List of compositions by Moritz Moszkowski#Works with opus number

| 1

| style="background-color:#E5E4E2;" | —

| B{{music|flat}} major

| Quasi andantino

| style="background: #F0E68C;" |

| 1874

| MoszWV 1 → A scherzo composed under Moszkowski's alternative name: Anton Notenquetscher. Published by Simon.

| 2

| style="background-color:#E5E4E2;" | —

| A{{music|flat}} major

| Moderato e grazioso

| style="background: #F0E68C;" |

| 1875

| MoszWV 2 → Album leaf is a short instrumental composition usually for piano, and quite often light in character. Published by Hainauer.

| rowspan="4" | 3

| First movement

| B minor

| Allegro con spirito

| rowspan="4" style="background: #DEB887;" |

| rowspan="4" | 1874

| rowspan="4" | MoszWV 160 → Moszkowski began working in his first Piano concerto, with the orchestra consisting of piano, 1 piccolo, 2 flutes, 2 oboes (English horn), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, triangle, violin 1, violin 2, violas, cellos, and double basses, in 1873 at the age of 19 (Moszkowski played this composition, with Franz Liszt on the second piano, in a matinee in Weimar, prompting him to praise Moszkowski admiringly). While Moszkowski later dismissed his Opus. 3 as worthless, he called his Piano Concerto in E major, Op. 59, his best work. In a letter to his publisher in April 1875, Moszkowski said: "I should be happy to send you my piano concerto but for two reasons: first, it is worthless; second, it is most convenient (the score being four hundred pages long) for making my piano stool higher when I am engaged in studying better works." Dedicated to Franz Liszt, it was neglected in an archive at the Bibliothèque nationale de France for 140 years, until the manuscript was found three years prior to its premiere performance at the National Philharmonic Hall in Warsaw, Poland, with the Rzeszow Philharmonic Orchestra conducted by Vladimir Kiradjiev, and soloist Ludmil Angelov, on January 9, 2014. It was then published by Symétrie, Lyon.

| G major

| Adagio

|E major

| Scherzo molto vivace

|B minor

| Allegro con spirito l'istesso tempo

| 4

| style="background-color:#E5E4E2;" | —

| A minor

| Vivo

| style="background: #F0E68C;" |

| 1875

| MoszWV 3 → Caprice is an instrumental free form musical composition with improvisatory style. Dedicated to Frau Helene v. Schack née v. Lynker. Published by Hainauer.

| 5

| style="background-color:#E5E4E2;" | —

| E{{music|flat}} major

| Allegro con brio

| style="background: #F0E68C;" |

| 1875

| MoszWV 5 → Fantasie is a free composition written according to the composer's imagination. Published by Hainauer.

| rowspan="3" | 6

| rowspan="3" style="background-color:#E5E4E2;" | —

| F major

| Allegretto grazioso

| rowspan="3" style="background: #F0E68C;" |

| rowspan="3" | 1875

| rowspan="3" | MoszWV 5 → Fantasie-Impromptu is a free-style composition. Composed and dedicated to Mademoiselle Johanna Wenzel. Published by Simon.

| L’istesso tempo

| Tempo I (Allegretto grazioso)

| rowspan="3" | 7

| No. 1

| B major

| Allegramente

| rowspan="3" style="background: #F0E68C;" |

| rowspan="3" | 1875

| rowspan="3" | MoszWV 6 → A free composition published by Hainauer.

| C{{music|sharp}} minor

| Con moto

| F{{music|sharp}} major

| Tranquillo e semplice

| rowspan="5" | 8

| No. 1

| A major

| Allegro moderato

| rowspan="5" style="background: #8CBED6" |

| rowspan="6" | 1875

| rowspan="5" | MoszWV 100 → Moszkowski began writing his first composition for piano four hands on 4 November 1875 (published in 1876), likely dedicated to Dr. Alfred Pringsheim most probably because the Trois Moments Musicaux, Op. 7 (MoszWV 6), had already been dedicated to Constantin Sternberg. After the success of this composition, and the subsequent Op. 11, it was natural for Moszkowski to write even more pieces for piano four hands. Published by Simon.

| A minor

| Pesante e lugubre

| E major

| Allegro grazioso

| G major

| Vivace assai

| D major

| Pomposo ed energico, ma non troppo allegro

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #F0E68C;" |

| MoszWV 80a → Arranged for piano two hands. Published by Simon. Arrangement for MoszWV 80a was probably written the same year as MoszWV 100.

| rowspan="2" | 9

| Die Verlassene

| C

| Allegretto

| rowspan="2" style="background: #FF5800;" |

| rowspan="2" | 1876

| rowspan="2" | MoszWV 170 → A composition for soprano (Regina Moszkowska was for one year (probably 1902) singing teacher at the Stern Conservatory in Berlin) and piano with libretto by Wilhelm Sachs. No. 1 complete title is Die Verlassene: "Einsam dort am Bache kauert, and no. 2 is Schlaflied: "Schlaf, Bubchen, schlaf" with respective high key in D major, middle in C major, and low in B major. Published by Julius Hainauer.

| D major

| Andante

| rowspan="4" | 10

| Melodie

| G{{music|flat}} major

| Con moto

| rowspan="4" style="background: #F0E68C;" |

| rowspan="4" | 1876

| rowspan="4" | MoszWV 7 → Four little pieces for piano published by Hainauer. No. 4 is translated as: Sachs, a family surname.

| E major

| Tranquillo ed espressivo

| G major

| Allegro

| G minor

| Allegro assai

| rowspan="3" | 11

| Polonaise

| E{{music|flat}} major

| Brioso ed energico

| rowspan="3" style="background: #8CBED6;" |

| rowspan="3" | 1876

| rowspan="3" | MoszWV 101 → A composition for piano four hands published by Hainauer. Dedicated to his friend Carl Wittkowsky.

| G major

| Allegretto grazioso

| B Minor

| Allegro con fuoco

| rowspan="5" | 12

| Flamenco (Gypsy Dance)

| C major

| Allegro brioso

| rowspan="5" style="background: #8CBED6;" |

| rowspan="6" | 1876

| rowspan="5" | MoszWV 102 → A composition for piano four hands dedicated to his brother Alexander Moszkowski. Later publishers found, among other things, a new title for every piece: No. 1 Madrid, No. 2 Sevilla, No. 3 Barcelona, No. 4 Valencia, No. 5 Málaga. They were published by Simon. In 1902 Moszkowski wrote: I think it was about the middle of my seventeenth year that, as often happens to both old and young musicians, I was in sore need of money. I could think of only two ways to get what I wanted: to borrow or to compose something. After turning over, for several days, the advantages and disadvantages of both ways of bettering my circumstances, I concluded I would borrow. Therefore, I went to those two of my colleagues with whom I was on most familiar terms: Philipp and Xaver Scharwenka, in hope that I should not find their fortunes at so low an ebb. File:Theodor Wedepohl - Bildnis Franz Xaver Scharwenka, 1920.jpg Philipp was at home, sitting on a sofa and smoking a pipe. I sat down by him and asked if he had a cigar. He said that he was out of cigars, but that I could smoke a pipe. So I took a pipe and looked around for tobacco, but sought and sought in vain. Finally Philipp said: "You needn’t hunt hunt any longer, Moritz; there is no tobacco here." Then I began to grow a little angry and said: "Do you know, Philipp, that is drawing it rather strong? You offer me an empty pipe, let me look for tobacco in vain and then coolly tell me there is none here, and yet you yourself are smoking. Give me some tobacco." "If you will smoke what I am smoking, I am satisfied." answered Philipp, who emptied his pipe and prepared anew by drawing out a hole in the sofa some of the sea-grass used to stuff it, which he put in his pipe. For a moment I was speechless with astonishment. Now it was clear that I could not borrow money from a man who was using his sofa for smoking. I went back home, sat down at my table, and began to look through my sketch book. A motive of Spanish character struck my eyes, and at the same moment arose the thought that I would write a set of Spanish dances. I worked rapidly, and in several days had finished my Opus 12, the Spanish Dances for four hands. I had only the last few notes to write as [Xaver] Scharwenka stepped into my room. "Good day, Moritz," he said; "you may be glad that you need not to go out, for it is wretched weather." "Since we are speaking of wretched things," said I, "what are you composing now?" "Oh, nothing," said Xaver, who was accustomed to this kind of conversational tone from me; "but you appear to be at work: do you need money?" Right you are," said I, "and you can do me a service by playing through these four-hand pieces and telling me what you think of them." We tried the dances, and then Xaver said: "I would rather have lent you some money, so that you would not have had to compose." But that was only a return thrust. An hour later I called on Simon the publisher, who promised to let me know in a few days if he would bring the pieces out. When I saw him several days later he said he had shown the pieces to several experienced critics and they had advised him to take them. The question now was, what I wanted from them. "I have a brilliant idea," I said: "I propose that you pay me an exceptionally good price which will get talked about in the papers and thus make a big stir about the pieces." But it made no impression on the publisher. He thought that so pretty pieces needed no such advertising, and besides that, Beethoven, Mozart, Schubert and others always had sold their compositions cheaply, and as a publisher he felt obliged to accept such traditions. In vain I sought to change his mind by suggesting that he ought not to compare me with Beethoven; he would listen to no distinction between us in that respect, and paid me a small price with which I finally withdrew, tolerably well satisfied, at least, to be relieved of my present necessities. When the Spanish Dances were published, several weeks later, they found a good sale. Some years later they were known everywhere, being taken up in various editions and arrangements. I consider this as one of the works which first made me known to the musical world in general. Of course the publisher profited largely by it, and all because Philipp Scharwenka had no tobacco and could not lend me money.

| G minor

| Moderato

| A major

| Con moto

| B{{music|flat}} major

| Allegro comodo

| D major

| Con spirito

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #980036;" |

| MoszWV 102a → Chamber music for clarinet and piano, first published by Bote & Bock. It was orchestrated by Philipp Scharwenka (No. 2 and No. 5) and Valentin Frank (No. 1, No. 3 and No. 4) in 1880. Published by Edition Peters.

