Marianne Dashwood
{{Short description|Fictional character in Jane Austen's 1811 novel Sense and Sensibility}}
{{Multiple issues|
{{More citations needed|date=July 2014}}
{{Original research|date=July 2014}}
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{{Infobox character
| name = Marianne Dashwood
| series = Jane Austen
| image = Hammond-SS04.jpg
| full_name = Marianne Dashwood
| gender = Female
| family = Henry and Mrs. Dashwood
| spouse = Colonel Brandon
| relatives = Elinor Dashwood
Margaret Dashwood
John Dashwood (half-brother)
| home = Barton Cottage, after leaving Norland Park, the Dashwood family estate
}}
Marianne Dashwood (eventually Marianne Brandon) is a fictional character in Jane Austen's 1811 novel Sense and Sensibility. The 16-year-old second daughter of Mr. and Mrs. Henry Dashwood, she mostly embodies the "sensibility" of the title, as opposed to her elder sister Elinor's "sense".{{cite journal|url=http://www.jasna.org/persuasions/printed/number25/richards.pdf|first=Anne|last=Richards|title=The Passion of Marianne Dashwood: Christian Rhetoric in Sense and Sensibility|journal=Persuasions|issue=25|pages=141–154|access-date=March 18, 2013}}
Image:Sense and Sensibility Illustration Chap 12.jpg
She embraces spontaneity, excessive sensibility, love of nature, and romantic idealism: Marianne weeps dramatically when their family must depart from "dear, dear Norland", and later in the book, exclaims, "Oh! with what transporting sensations have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight." At which the cooler Elinor replies quietly, "It is not everyone who has your passion for dead leaves." And later when she hears Sir John Middleton's account of John Willoughby, her eyes sparkle, and she says, "That is what I like; that is what a young man ought to be. Whatever be his pursuits, his eagerness in them should know no moderation, and leave him no sense of fatigue."
When Marianne is helped by the dashing Willoughby, she falls deeply and sincerely in love with him, abhorring all of society's conventions, and ignoring her sister's rational warnings that her impulsive behaviour leaves her open to gossip and innuendo. His painful spurning of her, and the shocking discovery of his dissipated character, finally causes her to recognise her misjudgment of him. She acts exactly as she feels, thus making herself and everyone around her miserable when Willoughby leaves her. This is in contrast to her sister, who keeps the secret of Edward's prior engagement to another in quiet, thoughtful composure.
Marianne treats her acquaintances in general with inattention and sometimes, contempt, recoiling from vulgarity, even when it is accompanied by good nature (such as with Mrs. Jennings), treating her selfish half-brother and his snobbish wife with disgust, ignoring the grave Colonel Brandon because of his age and a former love, and making no attempt at civility to insipid Lady Middleton. The people she does love, however, she loves with warmth that leaps over all barriers—even barriers of propriety. Her sorrows, her joys, her antipathy and her love will have no moderation—no concealing. Marianne's form is "not so correct as her sister's", but "more striking", and her features are all good, her face is "lovely": her skin is very brown, but from its transparency, "her complexion was uncommonly brilliant", and in her eyes there is "a life, a spirit, an eagerness which could hardly be seen without delight".
Later in the novel, still grieving over having lost Willoughby, she ignores her health, falls dangerously ill with a putrid fever, and nearly dies as a result. But she does recover, and comes to see the error of her ways, hoping now to instead model her character on her elder sister. She eventually falls in love with Colonel Brandon and marries him.
