Lorenz Hart

Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine.[https://www.politico.com/states/new-york/albany/story/2012/07/lorenz-hart-inside-out-067223 Politico.com]. Retrieved November 19, 2017 His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.)

Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years.[https://www.pbs.org/wnet/broadway/stars/hart_l.html Hughson Mooney, "Lorenz Hart"] {{Webarchive|url=https://web.archive.org/web/20120901102124/http://www.pbs.org/wnet/broadway/stars/hart_l.html |date=September 1, 2012 }}, PBS. Excerpted from the Dictionary of American Biography, Supplement 3: 1941–1945. American Council of Learned Societies, 1973. Reprinted by permission of the American Council of Learned Societies. Retrieved November 12, 2010.[http://www.songwritershalloffame.org/exhibits/C66 Biography"] {{Webarchive|url=https://web.archive.org/web/20170421210032/http://www.songwritershalloffame.org/exhibits/C66 |date=April 21, 2017 }} songwritershalloffame.org. Retrieved November 12, 2010{{Cite book|last1=Beck|first1=Andy|url=https://books.google.com/books?id=7csx0BtfZWIC&dq=lorenz+hart+%22columbia+college%22&pg=PA34|title=Another Op'nin', Another Show: 15 Broadway Favorites for Solo Singers|last2=Fisher|first2=Brian|date=June 2006|publisher=Alfred Music Publishing|isbn=978-0-7390-4087-4|language=en}}{{Cite web|title=Varsity Show's 107th Production: A Modern Spectacle That Evokes Rich Tradition|url=http://www.columbia.edu/cu/record/archives/vol26/vol26_iss22/2622_Varsity_Show.html|access-date=October 3, 2021|website=columbia.edu}} In 1919 a friend introduced him to Richard Rodgers, and the two joined forces to write songs for a series of amateur and student productions.

By 1918, Hart was working for the Shubert brothers, partners in theatre, translating German plays songs into English. In 1919, his and Rodgers' song "Any Old Place With You" was included in the Broadway musical comedy A Lonely Romeo. In 1920, six of their songs were used in the musical comedy Poor Little Ritz Girl, which also had music by Sigmund Romberg. They were hired to write the score for the 1925 Theatre Guild production The Garrick Gaieties, the success of which brought them acclaim.

Rodgers and Hart subsequently wrote the music and lyrics for 26 Broadway musicals during a partnership of more than 20 years that ended shortly before Hart's early death. Their "big four" were Babes in Arms, The Boys From Syracuse, Pal Joey, and On Your Toes. The Rodgers and Hart songs have been described as intimate and destined for long lives outside the theater. Many of their songs are standard repertoire for singers and jazz instrumentalists. Hart has been called "the expressive bard of the urban generation which matured during the interwar years". But the "encomiums suggest[ing] that Larry Hart was a poet"Marmorstein, Gary A Ship Without a Sail: the life of Lorenz Hart Simon & Schuster 2012.

p. 14. caused his friend and fellow writer Henry Myers to state otherwise. "Larry in particular was primarily a showman. If you can manage to examine his songs technically, and for the moment elude their spell, you will see that they are all meant to be acted, that they are part of a play. Larry was a playwright."

Rodgers and Hart wrote music and lyrics for several films, including Love Me Tonight (1932), The Phantom President (1932), Hallelujah, I'm a Bum (1933), and Mississippi (1935). With their successes, during the Great Depression Hart was earning $60,000 annually, and he became a magnet for many people. He gave numerous large parties. Beginning in 1938, he traveled more often and suffered from his ongoing drinking.Nolan, Frederick, [https://books.google.com/books?id=1VFwDk20BnUC&q=Lorenz+Hart:+A+Poet+on+Broadway Lorenz Hart: A Poet on Broadway], New York: Oxford University Press (1995), pp. 237–239. Retrieved December 2, 2010. Nevertheless, Rodgers and Hart continued working together through mid-1942, with their final new musical being 1942's By Jupiter.

The New York Times reported on July 23, 1942: "The Theatre Guild announced yesterday that Richard Rodgers, Lorenz Hart and Oscar Hammerstein II will soon begin work on a musical version of Lynn Riggs's folk-play, Green Grow the Lilacs, which the Guild produced for sixty-four performances at the Guild Theatre in 1931." Rodgers had brought Hammerstein onto the project due to Hart's worsening mental state;Layne, Joslyn. [{{AllMusic|class=artist|id=p84807|pure_url=yes}} Lorenz Hart Biography], Allmusic. Retrieved December 22, 2010 Hart would admit he had difficulty writing a musical for such a rural setting as Oklahoma and departed,Kantor, Michael and Maslon, Laurence. Broadway: The American Musical. New York: Bullfinch Press, 2004. {{ISBN|0-8212-2905-2}} pages 196–202 leaving an eager Hammerstein (whose own songwriting partner Jerome Kern had no interest in the project) to complete what would eventually become Oklahoma!.Nolan, Frederick. The Sound of Their Music: The Story of Rodgers and Hammerstein. New York: Applause Books, 2002, {{ISBN|1-55783-473-3}} pages 1–25 Rodgers and Hammerstein would continue collaborating for 16 years (ending in Hammerstein's death in 1960), a partnership that made the duo one of the most successful composing teams of the 20th century.

