List of works by Diego Rivera

{{short description|None}}

{{Expand list|date=January 2021}}File:Diego_Rivera_with_a_xoloitzcuintle_dog_in_the_Blue_House,_Coyoacan_-_Google_Art_Project.jpg with Xoloitzcuintle dog|247x247px]]

This is a list of works by Diego Rivera (8 December 1886, Guanajuato – 24 November 1957, Mexico City). He was a Modern painter, famous for his social realist murals. This list is split into two distinct era's in Rivera's work, the formative years between 1886 until 1920; and the social realism years between 1921 until his death in 1957.

Rivera is also known for his marriage to Frida Kahlo (6 July 1907, Mexico City – 13 July 1954, Mexico City), also a celebrated Mexican painter.{{Cite web|title=Diego Rivera, Mexican painter|url=https://www.britannica.com/biography/Diego-Rivera|access-date=2021-01-26|website=Encyclopedia Britannica|language=en}}

{{Clear}}

Paintings by Rivera

= Formative years (1886–1912) =

class="wikitable sortable"

!Image

!Title (English){{Cite web|last=|first=|date=|title=Wikiart|url=https://www.wikiart.org/en/diego-rivera/all-works|url-status=live|archive-url=https://web.archive.org/web/20201011024617/https://www.wikiart.org/en/diego-rivera/all-works|archive-date=2020-10-11|access-date=|website=}}

!Year

!Location

!Dimensions ({{resx|H|W}} in cm)

!Medium

|Classical Head

|1898

|

|{{resx|48.5|39.2}}

|

|The Threshing Floor

|1904

|Museo Casa Diego Rivera, Guanajuato, Mexico

|{{resx|100|114.6}}

|

|Head of a Goat

|1905

|Rafael Coronel Collection, Cuernavaca, Mexico

|{{resx|12.5|9.5}}

|

|Night Scene in Avila

|1907

|Dolores Olmedo Collection, Mexico City

|

|

|Self-Portrait

|1907

|Dolores Olmedo Collection, Mexico City

|

|

|Avila Morning (The Ambles Valley)

|1908

|Museo Nacional de Arte (MUNAL), Mexico City

|{{resx|97|123}}

|

|Street in Ávila (Ávila Landscape)

|1908

|Museo Nacional de Arte (MUNAL), Mexico City

|{{resx|129|141}}

|

|House over the Bridge

|1909

|Museo Nacional de Arte (MUNAL), Mexico City

|{{resx|147|120}}

|

|Notre Dame de Paris

|1909

|

|{{resx|144|113}}

|

|Portrait of Angelina Beloff

|1909

|

|

|

|El Picador

|1909

|Dolores Olmedo Collection, Mexico City

|{{resx|177|133}}

|

|Breton Girl

|1910

|Museo Casa Diego Rivera, Guanajuato, Mexico

|{{resx|100|80}}

|

|Head Of A Breton Woman

|1910

|Museo Casa Diego Rivera, Guanajuato, Mexico

|{{resx|129|141}}

|

|After the Storm (The Grounded Ship)

|1910

|Museo Nacional de Arte (MUNAL), Mexico City

|{{resx|120.7|146.7}}

|

|Landscape

|1911

|

|

|

= Pre-Cubism (1912–1913) =

class="wikitable sortable"

!Image

!Title (English)

!Year

!Location

!Dimensions ({{resx|H|W}} in cm)

!Medium

|View Of Toledo

|1912

|

|{{resx|112|91}}

|

|Landscape at Toledo

|1913

|Pinacoteca Diego Rivera, Veracruz, Mexico

|{{resx|32|46}}

|

|Portrait Of Oscar Miestchaninoff

|1913

|Gobierno del Estado de Veracruz, Pinacoteca Diego Rivera, Xalapa, Veracruz, Mexico

|{{resx|147|120}}

|

|Portrait Of The Adolfo Best Maugard

|1913

|Museo Nacional de Arte, Mexico

|{{resx|227.5|161.5}}

|

|The Sun Breaking through the Mist

|1913

|Dolores Olmedo Collection, Mexico City,

|{{resx|83.5|59}}

|

|The Adoration Of The Virgin

|1913

|

|{{resx|150|120}}

|Oil and encaustic on canvas

|Still Life

|1913

|Hermitage, St. Petersburg

|{{resx|84|65}}

|Tempera on canvas

= Cubism (1913–1920) =

class="wikitable sortable"

