Manolo Álvarez Mera

Álvarez was born November 7, 1923, to Beniana (née Mera) and Manuel Alvarez in the Luyanó neighborhood of Diez de Octubre, Havana, Cuba. After formally studying voice in Havana, Álvarez performed for the first time in public at the Teatro Principal de la Comedia (Main Theater of Comedy) in Havana in 1943, singing the role of Niño Fernando in {{ill|María la O|es}}, a one act zarzuela, a characteristically Spanish genre of lyric and dramatic theatre. The lyrics were by Gustavo Sánchez Galarraga (1893–1934) and the music by Ernesto Lecuona. Maruja González (1904–1999) sang the soprano role of Mary la O. He went on in 1944 to perform at the Teatro Lírico Cubano (Lyric Theater of Cuba), singing in La Plaza de la Catedral (The Cathedral Square), a zarzuela by Lecuona. He sang the same work for radio stations RHC-Cadena Azul and CMQ.

He then performed in several zarzuelas, including Luisa Fernanda, {{ill|Los gavilanes|gl||es}}, {{ill|La leyenda del beso|es||eu}}, La dolorosa, and Cecilia Valdés, which also included singers Maruja Montes (1930–1993), Rosita Fornés (born 1943), Zoraida Marrero (1911–2004), Esther Borja (1913–2013), Sarita Escarpentier (born 1925), Dorini de Diso (1901–1948), Miguel de Grandy, Antonio Palacios, Jesús Freyre, and {{ill|Gregorio Barrios|es||eu}} (1911–1978).

On September 16, 1947, he appeared as a soloist in the musical revue Violins Over Broadway at the Diamond Horseshoes Night Club in New York, produced by impresario Billy Rose. The show ran for two years.

In 1950, Álvarez moved to Rio de Janeiro and performed in São Paulo and on several Brazilian radio stations.

In 1952, Álvarez toured Chile including visits to Buenos Aires and Montevideo. His performances were acclaimed by the Cuban magazine, {{ill|Carteles|es|Carteles (revista)}}.

In his Uruguay radio concerts, Álvarez was hailed "Sir Hyperbole!" Many of his interpretations, including María la O; Granada by Agustín Lara; and Ay-Ay-Ay by Osmán Pérez Freire, were interrupted with applause, and he was forced to repeat them three or four times. The night of the farewell, as he went on stage, the audience — more than two thousand excited people — threw a rain of carnations and roses, forming a cloak over him. The program was interrupted for a long time by this emotional tribute.

Álvarez continued his tour to Brazil and also returned to Buenos Aires. He had an exclusive recording contract with Victor and recorded Granada by Agustín Lara and Despedida by María Grever with the RCA Orchestra under the direction of conductor Vieri Fidanzini.

Álvarez returned to the United States in 1951. Accompanied by the Carlos Molina Orchestra (1899–1982), Álvarez sang Granada in a short 1953 film Carnival in April released in 3D by Universal. The film also featured Toni Arden, Josephine Premice, and Fernando Rodriguez. On April 4, 1954, he appeared on the television show, The Colgate Comedy Hour, with Eddie Cantor. He also appeared at the Flamingo Las Vegas with Freddie Martin.

By mid-March 1953, Álvarez had been studying for six months with Arthur Rosenberg. On April 18, 1954 — Easter Sunday — Álvarez sang The Lord's Prayer in a sunrise national broadcast produced by David Rose at the Hollywood Bowl with conductor Miklós Rózsa.

In 1954, he appeared as a featured singer in New York at the Waldorf Astoria with Freddie Martin and His Orchestra. He also appeared at the Edgewater Beach in Chicago, and the Skyroom at the Mapes Hotel in Reno. He held a principal role in the production Spanish Fantasy, a show that toured America, performing at venues that included the Terrace Room at the Statler Hotel in Los Angeles. and the Empire Room at the Statler Hilton in Dallas. He also sang on the NBC television program Saturday Night Review, Coast to Coast.

In August 1955, Álvarez was featured in a Tropicana production of Evocación (Evocation) and Seis Lindas Cubanas (Six Pretty Cubans) the latter referencing the six provinces of Cuba (before the Revolution). The production was staged by Rodrigo Neira, who was known as "Rodney". The show was presented in a telecast from Medellín, Antioquia, and was a review of nineteenth century Cuban dance and music. Other performers included Xiomara Alfaro, Cuarteto Faxas, Estelita Santaló, Cuarteto d'Aida, Leonela González, the dancers Ana Gloria and Rolando, and the Lago Sisters Trio.

The same production, with mostly the same artists, including Álvarez, was presented in a telecast April 21, 1956.

He sang to replace the voice of Mario Lanza in the 1958 film, Seven Hills of Rome.