| rowspan="3" | 13

| Bitte: Weil auf mir, du dunkles Auge

| D major

| Molto moderato

| rowspan="3" style="background: #FF5800;" |

| rowspan="3" | 1877

| rowspan="3" | MoszWV 171 → A composition for soprano and piano. No. 1 uses a text by Nikolaus Lenau, No. 2 by Heinrich Heine, and No. 3. Julius Wolff. Published by Hainauer.

| E{{music|flat}} minor

| Andante melancolico

| D major

| Con vivacita

| 14

| style="background-color:#E5E4E2;" | —

| D major

| Allegro fastoso

| style="background: #F0E68C;" |

| 1877

| MoszWV 8 → A Humoresque composition characterized by pieces with fanciful humor. Dedicated to Xaver Scharwenka. Published by Hainauer.

| rowspan="6" | 15

| Serenata

| D major

| Andante grazioso

| rowspan="6" style="background: #F0E68C;" |

| rowspan="6" | 1877

| rowspan="6" | MoszWV 9 → A composition for piano solo. No. 1 Serenata was the first revised, personally corrected by the composer himself, Moritz Moszkowski, and authorized edition ever published in an American magazine (The Ladies' Home Journal, No. 8, July 1905). Published by Hainauer.

| G major

| Allegro molto

| G minor

| Allegro

| D major

| Con moto

| D{{music|flat}} major

| Molto moderato

| A minor

| Andante semplice

| Serenata

| rowspan="2" style="background-color:#E5E4E2;" | Idem

| rowspan="2" style="background-color:#E5E4E2;" | Idem

| style="background: #8CBED6;" |

| 1911

| MoszWV 9a → A composition for piano 4 hands (after Op. 15, No. 1). Published by Hainauer.

| Waltzer

| style="background: #980036;" |

| 1902

| MoszWV 9b → Chamber music for cello and piano (after Op. 15, No. 5). Published by Hainauer.

| rowspan="2" | 16

| Ballade

| G minor

| Andante con moto

| rowspan="2" style="background: #980036;" |

| rowspan="3" | 1878

| rowspan="2" | MoszWV 130 → Chamber music originally composed for violin and piano and published with a companion piece, a Bolero, Op 16, No 2. No. 1 Ballade has for tempo Andante con moto (part 1), and Tempo animato, quasi allegro (part 2). This is Moszkowski earliest orchestral work (Spanish Dances, Op 12, which appeared earlier, was orchestrated by Philipp Scharwenka and Valentin Frank). No. 1 was dedicated to German composer and violin-virtuoso Gustav Hille (born 21 May 1851), who had studied at the Kullak Academy along with Moszkowski, and No. 2 Bolero to Fräulein Marianne Stresow. Published by Hainauer.

| D major

| Allegro spiritoso

| Ballade

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #DEB887;" |

| MoszWV 130a → A ballad for violin and orchestra (after Op. 16) composed of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, harp (opt), and strings. It was dedicated to Marianne Stresow two years prior to her marriage with Philipp Scharwenka (1847-1917). Published by Hainauer.

| rowspan="3" | 17

| Polonaise

| D major

| Allegro con fuoco

| rowspan="3" style="background: #F0E68C;" |

| rowspan="4" | 1878

| rowspan="3" | MoszWV 10 → A composition for piano. Published by Hainauer.

| G major

| Allegro moderato

| A major

| Molto allegro

| Menuett

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #8CBED6;" |

| MoszWV 10a → A Minuet for piano four hands (after Op. 17, No. 2). Published by Hainauer.

| rowspan="5" | 18

| Melodie

| F major

| Moderato

| rowspan="5" style="background: #F0E68C;" |

| rowspan="6" | 1878

| rowspan="5" | MoszWV 11 → A composition for piano solo. Published by Hainauer.

| F major

| Allegro

| G major

| Con agilita

| G major

| Allegro moderato

| B{{music|flat}} major

| Con grazia

| Melodie

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #980036;" |

| MoszWV 11a → Chamber music for cello and piano (after Op. 18, No. 1). Published by Hainauer.

| rowspan="4" | 19

| First movement

| rowspan="4" | E major

| Allegro comodo

| rowspan="4" style="background: #1CAC78;" |

| rowspan="4" | 1875–76

| rowspan="4" | MoszWV 140 → A Symphonic Poem in four movements from Friedrich Schiller's Jungfrau von Orleans for orchestra (piccolo, 2 flutes, 2 oboes, 2 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, timpani, percussion, harp, and strings) without solo instrument. Titles read: No. 1 Joan's pastoral life. A vision brings them to awareness of their high position, No. 2 Internal discord - back memories, No. 3 Enter the winner to be crowned in Rheims, No. 4 Joan in captivity. Victory, death and transfiguration. The premiere of this composition was held in the Berlin Symphony Chapel under the direction of Franz Mannstädt on 23 February 1877, and the British premiere at St. James Hall in London, where he conducted the Philharmonic Society Orchestra on May 20, 1885. It was the first of a series of six concerts that he should give for the Company. Dedicated to his friend Philipp Scharwenka, it was published by Hainauer, appearing in print two years later.

| Andante malinconico

| Molto moderato

| Allegro molto

| Prozessionsmarsch aus Johanna d‘Arc

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #C9A0DC;" |

| 1879

| MoszWV 140a → A composition for two pianos. Published by Hainauer.

| 20

| style="background-color:#E5E4E2;" | —

| E major

| Allegro

| style="background: #F0E68C;" |

| 1879

| MoszWV 12 → A Scherzo for piano. Dedicated to Monsieur Jules Zarębski. Published by Hainauer.

| rowspan="4" | 21

| rowspan="4" style="background-color:#E5E4E2;" | —

| G major

| Allegro moderato

| rowspan="4" style="background: #8CBED6;" |

| rowspan="4" | 1879

| rowspan="4" | MoszWV 103 → A composition for piano four hands. Published by Hainauer.

| Vivace assai

| Con moto

| Moderato e grazioso

| rowspan="5" | 22

| Was ist's, o Vater, was ich verbrach?

| rowspan="3" | D major

| Allegro molto

| rowspan="5" style="background: #FF5800;" |

| rowspan="5" | 1879

| rowspan="5" | MoszWV 172 → A composition for voice and piano dedicated to Frau Dr. Arthur Levysohn. It was published by Hainauer.

| Molto moderato

| Allegro appassionato

| B major

| Andante con moto

| G major

| Allegretto

| rowspan="6" | 23

| Russland

| A minor

| Allegretto

| rowspan="6" style="background: #8CBED6;" |

| rowspan="6" | 1879

| rowspan="6" | MoszWV 104 → A composition for piano four hands later orchestrated by the composer. Also published for piano solo. Published by Hainauer.

| F major

| Andante

| A minor

| Molto vivace

| C{{music|sharp}} minor

| Allegro con fuoco

| A major

| Presto

| D major

| Molto allegro

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #1CAC78;" |

| 1884

| MoszWV 104a → A composition for orchestra. Published by Hainauer.

| Russisch

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #980036;" |

| 1879

| MoszWV 104b → Chamber music for cello and piano (after Op. 23, No. 1). Published by Hainauer.

| rowspan="3" | 24

| No. 1 Les Vague

| G{{music|flat}} major

| Allegro patetico

| rowspan="3" style="background: #F0E68C;" |

| rowspan="3" | 1880

| rowspan="3" | MoszWV 13 → An Étude for piano and orchestra. Dedicated to Theodor Kullak. Published by Hainauer.

| C{{music|sharp}} minor

| Moderato assai

| C major

| Vivace

| rowspan="5" | 25

| rowspan="5" style="background-color:#E5E4E2;" | —

| D major

| Moderato

| rowspan="5" style="background: #8CBED6;" |

| rowspan="5" | 1880

| rowspan="5" | MoszWV 105 → A composition for piano four hands. Published by Hainauer.

| Allegretto con moto

| Moderato e grazioso

| Allegro animato

| Allegro con brio, un poco meno allegro

| rowspan="3" | 26

| Ich frage nicht, hast Du mich lieb

| G{{music|flat}} major

| Andante

| rowspan="3" style="background: #FF5800;" |

| rowspan="3" | 1881

| rowspan="3" | MoszWV 173 → A composition for voice and piano with libretto by Carl Wittkowsky. Published by Hainauer.

| C{{music|sharp}} minor

| —

| C major

| —

| rowspan="2" | 27

| Barcarole

| G major

| Allegro con moto

| rowspan="2" style="background: #F0E68C;" |

| rowspan="2" | 1881

| rowspan="2" | MoszWV 14 → A composition entitled Barcarole and Tarantelle for piano. Dedicated to Baroness Henriette Senfft von Pilsach. Published by Hainauer.

| G{{music|flat}} major

| Presto

| rowspan="5" | 28

| rowspan="5" style="background-color:#E5E4E2;" | —

| G major

| Allegro moderato

| rowspan="5" style="background: #F0E68C;" |

| rowspan="5" | 1882

| rowspan="5" | MoszWV 15 → A small scale composition for piano. Dedicated to his friend Monsieur Henri Steinkühler. Published by Hainauer.

| Allegro giocoso

| Vivace con spirito

| Allegretto grazioso

| Molto allegro

| rowspan="3" | 29

| Air

| G major

| Tranquillo e cantabile

| rowspan="3" style="background: #980036;" |

| rowspan="3" | 1882

| rowspan="3" | MoszWV 131 → Chamber music for cello and piano. Published by Hainauer.

| B major

| Molto vivace

| F major

| Andante

| rowspan="3" | 30

| First movement

| C major

| Allegro commodo

| rowspan="3" style="background: #DEB887;" |

| rowspan="4" | 1883

| rowspan="3" | MoszWV 161 → A composition in three movements for violin and orchestra composed of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani, and strings. Dedicated to Émile Sauret. Published by Bote & Bock.

| E minor

| Andante

| C major

| Vivace

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #980036;" |

| MoszWV 161a → Chamber music for violin and piano. Published by Bote & Bock.