Notable portrayals
- Cloris Leachman in 1950{{Cite book|url=https://books.google.com/books?id=HnaKh_EEShMC&q=cloris+leachman&pg=PA189|title=Jane Austen on Film and Television: A Critical Study of the Adaptations|last=Parrill|first=Sue|publisher=McFarland & Company|year=2002|isbn=978-0786413492|location=Jefferson, North Carolina|pages=189}}
- Ciaran Madden in the 1971 British television serial.{{Cite book|url=https://books.google.com/books?id=4gXfBAAAQBAJ&q=Ciaran%20Madden%20marriane%20dashwood&pg=PR4|title=Women Writers Dramatized: A Calendar of Performances from Narrative Works Published in English to 1900|last=Bolton|first=H. Phillip|publisher=Mansell|year=2000|isbn=978-0720121179|location=London|pages=21}}
- Tracey Childs in the 1981 British television serial.{{Cite book|title=Television, Sex and Society : Analyzing Contemporary Representations|last=Johnson|first=Beth|publisher=Continuum International Publishing Group|year=2012|isbn=9780826434982|location=New York|pages=137}}
- Kate Winslet in the 1995 popular film, with an Academy Award winning screenplay written by Emma Thompson, and directed by Ang Lee.{{Cite news|url=https://www.vox.com/culture/2017/7/15/15955872/movie-of-week-sense-sensibility-jane-austen|archive-url=https://web.archive.org/web/20190215183928/https://www.vox.com/culture/2017/7/15/15955872/movie-of-week-sense-sensibility-jane-austen|url-status=dead|archive-date=15 February 2019|title=200 years after Jane Austen died, the 1995 film Sense and Sensibility still sparkles|last=Wilkinson|first=Alissa|date=18 July 2017|work=Vox|access-date=15 February 2019}}
- Aishwarya Rai in the 2000 Tamil film Kandukondain Kandukondain{{Cite book|title=INDIAN FILMMAKERS AND THE NINETEENTH-CENTURY NOVEL:REWRITING THE ENGLISH CANON THROUGH FILM|last=McHodgkins|first=Angelique Melitta}}
- Charity Wakefield in the 2008 BBC television serial aired by PBS, directed by John Alexander.{{Cite news|url=https://www.telegraph.co.uk/culture/books/booknews/6183478/Jane-Austens-recent-adaptations.html|title=Jane Austen's recent adaptations|last=Irvine|first=Chris|date=14 September 2009|work=The Telegraph|access-date=15 February 2019|archive-url=https://web.archive.org/web/20190215183928/https://www.vox.com/culture/2017/7/15/15955872/movie-of-week-sense-sensibility-jane-austen|archive-date=15 February 2019}}
- Alexa Vega as "Mary Dominguez" in the 2011 modern adaptation From Prada to Nada.{{Cite news|url=https://www.nytimes.com/2011/01/29/movies/29prada.html|title=Jane Austen, Transmigrated To Modern-Day East L.A.|last=Mike|first=Hale|date=28 January 2011|work=The New York Times|access-date=15 February 2019|archive-url=https://web.archive.org/web/20190215221301/https://www.nytimes.com/2011/01/29/movies/29prada.html|archive-date=15 February 2019}}
{{Portal|Novels|Literature}}
- Olivia Hallinan in Helen Edmundson's adaptation for BBC Radio 4.{{Cite web|url=https://www.bbc.co.uk/programmes/b037s8mp|title = BBC Radio 4 - Jane Austen - Sense and Sensibility, Episode 1}}
- Kate Hamill in the 2016 stage adaptation, which she also wrote.{{Cite news|url=https://buffalonews.com/2019/01/19/anthony-chase-irish-classicals-sense-sensibility-is-jane-austen-through-a-kaleidoscope/|title=Anthony Chase: Irish Classical's 'Sense & Sensibility' is Jane Austen through a kaleidoscope|last=Chase|first=Anthony|date=19 January 2019|work=Buffalo News|access-date=15 February 2019}}
- Chandelly Braz in the 2018 Brazilian telenovela Orgulho e Paixão.{{Cite news|url=https://www.bbc.co.uk/news/world-latin-america-46039045|title=Pride and Passion: Jane Austen novels the Brazilian way|last=Sandy|first=Matt|date=1 November 2018|work=BBC News|access-date=15 February 2019}}
References
{{reflist}}
- Sense and Sensibility Penguin Classic
{{Sense and Sensibility}}
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{{DEFAULTSORT:Dashwood, Marianne}}
Category:Sense and Sensibility characters
Category:Literary characters introduced in 1811
Category:Female characters in literature
Category:Teenage characters in film
Category:Female characters in film