Luther Utterback
{{Short description|American artist}}Luther Ellsworth Utterback (July 18, 1947 – May 28, 1997) was an American artist,{{cite book|title=The ... ARTnews Directory of Corporate Art Collections|url=https://books.google.com/books?id=qo9UAAAAMAAJ|year=1986|publisher=International Art Alliance|page=153| isbn=9780943488035 }} who primarily worked in sculpture and painting. He was known for his large-scale installations[https://books.google.com/books?id=u_XfZROpk4cC&dq=%22Luther+Utterback%22&pg=PA243 "Myth of Menace?"]. Foreground: Fine Art for the Culturally Curious, May 22, 2014. David Klein, page 27 in public spaces{{cite book|author1=John Beardsley|author2=Andy Leon Harney|title=Art in public places: a survey of community-sponsored projects supported by the National Endowment for the Arts|url=https://books.google.com/books?id=0ec3AQAAIAAJ|date=June 1981|publisher=Partners for Livable Places|pages=24–27, 107|isbn=9780941182058 }} and corporate buildings.{{cite book|title=Corporate Design|url=https://books.google.com/books?id=fHHsAAAAMAAJ|year=1982|publisher=Whitney Communications Corporation}}
Personal life and work
Utterback was born in Texas, the only child of Reverend Glenn Lester Utterback and Ruth Henderickson Utterback.[https://newspaperarchive.com/nashua-reporter-sep-08-1976-p-6/?tag=sculpture+luther+utterback&rtserp=tags/sculpture?pep=luther-utterback/ "It's Showcase on U of I Campus"]. Nashua Reporter, via Newspaper Archives, September 08, 1976 - Page 6 Reverend soon moved his family to Nashua, Iowa[http://dsmpublicartfoundation.org/public-art/five-stones-and-a-ginko-tree Five Stones, One Tree | Greater Des Moines Public Art Foundation] {{webarchive|url=https://web.archive.org/web/20150523170156/http://dsmpublicartfoundation.org/public-art/five-stones-and-a-ginko-tree/ |date=2015-05-23 }} so he could pastor the Little Brown Church.
Career
In 1974, Utterback began serving as an instructor for the Department of Art and Art History at the University of Iowa. In 1975–1976, he was a visiting artist at the University of Wisconsin-Platteville. It was during this time, in early 1976, that the University of Iowa held a competition for a structural sculpture to be placed on the university's campus, near the Hancher Auditorium.[https://books.google.com/books?id=u_XfZROpk4cC&dq=%22luther+utterback%22&pg=PA243 The University of Iowa Guide to Campus Architecture - John Beldon Scott, Rodeny P. Lehnertz. page 243 - via Google Books] Utterback was chosen, and, later in 1976, he completed the piece, which he entitled, “Untitled.”[http://now.uiowa.edu/2013/02/art-move "Art on the Move"]. Iowa Now, February, 2013.{{cite book|title=Iowa Alumni Magazine|url=https://books.google.com/books?id=Kt5OAQAAMAAJ|volume=54|year=2001|publisher=UI Alumni Association|page=25}}
Utterback moved to Brooklyn, New York in 1976. There he created a series of drawings on mylar, linen, and paper. He returned to Des Moines in 1979, after receiving a commission to create an art installation in the state capitol grounds of the Hoover State Office Building in Des Moines.[https://www.publicartarchive.org/art/Five-Stones-One-Tree Five Stones, One Tree | Public Art Archive]{{cite book|author=United States. Congress. Senate. Committee on Appropriations. Subcommittee on the Dept. of the Interior and Related Agencies|title=Department of the Interior and Related Agencies Appropriations for Fiscal Year 1979: Hearings Before a Subcommittee of the Committee on Appropriations, United States Senate, Ninety-fifth Congress, Second Session on H. R. 12932|url=https://books.google.com/books?id=Va2qxqOlXScC|year=1979|publisher=U.S. Government Printing Office|page=833}} That year he began construction on the piece he titled “Five Stones, One Tree”,[https://www.newspapers.com/newspage/129148015/ "Luther Utterback"]. The Des Moines Register, Des Moines, Iowa, February 4, 1979. Page 156. via Newspapers.com (subscription required) which was completed in 1980.
In 1996, Utterback returned to New York to begin designing a large 1,000-acre art piece. It was envisioned as a planting reserve, incorporating four limestone “pyramid” structures and land covenants.[https://newspaperarchive.com/cedar-rapids-gazette-oct-27-1996-p-47/?tag=sculpture+luther+utterback&rtserp=tags/sculpture?pep=luther-utterback/ "Iowan's Life Dream"]. Cedar Rapids Gazette, via Newspaper Archives. October 27, 1996 - Page 47 However before construction could begin, in 1997 Utterback died aged 49 in Brooklyn, N.Y.{{Cite web |date=2013-02-01 |title=Art on the move |url=https://now.uiowa.edu/2013/02/art-move |access-date=2023-04-16 |website=Iowa Now |language=en}}
Selected works
- Untitled – A stone installation on the campus of the University of Iowa, near the Hancher Auditorium. It consists of four large, rectangular, limestone blocks: three blocks standing, one block laying on its side.[http://virtualglobetrotting.com/map/untitled-by-luther-utterback/view/bing 'Untitled' by Luther Utterback in Iowa City] - Virtual Globetrotting website The blocks were cut at the Reed Quarries in Bloomington, Indiana, each block weighing approximately 40 tons. They were transported to Iowa City via train, where Utterback positioned them accordingly to his design.
- Five Stones, One Tree – An art installation in the green space of the Hoover State Office Building in Des Moines.{{cite book|title=Department of the Interior and Related Agencies Appropriations for Fiscal Year 1979: Advisory Council on Historic Preservation|url=https://books.google.com/books?id=PWVKAQAAMAAJ|year=1979|publisher=U.S. Government Printing Office|page=833}} It consists of two rough-cut limestone pillars, each containing two large stones, standing about 22 feet apart. The stones are oriented so that their smoothly textured sides face east and west, and their adjacent, naturally accreted sides face north and south. Between these pillars, the earth has settled in the form of a rectangle over a 16-ton block of limestone buried 6 feet below the surface.{{cite book|author=Deborah A. Hoover|title=Supporting Yourself as an Artist: A Practical Guide|url=https://books.google.com/books?id=oG5QAAAAMAAJ|year=1989|publisher=Oxford University Press|isbn=978-0-19-505971-7|page=41}} A Japanese ginkgo tree completed the design, forming an isosceles triangle between it and the two pillars. The Greater Des Moines Public Art Foundation wrote an interpretation and review of the piece.