| rowspan="6" | 31

| Monologue

| E minor

| Andante sostenuto

| rowspan="6" style="background: #F0E68C;" |

| rowspan="8" | 1883

| rowspan="6" | MoszWV 16 → A set of morceaux for piano. No. 4 was also arranged for two pianos 8 hands by F. Brissler. Published by Ries & Erler.

| G major

| Molto vivace

| B{{music|flat}} major

| Moderato

| A{{music|flat}} major

| Allegro con spirito

| D{{music|flat}} major

| Tranquillo, ma non troppo lento

| G major

| Allegretto

| Scherzetto

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #C9A0DC;" |

| MoszWV 16a → A Scherzino for two pianos 4 hands (after Op. 31, No. 4). Published by Ries & Erler.

| Caprice

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #C9A0DC;" |

| MoszWV 16b → A Capriccio for two pianos 4 hands (after Op. 31, No. 6). Published by Ries & Erler.

| rowspan="3" | 32

| In tempo di minuetto

| E major

| Moderato

| rowspan="3" style="background: #F0E68C;" |

| rowspan="3" | 1883

| rowspan="3" | MoszWV 17 → A composition for piano dedicated to his friend Austrian pianist and composer Alfred Grünfeld. Published by Bote & Bock.

| D major

| Allegro

| E major

| Grazioso

| rowspan="4" | 33

| Kindermarsch

| F major

| Allegro

| rowspan="4" style="background: #8CBED6;" |

| rowspan="4" | 1883

| rowspan="4" | MoszWV 106 → A composition for piano four hands. No. 3 is also known as Pièce drôlatique (Humorous piece) in later editions. It was first published by Hainauer.

| D major

| Allegretto

| G minor

| Allegro molto

| A major

| Vivo

| rowspan="3" | 34

| Valse

| E major

| Allegro moderato

| rowspan="4" style="background: #F0E68C;" |

| rowspan="4" | 1884

| rowspan="3" | MoszWV 18 → Morceau No. 1 was dedicated to Monsieur Théodore Ritter, No. 2. to Monsieur Louis Coenen, and No. 3. to Mademoiselle Clotilde Kleeberg. Published by Hainauer.

| C major

| Molto allegro

| E major

| Lento

| Valse

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| MoszWV 18a → A waltz made easier by the composer for piano two hands. Published by Édition facilitée Hainauer.

| rowspan="4" | 35

| Caprice mélancolique

| A minor

| Allegretto con moto

| rowspan="4" style="background: #F0E68C;" |

| rowspan="4" | 1885

| rowspan="4" | MoszWV 19 → "A composition for piano dedicated for his wife Henriette Chaminade, sister of Cécile Chaminade. Published by Hainauer. "In the 1880s, a neurological problem with Moszkowski’s arm curtailed his career as a pianist, and he became increasingly devoted to composition. In 1884, he married Henriette Chaminade, the youngest sister of Cécile Chaminade; they had two children, Marcel and Sylvia. In 1890, Henriette left Moszkowski for the poet Ludwig Fulda, and a divorce was issued 2 years later. In 1897, Moszkowski moved to Paris. Henriette died in 1900. Moszkowski’s own health deteriorated, and in 1906, he lost his 17-year-old daughter. In Berlin his home was in Genthiner Strasse, where he resided with his mother and children. The desertion of his wife, who was the pianiste Chaminade’s sister, is a subject never alluded to by him, nor does he encourage mention of it by others." Professor Bernhard Pollack (1865–1928) of Friedrich Wilhelm University, Berlin: Neurohistologist, Ophthalmologist, Pianist Lazaros C. Triarhou (2012). → Back to List of compositions by Cécile Chaminade

| C major

| Con moto

| G{{music|flat}} major

| Moderato con leggerezza

| G major

| Allegro grazioso

| rowspan="8" | 36

| Pièce rococo

| D{{music|flat}} major

| Moderato

| rowspan="8" style="background: #F0E68C;" |

| rowspan="8" | 1886

| rowspan="8" | MoszWV 20 → Morceau No. 1 dedicated to Madame Bertha Moszkowski, wife of his brother Alexander, No. 2 to Monsieur Arthur De Greef, No. 3 to Giuseppe Buonamici, No. 4 to Józef Wieniawski, No. 5 to W. Goldner, No. 6 to Max Schwarz, No. 7 to English pianist and composer Francesco Berger, and No. 8 to Alexander Lambert. A composition for piano. Published by Hainauer.

| A{{music|flat}} major

| Molto tranquillo

| D{{music|flat}} major

| Allegro anomato

| B{{music|flat}} minor

| Veloce

| G minor

| Allegretto

| B{{music|flat}} major

| Allegro scherzando

| C major

| Commodo

| E major

| Moderato

| 37

| style="background-color:#E5E4E2;" | —

| A minor

| Vivace

| style="background: #F0E68C;" |

| 1885

| MoszWV 21 → A composition for piano solo dedicated to Mademoiselle Neally Stevens. Published by Peters.

| rowspan="4" | 38

| Bourrée

| A major

| Allegro molto

| rowspan="4" style="background: #F0E68C;" |

| rowspan="4" | 1886

| rowspan="4" | MoszWV 22 → A composition for piano solo dedicated "To my dear mother". Published by Hainauer.

| G major

| Andante

| G major

|Allegro moderato

| A major

| Allegro con spirito

| rowspan="5" | 39

| No. 1

| rowspan="2" | F major

| Allegro molto e brioso

| rowspan="5" style="background: #1CAC78;" |

| rowspan="7" | 1885

| rowspan="5" | MoszWV 141 → Composed and dedicated to the Philharmonic Society of London. Published by Hainauer.

| Allegro giojoso

| rowspan="2" | A major

| Andante

| Allegretto con moto

| F major

| Vivace

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| rowspan="2" style="background: #F0E68C;" |

| MoszWV 141a → Version for piano four hands. Published by Hainauer.

| Intermezzo

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| MoszWV 141b → Version for piano (after Op. 39, No. 4). Published by Hainauer.

| 40

| style="background-color:#E5E4E2;" | —

| G{{music|flat}} major

| Allegro

| style="background: #F0E68C;" |

| 1886

| MoszWV 23 → A Scherzo-Valse for piano two hands. Dedicated to Madame Annette Essipoff-Leschetitzky. Published by Peters.

| 41

| style="background-color:#E5E4E2;" | —

| G minor

| Andante con moto

| style="background: #F0E68C;" |

| 1886

| MoszWV 24 → A composition for piano two hands most probably with ideas borrowed very slightly in feeling and form from Mendelssohn's Venetian Gondola songs. Dedicated to Monsieur Joseph Pollack. Published by Peters.

| rowspan="3" | 42

| Romance

| D minor

| Allegretto

| rowspan="3" style="background: #F0E68C;" |

| rowspan="3" | 1887

| rowspan="3" | MoszWV 25 → A composition for piano two hands. Published by Bote & Bock.

| F{{music|sharp}} minor

| Con malinconia

| E{{music|flat}} major

| Molto vivace

| rowspan="2" | 43

| Cortège

| A minor

| Allegro ma non troppo

| rowspan="2" style="background: #8CBED6;" |

| rowspan="2" | 1887

| rowspan="2" | MoszWV 107 → A composition for piano four hands dedicated to Messier Frédéric de Schennis. Published by Peters.

| —

| Moderato

| Cortège

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #1CAC78;" |

| 1888

| MoszWV 107a → A composition for orchestra subtitled as Fantastischer Zug. Published by C. F. Peters.

| 44

| style="background-color:#E5E4E2;" | —

| D major

| Allegretto

| style="background: #FFC1CC;" |

| rowspan="2" | 1887

| MoszWV 200 → A composition for soli, chorus and small orchestra whose title is translated as The shepherd dressed for the dance from a scene in Goethe's Faust. Published by Hainauer.

| style="background-color:#E5E4E2;" | —

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #F0E68C;" |

| MoszWV 200a → A composition for piano solo arranged by the composer. Published by Hainauer.

| rowspan="2" | 45

| Polonaise

| D{{music|flat}} major

| Moderato

| rowspan="2" style="background: #F0E68C;" |

| rowspan="4" | 1888

| rowspan="2" | MoszWV 26 → A composition for piano solo. No. 1 dedicated to Monsieur Felix Dreyschock, and No. 2 to Herrn Sally Liebling. Published by Peters.

| G major

| Allegro comodo

| Guitarre

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| rowspan="2" style="background: #980036;" |

| MoszWV 26a → Chamber music for cello and piano. Published by Peters.

| Guitarre

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| MoszWV 26b → Chamber music for violin and piano (arranged by Pablo de Sarasate). Published by Peters. Often mentioned as Op 45, No. 2

| rowspan="2" | 46

| Valse

| F major

| —

| rowspan="2" style="background: #F0E68C;" |

| rowspan="2" | 1890

| rowspan="2" | MoszWV 27 → A composition for piano solo. Published by Hainauer.

| G major

| —

| rowspan="6" | 47

| Preludio

| G minor

| Lento

| rowspan="6" style="background: #1CAC78;" |

| rowspan="7" | 1890

| rowspan="6" | MoszWV 142 → An orchestral composition (written for piccolo, flutes, oboes, clarinets, bassoons, contrabassoon, horns, trompe, timpani, triangle, bass drum and cymbals, trombones and tuba, harp, violin I, violin II, viola, cello, double bass, and organ) dedicated to composer Hans von Bülow. Published by Hainauer.

| —

| Un pochino più animato

| —

| Molto vivace

| —

| Larghetto

| D major

| Allegretto con moto

| G major

| Allegro con brio

| Preludio et Intermezzo

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #F0E68C;" |

| MoszWV 142a → A composition for piano solo (after Op. 47, No. 1 & No. 5). Published by Hainauer.

