Massimo Troisi

Troisi was born into a large family in San Giorgio a Cremano, a town near Naples. His father Alfredo was a train engineer. Some of his family experiences were later told in his first films.{{Cite web |last=Lynn |first=Gaya |date=2014-06-04 |title=Celebrating the Life of Il Postino's Massimo Troisi: A Festival in His Memory |url=https://italoamericano.org/massimo-troisi/ |access-date=2025-04-13 |website=L'Italo-Americano – Italian American bilingual news source |language=en-US}} After secondary school, Troisi wrote some poems inspired by his favourite author, Pier Paolo Pasolini, winning a youth poetry prize in his name, while also imitating him in sketches.{{Cite web |date=2024-06-04 |title=Massimo Troisi: The Heart of Neapolitan Art and Cinema |url=https://www.ilmessaggero.it/en/massimo_troisi_the_heart_of_neapolitan_art_and_cinema-8159942.html |access-date=2025-04-13 |website=www.ilmessaggero.it |language=en}} In 1969 he started to play in a small local theatre together with some childhood friends (including Lello Arena and Enzo Decaro).

Trois's increasingly serious heart problems began in his teenage years, after he suffered from a bout of rheumatic fever. In 1976 he had to visit the United States for a heart valve operation, the expenses for which were paid with the help of his friends.

Troisi started his artistic career as a cabaret showman in 1972, as a member of the comic trio called "I Saraceni" ("The Saracens") and, later, "La Smorfia" (from the name of the "book of the numbers" traditionally used in Naples for lottery and tombola, but also meaning "the face", as in "to make a face"). His mates were De Caro and Arena. They gained national fame on the radio and increased it consistently from 1977 onwards eventually becoming TV stars with the shows Non Stop, La sberla (1978) and Luna Park (1979). Troisi soon gained the status of leader of the trio. He was noted for his use of facial mimicry and of apparently confused speech—in these he drew inspiration from such famous figures of Neapolitan comedy as Totò, and Eduardo and Peppino De Filippo.

Troisi wrote, directed, and starred in his first film, Ricomincio da tre ("I Start Over from Three") in 1981. He achieved wide success and critical praise, establishing himself as one of the most talented new Italian directors of the 1980s. Like his second film, Ricomincio da tre is centered on the troublesome love life of a Neapolitan character, partly inspired by Troisi's youth, as well as featuring Lello Arena. Scusate il ritardo, similar to the preceding one, was released in 1983, and had Giuliana De Sio as co-star.

Troisi starred opposite Roberto Benigni in Non ci resta che piangere (1984), in which they play two friends who are accidentally transported back in time to the 15th century; there they meet Leonardo da Vinci and, upon realising which age they are in, travel to Spain to try to stop Christopher Columbus from discovering the Americas.

After some small acting roles, in 1987 Troisi directed Le vie del Signore sono finite, set during the Fascist era. The film won a Silver Ribbon for best screenplay. In the following years, he starred alongside Marcello Mastroianni, in Ettore Scola's Splendor (1989), Che ora è? (1989, who earned him and Mastroianni the Volpi Cup for Best Actor) and Il viaggio di Capitan Fracassa (1990). His last film as director (also as screenwriter and actor) was Pensavo fosse amore, invece era un calesse (1991), again centering on the everyday difficulties of love between a man and a woman (portrayed by Francesca Neri).

Troisi came to international fame through the success of Il Postino: The Postman, directed by Michael Radford. While working with an increasingly weakened heart from his teenage bout with rheumatic fever, Troisi died in 1994 of a heart attack in his sister's house at Infernetto, Rome, 12 hours after the camera stopped working and main filming on Il Postino had finished. It was reported that he postponed surgery to complete the film.{{cite news|last=Laurino|first=Maria|title=FILM; A Postman, a Poet, an Actor's Farewell|url=https://select.nytimes.com/gst/abstract.html?res=F6061FFE3D590C728DDDAF0894DD494D81|access-date=21 March 2011|newspaper=The New York Times|date=11 June 1995}}

Troisi was just 41.

