voice and piano	lost
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1854}}{{Abbreviation\|c.\|circa}}{{nbsp}}1854	La porta dell'inferno		for voice and piano	words by Dante
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1855}}{{Abbreviation\|c.\|circa}}{{nbsp}}1855	La cloche		for voice and piano	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1855}}{{Abbreviation\|c.\|circa}}{{nbsp}}1855	L'attente		for voice and orchestra	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1855	Le lever de la lune		for voice and piano	words by Ossian
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1855	Le sommeil des fleurs		for voice and piano	words by G. de Penmarch
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1855	Pastorale, Duettino		for {{hs\|voices 2}}2 voices and piano	words by Destouches
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1855}}{{Abbreviation\|c.\|circa}}{{nbsp}}1855	Plainte		for voice and orchestra	words by Amable Tastu
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1855}}{{Abbreviation\|c.\|circa}}{{nbsp}}1855	Viens!		for soprano, baritone and piano	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1856	{{hs\|A la lune}}À la lune		for voice and piano
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1857}}{{Abbreviation\|c.\|circa}}{{nbsp}}1857	La mort d'Ophélie, Ballade		for voice and piano	words by Ernest Legouvé after William Shakespeare
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1857	Le soir descend sur la colline, Barcarolle		for alto, tenor and piano
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1858}}{{Abbreviation\|c.\|circa}}{{nbsp}}1858	Pourquoi t'exiler		for voice and piano
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1858}}{{Abbreviation\|c.\|circa}}{{nbsp}}1858	Souvenances		for voice and piano	words by Ferdinand Lemaire
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1860}}{{Abbreviation\|c.\|circa}}{{nbsp}}1860	Alla riva del Tebro		for voice and piano
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1860}}{{Abbreviation\|c.\|circa}}{{nbsp}}1860	{{hs\|Etoile du matin}}Étoile du matin		for soprano or tenor and piano	words by Camille Distel
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1860}}{{Abbreviation\|c.\|circa}}{{nbsp}}1860	Extase		for voice and piano	words by Victor Hugo
valign="top" \| Vocal	align=center\|{{hs\|0}}10	align=center\|	align=center\|1860	{{hs\|Scene d'Horace}}Scène d'Horace		for soprano, baritone and orchestra	words by Pierre Corneille
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1862	{{hs\|Soiree en mer}}Soirée en mer		for voice and piano	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1863}}{{Abbreviation\|c.\|circa}}{{nbsp}}1863	Canzonetta toscana		for voice and piano
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1864}}{{Abbreviation\|c.\|circa}}{{nbsp}}1864	Le matin		for voice and piano	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1865}}{{Abbreviation\|c.\|circa}}{{nbsp}}1865	Claire de lune		for voice and piano	words by Catulle Mendès
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1865	Heures passées		for voice and piano	words by A. Lenfaut
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1865	L'enlèvement		for voice and orchestra	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1868	Le chant de ceux qui s'en vont sur la mer		for voice and piano	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1868	La coccinelle		for voice and piano	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1868	Maria-Lucrezia		for voice and piano	words by Ernest Legouvé
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1868}}{{Abbreviation\|c.\|circa}}{{nbsp}}1868	Tristesse		for voice and piano	words by Ferdinand Lemaire
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1869}}{{Abbreviation\|c.\|circa}}{{nbsp}}1869	{{hs\|A quoi bon attendre}}À quoi bon attendre		for voice and piano	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1869}}{{Abbreviation\|c.\|circa}}{{nbsp}}1869	Marquise, vous souvenez-vous?, Menuet		for mezzo-soprano or baritone and piano	words by François Coppée
valign="top" \| Vocal	align=center\|{{hs\|026a}}26	align=center\|	align=center\|1870	{{hs\|Melodies persanes}}Mélodies persanes {{ordered list\| La brise \| La splendeur vide \| La solitaire \| Sabre en main \| Au cimetière \| Tournoiement (Songe d'opium) }}		for voice and piano	words by Armand Renaud (1836–1895)
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1870	Si vous n'avez rien à me dire		for voice and piano	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1871	{{hs\|Voice by the Cedar Tree}}A Voice by the Cedar Tree	{{hs\|Voice by the Cedar Tree}}A Voice by the Cedar Tree	for voice and piano	words by Alfred, Lord Tennyson
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1871	{{hs\|Desir de l'Orient}}Désir de l'Orient		for voice and piano	words by the composer
