Lynne Dawson

Born in York and growing up in Yorkshire, Dawson fully expected to continue the farming tradition of her family, and indeed singing was not her first career; she first worked in industry as a translator.On This Island, Lynne Dawson, Hyperion Records However, later she studied at both the Guildhall School of Music and Britten–Pears School in Suffolk, where her teachers included Rae Woodland, Gerald Moore and Peter Pears. Her time as a music student, however, was limited as she soon obtained enough professional work to embark upon a career and made her operatic debut in 1986 as the Countess in Le Nozze di Figaro (Kent Opera).Oxford Concise Dictionary of Music, Michael Kennedy, Oxford University Press Dawson's position as one of England's most versatile and popular sopranos was confirmed by her performance as a soloist in "Libera me" from Verdi's Requiem with the BBC Singers at the Funeral of Diana, Princess of Wales in September 1997. She still continues a busy musical schedule, is head of vocal and opera studies at the Royal Northern College of Music (RNCM) as well as the University of York and is a Professor of Leeds College of Music.

Dawson has two children, and was married during the 1980s, but the couple separated. She continues to sing often; however, her main focus is her role as Head of Vocal Studies and Opera at RNCM.

Dawson has had an extensive and varied music career. Much of her early work was in early music groups, in particular the Hilliard Ensemble[check: Tallis Scholars?] and the Deller ConsortLynne Dawson On This Island, Hyperion Records and her work in early music, in particular the works of George Frideric Handel, are regarded as being notable contributions to the field.[http://www.gramophone.co.uk/gramofilereview.asp?reviewID=200209870&mediaID=203602&issue=Reviewed%3A+Gramophone+6%2F2003 Review of "My Personal Handel Collection"]{{Dead link|date=March 2020 |bot=InternetArchiveBot |fix-attempted=yes }}, Stanley Sadie, Gramophone, June 2003. Retrieved 12 May 2007 However, in spite of her reputation as a Handel specialist, her repertoire is far more varied – she created the role of 'Mama' in Elliott Carter's opera What Next? and played Ann Truelove in The Rake's Progress, for instance.{{usurped|1=[https://web.archive.org/web/20100612124035/http://www.lynnedawson.co.uk/index.html Lynne Dawson: official website]}}. Retrieved 12 May 2007 Her concert repertoire, oratorio roles and recording catalogue are no less impressive having appeared alongside acclaimed singers and conductors alike. She has released three highly acclaimed solo recital discs – My Personal Handel Collection, On This Island and Voyage à Paris.

• L'Orfeo, Monteverdi (with English Baroque Soloists/His Majestys Sagbutts and Cornetts/John Eliot Gardiner), Archiv (1987)
• Jephtha, Handel (with English Baroque Soloists/Monteverdi Choir/John Eliot Gardiner), Philips Classics (1988), live recording
• Passio, Pärt (with Western Wind Chamber Choir/Paul Hillier), ECM (1988)
• The Fairy Queen, Purcell (with Les Arts Florissants/William Christie), Harmonia Mundi (1989)
• ‘’Die Entführung aus dem Serail’’ Mozart with The Academy of Ancient Music/Christopher Hogwood
• A Midsummer Night's Dream, Mendelssohn (with Susanne Mentzer/Peter Hall Company/Rotterdam Philharmonic Orchestra/Jeffrey Tate), EMI (1992)
• Ein deutsches Requiem, Brahms (with London Classical Players/Roger Norrington), EMI (1993)
• Messiah, Handel (with Choir of King's College, Cambridge/Brandenburg Consort/Stephen Cleobury), Argo (1994), live recording on Brilliant Classics and Regis Records
• Chandos Anthems, Handel (with The Sixteen/Harry Christophers), Chandos (1987–89)
• Orfeo ed Euridice, Gluck (with La Grande Écurie et la Chambre du Roy/Jean-Claude Malgoire), Auvidis (1994)
• Riders to the Sea, Vaughan Williams (with Northern Sinfonia/Richard Hickox), Chandos (1995)
• Ariodante, Handel (with Les Musiciens du Louvre/Marc Minkowski), Archiv (1997)
• Zaïde, Mozart (with Academy of Ancient Music/Paul Goodwin), Harmonia Mundi (1998)
• On This Island (with Malcolm Martineau), Hyperion (2001)
• Dido and Aeneas, Purcell (with Orchestra of the Age of Enlightenment/René Jacobs), Harmonia Mundi (2001)
• Hercules, Handel (with Les Musiciens du Louvre/Marc Minkowski), Archiv (2002)
• My Personal Handel Collection (with Lautten Compagney/Wolfgang Katschner), Berlin Classics (2003)
• Voyage à Paris: Chansons françaises (with Julius Drake), Berlin Classics (2005)

• Messiah (1993)
• The Queen (2006)

{{reflist}}

• {{official|https://web.archive.org/web/20110724234342/http://www.lynnedawson.co.uk/}} (archived 24 July 2011)
• [https://web.archive.org/web/20101217214637/http://www.imgartists.com/?page=artist&id=84 Artist Page] at IMG Artists (archived 17 December 2010)
• [http://www.hyperion-records.co.uk/artist_page.asp?name=ldawson Lynne Dawson at Hyperion Records]

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Category:1953 births

Category:Living people

Category:English operatic sopranos

Category:English performers of early music

Category:Women performers of early music

Category:Academics of Leeds Conservatoire

Category:Musicians from York

Category:20th-century English women opera singers

Category:21st-century British women opera singers

Category:21st-century English women singers

Category:21st-century English singers