List of dodecaphonic and serial compositions

• Second Viennese School
• Alban Berg
• Kammerkonzert, for piano, violin, and winds (1923–25)
• Lyrische Suite, for string quartet (1925/26)
• Der Wein, concert aria for soprano and orchestra after a poem by Charles Baudelaire (1929)
• Lulu, opera after Die Büchse der Pandora by Frank Wedekind (1928–35)
• Violinkonzert, for violin and orchestra (1935)
• Hanns Eisler
• Palmström, song cycle op. 5 (1923/24)
• Zeitungsausschnitte (Newspaper Clippings), song cycle op. 11 (1926)
• "14 Arten den Regen zu beschreiben" (1940, for the 1929 short documentary Regen)
• Arnold Schoenberg
• Waltz from 5 Klavierstücke, op. 23
• Serenade, op. 24
• Suite for Piano, op. 25
• Wind Quintet, op. 26
• Four Pieces for mixed voices, op. 27
• Suite for piano, piccolo clarinet, clarinet, bass clarinet, violin, viola, and cello, op. 29
• String Quartet No. 3, op. 30
• Variations for Orchestra, op. 31
• Von heute auf morgen, op. 32
• Klavierstück, op. 33aHorace Reisberg, "The Vertical Dimension in Twentieth Century Music", Aspects of Twentieth-Century Music, edited by Gary Wittlich, 362–72, citation on 370–71 (Englewood Cliffs, New Jersey: Prentice-Hall, 1975). {{ISBN|0-13-049346-5}}.
• Klavierstück, op. 33b
• Moses und Aron (incomplete)
• Begleitungsmusik zu einer Lichtspielscene [Accompanying music to a film scene], op. 34
• Concerto for Violin and Orchestra, op. 36
• String Quartet No. 4, op. 37
• Concerto for Piano & Orchestra, op. 42
• String Trio, op. 45
• A Survivor from Warsaw, op. 46
• Fantasy for Violin & Piano, op. 47
• Anton Webern
• Three Lieder, op. 17 (1924–1925)
• Three Lieder, for voice, E flat clarinet and guitar, op. 18 (1925)
• Two Lieder, for mixed choir, celesta, guitar, violin, clarinet and bass clarinet, op. 19 (1926)
• String Trio, op. 20 (1927)
• Symphony, op. 21 (1928)
• Quartet for violin, clarinet, tenor saxophone and piano, op. 22 (1930)
• Three Songs on Hildegard Jone's Viae inviae, for voice and piano, op. 23 (1934)
• Concerto for flute, oboe, clarinet, horn, trumpet, trombone, violin, viola and piano, op. 24 (1934)
• Three Lieder on texts by Hildegard Jone, for voice and piano, op. 25 (1934–35)
• Das Augenlicht, for mixed choir and orchestra, on a text by Hildegard Jone, op. 26 (1935)
• Variations, for solo piano, op. 27 (1936)
• String Quartet, op. 28 (1937–38) – the tone row of this piece is based around the BACH motif
• Cantata No. 1, for soprano, mixed choir and orchestra, op. 29 (1938–39)
• Variations, for orchestra, op. 30 (1940)
• Cantata No. 2, for soprano, bass, choir and orchestra, op. 31 (1941–43)

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• Milton Babbitt
• Virtually all published works after 1947
• John Cage
• Sonata for Clarinet (1933)
• Carlos Chávez
• Soli II for wind quintet (1961)Robert L. Parker, "Carlos Chávez's Opus Ultimum: The Unfinished Cello Concerto". American Music 11, no. 4 (Winter 1993): 473–87. Citation on p. 479.
• Variations for Violin and Piano (1961)
• Aaron Copland
• Piano Quartet (1950)
• Piano Fantasy (1957)
• Connotations for orchestra (1961)
• Inscape for orchestra (1967)
• Henry Cowell
• Variations for Orchestra (1959)
• Luigi Dallapiccola
• Virtually all published works after 1942
• Benjamin Frankel
• Film score for The Curse of the Werewolf (1961)Dimitri Kennaway, notes for recording, Naxos 8.557850, "credited with being the first British feature film score to employ the method [twelve-tone serialism] almost entirely."
