Matvey Levenstein

{{Infobox artist

| name = Matvey Levenstein

| birth_date = 1960

| nationality = Russian-American

| education = Yale School of Art

| known_for = Painting

| birth_place = Moscow, U.S.S.R.

| image = Levenstein-Matvey Sunflowers-2021.jpg

}}

Matvey Levenstein (born 1960) is a Russian-American painter best known for his oil on copper, wood, and linen; and sumi ink on paper depictions of landscapes and interior/still lifes that explore themes of history and representation.{{Cite web |title=Levenstein's long exposures by Robert Becker |url=https://newcriterion.com/blogs/dispatch/levensteins-long-exposures |access-date=2023-01-08 |website=The New Criterion |language=en}} Invoking the intersection at which avant-garde cinema meets the tradition of European painting, Levenstein's work explores and embodies the object-image relationship.{{Cite book |url=https://www.worldcat.org/oclc/1014181259 |title=Tell me something good : artist interviews from the Brooklyn rail |date=2017 |editor1-first=Jarrett |editor1-last=Earnest |editor2-first=Lucas |editor2-last=Zwirner |isbn=978-1-941701-37-9 |location=New York, New York |oclc=1014181259}}

Life and education

Levenstein was born in 1960 in Moscow, U.S.S.R. He attended the Moscow Architectural Institute before immigrating to the United States from the Soviet Union as a political refugee as part of Jewish immigration in 1980. He has a B.F.A. from the Art Institute of Chicago, and received his M.F.A. from the Yale School of Art.{{Cite web |title=MATVEY LEVENSTEIN |url=https://www.kasmingallery.com/artist/matvey-levenstein |access-date=2023-01-08 |website=www.kasmingallery.com}}

He lives and works in New York City.

Career

Levenstein is represented by Kasmin Gallery (New York){{Cite web |title=Kasmin - Artists |url=https://www.kasmingallery.com/artists |access-date=2023-01-08 |website=www.kasmingallery.com}} and Galleria Lorcan O'Neill (Rome, Italy).{{Cite web |title=GALLERIA LORCAN O'NEILL ROMA |url=http://www.lorcanoneill.com/site/elencoArtisti.php |access-date=2023-01-08 |website=www.lorcanoneill.com}} His work was presented in solo exhibitions at Kasmin in 2019{{Cite web |title=MATVEY LEVENSTEIN |url=https://www.kasmingallery.com/exhibition/matvey-levenstein |access-date=2023-01-08 |website=www.kasmingallery.com}} and 2021, {{Cite web |title=Kasmin - Viewroom |url=https://www.kasmingallery.com/exhibition/matvey-levenstein-2021/ovr |access-date=2023-01-08 |website=www.kasmingallery.com}} and at Galleria Lorcan O'Neill {{Cite web |title=GALLERIA LORCAN O'NEILL ROMA |url=http://www.lorcanoneill.com/site/elencoEsibizioniArtista.php?idArtista=8 |access-date=2023-01-08 |website=www.lorcanoneill.com}} in 2007, 2012, 2017 and 2023. He has also had several solo exhibitions at Larissa Goldston Gallery (New York), and the Jack Tilton Gallery (New York).{{Cite web |title=Announcing Representation of Matvey Levenstein |url=https://www.kasmingallery.com/news/announcing-representation-of-matvey-levenstein |access-date=2023-01-08 |website=www.kasmingallery.com}}

Levenstein has been the recipient of several awards and honors including the 2022 Louis Comfort Tiffany Foundation Biennial Award,{{Cite web |title=Matvey Levenstein |url=https://www.louiscomforttiffanyfoundation.org/2022/project-four-yjynj-9gtlx-lhjj6-nfrzt-28553-b8g2d-e9pcp-ecnxb-ac3c6-xgnx4 |access-date=2023-01-27 |website=The Louis Comfort Tiffany Foundation |language=en-US}} the American Academy in Rome, Rome Prize;{{Cite web |last=Rome |first=American Academy in |title=All Fellows |url=https://www.aarome.org/society-of-fellows/directory |access-date=2023-01-08 |website=American Academy in Rome |language=en}} the Penny McCall Foundation Award,{{Cite web |title=artnet.com Magazine News |url=http://www.artnet.com/magazine/news/artnetnews2/artnetnews1-9-03.asp |access-date=2023-01-08 |website=www.artnet.com}} the Marie Walsh Sharpe Foundation Studio Grant,{{Cite web |title=1991-2013 |url=https://www.thestudioprogram.com/1991-2013 |access-date=2023-01-08 |website=Sharpe-Walentas Studio Program |language=en-US}} the Jewish Foundation's Katherine J. Horwich Grant, and the Anna Louise Raymond Traveling Fellowship from the School of the Art Institute of Chicago.

His work is included in the collections of the Modern Art Museum of Fort Worth,{{Cite web |title=Interior – Works – eMuseum |url=https://collection.themodern.org/objects/746/interior;jsessionid=2A108EF8B7E604D492FE4A10F144D612 |access-date=2023-01-08 |website=collection.themodern.org |language=en}} Denver Art Museum, and The Progressive Art Collection.{{Cite web |title=Experience The Progressive Art Collection |url=https://www.progressive.com/about/art/ |access-date=2023-01-08 |website=www.progressive.com |language=en}} Recent publications featuring Levenstein's paintings are Landscape Painting Now: From Pop Abstraction to New Romanticism (2019){{Cite book |last=Schwabsky |first=Barry |url=https://www.worldcat.org/oclc/1057782532 |title=Landscape painting now : from pop abstraction to new romanticism |date=2019 |others=Todd Bradway, Robert R. Shane, Louise Sørensen, Susan A. Van Scoy |isbn=978-1-942884-26-2 |location=New York, NY |oclc=1057782532}} and (Nothing but) Flowers (2021),{{Cite book |last=Als |first=Hilton |url=https://www.worldcat.org/oclc/1232148159 |title=(Nothing but) flowers |date=2021 |others=Helen Molesworth, David Rimanelli, Karma |isbn=978-1-949172-51-5 |location=New York, NY |oclc=1232148159}} among others.