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1871	El desdichado, Bolero		for {{hs\|voices 2}}2 voices and orchestra	words by Jules Barbier
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1871	My Land	My Land	for voice and piano	words by T. Davis
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1872	Dans ton cœur		for voice and piano	words by Henri Cazalis
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1872	Danse macabre		for voice and piano	words by Henri Cazalis
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1877}}{{Abbreviation\|c.\|circa}}{{nbsp}}1877	Vogue, vogue la galère, Barcarolle		for voice and harmonium ad libitum	words by Jean Aicard
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1879	Night Song of Preciosa	Night Song of Preciosa	for voice and piano	words by Isaac Ginner
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1880	Dans les coins bleus		for voice and piano	words by Charles Augustin Sainte-Beuve
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1885	{{hs\|Chanson a boire du vieux temps}}Chanson à boire du vieux temps		for voice and piano	words by Nicolas Boileau-Despréaux
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1885	Ronde		for voice and piano	words by François Coppée
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1885	Une flûte invisible		for voice and flute	words by Victor Hugo
valign="top" \| Vocal	align=center\|{{hs\|0}}82	align=center\|	align=center\|1887	La fiancée du timbalier		for mezzo-soprano and orchestra	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1888	Suzette et Suzon		for voice and piano	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1890	Guitares et mandolines		for voice and piano	words by the composer
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1890	{{hs\|Presage de la croix}}Présage de la croix		for voice and piano	words by Stéphan Bordèse
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1891	Aimons-nous		for voice and orchestra	words by Théodore de Banville
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1891	Amour viril		for voice and piano	words by Georges Boyer
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1892	{{hs\|La-bas}}Là-bas		for voice and piano	words by Jean-Louis Croze
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1892	{{hs\|Les fees}}Les fées		for voice and orchestra	words by Théodore de Banville
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1892	Les fleurs		for voice and piano	words by V. de Collerville
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1892	Le rossignol		for voice and piano	words by Théodore de Banville
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1892	Madeleine		for voice and piano	words by Alfred Tranchant
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1892	Romance		for voice and harp	words by Émile Bergerat
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1893	{{hs\|Fiere beaute}}Fière beauté		for voice and orchestra	words by Augustin Mahot
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1893	{{hs\|La serenite}}La sérénité		for mezzo-soprano or baritone and piano	words by Marie-Anne Barbier
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1893	Peut-être?		for voice and piano	words by Jean-Louis Croze
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1893	Primavera		for mezzo-soprano or baritone and piano	words by Paul Stuart
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1893	Vive Paris, vive la France		for voice and piano	words by Alfred Tranchant
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1894	La libellule		for voice and orchestra	words by the composer
valign="top" \| Vocal	align=center\|{{hs\|0}}98	align=center\|	align=center\|1894	Pallas Athéné		for soprano and orchestra	words by Jean-Louis Croze
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1894	Pourquoi rester seulette?		for voice and piano	words by Jean-Louis Croze
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1896	{{hs\|Venus}}Vénus		for {{hs\|voices 2}}2 voices and piano	words by the composer
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1897	Madrigal		for voice and piano	words by Molière
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1898	Alla riva del Tebro		for voice and piano	arrangement of a madrigal by Giovanni Pierluigi da Palestrina
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1898	Les vendanges		for voice and orchestra	words by S. Sicard
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1898	Lever de soleil sur le Nil		for voice and orchestra	words by the composer
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1898	Si je l'osais		for voice and piano	words by Alfred Tranchant
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1898	Sonnet		for voice and piano	words by the composer
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1900	Les cloches de la mer		for voice and piano	words by the composer