• His 8 symphonies (see e.g. the article on Symphony No.1 (Op.33, 1958)) either use the twelve-tone technique, or serial techniques with other kinds of rows, or both[http://www.bl.uk/reshelp/findhelprestype/music/frankel/frankelmiddle/frankelmiddle.html British Library Frankel Biography – Middle Years]
• Lou Harrison
• Rapunzel (1952)
• Symphony on G (1952)
• Josef Matthias Hauer
• All works written after August 1919 (though the twelve-tone technique used is not Schoenberg's system)
• Zwölftonspiele (approximately one thousand works) (after 1940)
• Eunice Katunda
• Quatro Epígrafes (1948) for piano
• Homenagem a Schoenberg (1949) for clarinet, viola, cello, and piano
• Ernst Krenek
• Karl V
• Maurice Le Roux
• 2 pieces dodecaphoniques, pour piano seul (1945/46)
• Luigi Nono
• Composizione no.1, for orchestra (1951)
• Variazioni canoniche sulla serie dell’op. 41 di A. Schönberg, for chamber orchestra (1950)
• Walter Piston
• Chromatic Study on the Name of Bach, for organHoward Pollack, Walter Piston (Ann Arbor, Mich: UMI Research Press, 1982): 35, 72–73. {{ISBN|0-8357-1280-X}}.
• Concerto for Clarinet and OrchestraBruce Archibald, "Reviews of Records: Walter Piston: Symphony No. 7, Symphony No. 8, Louisville Orchestra, Jorge Mester; Walter Piston: Symphony No. 5, Louisville Orchestra, Robert Whitney; Walter Piston: Concerto for Viola and Orchestra, Paul Doktor, viola, Louisville Orchestra, Robert Whitney; Walter Piston: The Incredible Flutist, Louisville Orchestra, Jorge Mester", The Musical Quarterly 64, no. 2 (1978): 263–68 (citation on 267).
• Concerto for Flute and Orchestra
• Fantasy for Violin and Orchestra
• Ricercare for Orchestra
• String Quartet No. 5Donald Chittum, Liner notes to Walter Piston: String Quartet No. 5, in American String Quartets, Volume II: 1900–1950, Kohon String Quartet, 3-LP set, Vox SVBX 5305 (New York: Vox, 1974).
• Symphony No. 1Elliott Carter, "Walter Piston", The Musical Quarterly 32, no. 3 (July 1946): 354–75 (citation on 364–65).
• Symphony No. 8
• Variations for Cello and Orchestra
• Leonard Rosenman
• The Cobweb (1955)
• Humphrey Searle
• All works from the Intermezzo for eleven instruments, Op. 8 (1946), onwardsColin Mason, Hugo Cole, and David C.F. Wright, "Searle, Humphrey", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
• Roger Sessions
• Virtually all published works after 1953 (exceptions include his Mass, and the twelve-tone technique used rarely follows Schoenberg's system)
• Karlheinz Stockhausen
• Drei Lieder for alto voice and chamber orchestra, Nr. {{frac|1|10}} (1950){{cite book|first=Rudolf|last=Frisius|title=Karlheinz Stockhausen II: Die Werke 1950–1977; Gespräch mit Karlheinz Stockhausen, "Es geht aufwärts"|location=Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto|publisher=Schott Musik International|year=2008|page=25|isbn=978-3-7957-0249-6}}
• Sonatine, for violin and piano, Nr. {{frac|1|8}} (1951)Robin Maconie, Other Planets: The Complete Works of Karlheinz Stockhausen, 1950–2007, updated edition (Lanham, Maryland; Boulder, Colorado; New York; London: Rowman & Littlefield, 2016): 23, 35–36 {{ISBN|978-1-4422-7267-5}}; {{harvnb|Frisius|2008|page=32}}; Michael Kurtz, Stockhausen: A Biography, translated by Richard Toop (London and Boston: Faber and Faber, 1992): 30 {{ISBN|0-571-14323-7}} (cloth); {{ISBN|0-571-17146-X}} (pbk).