Years before he had scheduled a heart transplant but did not proceed with it, telling Radford: "You know, I don’t really want this new heart. You know why. Because the heart is the centre of emotion, and an actor is a man of emotion. Who knows what kind of an actor I’m going to be with someone else’s heart inside of me."

Troisi was posthumously nominated for Academy Awards for Best Actor and Best Writing for Il Postino, and was the sixth person to be posthumously nominated for an acting Academy Award. Earlier posthumous nominations were Jeanne Eagels, James Dean (twice), Spencer Tracy, Peter Finch (won) and Ralph Richardson. In 1996 he was also nominated for a BAFTA in the Best Actor in a Leading Role category. The film won Best Direction and Best Original Music categories

Pino Daniele worked on the soundtracks of most of his films. Eduardo De Filippo, the most prominent Italian dramatist of the 20th century with Luigi Pirandello, said he was "a comedian of the future, rooted in the past".

• Ricomincio da tre (1981)
• Morto Troisi, viva Troisi! (1982, TV special)
• Scusate il ritardo (1983)
• Non ci resta che piangere (1984, with Roberto Benigni)
• Le vie del Signore sono finite (1987)
• Pensavo fosse amore, invece era un calesse (1991)

• Ricomincio da tre (1981)
• Morto Troisi, viva Troisi! (1982)
• No grazie, il caffè mi rende nervoso (1982)
• Scusate il ritardo (1983)
• Non ci resta che piangere (1984)
• Le vie del Signore sono finite (1987)
• Pensavo fosse amore, invece era un calesse (1991)
• Il Postino: The Postman (1994)

• Ricomincio da tre (1981) – Gaetano
• Morto Troisi, viva Troisi! (1982, TV Movie) – La salma / Il tecnico delle luci / Himself
• No grazie, il caffè mi rende nervoso (1982) – Troisi
• Scusate il ritardo (1983) – Vincenzo
• "FF.SS." – Cioè: "...che mi hai portato a fare sopra a Posillipo se non mi vuoi più bene?" (1983)
• Non ci resta che piangere (1984) – Mario
• Hotel Colonial (1986) – Werner
• Le vie del Signore sono finite (1987) – Camillo
• Splendor (1989) – Luigi
• Che ora è? (1989) – Michele, the son
• Il viaggio di Capitan Fracassa (1990) – Pulcinella
• Pensavo fosse amore, invece era un calesse (1991) – Tommaso
• Il Postino: The Postman (1994) – Mario Ruoppolo (final film role)

In 2023, a documentary film on Troisi, titled as Massimo Troisi: Somebody Down There Likes Me was made directed by Mario Martone. The film had its premiere at 73rd Berlin International Film Festival on 17 February 2023.{{Cite web|url=https://cineuropa.org/en/newsdetail/436857/ |title= The Berlinale adds eight new titles to its Berlinale Special strand, announces full Berlinale Shorts line-up |first= Davide |last= Abbatescianni |date=16 January 2023|access-date=17 February 2023 |website= Cineuropa |language=en}}{{cite web|url=https://www.berlinale.de/en/2023/programme/202315071.html|title=Massimo Troisi: Somebody Down There Likes Me|website=Berlin International Film Festival|access-date=17 February 2023}}

{{reflist}}

• {{IMDb name|id=0873385|name=Massimo Troisi}}
• [https://web.archive.org/web/20021128080142/http://noncirestachericordarti.too.it/ A website for those who hold Massimo in their hearts]

{{David di Donatello Best Actor}}

{{Nastro d'Argento Best New Director}}

{{Volpi Cup for Best Actor}}

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Category:1953 births

Category:1994 deaths

Category:Italian male film actors

Category:Italian male comedians

Category:Italian cabaret performers

Category:Italian film directors

Category:20th-century Italian screenwriters

Category:Italian male screenwriters

Category:People from San Giorgio a Cremano

Category:Male actors from Campania

Category:David di Donatello winners

Category:Nastro d'Argento winners

Category:Volpi Cup for Best Actor winners

Category:20th-century Italian male actors

Category:20th-century Italian comedians

Category:20th-century Italian male writers