Marcel Gromaire

{{Short description|French painter (1892–1971)}}

{{Use dmy dates|date=May 2024}}

File:Makowski Marcel Gromaire and his family.jpg, ca. 1925, National Museum in Warsaw]]

Marcel Gromaire ({{IPA|fr|maʁsɛl ɡʁɔmɛʁ}}; 24 July 1892 – 11 April 1971) was a French painter. He painted many works on social subjects and is often associated with Social Realism, but Gromaire can be said to have created an independent oeuvre distinct from groups and movements.

Early life

Marcel Gromaire, whose father was an educator in Paris, was born in Noyelles-sur-Sambre, France. He studied classically at Douai, then continued his studies in Paris, receiving his Baccalauréat in Law in 1909, a judiciary career path he quickly abandoned. He frequented studios in Montparnasse and attended classes at Académie de La Palette.[http://gallica.bnf.fr/ark:/12148/bpt6k5791383s/f1.image André de Ridder, Le Fauconnier], L’Art libre, No. 11, 15 August 1919, p. 120. Gallica, Bibliothèque nationale de France In 1912, he performed his military service in Lille. He was wounded in 1916 in the Battle of the Somme.artnet.com

Creative life

Gromaire returned to Paris. Working in a Paris studio, he painted the reality of his studio and its light and contents, using dark ochres and browns. He used his studio as a standard, a filter; it was more than just a place to paint.The Artist in His Studio, Viking Press, by Alexander Liberman

A meeting with a collector, Doctor Girardin, established his career as an artist when he purchased the entirety of the work of Gromaire. When Girardin died in 1953, the Museum of Modern Art in Paris received 78 oil paintings as well as a collection of watercolours.

Gromaire was recognized very early by galleries and museums. Already in 1931 Pierre Matisse exhibited Gromaire's work at the inauguration of his New York gallery. In 1933, a retrospective at the Kunsthalle de Baie established the importance of his body of works. In 1937, his work was exhibited by orders of the State at the Paris Exposition Internationale.

Gromaire painted a little over seven hundred canvases, an average of about ten per year.

He also taught, and his pupils included the painter and sculptor Jeanne Patterson Miles.{{cite book|author1=Jules Heller|author2=Nancy G. Heller|title=North American Women Artists of the Twentieth Century: A Biographical Dictionary|url=https://books.google.com/books?id=AYxmAgAAQBAJ&pg=PR11|date=19 December 2013|publisher=Routledge|isbn=978-1-135-63882-5}}

Later career

From 1939 to 1944, Gromaire resided at Aubusson, Creuse, and participated in the renewal of the tapestry movement with Jean Lurcat. He was named a professor at the École nationale supérieure des arts décoratifs from 1950 until 1962.

In 1950, he travelled to the United States as a member of the jury for the Carnegie Prize, which was awarded to Jacques Villon that year. A Carnegie prize (not first) was awarded to Gromaire himself in 1952.

In 1954, he was made commander of the Légion d'honneur and in 1958, the Grand Prix National des Arts.

From 1947 to 1956, he exhibited at the Galerie Louis Carré in Paris. In 1963, a retrospective was dedicated to Gromaire at the Musée national d'art moderne.

Gromaire died in Paris in 1971 after a long stay in hospital. In 1980, an exhibition was held at the Musée d'art moderne de la Ville de Paris from 12 June to 28 September.

References