• Igor Stravinsky, works from 1952 forward:Joseph N. Straus, Stravinsky's Late Music, Cambridge Studies in Music Theory and Analysis (Cambridge: Cambridge University Press, 2001), 4. {{ISBN|0-521-80220-2}} (cloth) {{ISBN|0-521-60288-2}}.
• Cantata (1952)
• Three Songs From Shakespeare (1953)
• In Memoriam Dylan Thomas (1954)
• Canticum Sacrum (1955)
• Agon (1957)
• Threni (1958)
• Movements for Piano and Orchestra (1958–59)
• A Sermon, a Narrative and a Prayer (1961)
• The Flood (1962)
• The Dove Descending Breaks the Air (1962)
• Variations: Aldous Huxley in memoriam (1963–64)
• Requiem Canticles (1966)
• Van der Graaf Generator
• "After the Flood" (1970, from the album The Least We Can Do Is Wave to Each Other) – includes a twelve tone piece{{Clarify|date=February 2015}} arranged by David Jackson{{cite book|title=Van der Graaf Generator – The Book|first1=Jim|last1=Christopulos|first2=Phil|last2=Smart|publisher=Phil and Jim Publishers|page=58|year=2005|isbn=978-0-955-13370-1}}
• Egon Wellesz
• Symphony No. 5, Op. 75 (1955–56)
• Charles Wuorinen
• Most mature works
• Frank Zappa
• Waltz for Guitar (1958)

Organized by composer:

• Tadeusz Baird
• Cassazione per orchestra (1956)
• String Quartet (1957)
• Four Essays (1958)
• Erotyki (1961)
• Jean Barraqué
• ... Au delà du hasard (premier "commentaire" de "Affranchi du hasard" et du "Temps restitué") for four instrumental groups and one vocal group (1958–59)
• Chant après chant for six percussionists, voice and piano (1966)
• Concerto for six instrumental groups and two solo instruments (vibraphone and clarinet) (1962–68)
• Étude for 3-track tape (1952–53)
• Séquence for voice, percussion and chamber ensemble (1950–55)
• Sonata for Piano (1950–52)
• Le Temps restitué for soprano, chorus and orchestra (1956–68)
• Pierre Boulez
• Anthèmes, for violin solo (1991/94)
• Anthèmes II, for violin and live electronics (1997)
• Cummings ist der Dichter, for chorus and ensemble (1970/1986)
• Dérive 1, for six instruments (1984)
• Dérive 2, for eleven instruments (1988/2002/2006)
• Domaines, for clarinet solo or for clarinet and six instrumental groups (1968)
• Études (2), musique concrète (1951–52)
• ...explosante-fixe...
• for flute, clarinet, and trumpet (1971–72)
• for flute, clarinet, trumpet, harp, vibraphone, violin, viola, cello, and electronics (1973–74)
• version for vibraphone and electronics (1986)
• for solo MIDI flute, two "shadow" flutes, chamber orchestra, and electronics (1991–93)
• version for vibraphone and electronics (1986)
• Figures—Doubles—Prismes, for orchestra (1957–58/1964/1968)
• Improvisé—pour le Dr. K, for flute, clarinet, piano, violin, and cello (1969; revised 2005)
• Incises, for piano (1994/2001)
• Livre, for string quartet (1948); two movements reworked for string orchestra (1968/1989)
• Le marteau sans maître (1955–57)
• Messagesquisse, for solo cello and six cellos (1976)
• Notations
• for piano (1945)
• I–IV and VII for orchestra (1978–1984/1997)
• Poésie pour pouvoir, for tape and 3 orchestras (1955/58, withdrawn)
• Polyphonie X (1950–51)
• Sonata No. 1, for piano (1946)
• Sonata No. 2, for piano (1947–48)
• Sonata No. 3, for piano (1958–63, unfinished)
• Pli selon pli (1957–62)
• Répons, for six soloists, chamber orchestra, and live electronics (1981–84)
• Rituel in Memoriam Bruno Maderna, for large chamber ensemble in eight groups (1974–75)
• Sonatine, for flute and piano (1946)
• Structures, book I for two pianos (1952)
• Structures, book II for two pianos (1961)
• Sur incises, for 3 pianos, 3 harps, and 3 mallet percussion instruments (1996/1998)
• Jacques Calonne
• Orbes for orchestra (1965) Jacques Calonne, "Aspects d'un resume (Apropos d' Orbes pour orchestre)", Revue d'Esthetique 21 (1968), nos. 2–4 ("Musiques nouvelles"): 59–103.
