Lizbeth Goodman

{{Short description|Social scientist}}

{{EngvarB|date=January 2022}}

{{Use dmy dates|date=January 2022}}

Lizbeth Goodman FRSA is Professor of Inclusive Design for Education at University College Dublin, and a professor in the university's School of Mechanical and Materials Engineering.{{cite web|url=https://people.ucd.ie/lizbeth.goodman|title=Lizbeth Goodman Profile|publisher=University College Dublin|access-date=2024-01-20}}

Education and career

Formerly a scholar of the theatre and a BBC television presenter,{{cite web | url=http://smartlab-ie.com/1about/director.htm | title=About the Director | publisher=SMARTlab, University College Dublin, Ireland | date=10 February 2011 | accessdate=27 September 2011 | archive-url=https://web.archive.org/web/20110810074614/http://smartlab-ie.com/1about/director.htm | archive-date=10 August 2011 | url-status=usurped }}

Goodman has master's degrees from the University of Cambridge and Washington University in St. Louis, and a doctorate from the Open University. While at Cambridge she was a member of the Footlights, being executive producer for Amazons!: The Official Version in 1990-1991 and Daughters of England in 1989-1990 and Women's Officer in 1989-1990.{{cite web |title=Archive 1960-2000 |url=https://www.cambridgefootlights.org/archive-1960-2000 |website=cambridge-footlights |access-date=21 January 2024 |language=en}}

After eight years teaching theatre at the Open University, leading the Institute for New Media Performance Research at the University of Surrey, and directing the SMARTlab Centre at Central Saint Martins College of Art & Design, she became Chair of Creative Technology Innovation at the University of East London in 2005, before moving to her present position at University College Dublin. She founded SMARTLab, now based at UCD, in 1992 and its ethos is "creative technology innovation for real social change".{{cite web |title=About - UCD SMARTlab |url=https://www.ucd.ie/smartlab/about/ |website=www.ucd.ie |access-date=21 January 2024}}

Her research interests include inclusive design using technology including virtual reality to help people with autism or intellectual disabilities.{{cite news |last1=O’Connell |first1=Claire |title=Inclusive design to help people with autism and intellectual disabilities |url=https://www.siliconrepublic.com/innovation/inclusive-design-smartlab-ucd-autism |access-date=21 January 2024 |work=Silicon Republic |date=28 April 2017 |language=en}}

She is a member of the board of governors of Ravensbourne University London.{{cite web |title=Lizbeth Goodman |url=https://www.ravensbourne.ac.uk/people-and-stories/meet-team/lizbeth-goodman |website=Ravensbourne University London |access-date=21 January 2024 |language=en}}

Selected books

Goodman is the author or co-author of:

  • Contemporary Feminist Theatres: To Each Her Own (Gender & Performance) by Lizbeth Goodman (Routledge, 1993). {{ISBN|978-0-415-07306-6}}.{{efn|Reviews of Contemporary Feminist Theatres:
  • Jill Dolan, TDR, {{doi|10.2307/1146431}}, {{jstor|1146431}}
  • Lesley Ferris, Modern Drama, {{doi|10.1353/mdr.1995.0020}}
  • E. D. Huntley, NWSA Journal, {{jstor|4316365}}
  • Bettina L. Knapp, World Literature Today, {{doi|10.2307/40150238}}, {{jstor|40150238}}
  • Ann Marie McEntee, Theatre Survey, {{doi|10.1017/S0040557400002684}}
  • Erika Munk, "Tragedy Tomorrow, Theory Tonight?", The Women's Review of Books, {{doi|10.2307/4021773}}, {{jstor|4021773}}
  • Janelle Reinelt, Theatre Research International, {{doi|10.1017/S0307883300007264}}
  • Sue Smith, Feminist Review, {{doi|10.2307/1395269}}, {{jstor|1395269}}
  • Esther Beth Sullivan, Theatre Journal, {{doi|10.2307/3208473}}, {{jstor|3208473}}

