Manuel Espinosa

{{Short description|Argentine artist}}

{{Multiple issues|

{{one source|date=June 2010}}

{{Lead too short|date=August 2022}}

}}

{{Infobox artist

| name = Manuel Espinosa

| image = Manuel espinosa perfil.jpg

| caption =

| birth_name =

| birth_place = Buenos Aires, Argentina

| birth_date = 1912

| death_date = 2006 (aged 94)

| field = Painting, drawing, sculpture

| education = Escuela Nacional de Artes, Escuela Superior de Bellas Artes

| movement = Arte Concreto-Invención

| works = Coleccion Privada

}}

{{For|the Cuban exile and pastor|Manuel Espinosa (Cuban exile)}}

Manuel Espinosa (Buenos Aires, 1912 - Buenos Aires, Argentina, 2006) was an Argentine painter.

Biography

Espinosa graduated from the Escuela Nacional de Artes and finished his studies in the Escuela Superior de Bellas Artes. He is one of the leaders of the geometric art in Argentina. He was a founding member of the asociación de Arte Concreto-Invención which was established in Buenos Aires in 1943.

Averaging{{clarify|date=May 2022}} the 2nd World War, the group proposed a rupture as an alternative. Said rupture was related to the search for a new visual language corresponding to the exigencies of a new technological, industrial society. The group sustained common goals: the art should be non-figurative art, the painting flat, and the illusions and appearances banished, moving away from traditional painting. They looked for the worth of the painting itself. In 1951 he traveled to Europe and met Vantongerloo in Paris and Vordemberge-Gildewarth in Amsterdam, who guided him in his pursuit.

Upon the dissolution of the group, Espinosa left the common goals but remained faithful to the spirit of non-figuration and produced a painting constructed from geometric elements, characterized by a rigorous system of order and by the perfection of their registers. Clarity, moderation, are attributes of his painting, which with minimal elements arranged serially produce subtle effects of color and space and a dynamic tension that creates an impression of depth. It employs transparencies, juxtapositions superpositions that generate an optical effect of unquestionable interest. He is one of the painters who most enjoys the game aroused by reason and sensitivity, a consequence of his special relationship with music and literature.

Exhibitions

He is a founding member of the group Arte Concreto-Invención. Since 1939 he carried out many individual and collective exhibits, among them:

Awards

  • Air France Award – First Saloon Air France of Painting, 1966.
  • First Prize – D Category and Special Mention - A & B categories – First Saloon Hisisa of Art Applied to the Textile Industry, 1967.
  • Acquisition Award – Saloon of Art Mar del Plata, 1967.
  • Mention Award Painting Section– LVI National Saloon of Plastic Arts, 1967
  • Medal –Automóvil Club Argentino Award, 1969.
  • Rotary Club Award, XVIII National Saloon of Córdoba, 1970.
  • Great Acquisition Award –Municipal Saloon of Plastic Arts "Manuel Belgrano", 1971.
  • Third Prize – LX National Saloon of Plastic Arts, 1971
  • Merit Diploma, Konex Award of Visual Arts – 1982.
  • Artistic Career – National Fund of Arts, 1993
  • Stamps of Artist – Stamps of Andreani Foundation y ArteBA Foundation, 2001.
  • Castagnino Award – Municipal Museum of Fine Arts Juan B. Castagnino, Rosario, 2001.

Bibliography

  • {{cite book

| last = Amaral

| first = A.

| author-link = Amaral A.

| title = "Abstract Constructivist Trends in Argentina, Brazil, Venezuela, and Colombia." en Latin American Artists of the Twentieth Century

| year = 1993

| publisher = Museum of Modern Art New York

| id =

}}

  • {{cite book

| last = Amaral

| first = A.

| author-link = Bayón, D.

| title = "Aventura plástica de hispanoamérica"

| year = 1999

| publisher = Fondo de Cultura Económica, Mexico

| id =

}}

  • {{cite book

| last = Amaral

| first = A.

| author-link = Brughetti, R.

| title = "Nueva Historia de la Pintura y la Escultura en la Argentina"

| year = 1991

| publisher = Ediciones de Arte Gaglianone, Bs. As.

| id =

}}

  • {{cite book

| last = Amaral

| first = A.

| author-link = Buccellato L.

| title = "Argentina 1910–1960 en Voces de ultramar - Arte en América Latina y Canarias: 1910–1960

| year = 1992

| publisher = Centro Atlántico de Arte Moderno, Madrid

| id =

}}

  • {{cite book

| last = Amaral

| first = A.

| author-link = Córdoba Iturburu, C.

| title = "La pintura argentina del siglo XX."

| year = 1958

| publisher = Ed. Atlántida, Bs. As.

| id =

}}

  • {{cite book

| last =

| first =

| author-link = MALBA Colección Constantini

| title = Geometrías - Abstracción geométrica latinoamericana en la Colección Cisneros, Bs. As.