!Image

!Title (English)

!Year

!Location

!Dimensions ({{resx|H|W}} in cm)

!Medium

|Woman At a Well

|1913

|Museo Nacional de Arte (MUNAL), Mexico City

|

|

|Chimenea (Chimney)

|1913

|Foro Valparaíso, Mexico City, México

|{{resx|73|59.4}}

|Oil and pencil on canvas

|Portrait of Two Women

|1914

|Arkansas Arts Center, Little Rock

|{{resx|197.5|161.3}}

|Oil on canvas

|La Tour Eiffel

|1914

|

|{{resx|115|92}}

|

|The Alarm Clock

|1914

|Museo Frida Kahlo, Mexico City

|

|

|Sailor at Breakfast

|1914

|

|{{resx|117|72}}

|

|Young Man with a Fountain Pen

|1914

|

|{{resx|79.5|63.5}}

|

|Portrait of Kawashima and Foujita

|1914

|

|{{resx|78.5|74}}

|Oil and collage on canvas

|Zapata-style Landscape

|1915

|Museo Nacional de Arte, Mexico

|{{resx|145|125}}

|

|Seated Woman (Women with the Body of a Guitar)

|1915

|Museo Frida Kahlo, Mexico City

|

|

|Portrait de Martin Luis Guzman

|1915

|

|{{resx|72.3|59.3}}

|

|Portrait of Ramon Gomez de la Serna

|1915

|

|

|

|El Rastro

|1915

|Dolores Olmedo Collection, Mexico City,

|{{resx|27.5|38.5}}

|

|Portrait of Marevna

|

|Art institute of Chicago

|{{resx|145.7|112.7}}

|

|Motherhood Angelina and the Child Diego

|1916

|Museo de Arte Carrillo Gil, Mexico City

|{{resx|134.5|88.5}}

|Oil on canvas

|Urban Landscape

|1916

|Museo Frida Kahlo, Mexico City

|

|

|Still Life with Tulips

|1916

|

|{{resx|67.8|53.7}}

|Oil on canvas

|Still Life with Utensils

|1917

|Dolores Olmedo Collection, Mexico City,

|{{resx|71|54}}

|

|La Jarra de Cerveza (The Beer Pitcher)

|1917

|Foro Valparaíso, Mexico City, México

|{{resx|27|22}}

|Oil on canvas

= Realism (1917–1918) =

class="wikitable sortable"

!Image

!Title (English)

!Year

!Location

!Dimensions ({{resx|H|W}} in cm)

!Medium

|Knife and Fruit in Front of the Window

|1917

|Dolores Olmedo Collection, Mexico City,

|91.8 × 92.4

|

|Still Life with Ricer also known as Still Life with Garlic Press

|1918

|

|

|

|The Outskirts Of Paris

|1918

|

|

|

|The Mathematician

|1918

|Dolores Olmedo Collection, Mexico City,

|

|

= Social Realism (1921–1957) =

class="wikitable sortable"

!Image

!Title (English)

!Year

!Location

!Dimensions ({{resx|H|W}} in cm)

