Louise Merzeau
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Sylvie Merzeau (commonly called Louise Merzeau, 8 November 1963 – 15 July 2017{{cite web|url=http://www.dicen-idf.org/louise-merzeau-nous-a-quittes/|title=Louise Merzeau nous a quittés|publisher=Dicen-IDF|language=fr|access-date=26 July 2017}}) was a French academic, university professor at the Paris Nanterre University (specializing in communication studies) and a photographer.
Merzeau was a trustee of Wikimedia France between 2015 and 2017.
Biography
Louise Merzeau was a former student of the École normale supérieure de Saint-Cloud (L1982 promotion) and a qualified teacher of contemporary literature (1985).{{Cite web|url=https://cv.archives-ouvertes.fr/louise-merzeau|title=CV HAL: Louise Merzeau|last=HAL|website=cv.archives-ouvertes.fr|language=fr|access-date=2017-07-26}}{{Cite web|url=http://affordance.typepad.com//mon_weblog/2017/07/salut-louise.html|title=Salut Louise.|website=affordance.info|access-date=2017-07-26}} Her doctoral thesis "From scriptural to index: text, photography, document" in 1993 was written under supervision of Nicole Boulestreau. She passed her habilitation to conduct research in 2011 on the subject of the concept of memory in the age of internet. In 2016, she became a university professor at Paris-Nanterre.{{Citation|title=Décret du 15 décembre 2016 portant nomination, titularisation et affectation (enseignements supérieurs)|url=https://www.legifrance.gouv.fr/affichTexte.do?cidTexte=JORFTEXT000033624003&categorieLien=id|access-date=2017-07-26}} She was a co-director of the Nanterre research laboratory Dicen-IDF and member of the e.laboratory on Human Trace Complex System Digital Campus UNESCO.
Merzeau's research was inspired by the concept of mediology designed by Régis Debray and was primarily about the relations between culture and technology, in particular, on the technological, institutional, and sociological aspects of memory. She has designed the concept of hypersphere to extend the list of mediaspheres initially proposed by Debray, to characterize sociological and technical ecosystems associated with the development of the internet. She was the chief co-editor of the journal Les cahiers de médiologie during several years.
Merzeau also focused on the question of traces – that she developed with researchers like Béatrice Galinon-Mélénec – and on numerical identity{{Cite news|url=http://www.archimag.com/archives-patrimoine/2016/09/13/louise-merzeau-memoire-pensee-oubli|title=Louise Merzeau: "Il n'y a pas de mémoire sans une pensée de l'oubli"|work=Archimag|access-date=2017-07-27|language=fr}} around the idea of an identity mediation and a presence which cannot be reduced to an accumulation of calculated traces.{{Cite web|url=https://www.franceculture.fr/conferences/bibliotheque-publique-dinformation/facebook-twitter-instagram-fictions-de-soi|title=Facebook, Twitter, Instagram: fictions de soi|website=France Culture|date=2 March 2017 |language=fr-FR|access-date=2017-07-27}}{{Cite news|url=https://www.franceculture.fr/emissions/du-grain-moudre/reseaux-sociaux-sommes-nous-tous-des-big-brothers|title=Réseaux sociaux: sommes-nous tous des Big Brothers ?|work=France Culture|access-date=2017-07-27|language=fr-FR}} More generally, her work concentrated on behavior in numerical environments and the conditions of a numerical culture. In a conference on "The User's intelligence" for example, employing the theories of usage and the stakes of digital literacy, she sought to demonstrate, from the user to the consumer and the content producer, the multiplicity of the user's role. In the article "Copy and paste",{{Cite journal|last=Merzeau|first=Louise|title=Copier-coller.|url=https://halshs.archives-ouvertes.fr/file/index/docid/727080/filename/Merzeau-Copier-coller.pdf|journal=Médium: Transmettre pour Innover, ed. Babylone, 2012, pp.312–333.|pages=312–333}} Louise Merzeau proposed a vision that aims at overcoming the simple notions of plagiarism and theft associated with this practice. The notion of paste and copy should not be forbidden: a new learning process of copying as a way of thinking could lead to knowledge, therefore underlying the importance of a pedagogical frame. The copy and paste could be a solution to the commercial logics of the web. This conception is to be put in relation to her engagement in the movement of common goods, in which she participates through the Savoirscom1 collective group, which fights for the user's rights against the risks of informational enclosure. On this subject, she has opened an axe called "numerical common goods" in the university master's "Cultural industries and numerical environments" at the Paris Nanterre university.
In March 2015, Sylvie directed in collaboration with Lionel Barbe and Valérie Schafer the publication of a collective book on Wikipedia.{{Cite news|url=http://www.lemonde.fr/sciences/article/2016/01/11/wikipedia-un-objet-scientifique-non-identifie_4845331_1650684.html|title=Wikipédia, " un objet scientifique non identifié "|last=par)|first=David Larousserie (propos recueillis|date=2016-01-11|work=Le Monde.fr|access-date=2017-07-26|language=fr|issn=1950-6244}}
Her research switches to the notion of editorialisation, that she developed with researchers like Marcello Vitali-Rosati of the University of Montréal and Gérard Wormser of the journal Sens Public. This notion centers the question of traces on writing processes seen as collective interaction and technical contexts.
Louise Merzeau was also involved in web archiving through the workshops on methodological research of legal web deposits at INA, where she supervised scientific aspects from 2010 to her death.
She also has an activity of numeric and creative photography. She became a member of the scientific council of Wikimedia France in 2015, and was coopted as a member of the board of trustees in May 2017.
References
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Category:French women academics