Long Hello and Short Goodbye

{{short description|1999 film}}

{{more citations needed|date=October 2021}}

{{Infobox film

| name = Long Hello and Short Goodbye

| image = Long Hello & Short Goodbye Poster.png

| caption = Theatrical release poster

| director = Rainer Kaufmann

| producer = Jeff Vintor
Martin Rauhaus

| writer =

| narrator =

| starring = Nicolette Krebitz

| music = Marco Meister

| cinematography = Klaus Eichhammer

| editing = Ueli Christen

| studio = Letterbox Filmproduktion

| distributor = Warner Bros.

| released = {{Film date|1999|07|15|df=y}}

| runtime = 95 minutes

| country = Germany

| language = German

| budget =

| gross =

}}

Long Hello and Short Goodbye is a 1999 German neo-noir crime film directed by Rainer Kaufmann, produced by Studio Hamburg Letterbox Filmproduktion and co-authored by Jeff Vintar and {{ill|Martin Rauhaus|de||tr}}.{{cite web|title=Long Hello and Short Goodbye|website=filmportal.de|access-date=25 November 2024|url=https://www.filmportal.de/en/movie/long-hello-and-short-goodbye_ea43d4a6c72d5006e03053d50b37753d}}

Plot summary

The film revolves around a recently released safe-cracker named Ben and an undercover police agent named Melody. Melody's job is to dupe Ben into another job so that he can be put away once more by her sinister and ambitious boss Kahnitz. But complications arise when the talkative cop falls for the taciturn gangster.

The film features a complex neo-noir flashback structure that centers on seemingly dead characters littering the bloody floor of a fancy apartment. As the story progresses, we find out that some of these dead people are not dead at all, more are hiding in the closet, and slowly the pieces of the puzzle come together.

Cast

{{cast listing|

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Production history

Based on an original English-language screenplay by I, Robot writer Jeff Vintar,{{citation needed|date=November 2019}} the English-language version of Vintar's screenplay struggled to reach the screen for many years.{{citation needed|date=November 2019}} The work was under a variety of producers and production companies;{{citation needed|date=November 2019}} hence, the script was under option for a very long time.{{citation needed|date=November 2019}} At one time, Gustavo Mosquera, who had directed Moebius, was slated as its director, with John Woo and partner Terence Chang producing under their Lion Rock banner.{{citation needed|date=November 2019}}

The screenplay that eventually made it to the screen was developed by the production company Circle of Confusion.{{verification needed|date=November 2019}}{{citation needed|date=November 2019}} Shortly before the movie's release, the film's producers{{who|date=November 2019}} "got cold feet"{{cite quote|date=November 2019}} and re-edited the film to give it a linear narrative, which became the version that made it to the screen.{{citation needed|date=November 2019}}

Critical reception

The film became a cult favorite among noir buffs,{{citation needed|date=November 2019}} and received a positive review in Variety that predicted that the film would play in broad-minded festivals around the world, and that genre fans would "lap it up".{{cite web |last1=Elley |first1=Derek |title=Long Hello Short Goodbye |url=https://variety.com/1999/film/reviews/long-hello-and-short-goodbye-1200458468/ |website=Variety |date=12 July 1999 |access-date=27 October 2021}}

The final editing that gave the film its linear narrative is said to have diluted its "effect"{{clarify|date=November 2019}}{{according to whom|date=November 2019}},{{citation needed|date=November 2019}} which resulted in its polarizing critics and audience members alike.{{citation needed|date=November 2019}}{{dubious|date=November 2019}}

Futther reading

  • {{cite web | last = Elley | first = Derek | date = July 12, 1999 | title = Reviews: Long Hello and Short Goodbye | work = Variety | url = https://variety.com/1999/film/reviews/long-hello-and-short-goodbye-1200458468/ | accessdate = November 18, 2019 }}

References

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