Hart, meanwhile, was much affected by his mother's death in late April 1943. Regrouping somewhat, Rodgers and Hart teamed a final time in the fall of 1943 for a revival of A Connecticut Yankee. Six new numbers, including "To Keep My Love Alive", were written for this reworked version of the play; it would prove to be Hart's last lyric. Hart had taken off the night of the mid-November opening and was gone for two days. He was found ill in a hotel room from drink and taken to Doctors Hospital, Upper East Side, but died within a few days.

According to Thomas Hischak, Hart "had a remarkable talent for polysyllabic and internal rhymes",Hischak, Thomas. The Rodgers and Hammerstein Encyclopedia (2007). Greenwood Publishing Group, p. 109. {{ISBN|0-313-34140-0}}. and his lyrics have often been praised for their wit and technical sophistication.

According to The New York Times music critic Stephen Holden, "Many of Hart's ballad lyrics conveyed a heart-stopping sadness that reflected his conviction that he was physically too unattractive to be lovable."Holden, Stephen.[https://query.nytimes.com/gst/fullpage.html?res=9B02E4D8143EF935A35752C0A96F958260&ref=lorenz_hart "Television Review: Thou Rodgers, Thou Hart, So Fizzy, So Smart"], The New York Times, January 6, 1999. Retrieved October 12, 2020/ Holden also noted that "In his lyrics, as in his life, Hart stands as a compellingly lonely figure. Although he wrote dozens of songs that are playful, funny and filled with clever wordplay, it is the rueful vulnerability beneath their surface that lends them a singular poignancy."Holden, Stephen, [https://query.nytimes.com/gst/fullpage.html?res=990CE6DB1438F933A05757C0A963958260&ref=lorenz_hart "Pop View: Just a Sap For Sugar, Love And Sorrow"], The New York Times, April 30, 1995.

Hart lived with his widowed mother Frieda. He was an alcoholic, and would sometimes disappear for weeks at a time on drinking binges.

Hart experienced depression and sadness throughout his life. His erratic behavior was often the cause of friction between him and Rodgers and led to Rodgers teaming with lyricist Oscar Hammerstein II in 1942. On March 31, 1943, Hart attended the Broadway premiere of Rodgers and Hammerstein's Oklahoma!. Then Hart attended the opening night party where he told Rodgers, "This is one of the greatest shows I've ever seen, and it'll be playing twenty years from now!"{{cite magazine|magazine=The Atlantic |title=Rodgers and Hart's Dysfunctional Partnership|last=Gottlieb|first=Robert|url=https://www.theatlantic.com/magazine/archive/2013/04/words-and-music/309249/ |access-date=October 21, 2023|date=April 1, 2013}}

In April 1943, Hart was devastated by the loss of his mother and did not recover emotionally.Nolan, p. 2.

Many of Hart's contemporaries who knew him socially have stated he was a discreet homosexual, with a reputation as a voyeur, though his friends did not go into detail about people whose behavior he watched, such as their genders.{{cite magazine|magazine=The Atlantic |title=Rodgers and Hart's Dysfunctional Partnership|last=Gottlieb|first=Robert|url=https://www.theatlantic.com/magazine/archive/2013/04/words-and-music/309249/ |access-date=October 21, 2023|date=April 1, 2013}}

Robert Gottlieb wrote in the April 2013 edition of The Atlantic magazine,

There were rumors about Larry [Lorenz Hart] while he was alive, but nothing about his sexuality ever appeared in print. One night in Los Angeles, in 1933, someone from a Hollywood trade magazine approached Dick [Richard Rodgers] at a party and said, "I've got to ask you something about Larry ... Is it true Larry's a fairy?" Dick grabbed him by the collar, [biographer Gary] Marmorstein recounts, and said, "I never heard that. And if you print it, I'll kill you."{{cite magazine|magazine=The Atlantic |title=Rodgers and Hart's Dysfunctional Partnership|last=Gottlieb|first=Robert|url=https://www.theatlantic.com/magazine/archive/2013/04/words-and-music/309249/ |access-date=October 21, 2023|date=April 1, 2013}}

