Lobe den Herrn, meine Seele, BWV 69

Bach composed a cantata with this title (BWV 69a/69.1) in 1723 during his first year in Leipzig.

Bach revived the work later in the 1720s, changing the instrumentation of one of the arias.

Much later, in 1748, he reworked the cantata for the church service which was held to mark the inauguration of a town council.Bach wrote a number of works for this ceremony. See for example Gott, man lobet dich in der Stille, BWV 120 The recitatives and the chorale were changed. In this form, it was first performed on 26 August 1748.{{cite web|url=http://www.bach-cantatas.com/BWV69.htm|access-date=23 July 2013|publisher=bach-cantatas|title=Cantata BWV 69}} The festive orchestration of the original work was suitable for the new occasion.

The text of the first movement is from Psalm 103. The chorale is the third verse of "{{lang|de|Es woll uns Gott genädig sein|italic=no}}" by Martin Luther (1524). The author of the rest of the text is unknown.

The cantata is scored for four solo voices (soprano, alto, tenor, and bass), a four-part choir, three trumpets, timpani, three oboes, oboe d'amore, bassoon, two violins, viola, and basso continuo.{{cite web|url=http://webdocs.cs.ualberta.ca/~wfb/cantatas/69.html|access-date=23 July 2013|publisher=University of Alberta|title=BWV 69}}

The work is in six movements:

1. Chorus: {{lang|de|Lobe den Herrn, meine Seele|italic=no}}
2. Recitative (soprano): {{lang|de|Wie groß ist Gottes Güte doch|italic=no}}
3. Aria (alto): {{lang|de|Meine Seele, auf, erzähle|italic=no}}
4. Recitative (tenor): {{lang|de|Der Herr hat große Ding an uns getan|italic=no}}
5. Aria (bass): {{lang|de|Mein Erlöser und Erhalter|italic=no}}
6. Chorale: {{lang|de|Es danke, Gott, und lobe dich|italic=no}}

The chorus and the bass aria are taken without significant alteration from the earlier model. The second movement is a secco soprano recitative which opens much like in the original version before modulating to G major. The other aria is transposed from the tenor original for the alto voice, and is accompanied by violin and oboe instead of flute and oboe da caccia. The following tenor recitative with string accompaniment is "an example of Bach's highly emotional recitative melodic line at its most mature and expressive"; midway through, it moves into a dissonant and chromatic passage. The closing chorale includes prominent parts for trumpet and drums.{{cite web|url=https://www.jsbachcantatas.com/documents/chapter-84-bwv-69|access-date=22 August 2022|publisher=jsbachcantatas|author=Mincham, Julian|title=Chapter 84 Bwv 69 – The Cantatas of Johann Sebastian Bach}}

• Gächinger Kantorei/Bach-Collegium Stuttgart, Helmuth Rilling. Die Bachkantate Vol. 67. Hänssler, 1982.
• Amsterdam Baroque Orchestra & Choir, Ton Koopman. J. S. Bach: Complete Cantatas Vol. 6. Erato, 1997.
• Holland Boys Choir / Netherlands Bach Collegium, Pieter Jan Leusink. Bach Edition Vol. 9. Brilliant Classics, 1999.

{{reflist}}

• {{IMSLP|work=Lobe den Herrn, meine Seele, BWV 69 (Bach, Johann Sebastian)}}

• [http://allofbach.com/en/bwv/bwv-69/ Lobe den Herrn, meine Seele, BWV 69]: performance by the Netherlands Bach Society (video and background information)

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Category:1748 compositions

Category:Council cantatas by Johann Sebastian Bach

Category:Psalm-related compositions by Johann Sebastian Bach