In February 1958, Álvarez headlined in the Copa Room at the Hotel Habana Riviera with Cuarteto d'Aida. Among his last stage performances in Cuba, he was acclaimed for his appearances in the theater as Ivan Marti in La leyenda del beso (1959) and Rosillon in The Merry Widow (1960). In Cuba, he performed on television, in theaters, on several recordings, and in casinos, which included the Tropicana and Hotel Capri.

In 1959, Álvarez sang on TV Adiós, Granada in Emigrantes, a zarzuela composed by {{ill|Tomás Barrera Saavedra|es|Tomás Barrera|ca}} (1870–1938) and Rafael Calleja Gómez (1870–1938). Other performers in that production included Alfredo Kraus, Miguel Fleta, Victoria de los Ángeles, Tito Schipa, Giuseppe Di Stefano, Hipólito Lázaro, Pepe Romeu, Juan García, Luis Mariano and Misha Alexandrovich. ([https://archive.org/details/AlvarezMeraAdiosGranada On Archive.org])

On February 2, 1960, he was acclaimed by the Diario de la Marina as "the First Tenor of Cuba and one of the best in the world," for his headline performance in Noche Cubana, a live evening national telecast by {{ill|CMBF Radio Musical Nacional|lt=CMBF-TV|es}}. Other singers included Barbarito Diez, María Teresa Vera, Lorenzo Hierrezuelo, and the group Cuarteto d'Aida.

On August 21, 1960, Álvareze was a guest on the Ed Sullivan Show, singing Mattinatta.

Álvarez married Delfina Cougil Fernandez (born 13 March 1925). They had two children, Teresita (Terry) (born 1959) and Manuel (born 1961). In 1963, he settled in New York, where he died on October 14, 1986. He had lived at 216 West 102nd Street in Manhattan.

{{Div col}}

• Manolo Álvarez-Mera, Puchitio MLP-505 (LP) (196?)

: Manolo Álvarez-Mera, tenor vocal; Orquesta Bajo, Roberto Valdés Arnau, director

: {{oclc|913818568}}

: Side A

1. "Júrame" ("Swear"), by María Grever ([https://www.youtube.com/watch?v=FMPA8hTOQBo on YouTube])
2. "Marta," by Moisés Simons ([https://www.youtube.com/watch?v=EB_EQ4PuF_g On YouTube])
3. "No Niegues que me quisistes" ("Do Not Deny That You Wanted Me"), by Jorge del Moral ([https://www.youtube.com/watch?v=-qu7s1VlbmE On YouTube])
4. "Siempre en Mi Corazón" ("Always In My Heart"), by Ernesto Lecuona † ([https://www.youtube.com/watch?v=vhb0UyQUQpk 1st on YouTube], [https://www.youtube.com/watch?v=N3WBWB1WPzs 2nd], [https://www.youtube.com/watch?v=KguM-gB541E 3rd])
5. "No Puedo ser feliz" ("I Can Not Be Happy"), by Adolfo Guzman ([https://www.youtube.com/watch?v=HMDbF2zk3ng On YouTube])

: Side B

1. "Torna a Sorriento" ("Come Back to Sorrento") by Ernesto De Curtis
2. "Mattinatta" ("Morning"), by Ruggero Leoncavallo ([https://www.youtube.com/watch?v=a3qboYvRTec On YouTube]) ‡
3. "Core 'ngrato" ("Ingrate Heart"), by Salvatore Cardillo, {{ill|Riccardo Cordiferro|it||nap}}
4. "La donna è mobile" ("Women Are Flighty"), by Verdi
5. "Estrellita" ("Little Star"), by Manuel Ponce

• Canciones Cubanas (Cuban Songs), Vol. II, Puchitio MLP-553 & Antilla MLP-553 (LP) (196?)

: Manolo Álvarez-Mera; Gran Orquesta, Roberto Valdés Arnau, director

: {{oclc|53980565|443637670}}

: Side A

1. "María Belén Chacón" ("Romance of María Belén"), words adopted by José Sánchez Arcilla, music by Rodrigo Prats
2. "Si llego a besarte" ("If I Kiss You"), by Luis Casas Romero (1882–1950) ([https://www.youtube.com/watch?v=i9F5Lj4M950 On YouTube])
3. "Quiéreme Mucho" ("Yours"), lyrics by Agustin Rodriguez, music by Gonzalo Roig ([https://www.youtube.com/watch?v=Nkjr_8Tf9hc On YouTube])
4. "Mirame así" ("Look At Me, Well"), by Eduardo Sánchez de Fuentes ([https://www.youtube.com/watch?v=0pY2ODMlnGQ On YouTube])
5. "Soledad" ("Loneliness"), by Rodrigo Prats