!Medium

|Creation

|1922–1923

|San Ildefonso College, Mexico City,

|

|Fresco, Gold leaf

|Bather of Tehuantepec

|1923

|

|63 × 52

|Oil on canvas

|Entry into the Mine

|1923

|Secretariat of Public Education Main Headquarters, Mexico City

|474 × 366

|Fresco

|Exit from the Mine

|1923

|Secretariat of Public Education Main Headquarters, Mexico City

|

|Fresco

|The Embrace

|1923

|Secretariat of Public Education Main Headquarters, Mexico City

|

|Fresco

|Tehuana Women

|1923

|Secretariat of Public Education Main Headquarters, Mexico City

|476 × 214

|Fresco

|The Liberation of The Peon

|1923

|Secretariat of Public Education Main Headquarters, Mexico City

|

|Fresco

|The New School

|1923

|Secretariat of Public Education Main Headquarters, Mexico City

|

|Fresco

|Good Friday on the Santa Anita Canal

|1923

|

|456 × 356

|Fresco

|The Sugar Mill

|1923

|Secretariat of Public Education Main Headquarters, Mexico City

|482 × 366

|Fresco

|The Festival of The Distribution of The Land

|1923–1924

|Secretariat of Public Education Main Headquarters, Mexico City

|

|Fresco

|The Festival of The First of May

|1923–1924

|Secretariat of Public Education Main Headquarters, Mexico City

|

|Fresco

|The Market

|1923–1924

|Secretariat of Public Education Main Headquarters, Mexico City

|

|Fresco

|The Maize Festival

|1923–1924

|Secretariat of Public Education Main Headquarters, Mexico City

|438 × 239

|Fresco

|The Sacrificial Offering Day of the Dead

|1923–1924

|Secretariat of Public Education Main Headquarters, Mexico City

|415 × 237

|Fresco

|Alliance of the Peasant and the Industrial Worker

|1924

|Chapingo Autonomous University, Texcoco, Mexico

|

|Fresco

|The Day of the Dead

|1924

|Secretariat of Public Education Main Headquarters, Mexico City

|

|Fresco

|Partition of the Land

|1924

|Chapingo Autonomous University, Texcoco, Mexico

|

|Fresco

|Dia de Flores (Flower Festival)

|1925

|Los Angeles County Museum of Art (LACMA)

|147.3 × 120.7

|Oil on canvas

|The Exploiters

|1926

|Chapingo Autonomous University, Texcoco, Mexico

|

|Fresco

|The Abundant Earth

|1926

|Chapingo Autonomous University, Texcoco, Mexico

|

|Fresco

|Revelation of the Way

|1926

|Chapingo Autonomous University, Texcoco, Mexico

|

|Fresco

|Triumph of the Revolution

|1926

|Chapingo Autonomous University, Texcoco, Mexico

|

|Fresco

|The Organization of The Agrarian Movement

|1926

|Chapingo Autonomous University, Texcoco, Mexico

|

|Fresco

|The Mechanization of The Country

|1926

|Secretariat of Public Education Main Headquarters, Mexico City

|

|Fresco

|The Land's Bounty Rightfully Possessed

|1926

|Chapingo Autonomous University, Texcoco, Mexico

|

|Fresco

|Indian Boy and Indian Woman with Corn Stalks

|1926–27

|Chapingo Autonomous University, Texcoco, Mexico

|

|

|Subterranean Forces

|1926–27

|Chapingo Autonomous University, Texcoco, Mexico

|

|

|Maturation

|1926–27

|Chapingo Autonomous University, Texcoco, Mexico

|

|

|The Blood of the Revolutionary Martyrs Fertilizing the Earth

|1926–27

|Chapingo Autonomous University, Texcoco, Mexico

|244 × 491

|

|The Liberated Earth with The Powers of Nature Controlled by Man

|1926–27

|Chapingo Autonomous University, Texcoco, Mexico

|692 × 598

|

|The Perpetual Renewal of the Revolutionary Struggle

|1926–27

|Chapingo Autonomous University, Texcoco, Mexico

|354 × 357

|

|Cargadora With Dog

|1927

|

|

|Watercolour

|Death of the Capitalist

|1928

|Secretariat of Public Education Main Headquarters, Mexico City

|

|

|Night of the Rich

|1928

|Secretariat of Public Education Main Headquarters, Mexico City

|

|

|Our Bread

|1928

|Secretariat of Public Education Main Headquarters, Mexico City

|

|

|The Learned

|1928

|Secretariat of Public Education Main Headquarters, Mexico City

|

|

|The Painter, the Sculptor and the Architect

|1923–1928

|Secretariat of Public Education Main Headquarters, Mexico City

|

|

|Wall Street Banquet

|1928

|Secretariat of Public Education Main Headquarters, Mexico City

|

|

|The Arsenal

|1928

|Courtyard of the Fiestas, Secretariat of Public Education, Mexico City, Mexico

|

|Fresco

|Entering the City

|1930

|Palace of Cortés, Cuernavaca, Mexico

|

|Fresco

|My Godfather's Sons (Portrait of Modesto and Jesus Sanchez)