• Benjamin Frankel
• Film score for The Prisoner (1955, starring Alec Guinness)Dimitri Kennaway, notes for recording, Naxos 8.557850, "his [Frankel's] first published experimentation with serial technique"
• Alexander Goehr
• Piano Sonata (1952)Gagné (2012), p.116.
• The Deluge (1958)
• Karel Goeyvaerts
• Nummer 1, Sonata for two pianos (1950–51)
• Nummer 2, for thirteen instruments (1951)
• Nummer 3 met gestreken en geslagen tonen, for chamber ensemble (1952)
• Nummer 4 met dode tonen, electronic music (1952)
• Nummer 5 met zuivere tonen, electronic music (1953)
• Nummer 6 met 180 klankvoorwerpen (1954)
• Nummer 7 met convergerende en divergerende niveaus, electronic music (1955)
• Ernest Gold
• Score for On the Beach (1959)Nicole V. Gagné, Historical Dictionary of Modern and Contemporary Classical Music, Historical Dictionaries of Literature and the Arts (Lanham, Maryland: Scarecrow Press, 2012): 98. {{ISBN|978-0-8108-6765-9}}.
• Jerry Goldsmith
• Freud (1962)
• Planet of the Apes (1968)
• The Illustrated Man (1969)
• Music for Orchestra (1969)
• Christus Apollo (1970)
• The Mephisto Waltz (1971)
• Escape from the Planet of the Apes (1971)
• Wojciech Kilar
• Riff 62 (1962)
• Gottfried Michael Koenig
• Zwei Klavierstücke, for piano solo (1957)
• Quintet for Woodwinds, for flute, oboe, cor anglais, clarinet, and bassoon (1958–59)
• String Quartet 1959 (1959)
• Ernst Krenek
• String Quartet No. 6 (for example)
• Witold Lutosławski
• Symphony No. 1 (1947)
• Five Songs to Words by Kazimiera Iłłakowiczówna for soprano and piano (1957); Arrangement with Orchestra (1958)
• Musique funèbre (1958)
• Trois poèmes d'Henri Michaux (1963)
• Livre pour orchestre (1968)
• Cello Concerto (1970)
• Mi-parti (1976)
• Grave: Metamorphoses for Cello and Piano (1981)
• Symphony No. 3 (1983)
• Johnny Mandel
• Point Blank (1967)
• Luigi Nono
• Canti per tredeci, 13 instruments, (1954–55)
• Il canto sospeso (1955–56)
• Cori di Didone, for chorus and percussion (1958)
• Diario polacco: Composizione no. 2 (1958–59)
• Due espressioni, for orchestra (1953)
• Incontri, for 24 instruments (1955)
• Polifonica—monodia—ritmica, for seven instrumentalists (1951)
• Varianti, for violin, woodwinds, and strings (1957)
• Krzysztof Penderecki
• St Luke Passion (Penderecki) (1966)
• Henri Pousseur
• Apostrophe et six Réflexions for piano (1964–66)
• Aquarius-Mémorial (in memoriam Karel Goeyvaerts)
• I. Les Litanies d'Icare for piano (1994)
• II. Danseurs Gnidiens cherchant la Perle clémentine for chamber orchestra (1998)
• III. Les Fouilles de Jéruzona for orchestra (1995)
• IV. Icare au Jardin du Verseau for piano and chamber orchestra (1999)
• La Guirlande de Pierre for soprano, baritone and piano (1997)
• At Moonlight, Dowland's Shadow passes along Ginkaku-Ji for shakuhachi, shamisen, and koto (1989)
• Ballade berlinoise for piano solo (1977)
• Canines for voice and piano (1980)
• Caractères for piano (1961)
• Chroniques berlinoises for piano and string quartet with baritone ad lib. (1975)