: Side B

1. "Esclavo libre" ("Free Slave"), by Ernesto Lecuona
2. "La Bayamesa" ("Women of Bayamo, Cuba"), by Sindo Garay [https://www.youtube.com/watch?v=Y8ZAgZjfriU On YouTube]
3. "Corazon" ("Heart"), by Eduardo Sánchez de Fuentes
4. "Habanera Tú" ("You Dance" the Habanera), by Eduardo Sánchez de Fuentes ([https://www.youtube.com/watch?v=dAdrNByWbTU 1st on YouTube], [https://www.youtube.com/watch?v=JjSjiG-fF-Q 2nd])
5. "{{ill|María la O|es}}", lyrics by Gustavo Sánchez Galarraga (1893–1934), music by Ernesto Lecuona

• Por Los Campos De Cuba (Through the Fields of Cuba) AF Records (LP) (1996)

11. "La Bayamesa" ("Women of Bayamo, Cuba"), by Sindo Garay (of 15 tracks)

• America Inmortal, Reyes (LP) (1996)

10. "La Bayamesa" ("Women of Bayamo, Cuba"), by Sindo Garay (of 15 tracks)

• Funcion de Gala (Gala), J. & G. Recordings (196?)

: Live, Teatro Marti, Havana

: {{oclc|469772714}}

5. "Elena," by Roberto García Masvidal (of 12 tracks)

9. "Yo Soy Tú Fracaso" ("I'm Your Failure"), by Roberto García Masvidal (of 12 tracks)

• Manolo Alvarez-Mera, RCA Victor 82-5470 (78 rpm)

:: 82-5450-A: "Granada," by Agustín Lara

:: 82-5450-B: "Despedida," by María Grever

• SMC Records (78 rpm)

: Manolo Alvarez-Mera; Orchestra directed by Roberto Valdés Arnau

:: 2521-B "Romance Gitano," by Carlos Granados

: {{oclc|79110973}}

{{Div col end}}

: † The song "Always in My Heart" received an Oscar nomination for "Best Original Song," in the 1942 film, Always in My Heart, losing to "White Christmas" from the film White Christmas. Nonetheless, some critics regard Álvarez's recording of "Siempre en mi corazon" as the best performance of the song.

: ‡ "Mattinata" ("Morning"), written in 1904, was the first song ever written expressly for the Gramophone Company.

{{reflist|group=lower-alpha|30em|refs=

An alternate version of the claim was that Mario Lanza was scheduled to appear on the Ed Sullivan Show while he was shooting the film, Seven Hills of Rome. MGM, to protect their investment in Lanza, retained Álvarez as a reserve, and, according to lore, used him as a threat to strengthen Lanza's devotion to the film.

• [https://www.youtube.com/watch?v=7FvOWAYltt4 Lanza on the Ed Sullivan Show] (1958)

: Lanza and Álvarez both had studied with Alejandro Granda (1898–1962) at an academy he had set up in Hollywood in 1947 — [http://www.filarmonia.org/page/Alejandro-Granda.aspx Biography: "Alejandro Granda,"] {{ill|Radio Filarmonía|lt=Radio Filarmonía 102.7 FM|es|italic=y}} (website) (retrieved December 17, 2015)

Trío Hermanas Lago was a vocal trio of three sisters from Cuba widely credited as the first female trio to excel during the golden age of trios and boleros in the 1940s and 1950s throughout Latin-America, and particularly in Cuba and Mexico; the founding sisters in 1932 were (a) Graciela Lago Muela (1918–1996), (b) Cristina Lago Muela (1919–1974), and (c) Esperanza Lago Muela (1921–1954); Esperanza married and left the group in 1947, and was replaced by Lucía Lago Muela (born 1925), another sister; Esperanza returned in 1950, making it a quartet; but Esperanza died in 1954, making it a trio again

Rodney (né José Roderico Neyra, also spelled Neira; born 11 February 1912 Oriente Province, Cuba) ([http://merrick.library.miami.edu/cdm/singleitem/collection/cubanphotos/id/396/rec/1 photo]) was a dancer-turned-choreographer who created and choreographed for the Tropicana six to eight back-to-back shows a season from 1952 to 1959. ([https://books.google.com/books?id=OlSTNxZUAdwC&pg=PA111 Havana Before Castro: When Cuba Was a Tropical Playground], by Peter Charles Moruzzi (born 1961), Gibbs Smith, 2008, pg. 111; {{oclc|212020815}})

Ana Gloria and Rolando (Ana Gloria Varona and Rolando García); Ana Gloria Varona was married to Luisito del Pozo, son of Justo Luis del Pozo, major of Havana from 1954 to 1958, and the last mayor before overthrow; she was also a goddaughter of Miguel Matamoros (1894–1971); Rolando immigrated to Miami and retired from dancing.