|1930

|Fomento Cultural Banamex, Mexico City

|

|

|Zapata's Horse

|1930

|

|

|

|Conquest and Revolution

|1930–31

|

|

|

|Still Life and Blossoming Almond Trees

|1930–31

|University of California, Berkeley, Stern Hall, Berkeley, California

|{{resx|265|100}}

|Fresco

|Allegory of California

|1930–31

|The City Club of San Francisco, Stock Exchange Tower, San Francisco, California

|

|Fresco

|Zapata

|1930–31

|The History of Cuernavaca and Morelos

|214 × 89

|

|The Making of a Fresco, Showing The Building of a City

|1931

|San Francisco Art Institute, San Francisco, California

|

|Fresco

|Frozen Assets

|1931

|Dolores Olmedo Collection, Mexico City

|188.5 × 239

|

|Blue Boy with the Banana

|1931

|Norton Simon Museum, Pasadena, California

|91.4 × 54.9

|Oil on canvas

|Edsel B. Ford

|1932

|Detroit Institute of Arts, Detroit, Michigan

|125.1 × 97.8

|

|Detroit Industry, South Wall

|1932–1933

|Detroit Institute of Arts, Detroit, Michigan

|

|Fresco

|Detroit Industry, North Wall

|1933

|Detroit Institute of Arts, Detroit, Michigan

|

|Fresco

|Man at the Crossroads / Man, Controller of the Universe

|1933–34

|Palacio de Bellas Artes, Mexico City

|

|

|The Ancient Indian World

|1929–35

|Palacio Nacional, Mexico City

|

|

|The World of Today and Tomorrow

|1929–35

|Palacio Nacional, Mexico City

|

|

|The History of Mexico: From Conquest to the Future (main wall)

|1929–35

|Palacio Nacional, Mexico City

|

|

|The History of Mexico

|1929–35

|Palacio Nacional, Mexico City

|

|

|Delfina and Dimas

|1935

|

|24 × 31

|tempera on masonite

|The Flower Carrier (Flower Carrier)

|1935

|San Francisco Museum of Modern Art (SFMOMA)

|121.9 × 121.3

|Oil and tempera on masonite

|The Pinole Seller

|1936

|Museo Nacional de Arte (MUNAL), Mexico City

|81.4 × 60.7

|

|Indian Woman Spinning / Indigena Tejiendo

|1936

|Phoenix Art Museum, Phoenix, Arizona

|81.3 × 59.7

|

|Carnival of Mexican Life. Dictatorship

|1936

|Palacio de Bellas Artes, Mexico City

|

|

|Copalli

|1937

|Brooklyn Museum, Brooklyn, New York City, New York

|91.44 × 121.92

|

|Portrait of Lupe Marin

|1938

|Museo de Arte Moderno, Mexico City

|171.3 × 122.3

|

|Portrait of Dolores Del Rio

|1938

|

|

|

|The Lady in White

|1939

|

|

|

|Portrait of Madesta and Inesita

|1939

|

|99 × 69

|

|Dancer Resting

|1939

|Dolores Olmedo Collection, Mexico City

|95 × 166

|

|Los Vasos Comunicantes (The Communicating Cups)

|1939

|Foro Valparaíso, Mexico City, México

|60 × 84,5

|linocut on paper

|Pan American Unity

|1940

|San Francisco Museum of Modern Art, San Francisco, California (was previously located at City College of San Francisco, Diego Rivera Theater, but moved in 2020)

