Love Is the Only Master I'll Serve

{{short description|2006 art film by Nicholas Lens}}

{{Infobox film

| name = love is the only master I'll serve

| image = love is the only master I'll serve-poster 1.jpg

| caption = A promotional poster for the film

| director = Nicholas Lens

| writer = Nicholas Lens

| producer = Nicholas Lens
(executive producer: Brigitte Baudine)

| starring = Louise Peterhoff
Claron McFadden
Clara-lane Lens

| cinematography = Renaat Lambeets

| editing = Simone Rau, Stefan Rijcken

| music = Nicholas Lens

| distributor =

| released = {{Film date|2006|06}}

| runtime = 22 min

| language = Swedish / English / Latin

| budget =

}}

love is the only master I'll serve is a symbolical art film (22') written and directed by Nicholas Lens.http://www.brooklynfilmfestival.org/films/detail.asp?fid=607
- http://www.flandersimage.com/browse-films/detail/love-is-the-only-master-ill-serve
- https://www.imdb.com/title/tt0818686/?ref_=nm_flmg_com_2

Festival selections

  • (World premiere) Brooklyn International Film Festival, New York City - June 2006{{Cite web|url=http://www.wbff.org/films/detail.asp?fid=607|title = LOVE IS THE ONLY MASTER I'LL SERVE by Nicholas Lens @ Brooklyn Film Festival}}
  • Media and Dance, Tokyo - Japan, 2006
  • Napolidanza, Italy, 2006
  • The American Dance Festival, United States, 2006
  • Media and Dance, Tokyo - Japan, 2020 (Best Selection){{Cite web|url=https://filmmakers.festhome.com/f/6567/1|title = DANCE AND MEDIA JAPAN International Dance Film Festival}}

Plot

One entity, divided into two women, addresses himself to an imaginary love-god represented by a pipe-smoking child. The body and voice of the divided entity are used to utter a spectrum of opposed sensations - caused by the division - and heightened sensitiveness related to the subject. The divided entity is seeking a unification, which will not happen without the approval and support of the imaginary love-god.{{Cite web|url=http://www.brooklynfilmfestival.org/films/detail.asp?fid=607|title=LOVE IS THE ONLY MASTER I'LL SERVE by Nicholas Lens @ Brooklyn Film Festival}}

Characters

(Reference for this paragraph Festival program BIFF New York City 2006)http://www.brooklynfilmfestival.org/films/detail.asp?fid=607
- http://www.flandersimage.com/browse-films/detail/love-is-the-only-master-ill-serve

  • The Whisper Kid, symbolizes a personalized love-god.
  • she looks with a certain distance and neutrality at the two creatures who address themselves to her;
  • her image is of pureness and young innocence;
  • to cut across this well-spread definition she smokes a big curled hanging pipe;
  • sometimes she blows and creates air bubbles of soap with the inhaled smoke;
  • by these actions the child character reveals a mysterious, elusive background of her own timelessness, of someone who could possibly be aged but appears this time in a gentle, different form.
  • Luna, a human female mortal addressing herself indirectly (and sometimes directly) to the imaginary love-god.
  • she figures as a sculpture, perplexed by the whisper kid, but finally she looks straight in a static camera while she sings her ode to love, she expresses her devotion to the subject ("love is the only master I'll serve") by her self-chosen verbal communication;
  • her body almost does not move, we only see a severe, sometimes frightened, sometimes completely desperate-for-love face expression.
  • Serena, a human female mortal, addresses herself indirectly (and sometimes directly) to the imaginary love-god.
  • she communicates her devotion to the subject by physical expression;
  • she dances, using a whole spectrum of facial and body statements, interrupted with spasmodic blitzes of short falling moves and/or like electric shocks, like face and body are crying of pain and uncontrolled passion originated by the subject (as it appears sometimes when long periods of a constant energetic and inner peaceful mood is suddenly effected from outside, unexpectedly and on first sight unnecessary, like the pain of a needle in a body which is in a gentle, lovely sleeping state, a pain, abrupt and short, but more hurting, much deeper as one isn’t prepared for it).

Credits Production

Cast

Crew

  • Photography and camera - Renaat Lambeets
  • Choreography - Louise Peterhoff
  • Music and libretto - Nicholas Lens
  • Art director - Pierre-François Limbosch
  • Editing - Simone Rau
  • Additional editing - Stefan Rijcken
  • Location - Karnak room, Axel Vervoordt, Wijnegem, Belgium{{Cite web|url=https://www.pinterest.com/pin/396809417141513471/|title = Chairish | for Chic and Unique Homes | Axel Vervoordt, Furniture design blog, Brick loft}}
  • Shooting days - April 16–17, 2005
  • Executive producer - Brigitte Baudine
  • Presented by Tabaran Company
  • Produced by Nicholas Lens[http://www.wbff.org/films/detail.asp?fid=607 Festival program BIFF New York City 2006]

Soundtrack

Music production:

The Accacha Chronicles 3rd part, Amor Aeternus - Hymns of Love, Nicholas Lens

Soloists

Recording and mixing

References

{{Reflist}}