Marion Orth
{{short description|American screenwriter}}
{{Infobox person
| name = Marion Orth
| birth_name = Marion F. Smidl
| birth_date = December 5, 1900
| birth_place = Illinois, USA
| death_date = {{death date and age|1984|12|1|1900|12|5}}
| death_place = California, USA
| occupation = Screenwriter
| years_active = 1918–1944
| spouse = Edward Orth
}}
Marion Orth (December 5, 1900 – December 1, 1984) was an American screenwriter of the silent and sound eras of Hollywood. She was a frequent collaborator of director Lois Weber.
Biography
Orth began her career as a playwright and magazine writer, publishing in Breezy Stories as early as 1917.{{Cite web|url=https://www.newspapers.com/image/274826653/?terms=%22marion+orth%22|title=19 Jan 1930, 22 - The Morning Call at Newspapers.com|website=Newspapers.com|language=en|access-date=2018-12-30}}{{Cite web|url=http://www.philsp.com/homeville/fmi/s/s6038.htm#A153685|title=Stories, Listed by Author {{!}} Marion Orth|website=www.philsp.com|access-date=2019-05-16}} In 1920, she moved from Chicago to Los Angeles at the invitation of Lois Weber, who had purchased the film rights to two of Orth's stories, "The Price of a Good Time" (filmed in 1917) and "Borrowed Clothes" (filmed in 1918). Orth went on to write several films with and for Weber, including A Midnight Romance, To Please One Woman, Too Wise Wives, and The Blot.{{Cite book|url=https://books.google.com/books?id=rU7WBgAAQBAJ&dq=%22marion+orth%22&pg=PA176|title=Lois Weber in Early Hollywood|last=Stamp|first=Shelley|date=2015-05-02|publisher=Univ of California Press|isbn=9780520960084|language=en}}
In 1923, she signed a seven-picture contract at Universal as a scenarist; her efforts at the studio included work on The Price of Pleasure and Dorothy Arzner's The Wild Party.{{Cite book|url=https://books.google.com/books?id=9FggAQAAMAAJ&dq=%22marion+orth%22&pg=PA50|title=Scenario Bulletin Digest|date=June 1923|pages=14|language=en}}{{Cite web|url=https://www.newspapers.com/image/456316195/?terms=%22marion+orth%22|title=7 Mar 1925, 20 - The Ottawa Citizen at Newspapers.com|website=Newspapers.com|language=en|access-date=2018-12-30}} She also wrote a string of films for Fox. In 1934, she began writing for Monogram Pictures.
In 1938, she settled a lawsuit with Republic for releasing a 1937 film called Circus Girl based on her novel. Orth was awarded $10,000.{{Cite web|url=https://www.newspapers.com/image/485511179/?terms=%22marion+orth%22|title=26 May 1938, 1 - The Coos Bay Times at Newspapers.com|website=Newspapers.com|language=en|access-date=2018-12-30}}{{Cite web|url=https://www.newspapers.com/image/485511187/|title=26 May 1938, 2 - The Coos Bay Times at Newspapers.com|website=Newspapers.com|language=en|access-date=2018-12-30}}
Orth's apparently final film was released in 1944.{{Cite web|url=https://catalog.afi.com/Person/107008-Marion-Orth?sid=819b5057-14d3-417b-89cb-8566c2d2ae5f&sr=5.29479&cp=1&pos=0&isMiscCredit=false|title=AFI{{!}}Catalog: Marion Orth|website=catalog.afi.com|access-date=2019-05-16}}
Selected filmography
- Oh, What a Night (1944)
- Sing Another Chorus (1941)
- Dr. Christian Meets the Women (1940)
- Tomboy (1940)
- Son of the Navy (1940)
- Hidden Enemy (1940)
- Under the Big Top (1938)
- Romance of the Limberlost (1938)
- Saleslady (1938)
- A Bride for Henry (1937) (adaptation)
- Paradise Isle (1937)
- Welcome Home (1935)
- Sing Sing Nights (1934)
- A Successful Failure (1934)
- Charlie Chan's Greatest Case (1933)
- Man Trouble (1930) (adaptation)
- Crazy That Way (1930)
- By Whose Hand? (1927)
- The Woman Who Did Not Care (1927)
- The Love Thrill (1927) (adaptation)
- White Gold (1927) (adaptation)
- Gigolo (1926) (adaptation)
- The People vs. Nancy Preston (1925)
- Chickie (1925)
- Single Wives (1924)
- Dark Stairways (1924)
- The Lure of Jade (1921)
- The Blot (1921)
- Too Wise Wives (1921)
- To Please One Woman (1920)
- A Midnight Romance (1919) (story)
- The Price of a Good Time (1917) (story)
References
{{Reflist}}
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Category:20th-century American women writers
Category:American women screenwriters