Though Richard Rodgers became celebrated for his music for Oklahoma! in 1943, later that year he decided that he and Hart should reunite and create a revival of A Connecticut Yankee, their successful musical from 1927.{{cite magazine|magazine=The Atlantic |title=Rodgers and Hart's Dysfunctional Partnership|last=Gottlieb|first=Robert|url=https://www.theatlantic.com/magazine/archive/2013/04/words-and-music/309249/ |access-date=October 21, 2023|date=April 1, 2013}} Hart composed new lyrics for many of the songs in anticipation of the revival's November 17, 1943, premiere at the Martin Beck Theatre.{{cite magazine|magazine=The Atlantic |title=Rodgers and Hart's Dysfunctional Partnership|last=Gottlieb|first=Robert|url=https://www.theatlantic.com/magazine/archive/2013/04/words-and-music/309249/ |access-date=October 21, 2023|date=April 1, 2013}}

On the November 17 opening night, Hart showed up drunk in the audience at the Martin Beck Theatre.{{cite magazine|magazine=The Atlantic |title=Rodgers and Hart's Dysfunctional Partnership|last=Gottlieb|first=Robert|url=https://www.theatlantic.com/magazine/archive/2013/04/words-and-music/309249/ |access-date=October 21, 2023|date=April 1, 2013}} His condition was noticed by his sister-in-law.{{cite magazine|magazine=The Atlantic |title=Rodgers and Hart's Dysfunctional Partnership|last=Gottlieb|first=Robert|url=https://www.theatlantic.com/magazine/archive/2013/04/words-and-music/309249/ |access-date=October 21, 2023|date=April 1, 2013}} She persuaded him to accompany her to her Manhattan home.{{cite magazine|magazine=The Atlantic |title=Rodgers and Hart's Dysfunctional Partnership|last=Gottlieb|first=Robert|url=https://www.theatlantic.com/magazine/archive/2013/04/words-and-music/309249/ |access-date=October 21, 2023|date=April 1, 2013}} Sometime after they arrived at the couple's home, Hart left, venturing into cold weather to resume drinking.{{cite magazine|magazine=The Atlantic |title=Rodgers and Hart's Dysfunctional Partnership|last=Gottlieb|first=Robert|url=https://www.theatlantic.com/magazine/archive/2013/04/words-and-music/309249/ |access-date=October 21, 2023|date=April 1, 2013}} A friend of Hart's found him seated in the gutter of a bar on Manhattan's Eighth Avenue that he favored. Hart was shivering, and his friend accompanied him to a hospital,{{cite magazine|magazine=The Atlantic |title=Rodgers and Hart's Dysfunctional Partnership|last=Gottlieb|first=Robert|url=https://www.theatlantic.com/magazine/archive/2013/04/words-and-music/309249/ |access-date=October 21, 2023|date=April 1, 2013}} where it was determined that Hart had developed pneumonia from exposure. On November 22, 1943, approximately four days after admission to the hospital, Hart died.Nolan, p. 2.{{cite magazine|magazine=The Atlantic |title=Rodgers and Hart's Dysfunctional Partnership|last=Gottlieb|first=Robert|url=https://www.theatlantic.com/magazine/archive/2013/04/words-and-music/309249/ |access-date=October 21, 2023|date=April 1, 2013}}

Lorenz Hart is buried in Mount Zion Cemetery in Queens County, New York.Wilson, Scott. Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed.: 2 (Kindle Location 20158). McFarland & Company, Inc., Publishers. Kindle Edition.{{cite news|title=Larry Hart Honored by 300 at Rites Here — Cast of 'A Connecticut Yankee' at Song Writer's Funeral|url=https://timesmachine.nytimes.com/timesmachine/1943/11/25/83953988.html?pageNumber=25|access-date=April 23, 2017|work=The New York Times|date=November 25, 1943|page=25}}

The circumstances of Lorenz Hart's life were heavily altered and romanticized in the 1948 MGM biopic Words and Music, with fictitious personal details such as changing his sexual orientation and attributing his erratic behavior and depression to an obsession with a woman (played in the film by Betty Garrett) who turns down his marriage proposal.{{cite web | url=https://www.tcm.com/tcmdb/title/510/words-and-music#articles-reviews?articleId=99341 | title=Words and Music }}

In 2024, the film Blue Moon was announced to be in production. It is said to be about "the final days of Lorenz Hart, half of the songwriting team Rodgers & Hart and set around Sardi’s Restaurant on March 31, 1943, on the opening night of Oklahoma!." Written by Robert Kaplow, the film is directed by Richard Linklater and star Ethan Hawke as Hart, alongside Margaret Qualley, Bobby Cannavale, and Andrew Scott.{{Cite web |last=Vlessing |first=Etan |date=2024-06-18 |title=Richard Linklater's 'Blue Moon' Lands at Sony Pictures Classics |url=https://www.hollywoodreporter.com/movies/movie-news/richard-linklater-blue-moon-sony-pictures-1235926268/ |access-date=2024-08-01 |website=The Hollywood Reporter |language=en-US}} The film had its world premiere at the main competition of the 75th Berlin International Film Festival, on 18 February 2025, where it won the Silver Bear for Best Supporting Performance for Andrew Scott.{{Cite web |last=Ntim |first=Zac |date=2025-02-22 |title=Berlin Film Festival: Norwegian Film ‘Dreams (Sex Love)’ Wins Golden Bear, Andrew Scott & Rose Byrne Take Acting Honors — Full List |url=https://deadline.com/2025/02/berlin-film-festival-winners-2025-1236298118/ |access-date=2025-02-22 |website=Deadline |language=en-US}}

