Lotud

From the available written historical sources, the Tuaran area is likely to be among the oldest centers of civilization in Sabah due to its rich history and advanced civilization. The term "tawaran" in the Dusun language means "corn", while other Dusun dialects use the term "luong" for corn. The earliest record of the term "Tawaran" appears in the written records of the Persian explorer ibn Rosteh who wrote a journal of his trip to Southeast Asia in 903 AD, where he said that there was a famous trading city called "Tawaran". Tawaran (now Tuaran) in this year was controlled by Srivijaya in its attempt to control the city that produced the best camphor in the world.

Previously, Tawaran was conquered by the Tang Dynasty army during the reign of Emperor Dezong, in China's attempt to control the city that produced the best camphor in the world. However, the colony of the Chinese troops was expelled by the local government forces at that time, before it was conquered again, this time by Srivijaya forces, during the reign of Maharaja Balaputra, before finally the Srivijaya forces were also removed from Tawaran.

On the oldest map of northern Borneo drawn by Petrus Plancius in 1594 AD, the Kota Kinabalu or Tuaran area is labelled "Canciraö". This city or settlement was under the auspices of Sultanate of Brunei during the reign of Sultan Bolkiah or Sultan Muhammad Hasan. Indeed, Tawaran was most likely the best camphor-producing city in the world at that time. The Dusun people collected camphor from the forest and traded it in the city of Tawaran. At this time, there were no Bajau people in the Tuaran area, the coast of Tuaran was inhabited by the Dusun people, who had a maritime culture, as evidenced by the name of the city "Tawaran" which was recorded as early as 903 AD. According to historical records, the Bajau people, specifically the West Coast Bajau, migrated from Johor to the coast of Sabah around the 16th century. The Bajau people, or better known as Samah, settled in Mengkabong and the surrounding area, and they began to establish permanent settlements. The Bajau people have been mixing and trading with the Dusun people for hundreds of years.

Tawaran, or Tuaran, as the oldest and most advanced Dusun civilizational hub in Sabah for being one of the important trading centers in Asia at that time, has raised questions about the Nunuk Ragang story. The Lotud people say that Nunuk Ragang is not the oldest Dusun settlement in Sabah. According to written and oral historical analysis, the Nunuk Ragang settlement only appeared around the 12th century, and was the last and largest centre of the Dusun expansion. Several Dusun oral stories say the pattern of Dusun migration is from the coast to the interior, indicating that the earliest Dusun settlements were not in the interior but the coastal areas, and that they initially had a maritime culture. Dalrymple, who explored the west coast of Sabah in 1762, said that coastal settlements such as Tuaran and Kimanis were still inhabited by Dusun pagans whom he called "Ida'an" (Dalrymple, 1793:552). Henry Keppel called the Dusun "Idaan the Voyager" (Keppel, 1847:194), where, according to Sir Hugh Low, they had extensive trade routes, reaching as far as Java and other places which were far away from Borneo (Low, 1852:2).

