Mary Knight Benson

{{Short description|Native American basket maker from California}}

Mary Knight Benson (1877–1930) was a Pomo woman from California who excelled in basket making. Her work is highly collectible and renowned for fine craftsmanship. She and her husband, William Ralganal Benson (Eastern Pomo, 1862–1937), partnered in basket weaving, and their work is in public museum collections.

Personal life

Mary Knight Benson was born to Sarah Knight, a Central Pomo speaker and master basket weaver. The Pomo people are an Indigenous people of California whose homelands are in the coastal region of Northern California above San Francisco.{{sfn|Leibowitz|2004}} When she met William Benson, she was already a master basket weaver.{{sfn|Bibby|2012|p=108}}

William, a speaker of the Eastern Pomo language and also a master basket weaver, was skilled in many other aspects of Pomo culture.{{sfn|Luthin|2002|p=261}} The couple lived most of their lives on Pomo tribal territory near Ukiah, California, where William was an elder, band chief, and tribal historian.{{sfn|Leibowitz|2004}}{{sfn| KSTROM.net|2018}}

In 1852, the couple moved to Salt Lake Valley, Utah. Mary Benson's brother Charles and his family joined the family business in 1852 and traveled to Salt Lake Valley.{{sfn|Harney|1992}}

Basketry reputation and recognition

File:Mary Benson - Burden Basket Model - 1917.486 - Cleveland Museum of Art.tif

The Bensons supported themselves solely by crafting and selling their baskets to collectors and museums.{{sfn|Luthin|2002|p=262}}

Beginning with the Spanish mission period in California, the Pomo, like other tribes, suffered drastic declines in population, severe cultural destruction, and the loss of land.{{sfn|Harney|1992}}{{sfn|Bacich|2018}} They began working as laborers on farms and ranches that occupied their own lands.{{sfn|Harney|1992}} However, a market for their customary baskets opened in the 1880s and lasted until the 1930s,{{sfn|Abel-Vidor|Brovarney|Billy|1996|p=20}} an era known as the "Basket Craze".{{cite news |last1=Smith-Ferri |first1=Sherrie |title=The Development of the Commercial Market for Pomo Indian Baskets |url=https://www.penn.museum/sites/expedition/articles/volume40-issue1/ |access-date=27 March 2023 |work=Penn Museum}}

William and Mary Benson seized this commercial opportunity. Traditionally, Pomo men crafted larger, utilitarian baskets and did not engage in the meticulous work demanded by the market. Mary assisted William in adapting his skills to cater to the demand for finer craftsmanship, a role uncommon for men in Pomo society. She honed her skills to an exceptional level, focusing on perfection in her weaving technique, meticulous material selection, precise lines, intricate diagonals, and elaborate patterns.

They traveled widely and developed relationships with collectors and art dealers.{{sfn|Bibby|2012|p=66}} The couple demonstrated their weaving skills at the Louisiana Purchase Exposition in Saint Louis in 1904. They had their exhibit and jointly wove a basket that won the fair's highest award.{{sfn|Luthin|2002|p=262}}

Baskets made by Mary and William are held in collections of museums such as the Smithsonian Institution's National Museum of the American Indian and the Field Museum of Natural History.{{sfn|Leibowitz|2004}}{{sfn|Bibby|2012|p=107}} They are known as some of the finest ever woven.{{sfn|National Museum of the American Indian|2018}}

Footnotes

{{reflist|20em}}{{Portal|Women|Biography

}}

References

=Books=

{{cite book

| last1 = Abel-Vidor | first1 = Suzanne

| last2 = Brovarney | first2 = Dot

| last3 = Billy | first3 = Susan

| year = 1996

| title = Remember Your Relations: The Elsie Allen Baskets, Family, and Friends

| publisher = Heydey Books

| location = Berkeley

| isbn = 978-1-59714-169-7

}}

{{cite book

| last = Bibby

| first = Brian

| year = 2012

| title = Essential Art: Native Basketry from the California Indian Heritage Center

| publisher = Heydey Books

| location = Berkeley

| isbn = 978-0-930588-80-9

}}

{{cite book

| last = Luthin

| first = Herbert

| year = 2002

| title = Surviving Through The Days

| publisher = University of California Press

| location = Berkeley, Los Angeles, London

| isbn = 978-0520222700

}}

=Websites=

{{cite web

| url = https://americanindian.si.edu/exhibitions/infinityofnations/california-greatbasin/242118.html

| title = Infinity of Nations

| year = 2018

| publisher = National Museum of the American Indian

| access-date = 16 December 2018

| ref = {{harvid|National Museum of the American Indian|2018}}

}}

{{cite web

| last = Bacich

| first = Damien

| url = https://www.californiafrontier.net/mission-indians/#Coast_Miwok

| title = Indians of the California Missions: Territories, Affiliations and Descendants

| year = 2018

| website = Californiafrontier.net

| publisher = The California Frontier Project

| access-date = 13 December 2018

}}

{{cite web

| last = Harney

| first = Tom

| url = https://www.smithsonianmag.com/arts-culture/token-of-appreciation-180940700/

| title = Beauty of Pomo Indian Baskets Endures; Their Value Continues to Rise : Native culture: The weavers combined artistry with materials such as bird feathers and shells to create stunning works. The craft is still practiced.

| year = 1992

| website = Los Angeles Times

| access-date = 16 December 2018

}}