| rowspan="2" | 48

| rowspan="2" style="background-color:#E5E4E2;" | —

| D major

| Presto

| rowspan="2" style="background: #F0E68C;" |

| rowspan="2" | 1890

| rowspan="2" | MoszWV 28 → An étude for piano which Moszkowski began writing between June and July 1889 (?). A year later, he wrote to his publisher Max Abraham saying: "I will send you at the same time my newly completed Op. 48 for piano (2 Concert Etudes). Although the manuscript is well written and is very accurate, I would like to ask you to send the last proof. The price for this piece is 1500 Mk. I hope you hereby agree. [...] The title is: Deux Etudes de Concert pour le Piano composée par Maurice Moszkowski - Oeuvre 48". Étude No. 1 was dedicated to Monsieur Max Pauer, and No. 2 to Paul de Schlözer. It was then published by Peters.

| Allegro brillante

| 49

| style="background-color:#E5E4E2;" | —

| —

| —

| style="background: #FFC1CC;" |

| 1888–92

| MoszWV 201 → Opera in three acts with libretto by Carl Wittkowsky. Published by Peters.

| rowspan="3" style="background: #B2BEB5;" | 49a

| Malagueña

| —

| Allegro pomposo

| rowspan="5" style="background: #F0E68C;" |

| rowspan="4" | 1892

| rowspan="3" | MoszWV 201a → A composition for piano solo. There may be an arrangement (MoszWV 49d) for parts Maurischer Marsch [und Einzugsmarsch] for piano four hands. Published by Peters.

| E minor

| —

| A major

| —

| style="background: #B2BEB5;" | 49b

| style="background-color:#E5E4E2;" | —

| B{{music|flat}} major

| Allegro moderato

| MoszWV 201b → Arranged for piano solo. Published by Peters.

| style="background: #B2BEB5;" | 49c

| style="background-color:#E5E4E2;" | —

| D major

| Allegro

| 1893

| MoszWV 201c → Arranged for piano solo. Published by Peters.

| rowspan="4" | 50

| First movement

| G major

| Allegro moderato

| rowspan="4" style="background: #F0E68C;" |

| rowspan="4" | 1892

| rowspan="4" | MoszWV 29 → A composition for piano solo, first published by Peters.

| G major

| Andante malinconico

| G major

| Molto vivace

| G major

| Con bravura

| 51

| rowspan="2" style="background-color:#E5E4E2;" | —

| E{{music|flat}} major

| Allegro molto moderato

| style="background: #FFC1CC;" |

| rowspan="2" | 1893

| MoszWV 202 → Translated as Danse aux Flambeaux (Torchlight Dance), it is an orchestral composition (Stage music) dedicated to the Corps de Ballet of the Royal Opera in Berlin, to which it was commissioned without being discussed with the directorship of the theatre where it was first performed. The Berlin premiere of the play, which was staged in samples together with the ballet music from Boabdil, caused Moszkowski much concern. It premiered in the US on 2 February 1894, in Chicago, with Theodore Thomas as conductor of the Chicago Symphony Orchestra. Published by Peters.

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #F0E68C;" |

| MoszWV 202a → Arranged for piano published by Peters.

| rowspan="6" | 52

| Landschaftsbildchen

| D major

| Allegro moderato

| rowspan="6" style="background: #F0E68C;" |

| rowspan="6" | 1894

| rowspan="6" | MoszWV 30 → A composition for piano solo whose titles in French are: No. 1 Landscape image, No. 2 Night Piece, No. 3 Duet, No. 4 The juggler, No. 5 Carnivalesque intrigue, and No. 6 At the party. Dedicated to Frau Carrie B. Johnson, it was published by Peters.

| A major

| Agitato

| B{{music|flat}} major

| Andante espressivo

| E{{music|flat}} major

| Allegro con spirito

| C minor

| Allegro appassionato

| C major

| Allegro molto

| 53

| —

| —

| —

| style="background: #FFC1CC;" |

| 1892–95

| MoszWV 203 → Ballet music for orchestra over the poem Laurin about Theodoric the Great, with libretto by Emil Taubert and choreography by Emil Graeb. It premiered on 28 February 1896 at the Opera House of the Royal Shows in Berlin under the baton of music director Steinmann. Dedicated to Fräulein Régine Nicol. Published by Bote & Bock.

| rowspan="5" style="background: #B2BEB5;" | 53a

| Tanz der Rosenelfen

| E major

| Allegretto grazioso

| rowspan="5" style="background: #F0E68C;" |

| rowspan="5" | 1895

| rowspan="5" | MoszWV 203a → Arranged for piano solo (there may be a piano reduction of this composition - MoszWV 203b) whose titles translate: No. 1 Dance of the Rose Elves, No. 2 March of the Dwarfs, No. 3 Sarabande (F major) und Double (D minor), are divided in two pieces, and No. 4. Valse Coquette. Published by Bote & Bock.

| E{{music|flat}} major

| Allegro moderato

| F major

| Andante

| Un poco animato

| G major

| Allegro scherzando

| rowspan="3" | 54

| Danse fantastique

| G major

| Allegretto con moto

| rowspan="3" style="background: #F0E68C;" |

| rowspan="3" | 1895

| rowspan="3" | MoszWV 31 → A composition for piano solo dedicated to Frau Fannie Bloomfield Zeisler. Published by Peters.

| E minor

| Andante con moto

| E major

| Allegro giojoso

| rowspan="4" | 55

| Mazurka

| E major

| Allegro

| rowspan="4" style="background: #8CBED6;" |

| rowspan="4" | 1896

| rowspan="4" | MoszWV 108 → A composition for piano four hands dedicated to Frau Aniela Fürstenberg. Published by Peters.

| G major

| Allegro un poco moderato

| B minor

| Allegretto con moto

| G major

| Allegro con spirito

| Mazurka

| rowspan="2" style="background-color:#E5E4E2;" | Idem

| rowspan="2" style="background-color:#E5E4E2;" | Idem

| rowspan="2" style="background: #1CAC78;" |

| rowspan="2" | 1898

| rowspan="2" | MoszWV 108a → Arranged for orchestra (after Op. 55, No. 1 & No. 4) between May–June 1898. Published by Peters.

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #F0E68C;" |

| 1896

| MoszWV 108b → Arranged for piano solo by Moszkowski in October 1896. Published by Peters the following year.

| rowspan="7" | 56

| Overture

| —

| Allegro appassionato

| rowspan="7" style="background: #FFC1CC;" |

| rowspan="7" | 1896

| rowspan="7" | MoszWV 204 → Overture and incidental music. Published by Ries & Erler.

| G major

| Andante

| D major

| Grave

| A major

| Allegro molto

| A{{music|flat}} major

| Moderato

| E major

| Andante quasi allegretto

| B{{music|flat}} major

| Allegro

| style="background: #B2BEB5;" | 56a

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #C9A0DC;" |

| rowspan="4" | 1897

| MoszWV 204a → Arranged for two pianos four hands (after Op. 56, No. 2, No. 3, No. 5, No. 6). Published by Ries & Erler.

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #8CBED6;" |

| MoszWV 204b → Arranged for piano four hands. Published by Ries & Erler.

| Sarabande

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| rowspan="2" style="background: #980036;" |

| rowspan="2" | MoszWV 204c → Chamber music for violon and piano (after Op. 56, No. 3 & No. 4). Published by Enoch.

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| rowspan="5" | 57

| Ungeduld

| E{{music|flat}} major

| Allegro affettuoso

| rowspan="5" style="background: #F0E68C;" |

| rowspan="5" | 1896

| rowspan="5" | MoszWV 32 → A composition for piano solo with titles translated as: Spring. Five Pieces No. 1 Impatience, No. 2 Spring chime, No. 3 Flower piece, No. 4 Zephyr (the God of the West Wind or the west wind personified), No. 5 Love waltz. First published by Peters.

| B{{music|flat}} major

| Allegretto con moto

| F major

| Moderato

| D{{music|flat}} major

| Allegretto animato

| A{{music|flat}} major

| Tempo giusto

| rowspan="8" | 58

| Effusion

| E major

| Con moto agitato

| rowspan="8" style="background: #F0E68C;" |

| rowspan="10"| 1896

| rowspan="8" | MoszWV 33 → A composition for piano solo whose title comes from an 1883 novel by Antoine Gustave Droz. Published by Hainauer.

| A{{music|flat}} major

| Allegro moderato

| A{{music|flat}} major

| Allegretto grazioso

| C{{music|sharp}} minor

| Allegro comodo

| D major

| Vivace

| A minor

| Andante semplice

| G major

| Allegro con spirito

| B minor

| Andante con moto

| rowspan="2" | Près du berceau

| rowspan="2" style="background-color:#E5E4E2;" | Idem

| rowspan="2" style="background-color:#E5E4E2;" | Idem

| style="background: #980036;" |

| MoszWV 33a → Chamber music for violin and piano. Published by Enoch.

| style="background: #1CAC78;" |

| MoszWV 33b → An arrangement for orchestra. Published by Enoch.

| rowspan="4" | 59

| First movement

| E major

| Moderato

| rowspan="4" style="background: #DEB887;" |

| rowspan="5" | 1897

| rowspan="4" | MoszWV 162 → This piano concerto was first performed in Britain on 12 May 1898. Dedicated "à Monsieur Josef Casimir Hofmann", it was scored for brass, woodwind and strings, making also use of a harp and triangle. Composer and musical critic Hubbard William Harris provided the following musical analysis:

"The first movement is a brilliant composition, opening with what may he taken as its principal theme, inasmuch as it furnishes most of the material for the development, and also reappears in the last movement as a climax to the whole work. The announcement of this resolute subject, by the flutes and oboes accompanied lightly by other woodwind, and deeper strings, is followed by a short solo cadenza, after which the unfolding of the musical picture begins. As this proceeds several subsidiary melodies come to notice, prominent among them being one which (while hinted at before) does not assume its formal shape until given out, grazioso, by the pianoforte alone following a short upward chromatic scale passage. This graceful subject also figures, conspicuously in the development, which after passing through a succession of interesting stages, culminates finally in a rousing climax.

The second movement is an eloquent, nocturne-like effusion, of which the principal thematic element is the expressive subject given out softly at the commencement by the clarinet, and bassoons, staccato, and the strings, pizzicato - this being taken up shortly and carried on by the solo instrument. An agreeably contrasting intermediary section follows, after which the expressive first theme returns - now in the harp and strings against flowing figurations in the solo instrument. Lastly a short free conclusion passage leads us into the third movement.

