Mark Grieve

{{Short description|American artist (born 1965)}}

{{Cleanup bare URLs|date=September 2022}}

{{Use mdy dates|date=June 2018}}

{{Infobox person

| name = Mark Grieve

| birth_date = {{birth-date and age|July 1965}}

| birth_place = Marin County, California, U.S.

| alma_mater = San Francisco Art Institute
College of Marin

| occupation = Artist, sculptor

}}

Mark Grieve (born July 1965) is an American contemporary artist. He practices in a variety of media including found objects and large metal sculpture as well as site-specific installations, performance, and public art.

Early life and education

A native of the San Francisco Bay Area, Grieve studied painting and drawing formally at the San Francisco Art Institute and College of Marin and apprenticed in Japanese ceramics.Young, Tobias, "From Art to Ashes," Press Democrat, August 15, 2005 Grieve's art was displayed at the Susan Cummins Gallery in Mill Valley, California, where it was collected by actor and comedian Robin Williams.Alba, Victoria, "Rising Suns," Pacific Sun, Upcoming North Bay talent issue, pp. 21, 23, Aug. 18–24

Career

= Sculpture and public art =

Since 2006, Grieve and artistic collaborator Ilana Spector have focused on the construction of highly site-specific public art sculptures using a variety of media.Wels, Susan, "San Francisco: Arts for the City Civic Art and Urban Change 1932–2012,” Heydey, p. 20 They have worked with museums, governmental agencies, universities, professional races and non-profit organizations, festivals, and companies.Berner, Megan "Pass the Bike; We heART Bikes" Reno News & Review, April 23, 2009Metcalfe, John, [https://www.citylab.com/design/2012/11/incredible-sculptures-made-bike-parts/3951/ "Incredible Sculptures Made From Bike Parts"] Atlantic CityLab, November 20, 2012http://www.active-life.com/mask-composition-with-bike-2012) In 2009, Grieve was the recipient of a Pollock-Krasner Foundation Grant.{{cite web|url=http://www.pkf-imagecollection.org/artist/Mark_Grieve/works/#!5976|title=Mark Grieve - Works - Pollock Krasner Image Collection|website=www.pkf-imagecollection.org}}{{cite web|url=http://www.artnet.com/magazineus/news/artnetnews/human-rights-and-human-wrongs9-24-09.asp|title=Artnet News: Coco Fusco's "Human Rights and Human Wrongs," Cocksucker Blues, more. - artnet Magazine|website=www.artnet.com}}

In August 2010, they erected "Cyclisk", a colorful sixty-five foot-high Egyptian-style obelisk made from unusable bicycles parts they had collected, disassembled, cleaned and welded to form an obelisk shape.Robinson, Bruce, “The Cyclisk,” North Bay Report, KRCB 91 FM, Oct. 2010 [https://archive.today/20131017095241/http://krcb.org/1365-the-cyclisk]{{cite news |first=Kevin |last=McCallum |url=https://www.pressdemocrat.com/news/2242118-181/hey-whats-it-all-mean?gallery=2358328 |title=Hey, what's it all mean? |newspaper=Santa Rosa Press Democrat |date=August 26, 2010 }} They collected unusable dump-bound bicycle parts from Trips for Kids/Recyclery in San Rafael, California, Bici Centro in Santa Barbara, California and Community Bikes in Santa Rosa, California. Funded by the City of Santa Rosa's Percent for Art initiative, "Cyclisk" is the largest public art project in the region and stands at the intersection of Santa Rosa Avenue and South A Street in Santa Rosa.Public Art Review, Issue 44 — Spirituality and Religion, spring / summer 2011, p. 81{{Cite magazine |last=Tweney |first=Dylan |title=California Artists Build Obelisk Out of Bicycles |language=en-US |magazine=Wired |url=https://www.wired.com/2010/09/bicycle-obelisk/ |access-date=2023-08-11 |issn=1059-1028}}Berman, Judy, “Bike Worship: Mark Grieve and Ilana Spector’s Cyclisk,” Flavorpill, September 8, 2010, http://flavorwire.com/116956/bike-worship-mark-grieve-and-ilana-spectors-cycliskPrimeau, Martin, “Re-bicyclage,” DébrouillArts, May 2011, p. 5Iosifidis, Kiriakos, “BIKE ART, Bicycles in Art Around the World,” Publikat, 2011, pp. 200–201, 253Copenhagenize’s Top Five Bicycle Monuments,” August 15, 2011Graziano, John, Ripley’s Believe It or Not!® Comic, December 5, 2010, http://comics.com/ripleys_believe_it_or_not/2010-12-05/#CMT_Comments {{Webarchive|url=https://web.archive.org/web/20110321015341/http://comics.com/ripleys_believe_it_or_not/2010-12-05/#CMT_Comments |date=March 21, 2011 }}Ma, Sandy, Kadokawa Media Taiwan, MY LOHAS (Life Styles Of Health and Sustainability), December 3, 2010