|670 × 2,260

|Fresco

|The Hands of Dr. Moore

|1940

|San Diego Museum of Art, San Diego, California

|45.8 × 55.9

|

|Portrait of Paulette Goddard

|1940–41

|

|

|

|Self-Portrait Dedicated to Irene Rich

|1941

|Smith College Museum of Art (SCMA), Northampton, Massachusetts

|61 × 43

|

|The Flower Seller

|1941

|

|

|

|The Flower Vendor (Girl with Lilies)

|1941

|Norton Simon Museum, Pasadena, California

|121.9 × 121.9

|Oil on masonite

|El Vendedor de Alcatraces (Calla Lily Vendor)

|1942

|Foro Valparaíso, Mexico City, México

|

|

|Portrait of Carlos Pellicer

|1942

|

|55 × 43

|

|Portrait of Natasha Zakólkowa Gelman

|1943

|

|115 × 153

|

|Calla Lily Vendor

|1943

|The Jacques and Natasha Gelman Collection of Mexican Art

|150 × 120

|Oil on masonite

|Nude with Calla Lilies

|1944

|

|157 × 124

|

|The Day of the Dead

|1944

|Museo de Arte Moderno, Mexico City

|91 × 73.5

|

|The Milliner. Portrait of Henri de Chatillon

|1944

|

|

|

|Portrait of Adalgisa Nery

|1945

|

|

|

|Portrait of Cuca Bustamante

|1946

|Museo de Arte Moderno, Mexico City,

|158 × 122.5

|

|Portrait of Mrs Elisa Saldivar de Gutierrez Roldan

|

|

|

|

|Portrait of Linda Christian

|1947

|

|

|

|The Temptations of Saint Anthony

|1947

|Museo Nacional de Arte (MUNAL), Mexico City,

|90 × 110

|

|Portrait of an Actress

|1948

|

|

|

|Dream of a Sunday Afternoon in Alameda Park

|1948

|Museo Mural Diego Rivera, Mexico City

|

|

|Retrato de María Félix

|

|

|

|

|Portrait of Evangelina Rivas de De la Chica, The lady from Oaxaca

|1949

|

|

|

|Portrait of Senora Dona Evangelina Rivas de LaChica

|1949

|

|

|

|Portrait of Ruth Rivera

|1949

|

|199 × 100.5

|

|Vendedora de Flores (The Flower Seller)

|1949

|Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain

|180 × 150

|Oil on canvas

|Colonisation, 'The Great City of Tenochtitlan'

|1945–52

|Palacio Nacional, Mexico City,

|971 × 492

|

|The Huastec Civilisation

|1950

|Palacio Nacional, Mexico City,

|

|

|The Papermakers

|1950

|Palacio Nacional, Mexico City,

|

|

|Totonac Civilization

|1950

|Palacio Nacional, Mexico City,

|

|

|Pre-Hispanic America

|1950

|

|

|

|Figure Symbolizing the African Race

|1951

|

|

|

|Figure Symbolizing the Asiatic Race

|1951

|

|

|

|The Hands of Nature Offering Water

|1951

|

|

|

|Portrait of the Young Girl Elenita Carrillo Flores

|1952

|

|55 × 105

|

|The Banana Leaf Loader

|1953

|

|50 × 40

|

|The History of Medicine in Mexico: The People's Demand for Better Health

|1953

|

|

|

|Portrait of Sra. Dona Elena Flores de Carrillo

|1953

|

|140 × 221.5

|

|The Painter's Studio

|1954

|

|150 × 178

|

|Evening Twilight at Acapulco

|1956

|

|30 × 40

|

|Portrait of Silvia Pinal

|1956

|

|

|

|The Hammock

|1956

|

|

|

|May Day Procession in Moscow

|1956

|

|135.2 × 108.3

|

|Lenin in 1922

|Unknown

|

|

|

|Sugar Plantation, Tealtenango, Morelos and Indian Slaves in the Gold Mines

|Unknown

|

|

|

|The Architect, Jesus T. Acevedo

|Unknown

|Museo de Arte Carrillo Gil, Mexico City

|

|

|Portrait of Marevna

|Unknown

|

|

|

References

{{reflist}}

{{Diego Rivera|state=expanded}}

{{Lists of paintings}}