The name "Muja" was used by the Arab scholar al-Idrisi in his description of a kingdom or settlement on the west coast of Borneo in 1154 AD (Robert, 1983:40). This kingdom was ruled by a dynasty called the "Kamrun Dynasty", where one of its cities was called "Haranj" (possibly Tuaran).{{cite web | last=Kurz | first=Johannes | title=The Curious Brunei History of R. Nicholl | website=Academia.edu | url=https://www.academia.edu/84270515/The_curious_Brunei_history_of_R_Nicholl | access-date=13 June 2025 | page=2}} This city is said to be "a city of spices" that became famous at that time because the camphor produced from this city was the best in the world. The Kamrun Dynasty was founded by Raja Alaka Bhatara, a Dusun king who founded the kingdom around 690 AD. Around 800 AD, this kingdom allied with the Kingdom of Mayd in the Philippines, which was probably a colony of the Kingdom of Muja, or Poni (Robert, 1983:38). At this time, the Dusun people were still a single ethnic, not yet divided into various tribes as can be seen today. According to oral sources, the name of the Dusunic ethnic group in ancient times was "Kadayan" (Evans, 1953:11).{{Cite book | last=Belcher | first=Edward | title=Narrative of the Voyage of H.M.S. Samarang, During the Years 1843–46: Employed Surveying the Islands of the Eastern Archipelago; Accompanied by a Brief Vocabulary of the Principal Languages. Volume 2 | publisher=Sagwan Press | location=London | date=2018 | isbn=978-1376401042 | page=137 | url=https://archive.org/details/narrativeofvoyag02belciala/page/n151/mode/2up | access-date=13 June 2025}} It is likely that "Kadayan" was the name used by the Bruneians to refer to indigenous people on the coast of Sabah and the Kedayan tribe in Brunei. The Dusunic ethnic group then split into many small tribes during the Nunuk Ragang period, moving out of Nunuk Ragang to other areas, forming their own tribes and controlling the areas where they settled. A legend says that the ruler who founded Nunuk Ragang was King Korungkud, some say King Gumarong, and there are also other sources that say King Gomurun.

In al-Idrisi's notes, there are notes about the culture of the Dusun community at that time. According to al-Idrisi, during the rule of the Kingdom of Muja, the early society there still had a maritime culture. This historical record from al-Idrisi which tells stories from the oral history of the Dusun in Sabah says that the ancestors of the Dusun, in ancient times, had expertise in navigation and maritime culture. Among the famous oral stories is the story of Indai (possibly the location of the "city of Haranj"), a maritime settlement which established trading relations with Dusunic ethnicities in other areas, for example, Bongawan. Similarly, the story of Nunuk Ragang tells of the voyage of the ancient Dusun from Brunei to Nunuk Ragang, with some of them migrating to the Philippines (Shim, 2007:18). The oral history of the Lotud Dusun community in Tuaran also says the same thing, that their ancestors were seafarers, but their maritime dominance was eventually replaced by the Bajau, Iranun and Suluk tribes who migrated to Mengkabong and Sulaman around the end of the 1700s. This is evidenced by the writings of Dalrymple which were quoted by Dr. Leyden, that the Dusun continued maritime voyages reaching as far as Java up to the year 1762, then this maritime culture disappeared (Dr. Leyden, 1814:9). It was likely that the maritime culture died out in the early 1800s, evidenced by the writings of Logan, who said that the Dusun people sailed to Java in ancient times but no longer did when he came to Sabah in 1852 (Logan, 1852:1-2).

Apart from maritime culture, al-Idrisi also recorded the clothing culture of the ancient Dusun community. During the rule of the Kingdom of Muja, Dusun women were said to like to keep their hair long and wear head accessories, or susuga, and they also wore necklaces. As for men, they were divided into ranks according to the type of metal used for their neck ornaments (Ferrand, 1913:344). For the higher-ranking groups, they wore gold-platedor greal gld neck ornaments, while those in the lower ranks only wore necklaces made of copper. The culture of wearing necklaces in Sabah was only found among the Dusun community. Several Western writers have provided notes on the culture of wearing necklaces among Dusun men. St. John, who came to Sabah in 1851, and Frank Hatton, wrote the following:

…then came a band of Dusun men, led by a young leader, a strong build, with a tightly bound waist, with the appearance of a wise man…on his neck was a collar that was open at the side, which allowed him to open it easily.

— St. John, 1863

The Dusun men of Toadilah all wore neck ornaments, bracelets and anklets made of copper, black cloth wrapped around their heads, tied with rattan dyed red.