The vivace is a lively, sparkling composition in Moszkowski's characteristically brilliant manner, and commences with the statement of a nimble running theme by the solo instrument. After this vivacious subject and its derivatives have been worked over briefly another buoyant theme comes to notice in the flutes and clarinets, over a strumming guitar-like accompaniment in the pianoforte. The development from here runs mainly on this theme, leading finally to a short cantabile passage for the solo instrument (unaccompanied), following which the movement proceeds quickly to a dashing conclusion.

The fourth and last movement opens with a short flourishing introductory passage which leads to the statement of a resolute theme by the solo instrument. After this has been developed at considerable length the pianoforte introduces a contrasting theme of flowing character, to which the clarinet attaches itself shortly. Presently the development of the resolute opening theme is resumed, leading to the entrance of still another subject, given out softy but decidedly by the clarinet and the violas, and worked up forthwith in alternation and combination with the resolute opening theme. The flowing second theme returns, the movement mounting thence to a climax, at the pinnacle of which the resolute opening theme of the first movement reappears in enlarged rhythm." Published by Peters.

| C{{music|sharp}} minor

| Andante

| C{{music|sharp}} minor

| Scherzo vivace

| E major

| Allegro deciso

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| style="background: #C9A0DC;" |

| Piano duet → Arrangement for two pianos four hand. Published by Peters.

| rowspan="3" | 60

| rowspan="3" | Mazurka

| G minor

| Allegro moderato

| rowspan="3" style="background: #F0E68C;" |

| rowspan="5" | 1898

| rowspan="3" | MoszWV 34 → Three Mazurkas. A composition for piano. Published by Ries & Erler

| Allegretto graziotto

| Con fuoco

| style="background-color:#E5E4E2;" | Idem

| F major

| style="background-color:#E5E4E2;" | Idem

| style="background: #C9A0DC;" |

| MoszWV 34a → A composition for 2 pianos (after Op. 60, No. 2). Published by Ries & Erler.

| style="background-color:#E5E4E2;" | Idem

| D major

| style="background-color:#E5E4E2;" | Idem

| style="background: #C9A0DC;" |

| MoszWV 34b → A composition for 2 pianos (after Op. 60, No. 3). Published by Ries & Erler.

| rowspan="3" | 61

| No. 1

| A{{music|flat}} major

| Allegretto anomato

| rowspan="3" style="background: #F0E68C;" |

| rowspan="3" | 1899

| rowspan="3" | MoszWV 35 → A composition for piano solo, first published by Peters.

| D{{music|flat}} major

| Allegro piacevoe

| G major

| Allegro

| rowspan="2" | 62

| Romance

| A major

| Andante espressivo

| rowspan="2" style="background: #F0E68C;" |

| rowspan="2" | 1899

| rowspan="2" | MoszWV 36 → A composition for piano solo, first published by Peters.

| G minor

| Presto con leggierezza

| rowspan="3" | 63

| No. 1

| D major

| Allegro comodo

| rowspan="3" style="background: #F0E68C;" |

| rowspan="3" | 1899

| rowspan="3" | MoszWV 37 → A composition for piano solo, first published by Peters.

| C minor

| Allegro non troppo

| F major

| Allegretto scherzando

| rowspan="3" | 64

|

Les gammes en tierces
Les gammes en sixtes
Les gammes majeures en quartes
Gammes chromatiques

|

—
—
—
—

|

—
—
—
—

| rowspan="3" style="background: #F0E68C;" |

| rowspan="3" | 1900

| rowspan="3" | MoszWV 38a → A collection of exercises for piano divided in 3 Books dedicated to Louis Diémer [1843–1919], pianist, composer and professor at the Conservatoire de Paris. Together with MoszWV 38b, Le Livre des Gammes (1904), divided in two parts: Les Gammes en notes simples (Die Tonleitern in einfachen Noten) and Les Gammes en double notes [Extraites de l‘Ecole des Doubles-Notes], it forms a work partly consistent with Opus 64 (MoszWV 38a) in 4 parts. The so-called part 5, "Observations sur le doigté" (Observations on the fingering of scales in single and double notes), is not part of this set of studies, but just commentaries on the technique used in the exercises. First published by Enoch.

| —

| —

|

A{{music|flat}} major
B{{music|flat}} major
B{{music|flat}} major
E{{music|flat}} major

|

Allgro molto
Allegro
Vivace
Appassionato

| rowspan="3" | 65

| No. 1

| E{{music|flat}} major

| Allegro ma non troppo

| rowspan="3" style="background: #8CBED6;" |

| rowspan="3" | 1900

| rowspan="3" | MoszWV 109 → A composition for piano four hands. No. 3 is entitled Habanera. Dedicated to Monsieur Théodore Jelowicki, it was published by Peters.

| A minor

| Andante con moto

| F major

| Allegretto

| rowspan="2" | Habanera

| rowspan="2" style="background-color:#E5E4E2;" | Idem

| rowspan="2" style="background-color:#E5E4E2;" | Idem

| style="background: #F0E68C;" |

| 1901

| MoszWV 109a → Arranged for piano solo. Published by Peters.

| rowspan="2" style="background: #1CAC78;" |

| 1904

| MoszWV 109b → Arranged for orchestra without solo instrument. Published by Peters.

| Spanischer Tanz

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| 1911

| MoszWV 109c → Arranged for orchestra (after Op. 65, No. 2). Published by Peters.

| rowspan="3" | 66

| No. 1

| F{{music|sharp}} minor

| Agitato

| rowspan="3" style="background: #F0E68C;" |

| rowspan="3" | 1900

| rowspan="3" | MoszWV 39 → A composition for piano solo dedicated to Mlle. Maud Johnson. It was published by Edition Peters.

| E major

| Allegretto con moto

| F major

| Vivo

| rowspan="2" | 67

| Poème de mai

| B{{music|flat}} major

| Con moto

| rowspan="2" style="background: #F0E68C;" |

| rowspan="2" | 1901

| rowspan="2" | MoszWV 40 → A composition for piano solo. Dedicated to Mlle. Celeste Nellis, it was published by Ries & Erler.

| G minor

| Vivace

| rowspan="2" style="background-color:#E5E4E2;" | Idem

| rowspan="2" style="background-color:#E5E4E2;" | Idem

| rowspan="2" style="background-color:#E5E4E2;" | Idem

| style="background: #C9A0DC;" |

| 1906

| MoszWV 40a → A composition for two pianos 4 hands. Published by Ries & Erler.

| style="background: #C9A0DC;" |

| 1904

| MoszWV 40b → A composition for two pianos 4 hands. Published by Ries & Erler.

| rowspan="4" | 68

| Nocturne

| F minor

| Andante con moto

| rowspan="4" style="background: #F0E68C;" |

| rowspan="4" | 1902

| rowspan="4" | MoszWV 41 → A composition for piano solo dedicated to Romanian concert pianist Mademoiselle Constance Erbiceanu (1874-1961). She studied in Leipzig and was a pupil of Karl Reinecke (1894-1898). Published by Enoch.

| F major

| Allegro moderato

| A major

| Lento

| B minor

| Allegro con spirito

| 69

| style="background-color:#E5E4E2;" | —

| F major

| Allegro

| style="background: #F0E68C;" |

| 1902

| MoszWV 42 → A composition for piano dedicated to Mr. Charles Förster. It was first published by Julius Hainauer.

| rowspan="2" | 70

| Caprice-Étude

| D minor

| Veloce

| rowspan="2" style="background: #F0E68C;" |

| rowspan="2" | 1902

| rowspan="2" | MoszWV 43 → A composition for piano solo first published by Enoch.

| G major

| Andante con moto

| rowspan="4" | 71

| No. 1

| G minor

| Allegro energico

| rowspan="4" style="background: #FF6961;" |

| rowspan="4" | 1903

| rowspan="4" | MoszWV 135 → Chamber music for 2 violins and piano (apparently commissioned) written and dedicated to Mlle. Isabelle Levallois. First published by Peters.

| G major

| Allegro moderato

| E minor

| Lento assai

| G major

| Molto vivace

| rowspan="15"| 72

| No. 1

| E major

| Vivace

| rowspan="15" style="background: #F0E68C;" |

| rowspan="15"| 1903

| rowspan="15"| MoszWV 44 → An étude for piano solo whose subtitle is Per aspera ad astra. In a letter that Moszkowski wrote to his publisher Henri Hinrichsen on 13 February 1902 in Paris, he mentioned that these etudes would be an average about four printed pages in length and should be a kind of modern school of velocity, as they were a continuation of the difficult études of Czerny, who had among his students Theodor Kullak, founder of the Neue Akademie der Tonkunst. Dedicated to Monsieur Alexandre Michalowski, it was published by Enoch.

| G minor

| Allegro brillante

| G major

| Vivo e con fuoco

| C major

| Allegro moderato

| C major

| Veloce e leggiero

| F major

| Presto

| E{{music|flat}} major

| Allegro energico

| C major

| Allegro energico

| D minor

| Allegro

| C major

| Allegro

| A{{music|flat}} major

| Presto e con leggierezza

| D{{music|flat}} major

| Presto

| A{{music|flat}} minor

| Molto animato

| C minor

| Moderato

| B major

| Allegro

| rowspan="3" | 73

| Esquisse vénitienne

| A minor

| Allegreto

| rowspan="3" style="background: #F0E68C;" |

| rowspan="3" | 1904

| rowspan="3" | MoszWV 45 → Morceau No. 1 dedicated to Mademoiselle Annie Crosby, No. 2 to Mademoiselle Eugénie Wehrmann, and No. 3 to Madame Marie Nemès. Published by Hainauer.