• Chroniques canines for two pianos with soprano ad lib (1984)
• Chroniques illustrées for large orchestra with baritone ad lib. (1976)
• Couleurs croisées for large orchestra (1967)
• Crosses of Crossed Colors for vocal soloist, two to five pianos, six tape-recorder operators, two turntablists, and two radio operators (1970)
• Déclarations d'Orage for reciter, soprano, baritone, three improvising instruments (alto saxophone, tuba, synthesizer), large orchestra and tape (1988–89)
• Dichterliebesreigentraum for soprano, baritone, two solo pianos, choir and orchestra (1992–93)
• Les Éphémérides d'Icare 2 for a soloist, three-part concertino, and four instrumental quartets (1970)
• Die Erprobung des Petrus Hebraïcus chamber opera in three acts, libretto by Léo Wintgens after Michel Butor (1974). Several "satellite" works are related to this opera:
• Flexions IV for viola solo (1980)
• Humeurs du Futur quotidien for two reciters and chamber orchestra (1978)
• Les Icare africains for solo voices, ad lib. choir, and orchestra (2002)
• Leçons d'Enfer music theatre for 2 actors, 3 singers, 7 instruments, tape, and live electronics; texts by Arthur Rimbaud and Michel Butor (1990–91)
• Madrigal I for clarinet (1958)
• Madrigal II for 4 early instruments (flute, violin, viola da gamba, harpsichord) (1961)
• Madrigal III for clarinet, violin, cello, 2 percussionists, and piano (1962)
• Mnémosyne monody solo voice or instrument, or unison choir (1968)
• Mnémosyne II for variable media (1969)
• Mobile for two pianos (1957–58)
• Navigations for harp (2000)
• Ode for string quartet (1960–61)
• La Paganania for solo violin (1982)
• La Paganania seconda for solo cello (1982)
• Paraboles-Mix electronic music (1972)
• Pédigrée for female voice and seven instruments (1980)
• Phonèmes pour Cathy for mezzo-soprano solo (1966)
• Prospection for three pianos tuned in sixths of a tone (1952–53)
• Quintette à la memoire d'Anton Webern for clarinet, bass clarinet, violin, cello, and piano (1955)
• Rimes pour différentes sources sonores for orchestra and tape (1958)
• Scambi electronic music (1957)
• Séismogrammes electronic music (1954)
• Seize Paysages planétaires ethno-electroacoustical music (2000)
• Sept Versets des Psaumes de la Pénitence for four vocal soloists or mixed choir (1950)
• Symphonies à 15 Solistes (1954–55)
• Tales and Songs from the Bible of Hell four singers with real-time electronic transformation and pre-recorded 4 track tape (1979)
• Trois Visages à Liège electronic music (1961)
• Votre Faust (1960–68), opera for five actors, four singers, twelve instruments, and electronic music, libretto by Michel Butor. Plus related "satellite" works:
• Miroir de Votre Faust (Caractères II) for solo piano and (optional) soprano (1964–65),
• Jeu de Miroirs de Votre Faust for piano, soprano and tape (1964–65)
• Echos de Votre Faust for mezzo-soprano, flute, cello, and piano (1961–69),
• Les Ruines de Jéruzona for mixed choir and "rhythm section" (1978),