| year = 2003

| publisher = MALBA Colección Constantini

| id =

}}

  • {{cite book

| last = Gesualdo

| first = V.

| author-link = Gesualdo, V.

| title = Enciclopedia del arte en América, Bs. As.

| year = 1969

| publisher = Bibliográfica Omeba

| id =

}}

  • {{cite book

| last = Giunta

| first = A.

| author-link = Giunta, A.

| title = "Crónicas de posguerra: Lucio Fontana en Bs. As.", en Lucio Fontana. Obras Maestras de la Colección Lucio Fontana de Milán

| year = 2000

| publisher = Fundación Proa, Bs. As.

| id =

}}

  • {{cite book

| last = Gradowczky, Perazzo

| first = M., N.

| author-link = Gradowczky M. y Perazzo N.

| title = Abstract art from Río de la Plata. Bs. As. and Montevideo 1933/55. N.Y.

| year = 2001

| publisher = The American Society

| id =

}}

  • {{cite book

| last = Lafleur

| first = H.

| author-link = Lafleur, H. et al.

| title = Las revistas literarias argentinas 1893–1960, Bs. As.

| year = 1962

| publisher = Ediciones Culturales Argentinas

| id =

}}

  • {{cite book

| last = López Anaya

| first = J.

| author-link = López Anaya, J.

| title = Historia del arte argentino, Bs. As.

| year = 1997

| publisher = Emecé Editores

| id =

}}

  • {{cite book

| last = López Anaya

| first = J.

| author-link = Maldonado, T.

| title = Vanguardia y racionalidad Artículos, ensayos y otros escritos: 1946–1974, Barcelona

| year = 1977

| publisher = Gustavo Gilli

| id =

}}

  • {{cite book

| last = Mele

| first = Juan N.

| author-link = Mele, Juan N.

| title = La vanguardia del cuarenta en la Argentina. Memorias de un artista concreto. Bs. As.

| year = 1999

| publisher = Ediciones Cinco

| id =

}}

  • {{cite book

| last = Mendez Mosquera, Perazzo

| first = C., N.

| author-link = Mendez Mosquera C. y Perazzo N

| title = en texto preliminar Escritos preulmianos. Bs. As.

| year = 1997

| publisher = Infinito

| id =

}}

  • {{cite book

| last = Nanni

| first = M.

| author-link = Nanni M.

| title = "Manuel Espinosa" en Arte argentina dalla independenza ad oggi. 1810–1987

| year = 1987

| publisher = Istituto Italo-Latino americano, Roma

| id =

}}

  • {{cite book

| last = Olivera

| first = E.

| author-link = Olivera, E.

| title = "Las Geometrías", en Jornadas de Introducción al Arte Argentino, Bs. As.

| year = 1986

| publisher = Citibank

}}

  • {{cite book

| last = Pacheco

| first = M.

| author-link = Pacheco M.

| title = Arte Abstracto Argentino, Gallería d´Arte Moderna e Contemporanea di Bergamo, Italia

| year = 2002–2003

| publisher = Fundación Proa, Bs. As.

}}

  • {{cite book

| last = Pellegrini

| first = A.

| author-link = Pellegrini, A.

| title = Nuevas tendencias en la pintura, Bs. As.

| year = 1966

| publisher = Muchnik Editores

}}

  • {{cite book

| last =

| first =

| title = Panorama de la pintura de la argentina contemporánea, Bs. As.

| year = 1967

| publisher = Ed. Paidós

}}

  • {{cite book

| last1 = Perazzo

| last2 = Ribera

| last3 = Wihtelow

| first1 = N.

| first2 = A.

| first3 = G.

| title = 100 años de pintura y escultura en la Argentina, 1878–1978, BS. AS.

| year = 1978

| publisher = Banco de la Ciudad de Bs. As.

}}

  • {{cite book

| last = Perazzo

| first = Nelly

| author-link = Perazzo nELLY

| title = El arte concreto en la Argentina, Bs. As.

| year = 1983

| publisher = Ediciones de Arte Gaglianone

| id =

}}

  • {{cite book

| last = Pérez Barreiro

| first = G

| author-link = Pérez Barreiro G.

| title = "La negación de toda melancolía. Arte Concreto-Invención Arte Madi".

| year = 1994

| publisher = Elliot, D (ed.) Art from Argentina 1920/1994. Oxford, Museum of Modern Art, 1994

| id =

}}

  • {{cite book

| last = Siracusano

| first = G.

| author-link = Siracusano, G

| title = "Las artes plásticas en las décadas del ´40 y ´50", en Nueva Historia Argentina. Tomo II: Arte, Sociedad y Política

| year = 1999

| publisher = Editorial Sudamericana, Bs. As.

| id =

}}

  • {{cite book

| last = Withelow

| first = G.

| author-link = Withelow G.

| title = "Rumbos de la abstracción pictórica" en Historia critica del arte argentino

| year = 1995

| publisher = AACA-Telecom Arg. Bs. As.

| id =

}}

References

{{Reflist}}