| A{{music|flat}} major

| Allegro con spirito

| G{{music|flat}} major

| Allegro molto

| rowspan="7" | 74

| rowspan="7" style="background-color:#E5E4E2;" | —

| E{{music|flat}} major

| Molto allegro con fuoco

| rowspan="7" style="background: #8CBED6;" |

| rowspan="7" | 1904

| rowspan="7" | MoszWV 110 → A composition for piano four hands with subtitle Miniaturbilder, dedicated to Fräulein Louise Péraux-La Roche. It was first published by Peters.

| Presto

| Andante

| Allegro moderato e grazioso

| Allegro con spirito

| Mesto

| Tempo di valse

| rowspan="2" | 75

| Caprice

| A major

| Allegro con leggiereza

| rowspan="2" style="background: #F0E68C;" |

| rowspan="2" | 1906

| rowspan="2" | MoszWV 46 → A morceau for piano dedicated to Mademoiselle Hélène Collin. No. 2 is an étude. Published by Junne.

| G minor

| Molto allegro

| rowspan="3" | 76

| Souvenir du Pausilippe

| A minor

| Allegretto con moto

| rowspan="3" style="background: #F0E68C;" |

| rowspan="3" | 1906

| rowspan="3" | MoszWV 47 → A morceau for piano dedicated to Mademoiselle Nellie Kauffmann-Kendall. Published by Forberg.

| A major

| Molto vivace

| G major

| Allegro moderato

| rowspan="10"| 77

| Tristesse

| A minor

| Andante

| rowspan="10" style="background: #F0E68C;" |

| rowspan="10"| 1907

| rowspan="10"| MoszWV 48 → A composition for piano solo dedicated to Mademoiselle Gabrielle Turpin. Published by Schott.

| C major

| Allegro vivace

| E major

| Andante espressivo

| A minor

| Allegro molto

| F major

| Allegro comodo

| D minor

| Presto

| E{{music|flat}} major

| Allegro moderato

| E minor

| Allegro con spirito

| D major

| Allegretto

| G major

| Molto moderato

| rowspan="3" | 78

| No. 1

| F major

| Vivace

| rowspan="3" style="background: #F0E68C;" |

| rowspan="3" | 1907 (?)

| rowspan="3" | MoszWV 49 → An étude for piano. Published by Schott.

| A{{music|flat}} major

| Allegro grazioso

| A{{music|flat}} major

| Moderato e cantabile

| rowspan="4" | 79

| No. 1

| A{{music|flat}} major

| Allegro

| rowspan="5" style="background: #1CAC78;" |

| rowspan="5" | 1908

| rowspan="4" | MoszWV 143 → A composition orchestra. Moszkowski wrote to his publisher, Henri Hinrichsen, on 25 August 1907 in Paris: "I have currently finished my Opus 79, a four-movement orchestral suite which I have to perform in the first half of September. The premiere in Lausanne is to make any remaining correction. The score is currently with the copyist and once it is finished, I believe it will have about 165 pages (in press maybe 150.) The first two movements are quite symphonic, the third is a waltz that will probably be playing a lot separately, and may also become a piano piece. The second movement is likely to be suitable for a single output. That is, I hope that it may be convenient for you, and if this is the case, I suggest you a fee of 3,000 Marks for it. I do not think you'll find that amount too high, especially if you consider that I will have to pay about 450 Francs for the copy of the score and 200 Francs for a sample. I intend to travel to Lausanne on September 1, therefore I would be grateful if you would let me go." This composition was dedicated to Polish composer and conductor Monsieur Alex Z. Birnbaum, and published the following year by Bote & Bock.

| F major

| Molto moderato (La note obstinée)

| D{{music|flat}} major

| Tempo di valse, non troppo allegro

| A{{music|flat}} major

| Allegro deciso

| style="background: #B2BEB5;" | 79a

| No. 3

| style="background-color:#E5E4E2;" | Idem

| style="background-color:#E5E4E2;" | Idem

| MoszWV 143a → A composition for piano solo (after Op. 79, No. 3). Published by Bote & Bock.

| rowspan="2" | 80

| Pièce romantique

| A{{music|flat}} major

| Allegretto moderato

| rowspan="2" style="background: #F0E68C;" |

| rowspan="2" | 1908

| rowspan="2" | MoszWV 50 → Two morceaux for piano, being No. 1. dedicated to Madame Dora Bright, and No. 2. to Madame Berthe Riché. Published by Bote & Bock.

| F major

| Allegro leggiero

| rowspan="6" | 81

| Canon

| A{{music|flat}} major

| Allegro grazioso

| rowspan="6" style="background: #F0E68C;" |

| rowspan="6" | 1909

| rowspan="6" | MoszWV 51 → A morceau for piano solo. No. 1 was dedicated to Monsieur J. Joachim Nin, No. 2. to Madame Marie Panthès-Kutner, No. 3. to Madame Eugénie Schaffner, No. 4. to Monsieur Josef Lhévinne, No. 5. to Monsieur Ossip Gabrilowitsch, and No. 6. to Monsieur Léopold Godowski. Published by Schott.

| F minor

| Allegro agitato

| D{{music|flat}} major

| Moderato

| D minor

| Allegro scherzando

| F minor

| Moderato e dolente

| E minor

| Allegro leggiero

| rowspan="4" | 82

| Les nymphes

| A minor

| Allegro leggiero

| rowspan="4" style="background: #980036;" |

| rowspan="4" | 1909

| rowspan="4" | MoszWV → Chamber music for violin and piano. Dedicateers are: 1. Monsieur Pierre Sechiari, 2. Monsieur Alberto Abraham Bachmann, 3. Monsieur Israel Mendels, 4. Monsieur George Enescu. Published by Peters.

| A minor

| Allegretto

| G major

| Moderato

| D major

| Allegro con spirito

| rowspan="6" | 83

| Élégie

| F minor

| Molto moderato ed espressivo

| rowspan="6" style="background: #F0E68C;" |

| rowspan="6" | 1909

| rowspan="6" | MoszWV 52 → A morceau for piano solo. No. 1, 2 and 3 was dedicated to Monsieur Paul Braud Cahier II, who taught at the Conservatory of Marseille, and No. 4, 5, and 6 to Madame Hélène Wittkowsky. Published by Hainauer.

| F major

| Allegretto animato

| G{{music|flat}} major

| Comodo

| B{{music|flat}} major

| Andante cantabile

| G major

| Allegretto semplice

| G major

| Vivacissimo

| rowspan="4" | 84

| No. 1

| B{{music|flat}} major

| Con moto

| rowspan="4" style="background: #F0E68C;" |

| rowspan="4" | 1910

| rowspan="4" | MoszWV 53 → Four morceaux for piano solo written at Villa Murg in Marlotte (Seine-et-Marne), France. Published by Schott.

| F major

| Moderato e grazioso

| C minor

| Maestoso

| G major

| Animato ma non troppo

| rowspan="2" | 85

| Präludium

| D minor

| Moderato

| rowspan="2" style="background: #1CAC78;" |

| rowspan="2" | 1910

| rowspan="2" | MoszWV 144 → Moszkowski wrote Prelude and Fugue for string quartet, which he describes as "serious", shortly after the death of his mother Salomia on 13 April 1910. Moszkowski demanded six hundred francs for the work, but Henri Hinrichsen, his publisher from C. F. Peters, had given him more and published the work in September 1911. Shortly before that, on 17 December of that year, his Opus 85 premiered in his presence at the Covent Garden Theatre, in London, under the direction of his former pupil Thomas Beecham. By the initiative of well-known French musician colleagues such as Saint-Saëns, Massenet, Widor, Fauré, Dubois, Debussy, Dièmer, Guilmant, Paladilhe, Wormser, Moszkowski received in the fall of 1910 the rank of Chevalier of the French Légion d'Honneur. Dedicated to the Polish composer Zygmunt Stojowski.

| F major

| Allegro energico

| rowspan="3" | 86

| Feuillet d'album

| E{{music|flat}} major

| Animato e con leggierezza

| rowspan="3" style="background: #F0E68C;" |

| rowspan="3" | 1911

| rowspan="3" | MoszWV 54 → Three morceaux for piano solo. There was a print error when Feuillet d'album was published by Schott as plate number 29085 on Opus 85 and 86, and Gavotte as plate number 29086. Scherzo-etude was apparently published only as Op. 85. No. 1 was dedicated to Mlle. Hélène Augustin, No. 2 to Mr. William H. Sherwood, and No. 3 to Mlle. Catherine Linn.

| G minor

| Allegro deciso

| E minor

| Presto

| rowspan="3" | 87

| Complainte

| C{{music|sharp}} minor

| Andante

| rowspan="3" style="background: #F0E68C;" |

| rowspan="3" | 1911

| rowspan="3" | MoszWV 55 → Three morceaux for piano solo. No. 1 was dedicated to Mademoiselle Yvonne Galliet, No. 2 to Monsieur Carl Stasny and No. 3 to Monsieur Sam Fleishman. It was first published by Enoch.

| D major

| Animato ma non tropo

| F major

| Allegro grazioso

| 88

| style="background-color:#E5E4E2;" | —

| G{{music|flat}} major

| Moderato

| style="background: #F0E68C;" |

| 1912

| MoszWV 56 → A composition for piano solo dedicated to his friend Monsieur Isidore Philipp. Published by Theodore Presser, and later by Enoch.

| rowspan="5" | 89

| Valse-prélude

| B{{music|flat}} major

| Allegro con fuoco

| rowspan="5" style="background: #F0E68C;" |

| rowspan="5" | 1912

| rowspan="5" | MoszWV 57 → A composition for piano. No. 3 changes from B{{music|flat}} minor to B{{music|flat}} major as well. Published by Hainauer.

| G{{music|flat}} major

| Animato e grazioso

| B{{music|flat}} major

| Moderato ed espressivo

| F major

| Tempo commodo

| A major

| Vivace

| 90

| style="background-color:#E5E4E2;" | —

| —

| —

| style="background: #777696;" |

| 1913?

| MoszWV 128 → A composition for aeolian organ. Unpublished work.

| rowspan="20"| 91

| No. 1

| G major

| Con moto

| rowspan="20" style="background: #F0E68C;" |

| rowspan="20" | 1913

| rowspan="20" | MoszWV 58 → An étude for piano solo dedicated to Madame M. T. Amirian who was Moszkowski' student and late life partner. Published by Leduc.