• La Passion selon Guignol for amplified vocal quartet and orchestra (1981),
• Parade de Votre Faust for orchestra (1974)
• Aiguillages au carrefour des immortels for 16 or 17 instruments (2002)
• Il sogno di Leporello: Parade 2 (de Votre Faust) for orchestra (2005)
• Vue sur les Jardins interdits for saxophone quartet (1973)
• Miklós Rózsa
• King of Kings (1961)
• David Shire
• The Taking of Pelham One Two Three (1974)
• Karlheinz Stockhausen
• Adieu, for wind quintet (flute, oboe, clarinet, bassoon, and horn), Nr. 21 (1966)
• Alphabet für Liège, Nr. 36 (1972)
• Am Himmel wandre ich ("In the Sky I Am Walking", American Indian Songs), Nr. {{frac|36|1|2}} (1972)
• Amour, 5 pieces for clarinet, flute, or saxophone Nr. 44 (1976)
• Atmen gibt das Leben, choral opera with orchestra (or orchestra on tape), Nr. 39 (1974/76–77)
• Aus den sieben Tagen ("From the Seven Days"), 15 texts for intuitive music (performable separately), Nr. 26 (1968)
• Bassetsu-Trio, for basset horn, trumpet, and trombone, Nr. 3. ex 70 (1997). Arranged from Mittwoch aus Licht, scene 4: Michaelion
• Carré, for 4 orchestras and choirs, Nr. 10 (1959–60)
• Dr K–Sextett, for flute, bass clarinet, percussionist (tubular chimes and vibraphone), piano, viola, and cello, Nr. 28 (1968–69)
• Konkrete Etüde, musique concrète, Nr. {{frac|1|5}} (1952)
• Europa-Gruss, Nr. 72 (1992/2002)
• Expo, for 3 players or singers with 3 short-wave receivers, Nr. 31 (1969–70)
• Formel, for small orchestra, Nr. ¹/₆ (1951)
• Fresco, for 4 orchestral groups, Nr. 29 (1969)
• Für kommende Zeiten, 17 texts for intuitive music, Nr. 33 (1968–70)
• Gesang der Jünglinge, electronic and concrete music, Nr. 8 (1955–56)
• Gruppen, for 3 orchestras, Nr. 6 (1955–57)
• Harlekin, for clarinet, Nr. 42 (1975)
• Der kleine Harlekin, for clarinet, Nr. {{frac|42|1|2}} (1975)
• Helikopter-Streichquartett, for string quartet and 4 helicopters, Nr. 69 (1992–93) [Scene 3 of Mittwoch aus Licht]
• Herbstmusik, musical theatre for 4 performers, Nr. 40 (1974)
• Laub und Regen, duet for clarinet and viola, Nr. {{frac|40|1|2}}
• Hymnen, 4-channel electronic and concrete music (also version with soloists, and Third Region with orchestra), Nr. 22 (1966–67)
• In Freundschaft, for clarinet (and versions for most other instruments), Nr. 46 (1977)
• Inori, adorations for 1 or 2 soloists and large orchestra, Nr. 38 (1973–74)
• Vortrag über HU, for a singer, Nr. {{frac|38|1|2}} (1974)
• Jubiläum, for orchestra, Nr. 45 (1977)
• Klang ("Sound", the 24 Hours of the Day), Nr. 81– (2004–2007)
• First Hour: Himmelfahrt (Ascension), for organ (or synthesizer), soprano, and tenor, Nr. 81 (2004–05)
• Second Hour: Freude (Joy), for 2 harps, Nr. 82 (2005)
• Third Hour: Natürliche Dauern 1–24 (Natural Durations 1–24), for piano, Nr. 83 (2005–06)
• Fourth Hour: Himmels-Tur (Heaven's Door), for a percussionist and a little girl, Nr. 84 (2005)
• Fifth Hour: Harmonien (Harmonies), Nr. 85, versions for:
• bass clarinet, Nr. 85.1 (2006)
• flute, Nr. 85.2 (2006)