— Frank Hatton, 1882

This is one of the earliest records of Dusun clothing culture recorded by al-Idrisi in 1154 AD or the 12th century, and the culture of the ancient Dusun community changed over time. A document by the Yuan Dynasty historian Wang Dayuan, titled Daoyi Zhilüe, is said to have been written in 1350 AD, providing interesting data on the heyday of the Kingdom of Muja, or Poni. The record is about the residents of Longshan (Dragon Mountain), or Mount Kinabalu, where the surrounding area is referred to as a flat land area that is quite cold but comfortable. The residents, in the area, both women and men, like to decorate themselves, where their hair is bunned and their waists are wrapped in colorful cloth. Surprisingly, there are residents in the area who are Buddhists and have relations with the Chinese, whether through marriage or trade. This is deemed unsurprising because, during this period, the ancient Dusun community had close relations with China and began to absorb agrarian culture from China. The rapidly growing agrarian culture of this period likely shifted much of ancient Dusun society away from its maritime roots. The king who ruled the Kingdom of Muja, or Poni, during this period was Maharaja Karna (Ben Randawi, 2019).

The Lotud ethnic group has 3 types of traditional clothing, namely;

• Tantagas (priestess) clothing
• Traditional dance clothing
• Wedding clothing

The Lotud insist that the Lotud traditional clothing is to be preserved with the passage of time, not influenced by foreign influences. This is so that their traditional clothing is preserved as authentically as possible for the next generation.

• Sukob Kopio (long-sleeved shirt)
• Sukob (short-sleeved shirt)
• Gonob (short skirt)
• Lilimbo (red, black and white girdles consisting of a bamboo or rattan cord)
• Red lilimbo (single)
• Black and white Lilimbo (married)
• Madapun (neck chain)
• Siwot (chicken feather jewelry)
• Sigar (headwear)

• Sukub (shirt)
• Sundi or Sigar (headcloth)
• Mugah (long skirt)
• Binandus (long trousers)
• Haboi (belt decorated with linangkit)
• Sandai (shoulder cloth)
• Botungkat (silver coin belt)
• Karoh (bead chain or neck decoration)
• Simpai (bracelet)
• Tarapapan (keris Lotud)
• Kuluwu (scarf)

According to folklore, Linangkit textiles originated from patterns brought by traders from China. This can be proven through the migration of Chinese people to Borneo to trade and they carried out a barter system. Meanwhile, a Tantagas (Lotud priestess) from the Tuaran district believes that Linangkit actually originated from within the Borneo people themselves, namely the Dusun, Rungus and Bajau. The tradition and activity of lumangkit (embroidering) Linangkit has been inherited from generation to generation from their ancestors, Puan Pinar, or known as Odu Liugan, from Kampung Panjut, Tuaran who is a descendant of the Dusun Lotud. Another opinion is that Linangkit originated from the inspiration of a local embroiderer himself. It was then passed down through generations from them. This statement is from the owner of the Tuaran Lotud Museum, Mr. Pediman Jabau who is the eldest son of Puan Pinar.

Originally, it used cloth sewn with fabric stiffeners on the left and right sides and a thin piece of cloth as a base to start the embroidery. The embroidery sewn at the starting point of the embroidery is connected to the fabric frame on the left and right sides. This embroidery technique is the counting-by-ear technique, by looking at the holes in the fabric and its squares. Linangkit weavers in the past used rice water as a fabric stiffener. This original embroidery requires a small pillow as a base to facilitate the embroidery process. This is because the fabric frame will be pinned on the left and right sides of the pillow so that its position is more stable. Linangkit embroidery for this technique is to use the imagination and inspiration of the embroiderer to produce motifs.[https://www.academia.edu/39137290/Keunikan_Penghasilan_Sulaman_Linangkit_Dusun_Lotud_di_Sabah Keuninkan Penghasilan Sulaman Linangkit Dusun Tuaran.] muka surat 7 pp 4-6

"Moniang" is the name for eating betel in its short form in the Dusun Lotud Tuaran language and it is a hereditary culture found among Dusun women. Red chalk processed from sea snail shells mixed with a little Gambir and a few old areca nuts or simple areca nut skins and wrapped in betel leaves then put into the mouth to be chewed until the saliva in the mouth turns red but it is not swallowed into the stomach because when the mouth feels full then the betel eater has to throw away the reddish saliva.{{Cite web|url=http://kampungpanjut.com:80/index.php/en/free-download?download=25:moniang|title=KNOWING THE DUSUN LOTUD OF TUARAN ; MONIANG|last=Yus Atuk|first=Win|date=2012|website=Kampung Panjut|url-status=dead|archive-url=https://web.archive.org/web/20141020234524/http://kampungpanjut.com:80/index.php/en/free-download?download=25:moniang|archive-date=20 Oct 2014}}

Among the traditional musical instruments used by the Lotud ethnic group are gongs, the kulintangan ensemble, the gagayan (sundatang) and a type of drum.

