Mako Mori test
{{short description|Measure of representation of women in film}}
File:Rinko Kikuchi Berlin 2015.jpg (pictured)]]
The Mako Mori test is a set of criteria pertaining to the representation of female characters within a film, television show or other work of fiction, inspired by the character Mako Mori from the 2013 film Pacific Rim and its 2018 sequel Pacific Rim Uprising.{{Cite web|url=https://www.dailydot.com/parsec/fandom/mako-mori-test-bechdel-pacific-rim/|title=The Mako Mori Test: 'Pacific Rim' inspires a Bechdel Test alternative|date=2013-08-18|website=The Daily Dot|language=en|access-date=2019-05-31}}
The requirements of the Mako Mori test are that a film or television show has at least one female character and that this character has an independent plot arc and that the character or her arc does not simply exist to support a male character's plot arc.{{Cite web|url=https://wiftv.wordpress.com/2014/01/28/the-bechdel-mako-mori-test/|title=The Bechdel & Mako Mori Test|last=Team|first=The WIFTV|date=2014-01-28|website=Women in Film and Television Vancouver Blog|access-date=2019-05-12}}
Origins
Gender portrayal in media and fiction, especially within the film industry, has been discussed and problematized since the early days of the feminist movement. The Bechdel test seeks to measure the gender representation within film and other fiction. The requirements of the Bechdel test{{Cite book|title=Dykes to watch out for |last=Bechdel |first=Alison |isbn=0-932379-17-6 |location=Ithaca, New York |year=1986 |publisher=Firebrand |url-access=registration|url=https://archive.org/details/dykestowatchoutf00bech |pages=22–23}} are that:
- A film must have at least two female characters (in some cases it is stipulated that these characters must be named and credited),
- That these characters have an on-screen conversation with each other,
- Where they talk about something other than a man or a heterosexual relationship that they are in.
The Pacific Rim movies do not pass the Bechdel test, although they feature a strong female supporting character, and so the Mako Mori test was proposed by a Tumblr user named Chaila as an alternative test of gender representation.{{Cite web|url=https://bust.com/movies/10445-the-mako-mori-test-|title=Can You Tell If a Movie's Sexist? The Mako Mori Test Can Help |website=Bust |first=Melanie |last=Mignucci |access-date=2019-05-12}}
Mako Mori (character)
The character of Mako Mori is featured across the Pacific Rim franchise, appearing in the films Pacific Rim and Pacific Rim: Uprising, the graphic novel Pacific Rim: Tales From Year Zero, as well as the non-canon work Pacific Rim: The Official Novelisation, which is a novelisation of the movie. Mako Mori is a female, Japanese character, portrayed (as an adult) by Japanese actress Rinko Kikuchi.{{cite news|url=https://www.elle.com/news/fashion-style/rinko-kikuchi-is-no-wallflower-35112|title=Rinko Kikuchi Is No Wallflower |last=Davis|first=Rebecca Willa |date=2012-01-06 |magazine=ELLE |access-date=2019-05-31}} Her character is described as being 'tomboyish' as a child, showing significant interest in her father's work as a sword maker. Her character is a part of the Pan Pacific Defense Corps' J-Tech division, a military organisation within the film.{{cite AV media | people=del Toro, Guillermo (director) |date=July 12, 2013 |title=Pacific Rim |type=Motion picture |publisher=Warner Bros. Pictures}}
Her character is celebrated by fans of the franchise and in academic circles as a successful representation of a strong and non-sexualised character who is both female and a person of colour. Megan Fowler highlighted the subtleties of her character, and says she widens the spectrum for a greater and more realistic depiction of strong females in film.{{Cite journal |last=Fowler |first=Megan |title=A Person not a Pin-Up: Subverting the Sexualized Asian Action Heroine with Pacific Rim's Mako Mori|url=http://fansconf.a-kon.com/dRuZ33A/wp-content/uploads/2016/04/APersonNotAPin-UpSubvertingtheAsianActionHeroinewithPacificRimsMakoMoribyMeganFowler.pdf |journal=The Phoenix Papers |volume=2 |issue=2 |pages=12–25}} According to Cait Coker, in an essay called "The Mako Mori Fan Club", she is heralded as a successful female character who does not conform to the common genre traits of over-sexualisation, and the common fetishisation of Japanese characters in Western media.{{cite book|last=Coker |first=Cait |pages=204–217|publisher=University Press of Mississippi |isbn=978-1-4968-1156-1|doi=10.2307/j.ctv5jxngg.18|chapter=The Mako Mori Fan Club|title=Dis-Orienting Planets: Racial Representations of Asia in Science Fiction |editor1-first=Isiah |editor1-last=Lavender |year=2017}} Mako Mori is credited as an example of good female representation. Though she is a supporting character, she is given an independent story arc that does not simply exist to support the male lead characters' arc(s), and her character avoids many of the sexist stereotypes that often accompany women in film (especially in this genre) of over-sexualisation and lack of agency.
In the sequel Pacific Rim: Uprising, Mako Mori is given less of a substantial story arc, which critics say is simply in support of another male character's plot arc and therefore does not pass the test, and dies within the opening third of the movie. This shift in the franchise has been greatly criticised by fans of the movies as well as fans of the test itself.{{Cite web|url=https://slate.com/culture/2018/03/pacific-rim-uprisings-disappointing-treatment-of-mako-mori-spoilers.html|title=Pacific Rim Inspired the "Mako Mori Test": Uprising Gives the Character a Far Less Inspiring Arc |last=Wilson |first=Lena |date=2018-03-23|website=Slate Magazine|access-date=2019-05-12}}