Carlos Faxas (1921–2014), pianist and arranger

Estelita Santaló (1931–2015) was a Cuban soprano

Leonela González (born 1930) was an actress who had a role in the 1950 Cuban film Siete muertes a plazo fijo; she had been Tropicana's top dancer for seven years; she left Cuba June 1959

}}

{{Reflist|refs=

[http://guije.com/public/carteles/3319/farandula/index.html "De la Farándula" ("Show Business")], by Arturo Ramirez (born 1906), {{ill|Carteles|es|Carteles (revista)|italic=y}} (Havana), Vol. 33, No. 19, May 11, 1952

[https://books.google.com/books?id=JUr9ZtK1Wn0C&pg=PA12 Cuban Music from A to Z], by Helio Orovio, Duke University Press (2004); {{oclc|52799802}}

[http://www.liricocuba.cult.cu/efemnov.html "Efemérides líricas Cuba: November,"] from Diccionario De Artistas Liricos Cubanos, Enrique Río Prado (ed.) (born 1946) (unpublished), [http://www.liricocuba.cult.cu/ National Lyric Theater of Cuba website] (retrieved December 11, 2015)

[http://ufdc.ufl.edu/UF00001565/01079/25?search=manolo "Vuelve Manolo A. Mera A 'Noche Cubana' El Martes Por El Canal 4-TV,"] Diario de la Marina, January 31, 1960, pg. 5A

[https://books.google.com/books?id=OSMEAAAAMBAJ&pg=PA11 "Spanish Fantasy; Statler Hotel, Los Angeles" (review)], by Bob Spielman, Billboard, July 16, 1955, pg. 11

"Hollywood" (syndicated column), by Hedda Hopper, Boston Traveler, March 18, 1953, pg. 47

[https://books.google.com/books?id=hPUDAAAAMBAJ&pg=PA37 "Plenty Strings Attached To Billy Rose's New Idea"] (review), by Bill Smith, Billboard, January 10, 1948, pg. 37

[http://gauchoaztecaloco.blogspot.com/2015/07/historia-musical-de-la-sonora-matancera.html Book: Historia Y Mitos De La Sonora Matancera Y Sus Estrellas] (History And The Myths And Stars Sonora Matancera), by Diego Eduardo Montero Puentes, Bogotá: Libro Historia Y Mitos De La Sonora Matancera Y Sus Extrellas: Preámbulo (blog site; posted July 28, 2015 by Diego Montero Puentes) (retrieved December 22, 2015)

[https://books.google.com/books?id=8p70-5FwdhAC&pg=PT131 Tropicana Nights: The Life and Times of the Legendary Cuban Nightclub], by Rosa Lowinger & Ofelia Fox, Harcourt (2005), pg. 131; {{oclc|57565235|864309159}}

[http://www.caimanbarbudo.cu/musica/2010/05/turismo-y-musica-popular-en-cuba/ "Turismo y música popular en Cuba,"] by Lázaro J. Blanco Encinosa, Sc.D., El Caimán Barbudo ("The cultural magazine of Cuban youth"), May 13, 2010; {{ISSN|0864-0513}}

[http://cvc.cervantes.es/lengua/anuario/anuario_08/pdf/espectaculos06.pdf "Los Conciertos Hispanos En Los Estados Unidos: Los Cubanos,"] by Marcos Miranda & Norma Miranda, Enciclopedia del español en los Estados Unidos (Encyclopedia of Spanish in the United States), Cervantes Institute Yearbook (2008), pg. 851 (of pps. 847–864); {{issn|1139-0816}}

"En La Bodeguita Del Medio, Almuerzo En Honor A Manolo Álvarez Mera" (Ana Gloria on the cover), Show, "La Revista De Los Espectáculos" ("The Journal of the shows"), February 1958

}}

• Article Manolo Alvarez-Mera. Available at {{url|www.soncubano.com}}. Accessed: August 19, 2011
• [http://merrick.library.miami.edu/cdm/ref/collection/cubanphotos/id/6359 Manolo Alvarez Mera's photo], courtesy University of Miami

• [https://www.youtube.com/watch?v=-29aBLR_NF8 "Genesis"] on youtube.com
• [https://www.youtube.com/watch?v=sb5KxljDcDE "La Viuda"] ("The Merry Widow") on youtube.com

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{{DEFAULTSORT:Alvarez Mera, Manolo}}

Category:1923 births

Category:1986 deaths

Category:Musicians from Havana

Category:20th-century Cuban male singers

Category:Cuban operatic tenors

Category:Cuban classical musicians

Category:Cuban male musical theatre actors

Category:Metro-Goldwyn-Mayer contract players

Category:Opera crossover singers

Category:RCA Victor artists

Category:Traditional pop music singers

Category:20th-century classical musicians

Category:Cuban exiles

Category:Cuban expatriates in the United States