This festival was introduced by the Sabah Lotud Komulasakan Association and the Lotud Suang Association and was officiated by Yb. Datuk Seri Panglima Haji Hajiji Mohd Noor in 2017. This festival is a Lotud tribal musical instrument competition.[https://www.youtube.com/watch?v=rHB9BhKzS1w PESTA BOJUMBAK 2017] di YouTube oleh King Kong Production Crew. Para Pemuzik akan mendendangkan lagu-lagu dari kampung mereka sendiri, ianya mempunyai makna tersendiri dari rentak lagu tersebut.Contoh Bojumbak dari Team Sintakan Bulan kampung dungun Tuaran. [https://www.youtube.com/watch?v=drJfqr-Y_ME Klik Sini]

Sumayau, or Madsayau, is a traditional dance of the KadazanDusun ethnic group of the Dusun Lotud or Suang Lotud tribe in the Tuaran District. Typically, this dance is an attraction during the celebration of Magahau Day, which is a ceremony to worship the spirit of the tajau (pot). Usually this ceremony is held on a large scale and takes up to five days, which aims to worship and respect the gums, which are large tajau. In addition, it is also to commemorate family members who have died.

The performance is led by a Monolian, an elderly woman who is knowledgeable in the ceremony, and is of Monolian descent. As soon as the music is played, the dancers start dancing and head straight to the dance floor. The female dancer's hand movements follow the rhythm of the music while the foot movements are slower than the hand movements, which only move in very slow increments. The male dancer rings a bell or giring in the Lotud dialect. The dance movements become a little more lively when they receive applause from the audience.[https://pemetaanbudaya.my/culture/dis/663 Apa itu Madsayau?] diterbit oleh [https://Jabatan Kesenian dan Kebudayaan Negara Sabah Jabatan Kesenian dan Kebudayaan Negara Sabah].

There are five stages in the wedding ceremony, namely suruhan (merisik), monunui (engagement), popiodop (staying overnight), matod (marriage) and mirapou (custom).ADAT RESAM DAN BUDAYA KAUM KADAZANDUSUN SUKU DUSUN LOTUD: [https://pemetaanbudaya.my/culture/dis/389 ADAT PERKAHWINAN] Bahagian Perkhawinan

A representative of the male party who is skilled in customs, called suruhan, plays the main role as an intermediary with the woman's family to set a suitable time for merisik or negotiation. He visits the woman's house for this task. During the merisik, the woman wants to know the man's background such as family lineage, character, and the man's ability to interpret the meaning of dreams in the woman's family. If the dream is not good, sogit mimpi (dream fine) is imposed for the purpose of reconciliation or peace. According to custom, if the man does not have a suruhan, they can be fined adat malu by the woman's family.

The custom of giving or dowry and kitchen expenses is part of the main elements of the wedding ceremony, and this is discussed together by the Village Head, the male and female parties. The meal for this discussion is usually a simple meal with a few leaves of kirai (tobacco leaf buds) and dried tobacco to be made into cigarettes.

The request of the female family is RM1,000., kitchen expenses are estimated at RM5,000 and above and a buffalo. The custom of giving land is known as pinolusadan do aluwid along with approved land tax is mandatory. The purpose of this gift is for the construction of a house when the couple has children. If the groom does not have land, then giving four binukul (precious ancient items) worth RM1,000, called adat berian, is considered to have fulfilled the specified conditions.

