Mathilde Fröhlich
{{Short description|Austrian soprano (1867–1934)}}
Mathilde Fröhlich (19 July 1867 – 8 November 1934) was an Austrian operatic soprano.
Life
Born in Vienna, the daughter of the Viennese teacher Carl Fröhlich and his wife AntonieAccording to the Dresdner Adressbuch for 1891, Fröhlich lived with her mother Antonie Fröhlich, "Lehrers Ehefrau" in Wettinerstraße 5, [http://digital.slub-dresden.de/werkansicht/dlf/75808/100/0/ Digitalisat SLUB Dresden] received her first music education from her father. She studied from September 1879 with interruptions until 1888/89 at the University of Music and Performing Arts Vienna. Among her teachers was the voice teacher Selma Nicklass-Kempner (1850-1928) and {{Ill|Leo Friedrich|de}} (1842–1908) for the dramatic representation .
= Court opera singer in Dresden =
On 1 March 1890, the graduate of the Vienna Conservatory auditioned for rehearsals at the Semperoper: Orfeo's aria by Gluck "Ach ich habe sie verloren" and the blessing aria from Le prophète by Giacomo Meyerbeer.Roeder, Ernst: Das Dresdner Hoftheater der Gegenwart. Biographical and critical sketches of the members. E. Person's Verlag, Dresden/Leipzig, 1896, {{pp.|49|52}}. She made her debut on 13 March 1890 as the "Fairy Morgana" in Goldmark's Opera Merlin.[https://books.google.com/books?id=dsfq_5dFeL0C&q=Mathilde+Fr%C3%B6hlich Fröhlich, Mathilde] in Großes Sängerlexikon ({{p.|1580}})
On 20 March 1901, Fröhlich appeared at the Dresden Court Opera from the cycle Homeric World under the direction of Ernst von Schuch.Kutsch, Karl-Josef/ Riemens Leo: Großes Sängerlexikon, volume 4, key word: Nausikaa von August Bungert, {{p.|5282}} {{ISBN|3-598-11598-9}} The Dresden music critic Ernst Roeder praised her artistic qualities and also her stage appearance, especially her "advantageous appearance" and "tall, slim figure".Roeder, Ernst: Das Dresdner Hoftheater der Gegenwart. Biographisch-kritische Skizzen der Mitglieder. E. Person’s Verlag, Dresden/Leipzig, 1896, {{pp.|49|52}}
Fröhlich was a member of the Guild of the German Stage.Neuer Theater-Almanach, Band 1902, {{p.|625}}, Spalte 1, Member number 9215; [https://archive.org/details/deutschesbhnen1902genouoft/page/624 Numerized][http://www.deutschefotothek.de/documents/obj/90029658/df_dat_0011443 Illustration of Mathilde Fröhlich with her signature in the collection of portraits of vocal soloists at the Dresden Court Opera]
= Guest performance in London =
The Hamburg opera director Bernhard Pollini became aware of the artist and arranged for her to make a guest appearance in London in 1892, for which she was granted the necessary leave of absence from the Dresden opera. At the London Covent Garden Opera, Fröhlich sang in Wagner's Ring of the Nibelung under the direction of Gustav Mahler the Rhinemaidens, Erda and a Valkyrie. She also appeared in a Wagner concert in London's St James's Hall.[http://sammlungen.ub.uni-frankfurt.de/5478797 Mathilde Fröhlich as "Athene", Rollenbild in August Bungerts Musikdrama "Kirke"]
After returning from England to the Dresden Opera, Fröhlich sang Erda and a part in Rubinstein's Kinder der Heide as well as Puk in Oberon and other opera figures such as Maddalena in Rigoletto and Lucia in Cavalleria rusticana. As a singer, she took part in church concerts, for example in Chemnitz with the aria: Se i mici Sospiri, which was attributed to Alessandro Stradella, and with the song Sei stille dem Herrn from Mendelssohn's Elija.Roeder, Ernst: Das Dresdner Hoftheater der Gegenwart. Biographisch-kritische Skizzen der Mitglieder. E. Person's Verlag, Dresden/Leipzig, 1896, {{pp.|49|5}} 51[https://web.operissimo.com/triboni/exec?method=com.operissimo.artist.webDisplay&id=ffcyoieagxaaaaabaqbf&xsl=webDisplay&searchStr=Froehlich Fröhlich, Mathilde on Operissimo]
= Leaving the Dresden Opera =
After her marriage in 1901, Fröhlich took the name of her husband, the later Viennese district inspectorAddressbook Vienna for 1930 Volume 1, Part I, p. 748 Column 2 Otto Kolbe,Neuer Theater-Almanach, Volume 1902, p. 653, Column 1 and ended her professional career as an opera singer in Dresden. She lived with her husband Otto Kolbe († 1932), a daughter and her parents, Antonie and Carl/Karl Fröhlich († 1904), again in Vienna last as a widowAdressbuch Wien für 1933, Teil I S. 791, Spalte 4; [https://www.digital.wienbibliothek.at/periodical/pageview/207773 Numerized Wien-Bibliothek] and pensioner in the Cumberlandstraße.Adolph Lehmann's Allgemeiner Wohnungs-Anzeiger, 1934 Teil I Namensverzeichnis; [https://www.digital.wienbibliothek.at/periodical/pageview/211139 Wien-Bibliothek digital]
Frölich died in Vienna at the age of 77 and was buried in the Central Cemetery on 12 November 1934.
The Austrian clarinettist, composer and university teacher Alfred Prinz (1930-2014) was her grandson.
Further reading
- Roeder, Ernst: Das Dresdner Hoftheater der Gegenwart. Biographisch-kritische Skizzen der Mitglieder. E. Person's Verlag, Dresden/Leipzig, 1896, {{pp.|49|52}}
- Eisenberg, Ludwig: Großes Biographisches Lexikon der Deutschen Bühne im XIX. Jahrhundert. Paul List publishing house, Leipzig 1903, pp. 293f., Stichwort: "Fröhlich, Mathilde"
- Barbara Boisits/Monika Kornberger: Fröhlich (verh. Kolbe), Mathilde. In: Oesterreichisches Musiklexikon. Online-Ausgabe, Vienna 2002 ff., {{ISBN|3-7001-3077-5}}; Druckausgabe: Volume 1, Verlag der Österreichischen Akademie der Wissenschaften, Vienna 2002, {{ISBN|3-7001-3043-0}}.
References
{{Reflist}}
External links
- {{DNB portal|1038871166}}
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Category:Austrian operatic sopranos