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  • Literature and Gender: An Introductory Textbook (Approaching Literature) by Lizbeth Goodman (Routledge, 1996). {{ISBN|978-0-415-13574-0}}.
  • Shakespeare, Aphra Behn and the Canon: An Introductory Textbook (Approaching Literature) by Lizbeth Goodman and W.R. Owens (Routledge, 1996). {{ISBN|978-0-415-13576-4}}.{{efn|Reviews of Shakespeare, Aphra Behn and the Canon:
  • Verna A. Foster, Restoration and 18th Century Theatre Research, {{ProQuest|1037990261}}
  • Kathy Howlett, The Scriblerian and the Kit-Kats, {{ProQuest|1220459307}}
  • Deborah Kaplan, Theatre Survey, {{doi|10.1017/S0040557400002234}}
  • Elizabeth Kraft, Medieval & Renaissance Drama in England, {{jstor|24322202}}
  • Andrew McCann, Australasian Drama Studies, {{ProQuest|1300402117}}

}}

  • Feminist Stages: Interviews with Women in Contemporary British Theatre (Contemporary Theatre Studies) by Lizbeth Goodman and Jane de Gay (Routledge, 1997). {{ISBN|978-3-7186-5882-4}}.{{efn|Reviews of Feminist Stages:
  • Helen Nicholson, Research in Drama Education, {{ProQuest|217923120}}
  • Laurie J. Wolf, Theatre Research International, {{doi|10.1017/S0307883300018368}}

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Her edited volumes include:

  • Imagining Women: Cultural Representations and Gender, Frances Bonner, Lizbeth Goodman, Richard Allen, Linda Janes, and Catherine King, editors (Polity Press, 1992){{efn|1=Reviews of Imagining Women:
  • Rosemary Betterton, Women's Art Magazine, [https://link.gale.com/apps/doc/A262786431/AONE?u=anon~514232c1&sid=googleScholar&xid=96fc5f17]
  • K. Gibson, K. Hewitt, and P. Saunders, Environment and Planning D: Society and Space, {{doi|10.1068/d1102}}
  • Cathy Lubelska, European Journal of Women's Studies, {{doi|10.1177/1350506894001001}}
  • Elizabeth C. Ramírez, Theatre Journal, {{doi|10.2307/3208472}}, {{jstor|3208472}}

}}

  • The Routledge Reader in Gender and Performance by Lizbeth Goodman, and Jane de Gay, editors (Routledge, 1998). {{ISBN|978-0-415-16582-2}}.{{efn|Reviews of The Routledge Reader in Gender and Performance:
  • Glen Johnson, Lambda Book Report, {{EBSCOhost|1838775|dbcode=lkh}}
  • Nicola Shaughnessy, New Theatre Quarterly, {{doi|10.1017/S0266464X00013191}}

}}

  • The Routledge Reader in Politics and Performance by Jane de Gay and Lizbeth Goodman, editors (Routledge, 2000). {{ISBN|978-0-415-17473-2}}.{{efn|Reviews of The Routledge Reader in Politics and Performance:
  • Anna Birch, Critical Survey, {{jstor|41557095}}
  • Nadine George-Graves, Modern Drama, {{doi|10.1353/mdr.2003.0047}}
  • Estella Lauter, "Feminist Activist Art: Losing the Edge?", NWSA Journal, {{jstor|4317236}}

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  • Languages of Theatre Shaped by Women by Jane de Gay and Lizbeth Goodman, editors (Intellect, 2003){{efn|Reviews of Languages of Theatre Shaped by Women:
  • Elaine Aston, New Theatre Quarterly, {{doi|10.1017/S0266464X04290273}}
  • Rebecca D'Monté, Theatre Research International, {{doi|10.1017/S0307883304240603}}
  • Theresa Smalec , TDR, {{doi|10.1162/1054204042442062}}, {{jstor|4488603}}

}}

Reviews

{{notelist}}

References

{{Reflist}}