| class="wikitable sortable"
!scope="col" | Piece
!scope="col" | Composer
!scope="col" | Approximate duration
!scope="col" data-sort-type="number" | Page
count
!scope="col" class="unsortable"| Page size
!scope="col" class="unsortable" | Notes |
| Beatus Vir
|Jacob Mashak
|11 hours
|{{nts|53}} (in proportional notation)[{{Cite web|url=https://roberge.mus.ulaval.ca/srs/01-homag.htm|title = Sorabji Resource Site: Musical and Literary Homages and Dedications}}]
|
|A work for two pianos. Premiered by three pianists (including the composer), who played in rotation. |
| The Road
|Frederic Rzewski
|10 hours
|{{nts|539}} (manuscript)[{{cite web|url=http://www.musikeon.net/eng/who.php?id_cat=3&id=67 |title=Who we are - Frederic Rzewski |publisher=Musikeon |date= |accessdate=2012-04-30}}][{{IMSLP|Rzewski, Frederic|Frederic Rzewski}}]
|
|Premiered by the composer, Ian Pace and several other pianists.[{{cite web|url=http://www.musicalpointers.co.uk/reviews/liveevents/TrinityFestivals.htm |title=Trinity College of Music Festivals May 2006 |accessdate=2013-01-01}}] |
| Symphonic Variations for Piano
|Kaikhosru Shapurji Sorabji
|10 hours
|{{nts|484}} (manuscript)["[http://www.sorabji-archive.co.uk/compositions/piece.php?pieceid=59 Compositions: KSS59 Symphonic Variations]", The Sorabji Archive.]
|A3
|Variation 56 (of 81) has been recorded by Michael Habermann and performed by Chappell Kingsland. |
| 100 Transcendental Studies
|Kaikhosru Shapurji Sorabji
|8½ hours
|{{nts|456}} (manuscript)["[http://www.sorabji-archive.co.uk/compositions/piece.php?pieceid=66 Compositions: KSS66 100 Transcendental Studies]", The Sorabji Archive.]
|A3
|The complete cycle of 100 études has been recorded by Fredrik Ullén.[{{Cite web|url=http://www.sorabji-archive.co.uk/news.php|title = The Sorabji Archive — News}}] The études that have not been performed in public are Nos. 27, 33, 39, 42, 45–48, 51, 53–58, 60–64, 68, 74, 82, 87, 90, 91 and 93.[[http://www.mus.ulaval.ca/roberge/srs/06-etude.htm Sorabji Resource Site: First Performances of the Études transcendantes]] |
| Sequentia cyclica super "Dies irae" ex Missa pro defunctis
|Kaikhosru Shapurji Sorabji
|8½ hours
|{{nts|335}} (manuscript)["[http://www.mus.ulaval.ca/roberge/srs/06-timin.htm Performed Works and Timings] {{Webarchive|url=https://web.archive.org/web/20160303193959/http://www.mus.ulaval.ca/roberge/srs/06-timin.htm |date=2016-03-03 }}", Sorabji Resource Site.]["[http://www.sorabji-archive.co.uk/compositions/piece.php?pieceid=71 Compositions: KSS71 Sequentia cyclica super Dies iræ]", The Sorabji Archive.]
|A3
|Premiered and recorded by Jonathan Powell. |
| Piano Sonata No. 5 (Opus archimagicum)
|Kaikhosru Shapurji Sorabji
|6–7 hours
|{{nts|336}} (manuscript)["[http://www.opusarchimagicum.com/main.html "Piano Sonata V" (1934-35)]", Opus Archimagicum.]["[http://www.sorabji-archive.co.uk/compositions/piece.php?pieceid=58 Compositions: KSS58 Piano Sonata No. 5 Opus Archimagicum]", The Sorabji Archive.]