| C major

| Vivace

| C major

| Vivace

| F major

| Allegro

| B{{music|flat}} major

| Tempo animato

| E{{music|flat}} major

| Allegro ma troppo

| G major

| Allegro brillante

| B minor

| Moderato

| G major

| Comodo

| G minor

| Andante con moto

| C major

| Allegro ma non troppo

| C major

| Veloce

| F minor

| Con moto ma non troppo

| C major

| Animato e leggiero

| E{{music|flat}} major

| Allegro non troppo, ma molto energico

| G minor

| Allegro energico

| E{{music|flat}} major

| Moderato e cantabile

| A minor

| Vivo

| E major

| Presto

| G{{music|flat}} major

| Allegro moderato

| rowspan="12"| 92

| No. 1

| C major

| Allegro energico

| rowspan="12" style="background: #FF0000;" |

| rowspan="12"| 1915

| rowspan="12"| MoszWV 117 → A composition for piano solo left hand dedicated to Monsieur Harold Bauer. Published by Enoch.

| A minor

| Allegro ma un poco moderato

| A minor

| Allegro ma non troppo

| E minor

| Allegro moderato

| G major

| Andante espressivo

| G minor

| Presto

| G major

| Allegretto scherzando

| G minor

| Veloce

| E{{music|flat}} major

| Tempo animato

| A{{music|flat}} major

| Veloce et con leggierezza

| D{{music|flat}} major

| Moderato e cantabile

| B{{music|flat}} minor

| Allegro impetuoso

| rowspan="6" | 93

| Miniature (Memories)

| E{{music|flat}} major

| Moderato e grazioso

| rowspan="6" style="background: #F0E68C;" |

| rowspan="6" | 1916

| rowspan="6" | MoszWV 59 → Six morceaux for piano solo. No. 1 (as entitled in the Schmidt edition), 2 (as entitled in the Schmidt edition), and 3 were dedicated to Monsieur André Gresse, and No. 4, 5, and 6 to Mme. Riss-Arbeau. Published by Arthur P. Schmidt.

| F minor

| Andante

| G major

| Con moto moderato

| A minor

| Tempo animato

| B{{music|flat}} major

| Allegretto animato

| D major

| Presto

| rowspan="10"| 94

| Prélude (On Restless Seas)

| G minor

| Allegro energico

| rowspan="10" style="background: #F0E68C;" |

| rowspan="10"| 1916 ca.

| rowspan="10"| MoszWV 60 → Ten morceaux for piano solo. No. 1, 2, 3, 4 and 5 were dedicated to piano teacher Mme. Berte Cahn, who taught at the German Conservatory in New York, and No. 6, 7, 8, 9 and 10 to piano teacher Mme. Hélène Chaumont. No. 8 (Cantilena) is "a short poetic composition usually written for voice or an instrumental passage" (Diccionario enciclopédico de la lengua castellana - 1895). The two sets were published under the name Decameron in the US, with descriptive English titles for each of the pieces. Published by Schott, London.

| D major

| Molto moderato

| G major

| Andante quasi allegretto

| G major

| Vivo

| D major

| Allegro con spiriro

| D minor

| Moderato

| F major

| Allegretto anomato

| A major

| Andante

| F{{music|sharp}} minor

| Andante con moto

| D major

| Vivacissimo

| rowspan="5" | 95

| Mélodie plaintive

| C minor

| Andante con moto

| rowspan="5" style="background: #F0E68C;" |

| rowspan="5" | 1920

| rowspan="5" | MoszWV 61 → Six morceaux for piano solo. Published by Enoch.

| C major

| Allegro animato

| B{{music|flat}} major

| Moderato

| F major

| Allegretto grazioso

| B{{music|flat}} major

| Tempo comodo

| rowspan="8" | 96

| Prologue

| C major

| Allegro brioso

| rowspan="8" style="background: #8CBED6;" |

| rowspan="8" | 1920

| rowspan="8" | MoszWV 111: → Alternative title: Huit Petits Morceaux a Piano Quatre Mains avec des Basses sur cinq notes. A composition for piano four hands dedicated to Mademoiselle Diane de Rothschild. It was first published by Enoch.

| C minor

| Molto moderato

| E{{music|flat}} major

| Allegro moderato

| G minor

| Andante con moto

| B{{music|flat}} major

| Allegretto animato

| D major

| Andante

| A major

| Tempo moderato

| C major

| Molto vivace

| rowspan="16" | 97

| No. 1

| C major

| Tempo comodo

| rowspan="16" style="background: #F0E68C;" |

| rowspan="16" | 1920

| rowspan="16" | MoszWV 62 → A composition for piano divided in two books dedicated to Mesdemoiselles Marguerite and Henriette Debrie. Published by Leduc.

| A minor

| Molto allegro energico

| C major

| Allegro molto

| F minor

| Allegro ma non troppo

| C major

| Allegrissimo

| A{{music|flat}} major

| Allegro assai

| C major

| Puittosto allegro

| C major

| Allegro ma non troppo

| C minor

| Tempo animato

| G minor

| Molto animato e leggero

| B{{music|flat}} major

| Molto vivace

| G minor

| Allegretto

| D major

| Allegro grazioso

| F{{music|sharp}} minor

| Con moto ma non troppo

| D{{music|flat}} major

| Presto

| A major

| Vivo

| 63

| style="background-color:#E5E4E2;" | —

| G major

| —

| style="background: #F0E68C;" |

| 1873

| MoszWV 63 → A composition for piano solo. This was Moszkowski first published composition. It appeared in the women's magazine Der Bazar der Bazar-Actien-Gesellschaft, a kind of monthly almanac to everyday life. Published by Verlag der Bazar-Actien-Gesellschaft.

| 64

| style="background-color:#E5E4E2;" | —

| G major

| —

| style="background: #F0E68C;" |

| 1875

| MoszWV 64 → A composition for piano solo (such as 'Anton Notenquetscher, Op.½'). Published by Ludwig Troll, Cassel.

| 65

| style="background-color:#E5E4E2;" | —

| A{{music|flat}} major

| Allegro con brio

| style="background: #F0E68C;" |

| 1877

| MoszWV 65 → One of Moszkowski early compositions for piano solo which possibly dates from 1876-77. It was Moszkowski contribution for a 475-page collection of piano selections called the Family Gift-Book, along with those of Vincenz Lachner, Josef Löw, Xaver Scharwenka, and other composers. The book was compiled by Ernst Pauer and published by Augener, in London.

| 66

| style="background-color:#E5E4E2;" | —

| —

| —

| style="background: #F0E68C;" |

| 1888

| MoszWV 66 → A composition for piano solo (such as 'Anton Notenquetscher, Op.½'). Published by Le Gaulois.

| 67

| style="background-color:#E5E4E2;" | —

| E minor

| Andante malinconico

| style="background: #F0E68C;" |

| 1898

| MoszWV 67 → Another contribution of Moszkowski for a 312-page book entitled Das Klavier und seine Meister with many portraits, illustrations and facsimiles of original sheet music by Wilhelm Kienzl, Philipp Scharwenka, Eugene D'Albert, and Richard Strauss. It was compiled by Oskar Bie and published by F. Bruckmann.

| 68

| style="background-color:#E5E4E2;" | —

| E major

| Allegro

| style="background: #F0E68C;" |

| 1901

| MoszWV 68 → A composition for piano solo dedicated to Monsieur F. Toledo. Published by E. Chatenay.

| 69

| style="background-color:#E5E4E2;" | —

| A{{music|flat}} major

| Allegro moderato

| style="background: #F0E68C;" |

| 1901

| MoszWV 69 → A composition for piano solo. Published by G. Schirmer.

| 70

| style="background-color:#E5E4E2;" | —

| A{{music|flat}} major

| Allegro moderato

| style="background: #F0E68C;" |

| 1906

| MoszWV 70 → A composition for piano solo translated as Morning Lights (The Ladies’ Home Journal). Published by G. Schirmer.

| 71

| style="background-color:#E5E4E2;" | —

| G{{music|flat}} major

| Moderato

| style="background: #F0E68C;" |

| 1912

| MoszWV 71 → A composition for piano solo. Published by Hainauer.

| 72

| style="background-color:#E5E4E2;" | —

| —

| —

| style="background: #F0E68C;" |

| 1913

| MoszWV 72 → A composition for piano solo. Published by Senart.

| 73

| style="background-color:#E5E4E2;" | —

| A{{music|flat}} major

| Molto animato e leggiero

| style="background: #F0E68C;" |

| 1913

| MoszWV 73 → A composition for piano solo divided into two parts. The first section consists of a melody played in A{{music|flat}} major and the second section in two different keys, C minor and A{{music|flat}} major again, with the third section leading to a coda. It was published by Saint Louis: Art Publication Society.

| 120

| style="background-color:#E5E4E2;" | —

| style="background-color:#E5E4E2;" | —

| style="background-color:#E5E4E2;" | —

| style="background: #C9A0DC;" |

| 1906

| MoszWV 120 → A composition for two pianos 4 hands (also appeared in an edition with Poème de Mai, Op 67. Deux Morceaux pour deux pianos à quatre mains par Maurice Moszkowski). Published by Ries & Erler.

| 133

| style="background-color:#E5E4E2;" | —

| style="background-color:#E5E4E2;" | —

| style="background-color:#E5E4E2;" | —

| style="background: #980036;" |

| 1865-69

| MoszWV 133 → One of Moszkowski early works together with MoszWV 136. At the time of his life he was taking lessons at the Dresden Conservatory with Prof. Leonhardt (piano), Mr. Risch Biele (harmony), and violin lessons. He left school and was taught by private tutors. Unpublished work.

| rowspan="3" | 136

| No. 1 Introduction

| D minor

| Grave

| rowspan="3" style="background: #BEBEBE;" |

| rowspan="3" | 1872 ca.

| rowspan="3" | MoszWV 136 → Quintet for piano, 2 violins, viola, and violoncello. One of Moszkowski early works together with MoszWV 133. Unpublished work.