The custom of monunui (engagement) will be carried out by setting a date in advance if the intelligence is received and both parties agree to the stipulated conditions. Usually this custom is carried out on the 14th day of a one-month cycle, called tawang kopiah, or the 15th day is called tolokud. This custom can only be done in the morning and the man's family must leave the woman's house before 4 pm. The man gives the woman a ring as a sign of engagement. The engagement period is usually one year.

During the engagement ceremony, the Village Head and his servants sit in the front row. At this time, the bride-to-be is not allowed to leave the house. The groom-to-be is not allowed to be in the house area until the ceremony is over. Important matters discussed during the engagement are tinunui (gift or dowry), kitchen expenses or burnt money, bride's gift and sogit (fine).

Mamanpang is a form of ritual poetry that not only outlines Lotud in the creation myth and provides an oral record of the historical past, but also sets out religious formulas for proper human behavior patterns to maintain a harmonious relationship between the human world and the spiritual realm. Numbering about 20,000 people, the Lotud Dusun are an Orang Asli community residing in the Tuaran District of Sabah, East Malaysia. The Lotud mamanpang forms the basis of Lotud customary law recognized by the Sabah Native Court which is still practiced in Sabah to this day. Lotud mamanpang is expressed in the form of rinait, a unique genre of traditional oral poetic verse consisting of paired lines with the same meaning, the first in everyday language and the second in ritual language. Rinati is usually passed down orally by Lotud ritual experts, or tantagas, who would memorize the rinait as part of their rigorous training and recite portions of the rinait during ritual ceremonies. The Lotud mamanpang rinait is contained in the Sumalud healing ceremony practiced by the Lotud Dusun living in the Tuaran District of Sabah, East Malaysia.

This report outlines the full transcript of the Lotud ritual poem mamanpang or rinait of mamanpang embedded in the Sumalud healing ceremony. This report should be read in conjunction with the cultural documentation report on the Lotud mamanpang, and a series of video files recording the Lotud tantaga reciting it, both available for download from the Leicester Research Archive. This cultural documentation project was funded by a research grant from the University of Leicester’s QR Global Challenges Research Fund (Research England) held by Yunci Cai (Principal Investigator) and Judeth John Baptist (Co-Investigator) for the project entitled ‘Community-Led Cultural Documentation for Indigenous Empowerment: Documenting Genesis Myths in the Creation of Rinait (Ritual Poetry) of the Lotud Community in Sabah Malaysia’.(rujuk: 29476-yc277-ss//ms:museumstudies).

"Gayang Tinompusuan" or called "Tenumpasuan" in Evans' book. This type of weapon comes from the talwar sword which is a weapon originating from outside Borneo, where it is often traded by traders from Brunei who come to North Borneo. Talwar is a weapon originating from the "Indian Subcontinent", where the art of designing this sword is said to have originated from the Turks of Central Asia around the 13th century and began to take its final form around the 1500s AD. This sword probably first became known in Southeast Asia around the 1500s, through Indian, Arab, Persian and Turkish traders, changing hands to indigenous tribes through trade activities between the coast and the interior. Tom Pires in his book "Suma Oriental que trata do Mar Roxo até aos Chins (Summa of the East, from the Red Sea up to the Chinese)" written around 1512-1515, confirmed that around 1512-1515, all the trading ports in Southeast Asia had many Persian, Turkish, Arab and Indian traders. Different from other Dusun tribes, the Lotud tribe has replaced this sword sheath with a sheath carved with a floral motif typical of the Lotud tribe, where at the end of this sheath there is a carving resembling a scorpion's tail in addition to a decoration of human hair from "headhunting" activities.