|A3
|Movements 8 and 9 from the 10-movement work have been premiered by Tellef Johnson. |
| Inner Cities 1–14
|Alvin Curran
|6 hours
|
|
|Premiered and recorded by Daan Vandewalle. |
| November
|Dennis Johnson
|6 hours
|6 (manuscript)[{{Cite journal |last=Gann |first=Kyle |date=2010-12-01 |title=Reconstructing November |url=https://scholarlypublishingcollective.org/uip/am/article-abstract/28/4/481/262971/Reconstructing-November |journal=American Music |volume=28 |issue=4}}]
|
|Premiered by the composer, recorded by R. Andrew Lee. |
| The Well-Tuned Piano
|La Monte Young
|5-6 hours
|
|
|Premiered and recorded by the composer.[{{Cite web |date=2013-03-25 |title=A guide to La Monte Young's music |url=http://www.theguardian.com/music/musicblog/2013/mar/25/contemporary-music-guide-la-monte-young |access-date=2022-12-31 |website=the Guardian |language=en}}] |
| The History of Photography in Sound
|Michael Finnissy
|5½ hours
|{{nts|365}} (edition)["[http://www.ianpace.com/text/history2.htm History of Photography] {{webarchive|url=https://web.archive.org/web/20121215043153/http://www.ianpace.com/text/history2.htm |date=2012-12-15 }}", IanPace.com.][Finnissy, Michael (2004). [https://books.google.com/books/about/The_history_of_photography_in_sound.html?id=P6Q4AQAAIAAJ The History of Photography in Sound]. Oxford University Press. {{ISBN|978-0-19-372648-2}}.]
|A3
|Premiered and recorded by Ian Pace.[[http://www.mdt.co.uk/finnissy-michael-the-history-of-sound-ian-pace-metier-5cds.html Finnissy Michael The History Of Photography in Sound Ian Pace Metier 5Cds]] Performed by Mark Knoop.["[http://markknoop.com/performances/from/1993/to/2004 Performances between 1993 and 2004]", MarkKnoop.com.] |
| Piano Symphony No. 6 (Symphonia claviensis)
|Kaikhosru Shapurji Sorabji
|4¾ hours
|{{nts|270}} (manuscript)[[http://www.sorabji-archive.co.uk/compositions/piece.php?pieceid=95 The Sorabji Archive — Compositions — KSS95 Piano Symphony No. 6 Symphonia Claviensis]][[http://www.mus.ulaval.ca/roberge/srs/04-alter.htm Sorabji Resource Site: Works with Alternate or Previous Titles]]
|A3
|Premiered by Jonathan Powell. |
| Piano Symphony No. 4
|Kaikhosru Shapurji Sorabji
|4½ hours
|{{nts|240}} (manuscript)
|A3
|Premiered by Reinier van Houdt.[{{Cite web |url=http://www.mus.ulaval.ca/roberge/srs/06-timin.htm |title=Sorabji Resource Site: Performed Works and Timings |access-date=2011-08-14 |archive-date=2016-03-03 |archive-url=https://web.archive.org/web/20160303193959/http://www.mus.ulaval.ca/roberge/srs/06-timin.htm |url-status=dead }}][[http://www.mus.ulaval.ca/roberge/srs/04-pages.htm Sorabji Resource Site: Works Ordered by Number of Pages]][[http://www.sorabji-archive.co.uk/compositions/piece.php?pieceid=85 The Sorabji Archive — Compositions — KSS85 Piano Symphony No. 4]] |
| Opus clavicembalisticum
|Kaikhosru Shapurji Sorabji
|4 hours
|{{nts|253}} (manuscript)["[http://www.mus.ulaval.ca/roberge/srs/06-opusc.htm Timings of Recorded Performances of Opus clavicembalisticum]", Sorabji Resource Site.]["[http://www.sorabji-archive.co.uk/compositions/piece.php?pieceid=50 Compositions: KSS50 Opus Clavicembalisticum]", The Sorabji Archive.]
|A3
|Premiered by the composer. Performed and recorded by Geoffrey Douglas Madge{{#tag:ref|Madge's two recordings (released by Keytone Records and BIS Records respectively) were taken from live performances.|group=n}} and John Ogdon. |