| F major

| Alla breve

| F major

| Allegro assai

| 145

| style="background-color:#E5E4E2;" | —

| D major

| —

| style="background: #00B7EB;" |

| 1871–72

| MoszWV 145 → A composition for large orchestra written in the winter 1871-72. Moszkowski Overture for orchestra had been considered lost, but was found during the research for this catalog of works in Paris. Also, Moszkowski fellow student Jean Louis Nicodé wrote an overture at the Academy. In the original handwritten abbreviations instrumentation: Flauto I,Flauto II, Oboe, Clarinet in A, Bassoon, Cornet in D, Horn in D, Timpani in D and A, Trombone Alto, Trombone Tenore, Trombone Basso, Violin I, Violin II, Viola, Cello, and Basso. Unpublished work.

| rowspan="4" | 146

| No. 1

| D minor

| Maestoso, Allegro appassionato, piu mosso

| rowspan="4" style="background: #00B7EB;" |

| rowspan="4" | 1873

| rowspan="4" | MoszWV 146 → A composition for orchestra written in the summer of 1873. Moszkowski Overture for Orchestra and Symphony had been considered lost and found during the research for this catalog of works in Paris. Also, Moszkowski fellow student Jean Louis Nicodé wrote a symphony at the Academy. Unpublished work.

| F major

| Vivo

| B{{music|flat}} major

| Larghetto

| D minor - D major

| Presto non tanto, piu mosso

| rowspan="2" | 174

| Lied der Pixies

| —

| —

| rowspan="2" style="background: #FF5800;" |

| rowspan="2" | 1907

| rowspan="2" | MoszWV 174 → A composition for female voice and piano. No. 1 translated as Song of the Pixies (adapted from words of Samuel Taylor Coleridge) and No. 2 The Rainbow (adapted from words of Mrs. Heman). Published by Augener.

| —

| —

| 175

| style="background-color:#E5E4E2;" | —

| D minor

| Allegretto

| style="background: #FF5800;" |

| 1884

| MoszWV 175 → A composition (La jota) for soprano and piano. Published by Saint Louis: Kunkel Bros.

| rowspan="9" | 205

| Theme (Im Grunewald ist Holzauktion)

| E minor

| —

| rowspan="9" style="background: #FFC1CC;" |

| rowspan="9" | 1896

| rowspan="9" | MoszWV 205 → Anton Notenquetscher at the piano. Variations in the style of modern composers, from Czerny to Liszt. Published by Steinitz. A composition written on the occasion of a ceremony to Carl Bechstein's seventieth birthday on June 1, 1896.

| —

| Con velocita

| —

| Allegro moderato

| —

| Moderato

| —

| Allegretto tranquillo

| —

| Allegro ma non troppo

| —

| Maestoso

| —

| Con bravura

| —

| Allegretto

| 210

| No. 2 (Menuett)

| G major

| —

| style="background: #F0E68C;" |

| 1918

| MoszWV 210 → Transcription for piano of Beethoven's Sechs Menuette für Orchester (the original version is lost, only an arrangement for piano is extant) in G major, WoO 10, No. 2.

| 211

| No. 2

| C minor

| Adagio cantabile

| style="background: #F0E68C;" |

| 1919

| MoszWV 211 → Transcription for piano of Beethoven's Adagio cantabile aus der Violinsonate in C minor, Opus 30, No. 2.

| 212

| style="background-color:#E5E4E2;" |

| E{{music|flat}} major

| Adagio un poco moto

| style="background: #F0E68C;" |

| 1921

| MoszWV 212 → Transcription for piano of Beethoven's Piano Concerto No. 5 (Emperor) in E{{music|flat}} major, Opus 73. This fragment of Beethoven's Emperor Concerto was transcribed by Moszkowski in 1921.

| 213

| Menuett

| G major

| Moderato

| style="background: #F0E68C;" |

| 1919

| MoszWV 213 → Transcription for piano of Mozart's Menuett aus der Oper Don Giovanni, K. 527 (the final part of Act I).

| 214

| 2nd movement (Romanze)

| D minor

| Romance

| style="background: #F0E68C;" |

| 1919

| MoszWV 214 → Transcription for piano of Mozart's Romanze aus dem Klavierkonzert No. 20, KV 466.

| 215

| Lascia ch’io pianga

| F major

| Largo

| style="background: #F0E68C;" |

| 1919

| MoszWV 215 → Transcription for piano of Händel's Aria Lascia ch'io pianga aus Rinaldo.

| 216

| Chor: Seht den Sieger ruhmgekrönt!

| G major

| —

| style="background: #F0E68C;" |

| 1919

| MoszWV 216 → Transcription for piano of Händel's Act III Chor (See the Conquering Hero Comes), aus dem oratorio Judas Maccabäus, HWV 63.

| 217

| Nocturno

| C{{music|sharp}} minor

| Con moto tranquillo

| style="background: #F0E68C;" |

| 1919

| MoszWV 217 → Transcription for piano of Mendelssohn's Nocturne aus Ein Sommernachtstraum, (Midsummer Night’s Dream) Opus 61.

| 230

| Chor

| —

| —

| style="background: #8CBED6" |

| —

| MoszWV 230 → Transcription for piano four hands of Handel's Chor aus Judas Maccabäus, HWV 63.

| 231

| Menuett

| G major

| —

| style="background: #8CBED6" |

| —

| MoszWV 231 → Transcription for piano four hands of Mozart's Menuett from the opera Don Giovanni, KV 527.

| 250

| Chanson bohème

| E minor

| Allegretto

| style="background: #F0E68C;" |

| 1906

| MoszWV 250 → Transcription for four hands of Georges Bizet's Chanson bohème from the Opera Carmen. Dedicated to Monsieur Moriz Rosenthal. Published by Hainauer.

| 251

| Barcarole

| B minor

| Moderato

| style="background: #F0E68C;" |

| 1910

| MoszWV 251 → Transcription of Jacques Offenbach's The Tales of Hoffmann for piano. Dedicated to Mademoiselle Elizabeth Strauss. Published by Peters.

| 252

| style="background-color:#E5E4E2;" | —

| —

| Lento e languido

| style="background: #F0E68C;" |

| 1910 ca.

| MoszWV 252 → Paraphrase for piano of Richard Wagner's Tristan und Isolde's final scene. Dedicated to Ferruccio Busoni. Published by Peters.

| 253

| Venusberg-Bacchanale

| E major

| Allegro

| style="background: #F0E68C;" |

| 1910–11

| MoszWV 253 → Paraphrase for piano of Richard Wagner's scene Venusberg-Bacchanale from Tannhäuser. Dedicated to Mark Hambourg. Published by Peters.

| rowspan="10" | 260

| No. 1

| G minor

| Allegro

| rowspan="10" style="background: #F0E68C;" |

| rowspan="10" | 1904

| rowspan="10" | MoszWV 260 → Transcription for piano solo of Brahms' Ungarische Tänze, WoO 1. Published by Augener Limited.

| D minor

| Allegro non asai - Vivo

| F major

| Allegretto

| F minor

| Poco sostenuto - Vivace

| F{{music|sharp}} minor

| Allegro - Viivace

| D{{music|flat}} major

| Vivace - Molto sostenuto

| A major

| Allegretto

| A minor

| Presto

| E minor

| Allegro - Poco sostenuto

| E major

| Presto

| 261

| No. 1 (Minute Waltz)

| D{{music|flat}} major

| Vivace

| style="background: #F0E68C;" |

| 1919

| MoszWV 261 → Transcription for piano of Frédéric Chopin's Minute Waltz, Opus 64, No. 1. Dedicated to Countess Delfina Potocka, née Komar. Published by Peters.

| 262

| style="background-color:#E5E4E2;" | —

| C major

| Allegro commodo

| style="background: #F0E68C;" |

| 1919

| MoszWV 262 → Transcription for piano of Carl Czerny's Toccata, Opus 92. Published by Julius Hainauer.

| 263

| style="background-color:#E5E4E2;" | —

| —

| —

| style="background: #F0E68C;" |

| 1906

| MoszWV 263 → Transcription for piano solo of Carl Czerny's Étude.

| 264

| style="background-color:#E5E4E2;" | —

| —

| —

| style="background: #C9A0DC;" |

| 1891

| MoszWV 264 → Transcription for two pianos (four hands) of Mozart's Jupiter Symphonie.

| 265

| style="background-color:#E5E4E2;" | —

| —

| —

| style="background: #F0E68C;" |

| —

| MoszWV 265 → Indication of the existence of Saint-Saëns's Havanaise (manuscript) in France (private property).

| rowspan="2" | ?

| No. 1

| E{{music|flat}} major

| Allegro con brio

| rowspan="2" style="background: #F0E68C;" |

| rowspan="2" | ?

| rowspan="2" | Étude → The two études attributed to Paul de Schlözer and published by him as Op. 1 (his only known published work), are believed by some historians to have actually been written by Moszkowski. The similarities between de Schlözer's Étude No. 2 in A{{music|flat}} major and the 11th of Moszkowski’s 15 Études de Virtuosité, Op. 72, also in A{{music|flat}} major, are striking. However, it may be that these similarities themselves gave rise to the legend that the de Schlözer pieces were written by Moszkowski. The story goes that Moszkowski wrote them, but lost the manuscript in a card game to Schlözer, who first published them in Viena through Schreiber in 1875-1876 as his own works.

| A{{music|flat}} major

| Allegro ma non troppo

| width="50%" style="border:1px solid #A9A9A9;" | Notes

• Sadie, Stanley; Tyrrell, John (2001); The New Grove Dictionary of Music and Musicians, Grove, New York, {{ISBN|9781561592395}}
• Assenov, Bojan (2010); Moritz Moszkowski (1854–1925). Biographie und Werkverzeichnis, Göttingen, Hainholz Verlag, {{ISBN|9783869882109}}
• Feofanov, Dmitry (1984); I. Glinka, Michail; Rare Masterpieces of Russian Piano Music Ed. Dover Publications, New York, {{ISBN|9780486246598}}