• trumpet, Nr. 85.3 (2006)
• Sixth Hour: Schönheit (Beauty), for flute, bass clarinet, and trumpet, Nr. 86 (2006)
• Seventh Hour: Balance, for flute, English horn, and bass clarinet, Nr. 87 (2007)
• Eighth Hour: Glück (Bliss), for oboe, English horn, and bassoon, Nr. 88 (2007)
• Ninth Hour: Hoffnung (Hope), for violin, viola, and cello, Nr. 89 (2007)
• Tenth Hour: Glanz (Brilliance), for oboe, clarinet, bassoon, trumpet, trombone, tuba, and viola, Nr. 90 (2007)
• Eleventh Hour: Treue (Fidelity), for E-flat clarinet, basset horn, and bass clarinet, Nr. 91 (2007)
• Twelfth Hour: Erwachen (Awakening), for soprano saxophone, trumpet, and cello, Nr. 92 (2007)
• Thirteenth Hour: Cosmic Pulses, electronic music, Nr. 93 (2006–07)
• Fourteenth Hour: Havona, for bass voice and electronic music, Nr. 94 (2007)
• Fifteenth Hour: Orvonton, for baritone and electronic music, Nr. 95 (2007)
• Sixteenth Hour: Uversa, for basset-horn and electronic music, Nr. 96 (2007)
• Seventeenth Hour: Nebadon, for horn and electronic music, Nr. 97 (2007)
• Eighteenth Hour: Jerusem, for tenor and electronic music, Nr. 98 (2007)
• Nineteenth Hour: Urantia, for soprano and electronic music, Nr. 99 (2007)
• Twentieth Hour: Edentia, for soprano saxophone and electronic music, Nr. 100 (2007)
• Twenty-first Hour: Paradies (Paradise), for flute and electronic music, Nr. 101 (2007)
• Klavierstücke
• Klavierstücke I–IV, Nr. 2 (1952)
• Klavierstücke V–X, Nr. 4 (1954–55/61)
• Klavierstück XI, Nr. 7 (1956)
• Klavierstück XII, ex Nr. {{frac|49|3|4}} (1979/83)
• Klavierstück XIII, Nr. {{frac|51|1|2}} (1981)
• Klavierstück XIV, ex Nr. {{frac|57|2|3}} (1984)
• Synthi-Fou (Klavierstück XV), ex Nr. {{frac|61|2|3}}
• Klavierstück XVI, Nr. {{frac|63|1|2}} (1995)
• Klavierstück XVII, {{frac|7|1|2}} ex Nr. 64 (1994/99)
• Klavierstück XVIII, Nr. {{frac|73|2|3}} (2004)
• Klavierstück XIX, Nr. 80 (2001/2003)
• Kontakte ("Contacts"), for electronic sounds, Nr. 12 (1958–60); Kontakte, for electronic sounds, piano, and percussion, Nr. {{frac|12|1|2}} (1958–60); Originale, musical theatre with Kontakte, Nr. {{frac|12|2|3}} (1961)
• Kontra-Punkte ("Counter-Points"), for 10 instruments, Nr. 1 (1952–53)
• Kreuzspiel, for oboe, bass clarinet, piano, and 3 percussionists, Nr. {{frac|1|7}} (1951)
• Kurzwellen, for 6 players with live electronics, plus sound director, Nr. 25 (1968)
• Licht, Nr. 47–80 (1977–2003)
• Licht-Ruf, Nr. 67 (1995)
• Litanei 97, Nr. 74 (1997)
• Mantra, for 2 pianists (with wood blocks and antique cymbals) and electronics, Nr. 32 (1970)
• Mikrophonie I, for tamtam (2 players), 2 microphones, 2 filters with potentiometers, and 4 pair of loudspeakers, Nr. 15 (1964)
• Mikrophonie II, for 12 voices, Hammond organ (or synthesizer), 4 ring modulators, and tape, Nr. 17 (1965)
• Mixtur, for orchestra, 4 sinewave generators, and 4 ring-modulators, Nr. 16 (1964)
• Musik im Bauch, for 6 percussionists and music boxes, Nr. 41 (1975)
• Momente, for soprano solo, 4 choirs, and 13 instrumentalists, Nr. 13 (1962–64/69)