• 1920 Fly With Me
• 1920 Poor Little Ritz Girl
• 1925 The Garrick Gaieties
• 1927 A Connecticut Yankee, based on the Mark Twain novel A Connecticut Yankee in King Arthur's Court
• 1928 Present Arms
• 1935 Jumbo
• 1936 On Your Toes
• 1937 Babes in Arms
• 1938 The Boys from Syracuse, based on William Shakespeare's The Comedy of Errors
• 1938 I Married an Angel
• 1939 Too Many Girls
• 1940 Higher and Higher
• 1940 Pal Joey, based on John O'Hara's novel Pal Joey
• 1942 By Jupiter

{{col-begin}}

{{col-2}}

• "A Ship Without a Sail"
• "Bewitched, Bothered and Bewildered"
• "Blue Moon"
• "Blue Room"
• "Dancing on the Ceiling"
• "Falling in Love with Love"
• "Glad to Be Unhappy"
• "Have You Met Miss Jones?"
• "He Was Too Good to Me"
• "I Could Write a Book"
• "I Didn't Know What Time It Was"
• "I Wish I Were in Love Again"
• "I'll Tell the Man in the Street"
• "I've Got Five Dollars"
• "Isn't It Romantic?"
• "It Never Entered My Mind"
• "It's Easy to Remember"
• "Johnny One Note"
• "Little Girl Blue"

{{col-break}}

• "Lover"
• "Manhattan"
• "Mountain Greenery"
• "My Funny Valentine"
• "My Heart Stood Still"
• "My Romance"
• "Sing for Your Supper"
• "Spring Is Here"
• "Ten Cents a Dance"
• "The Lady Is a Tramp"
• "The Most Beautiful Girl in the World"
• "There's a Small Hotel"
• "This Can't Be Love"
• "Thou Swell"
• "To Keep My Love Alive"
• "Where or When"
• "With a Song in My Heart"
• "You Took Advantage of Me"

{{col-end}}

{{Reflist}}

• Friends of the USC Libraries. The Hart of the Matter: A Celebration of Lorenz Hart, September 30, 1973. [Los Angeles]: Friends of the USC Libraries, University of Southern California, 1973.
• Hart, Dorothy. Thou Swell, Thou Witty: The Life and Lyrics of Lorenz Hart, New York: Harper & Row, 1976.
• Marmorstein, Gary. A Ship Without A Sail: The Life of Lorenz Hart, New York: Simon & Schuster, 2012. {{ISBN|9781416594260}}
• Marx, Samuel; Clayton, Jan. Rodgers & Hart: Bewitched, Bothered, and Bedeviled: An Anecdotal Account, New York: Putnam, 1976.
• Nolan, Frederick W. Lorenz Hart: A Poet on Broadway. New York: Oxford University Press, 1994.
• Furia, Philip. The Poets of Tin Pan Alley: A History of America's Great Lyricists. New York: Oxford University Press, 1990.

{{Portal|Biography}}

{{Commons category|Lorenz Hart}}

{{wikiquote}}

• {{IMDb name|366414}}
• {{IBDB name}}
• {{iobdb name|12641}}
• [https://archive.today/20130105010145/http://www.time.com/time/printout/0,8816,300674,00.html That Old Feeling:Heart to Hart- Time Magazine essay]
• [https://web.archive.org/web/20170421210032/http://www.songwritershalloffame.org/exhibits/C66 Bio from Songwriters Hall of Fame]
• [https://web.archive.org/web/20121231022737/http://www.lorenzhart.org/ Databases for information about and lyrics by Lorenz Hart]
• {{Find a Grave|454}}
• [https://adp.library.ucsb.edu/names/103285 Lorenz Hart recordings] at the Discography of American Historical Recordings.

{{Rodgers and Hart}}

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Category:1895 births

Category:1943 deaths

Category:20th-century American dramatists and playwrights

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Category:Columbia Grammar & Preparatory School alumni

Category:Columbia University Graduate School of Journalism alumni

Category:Deaths from pneumonia in New York City

Category:Jewish American songwriters

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Category:American LGBTQ songwriters

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Category:20th-century American songwriters