The Dusun Lotud tribe has long been known as a strong tribe. When the Iranun tribe migrated from Mindanao to Sabah in the late 1700s, they established their colony on the coast of Sabah, one of their main settlements was in the Tuaran area; the Iranun tribe at that time was ruled by Sultan Si Mirantou. Because the Iranun tribe carried out illegal activities that threatened the safety of the Lotud tribe in their daily lives, the Lotud tribe attacked the Iranun settlement, forcing Sultan Si Mirantou and his people to migrate to Tempasuk. The Bajau Samah tribe who came to Tuaran was able to assimilate well with the Lotud tribe, so there were not many conflicts between the two. The Lotud tribe also fought many wars with other Dusun tribes, such as the Dusun Tangara, Tagahas, Bundu, Liwan, Tobilung and Rungus tribes. In these wars, the "Tinompusuan" became one of the weapons used by the Dusun Lotud tribe in fighting their enemies in ancient times. One of the notes about this weapon is in the book I.H.N. Evans, related to the headhunting ritual in the Tauran area which Evans called "domali", a ritual carried out when the heroes returned from war or from headhunting activities with the success of bringing the head of the enemy. Evans explains the parts of the ritual as follows:

"…The portion of the ceremonies that I witnessed was a procession of seven or eight men walking in single file near a village, while they kept up a continual cry which had a peculiar whistling sound. Each man was wearing one of the brass-hiked swords known as “pedang”, but this was sheathed in a scabbard about four feet long, which broadened out to a width of six inches at its farther end. The lower edges of the scabbard were profusely decorated with human hair and its outer face with carved patterns, the whole weapon being called a “tenumpasuan”. The leader of the party carried a conch-shell trumpet, on which he blew occasional blasts, and all wore attached to their belts large bunches of silad leaves. One man had a human vertebra to which was tied a triangular plaited ornament of the same kind of leaves."'' (I.H.N. Evans, 1922:162){{Cite book|title=Among Primitive Peoples in Borneo: A Description of the Lives, Habits, and Customs of the Primitive Headhunters of North Borneo, with an Account of Interesting Objects of Prehistoric Antiquity Discovered in the Island London|last=Evans|first=I. H. N.|publisher=London : Seeley|year=1922|isbn=https://archive.org/search.php?query=external-identifier%3A%22urn%3Aoclc%3Arecord%3A1039483568%22|location=toronto, Canada|pages=163|archive-url=https://archive.org/details/amongprimitivepe00evanuoft/page/162/mode/2up?q=pedang}}

{{bar box|title=Population in Tuaran – 1911 statistics|titlebar=|left1=Population|right1=Percentage|float=left|bars={{bar percent|Lotud|#AAF0D1|74.6}}

{{bar percent|Bajau|#89CFF0|25.3}}

{{bar percent|Iranun|#996666|0.1}}|caption=Source: Among the Primitive People}}

The traditional Suang Lotud house consists of six parts, namely soliu, soriba, rapuhan, kawas, pantaran and tilud. According to this ethnic belief system, their houses are imitations of houses in the spirit world.

• Soliu or the living room functions as a place for discussion, meetings and traditional ceremonies.
• Soriba or the space at the bottom is also used as a bed for guests.
• Rapuhan or ropuhan functions as a kitchen and is divided into salahan and paah for drying meat. The area separated by a wall is where unmarried girls sleep.
• Pantaran is the passageway and holds a water storage container for washing feet and hands before entering the house.
• Tilud is a space for storing rice and agricultural products.

Today, the traditional Lotud longhouse is in the form of traditional architecture which is the most sophisticated achievement in architecture in the entire state of Sabah apart from the Murut longhouse in the Tenom district. The architectural structure of the Lotud longhouse is made of planks (in the old days) which were roughly carved with an adze without the facility of a saw. The entire house does not use a single nail (nails which were almost impossible to obtain in the old days), but by using a clever slip technique that fits the appropriate beams, as well as applying varnish to the wood surface. Each longhouse unit consists of a sleeping area (ko'odopo), a kitchen (ropuhan), an attic (tilud) and a corridor (olot-olot) which separates the wall part of the house from the veranda (soliw).

The Lotud ethnic group has its own language, which is called Suang Lotud language. Meaning, Suang means 'In' or 'Group' while Lotud is the name of the tribe. The official language code for the Lotud Language is DTR.

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Category:Kadazan-Dusun people

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