• Oktophonie (1990/91) electronic music of Tuesday from Light
• Plus-Minus, 2 x 7 pages for realization, Nr. 14 (1963)
• Pole, for 2 players or singers with 2 short-wave radios, Nr. 30 (1969–70)
• Prozession, for 6 players with live electronics, Nr. 23 (1967)
• Punkte ("Points"), for orchestra, Nr. {{frac|1|2}} (1952/62/66/93)
• Quitt ("Even"), for alto flute, clarinet, and trumpet, Nr. 1 ex 59 (1989)
• Refrain, for piano (+ 3 woodblocks), vibraphone (+ 3 alpine cowbells and keyboard glockenspiel), and celesta (+ 3 antique cymbals), Nr. 11 (1959)
• Rotary Wind Quintet, for flute, oboe, clarinet, bassoon, and horn, Nr. {{frac|70|1|2}} (1997)
• Schlagtrio ("Percussive Trio") [originally Schlagquartett], for piano and 2 x 3 [originally 3 x 2] timpani, Nr. {{frac|1|3}} (1952)
• Sirius, electronic music with trumpet, soprano, bass clarinet, and bass voice, Nr. 43 (1975–77)
• Solo, for a melody instrument and feedback (live electronics with 4 technicians, 4 pair of loudspeakers), Nr. 19 (1965–66)
• Spiel ("Play"), for orchestra, Nr. {{frac|1|4}} (1952)
• Spiral, for a soloist with short-wave receiver and live electronics with sound director, Nr. 27 (1968)
• Sternklang ("Star Sound"), park music for five groups, Nr. 34 (1971)
• Stimmung ("Tuning"), for 6 vocalists, Nr. 24 (1968)
• Stop, for small orchestra in 6 groups, Nr. 18 (1965)
• Strahlen ("Rays"), for a percussionist and ten-channel sound recording, Nr. {{frac|80|1|2}} (2002)
• Studie I, electronic music, Nr. 3/I (1953)
• Studie II, electronic music, Nr. 3/II (1954)
• Sukat, for alto flute and basset-horn, Nr. 2 ex 60 (1989)
• Telemusik, electronic and concrete music, Nr. 20 (1966)
• Thinki, for flute, Nr. 1 ex 70 (1997)
• Tierkreis ("Zodiac"), 12 melodies of the star signs, for a melody and/or chording instrument, Nr. {{frac|41|1|2}} (1974–75)
• Trans, for orchestra and tape, Nr. 35 (1971)
• Traum-Formel ("Dream Formula"), for basset-horn, Nr. {{frac|51|2|3}} (1981)
• Trumpetent (aka "Trompetent"), for 4 trumpeters, Nr. 73 (1995)
• Türin, for Tür (door), rin, and speaker (versions in German and English), with electronics (2006)
• Unsichtbare Chöre, 16-channel recording of a cappella choir, for 8-channel playback, ex Nr. 79 (1979)
• Vibra-Elufa, for vibraphone, Nr. {{frac|9|3|4}} ex 64 (2003)
• Xi, for a melody instrument with microtones, Nr. 1 ex 55 (1986)
• Ylem, for 19 players, Nr. 37 (1972)
• Ypsilon, for a melody instrument with microtones, Nr. 2 ex 59 (1989)
• Zeitmaße ("Time Measures"), for oboe, flute, cor anglais, clarinet, and bassoon, Nr. 5 (1955–56)
• Zyklus ("Cycle"), for a percussionist, Nr. 9 (1959)
• Gilles Tremblay
• Cantique de durées (1960)Gilles Tremblay, "Note pour Cantique de durées", Revue d'esthetique 21 (1968), nos. 2–4 ("Musiques nouvelles"): 51–58.

• List of atonal compositions
• List of tone rows and series

{{reflist|2}}

{{Music theory lists}}

{{Twelve-tone technique}}

{{Musical repertoire}}

Dodecaphonic and serial compositions

Category:Serialism