Work

The subjects of Levenstein's paintings are the subjects of autonomy. Atmospheric landscapes that suggest the possibility of the sublime, and domestic interiors with implied privacy and personhood, portray the conditions under which an object of autonomous painting might be possible. Invoking the intersection at which avant-garde cinema meets the tradition of European painting, Levenstein's work explores and embodies the object-image relationship.

Reviewing his 2019 solo exhibition at Kasmin Gallery, Peter Schjeldahl wrote in The New Yorker, "Can loveliness shock? Yes, as witness the fantastically skilled and sensitive neo- or para- or faux-Romantic (you decide) work of Matvey Levenstein ... Caspar David Friedrich comes to mind as an ancestral spirit, but the work recalls no specific precedent. Its tenor is coolly confident, assuming a viewer's empathy. That jolts. You would expect a wink or a nudge, or a smack of naïveté or perversity in so atavistic a style. But no soap. Levenstein's temerity fascinates."{{Cite magazine |title=Matvey Levenstein |url=https://www.newyorker.com/goings-on-about-town/art/matvey-levenstein-5 |access-date=2023-01-08 |magazine=The New Yorker |language=en}}

File:Levenstein-Matvey Mirror-2021.jpg

Robert Becker, writing for The New Criterion, remarked "There's an all-over radiance coming from somewhere beneath the surfaces of Levenstein's paintings, dispersing light evenly like a fine mist on a still morning. It's an artist's trick and heaven knows how he mastered it."

File:Levenstein-Matvey Winter-2015.jpg

Levenstein acknowledges that since the early 90s he has painted from photographs.{{Cite web |last=Yablonsky |first=Linda |date=2006-04-01 |title=Slides and Prejudice |url=https://www.artnews.com/art-news/news/slides-and-prejudice-139/ |access-date=2023-01-08 |website=ARTnews.com |language=en-US}} In 1995 he presented a group of work at Jack Tilton Gallery of paintings and drawings based on black and white photographs of his family, Russian Jews, and bourgeois interiors. He would go on to use his own photography as the basis for his work, focusing on imagery that he described as "less nameable situations."{{Cite journal |last=Somerstein |first=Rachel |date=2007 |title=Not-So-Still Lifes |journal=Art News |volume=106 |issue=6 |pages=98–100}} Levenstein has explained his cinematic approach to painting and his use of photography, saying "I realized I was not interested in the photograph as much as the projected image, the way a movie is projected onto the screen. That is something that I wanted my painting to physically function much closer to, rather than it resembling a photograph, even though I was using photographs and engaging in the dialogue with an object of a photograph. Later, they became almost like scenes from a movie."{{Cite web |title=The Possibility of the Sublime: Matvey Levenstein & Jarrett Earnest |url=https://review.kasmingallery.com/in-conversation/matvey-levenstein-in-conversation-with-jarrett-earnest/ |access-date=2023-01-08 |website=The Kasmin Review |language=en-US}}

Thyrza Nihols Goodeve, responding to Levenstein's series of Church interiors, described Levenstein as "a painter of exquisite quiet where interiority seems to emanate from every brushstroke, Matvey Levenstein presents the interiors of religious buildings–here the church, the temple, and the cathedral–with a sense of temporality and sentiment far removed from the frantic pastiche of the cut and paste frenzy of the Internet age. In fact these spaces come from "no time" for time is not their métier, paint is ... Neither authentic nor kitsch but rooted in the fundamentals of painting "by moving backward you in fact can step ahead." ... Levenstein wields painterly sentiment into a kind of Brechtean alienation effect."{{Cite web |title=Church; Temple; Cathedral – Come Together: Surviving Sandy |url=https://cometogethersandy.com/matvey-levenstein/ |access-date=2023-01-08 |website=cometogethersandy.com}}

Teaching positions

Levenstein was a Visiting Artist at The Cooper Union School for the Advancement of Science and Art,{{Cite web |title=Spring 2018 Hoffberger Visiting Artists |url=https://www.mica.edu/graduate-programs/leroy-e-hoffberger-school-of-painting-mfa/spring-2018-hoffberger-visiting-artists/ |access-date=2023-01-08 |website=MICA |language=en}} Tyler School of Art, and New York University. He was a Visiting Critic at the School of the Arts, Columbia University and Yale School of Art.

Levenstein has held teaching positions at the School of the Arts, Columbia University; Pratt Institute; The Cooper Union School for the Advancement of Science and Art; Yale School of Art; Rhode Island School of Design; Tyler School of Art; Yale Norfolk Summer School of Art; Princeton University; and New York University.

Levenstein currently teaches at the School of Visual Art, New York, NY.{{Cite web |title=Matvey Levenstein - BFA Fine Arts - School of Visual Arts, SVA NYC |url=https://bfafinearts.sva.edu/people/matvey-levenstein/ |access-date=2023-01-08 |website=BFA Fine Arts |language=en-US}}