valign="top" \| Vocal	align=center\|116	align=center\|329	align=center\|1900	Lola	Lola	for soprano and orchestra	words by Stéphan Bordèse
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1901	{{hs\|Desir d'amour}}Désir d'amour		for baritone and piano	words from the Spanish, Deseo de amor, by Francisco Perpiñá
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1901	Elle		for voice and piano	words by Charles Lecocq
valign="top" \| Vocal	align=center\|118	align=center\|	align=center\|1902	Romance du soir		for soprano, alto, tenor and bass	words by Jean-Louis Croze
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1903	L'arbre		for voice and piano	words by Jean Moréas
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1903	{{hs\|Soeur Anne}}Sœur Anne		for voice and piano	words by André Pressat
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1906	Le fleuve		for voice and piano	words by Georges Audigier
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1907	{{hs\|L'etoile}}L'étoile		for voice and piano	words by Prince Haïdar-Pacha
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1907–1921 1907 1921 1921 1920 1921	Cinq poèmes de Ronsard {{ordered list\| L'amour oyseau \| L'amour blessé \| À Sainte-Blaise \| Grasselette et Maigrelette \| L'amant malheureux }}	{{hs\|Poems of Ronsard 5}}5 Poems of Ronsard	for voice and piano	words by Pierre de Ronsard
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1907	Soir romantique		for voice and piano	words by Comtesse de Noailles
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1907	Violons dans le soir		for voice, violin and piano	words by Comtesse de Noailles
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1908	Fomicacicadéide		for voice and piano
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1910}}1910?	La cigale et la fourmi		for voice and piano	words by Jean de La Fontaine
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1912	Le vent dans la plaine		for voice and piano	words by Paul Verlaine
valign="top" \| Vocal	align=center\|146	align=center\|	align=center\|1914	La cendre rouge, Dix poèmes lyriques {{ordered list\| Prélude \| Âme triste \| Douceur \| Silence \| Pâques \| Jour de pluie \| Amoroso \| Mai \| Petite main \| Reviens }}		for voice and piano	words by Georges Docquois (1863–1927)
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1914	Les sapins		for voice and piano	words by Paul Martin
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1914	Vive la France		for voice and piano	words by Paul Fournier
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1915	La Française		for voice and piano	words by Miguel Zamacoïs
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|{{hs\|1915}}{{Abbreviation\|c.\|circa}}{{nbsp}}1915	Ne l'oubliez pas		for voice and piano	words by Mme. Félix Regnault
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1915	S'il est un charmant gazon		for voice and piano	words by Victor Hugo
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1917	Honneur à l'Amérique		for voice and piano	words by Paul Fournier
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1918	Angélus		for voice and piano or orchestra	words by Pierre Aguétant
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1918	{{hs\|Ou nous avons aime}}Où nous avons aimé		for voice and piano or orchestra	words by Pierre Aguétant
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1918	Papillons		for voice and piano or orchestra	words by Renée de Léché
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1918	Victoire!		for voice and piano	words by Paul Fournier
valign="top" \| Vocal	align=center\|159	align=center\|	align=center\|1919	{{hs\|Hymne a la paix}}Hymne à la paix		for high voice and piano	words by J. L. Faure
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|1921	Vieilles chansons {{ordered list\| Temps nouveau \| Avril \| Villanelle }}		for voice and piano	1. words by Charles d'Orléans 2. words by Rémy Belleau 3. words by Jean Vauquelin de la Fresnaye
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|—	Antwort		for voice and piano	words by Ludwig Uhland
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|—	Chanson de Fortunio		for voice and piano	words by Alfred de Musset
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|—	L'echo de la harpe		for voice and piano
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|—	God Save the King	God Save the King	for voice and piano	words in French translation
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|—	Primavera		for voice and piano	words by Charles d'Orléans
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|—	{{hs\|Serenade}}Sérénade		for voice and orchestra	words by L. Mangeot
valign="top" \| Vocal	align=center\|—	align=center\|	align=center\|—	Toi		for voice and piano	words by Édouard St. Chaffray

References

Saint-Saëns