In 2011, Grieve and Spector installed Full Circles, a dynamic constellation of individually-distinct hand-polished steel hoops suspended twenty feet from the dome of the Visitacion Valley Library Branch in San Francisco, California, for the San Francisco Arts Commission.Wels, Susan, “San Francisco: Arts for the City Civic Art and Urban Change 1932–2012,” Heydey 2013, p. 20

= Performance art =

“THE PIG" was a dinner/happening in the middle of the Black Rock Desert hosted by Grieve and Spector that took place in July 2008.Keeler, Stuart, "Salon des Réfusés...," Americans for Arts Half-Century Summit, June 26, 2010, Baltimore, MD THE PIG was a collaborative artwork – a fourteen-foot sculpture of a fluorescent pink pig standing upon an elaborate art-deco base bestowed with fireworks – accompanied by a seven-course five-star meal for seventy-five people. Submitted before the 2008 financial crisis and 2008 United States elections, this "Salon des Réfusés" brought out each person's relationship to swine – from political (pork-pie politics) to celebratory. The blank Black Rock desert canvas provided a dynamic backdrop for a one-time art-happening barbecue-of-the-ridiculous, crescendoing with the burning of the pig sculpture. Residents of Gerlach, Nevada and guests were invited free of charge to the formal dinner. On a sixty-foot-long white linen traditionally-set table, nationally ranked BBQ chefs provided barbecue. During dessert, the sculpture of the large pink pig, base included, was burned, punctuated by a fireworks display, initiating a three-part performance piece that called attention to culinary, sculptural and performance art.

Act II was called "An Exercise in Democracy – for Under 500 Bucks," in which Grieve and Spector picketed outside the 2008 Burning Man event. In a year the festival's theme was "The American Dream," this performance piece / peaceful protest, brought attention to their grant process."Local Artists Strike Burning Man," Argus-Courier, The Buzz, p. C1, September 4, 2008 Armed with three 1930s-style picket signs reading "Art on Strike," “B.R.C. LLC HARD ON Art," and "Brush Your Teeth," outside the gate the artists handed out 2000 flyers stating their case for a transparent grant process and treating artists with dignity.The Buzz In an ironic twist, setting legal precedent, they founded a "Freedom of Speech Zone" directly outside the event.

In July 2009, Grieve and Spector returned to the blank Nevada desert with a team of seventy artist collaborators for Act III "Il Mazzolin di Fiori," the finale, a thirty-foot-high "bouquet" of sculptural burnable flowers accompanied by another seven-course meal, this time Italian-themed and mostly vegetarian, topped off with lighting the bouquet of burnable flowers aflame.

Other public art works

Member of several public arts registries, including Atlanta, Baltimore, San Francisco, Washington state, San Antonio, Oregon, Seattle, Oakland, Palm Springs and El Paso.

Footnotes