Max Pinckers
{{Short description|Belgian photographer (born 1988)}}
Max Pinckers (born 1988) is a Belgian photographer based in Brussels.
He has self-published the books The Fourth Wall (2012); Will They Sing Like Raindrops or Leave Me Thirsty (2014), which won a Photographic Museum of Humanity grant); and Red Ink (2018), which won the Leica Oskar Barnack Award. Pinckers has also won the Edward Steichen Award Laureate.
Life and work
Pinckers was born in 1988 in Brussels, Belgium. He gained a BA (2008–2010) and a MFA (2010–2012) in photography at the Royal Academy of Fine Arts (KASK) in Ghent, Belgium.{{cite web | url = http://aperture.org/portfolio-prize/2014-winners/runner-max-pinckers/ | date = 30 September 2015 | access-date = 17 April 2016 | first = Paula | last = Kupfer | publisher = Aperture Foundation | title = 2014 Winners - Runner-up: Max Pinckers |archive-url=https://web.archive.org/web/20140614234158/https://aperture.org/portfolio-prize/2014-winners/runner-max-pinckers/ |archive-date=14 June 2014}} From 2015 to 2017 he was a nominee member of Magnum Photos{{cite journal | year = 2015 | title = Magnum announces latest nominees | periodical = British Journal of Photography | volume = 162 | issue = 7839 | page = 7 | publisher = Apptitude Media}}{{cite web | url = https://time.com/3939164/magnum-photos-adds-record-breaking-number-of-new-members/ | date = 28 June 2015 | access-date = 15 April 2016 | first = Olivier | last = Laurent | publisher = Time | title = Magnum Photos Adds Record-Breaking Number of New Members}} before leaving the agency.{{cite news|accessdate=2018-07-20|title=Annual General Meeting (AGM) - Magnum Photos|url=https://www.magnumphotos.com/theme/agm/|newspaper=Magnum Photos}}
His work often takes the position of challenging preconceptions of documentation and is intended to instill skepticism in the viewer. In an interview about his collaborative artwork Trophy Camera, he said, "We all are still made to feel that we are in control somehow of the image-making process, but this is something that's very much diminishing."{{Cite book |last=Matthews |first=Katherine Oktober |title=Unique: Making Photographs in the Age of Ubiquity |publisher=House of Oktober |year=2018 |isbn=978-94-93075-01-6 |location=Amsterdam, NL |pages=65}}
Sean O'Hagan, writing in The Guardian, has described the format of Pinckers' second book, Will They Sing Like Raindrops or Leave Me Thirsty (2014) as "sitting between conceptual and documentary, while upending expectations of each" as it "mixes documentary photography with staged scenes reminiscent of Bollywood movies."{{cite news | url = https://www.theguardian.com/artanddesign/2014/oct/24/bollywood-runaway-couples-love-commandos-max-pinckers-photobook | date = 24 October 2014 | access-date = 17 April 2016 | first = Sean | last = O'Hagan | authorlink = Sean O'Hagan (journalist) | work = The Guardian | location = London | title = India's Love Commandos – and the runaway couples they protect}} O'Hagan summarised the book's subject matter as "central to this rich visual narrative is a series of photographs of a four-man activist organisation called the Love Commandos. Based in Delhi, they operate on a shoestring from their small, cluttered office, manning a telephone helpline and website to provide advice and support – including safe rooms and shelters across India – for runaway couples who have fallen in love across the boundaries of caste or religion. The commandos have even sent out teams to rescue young people at risk of violence."
Publications
=Publications by Pinckers=
- The Fourth Wall. Self-published, 2012. {{ISBN|978-9-0819-7150-8}}. Edition of 1000 copies.
- Will They Sing Like Raindrops or Leave Me Thirsty. Self-published, 2014. {{ISBN|9789081971515}}. With a text by Hans Theys, "Photographs as Poems". Edition of 1000 copies. Commissioned by Europalia International Arts Festival for the Indomania exhibition at Bozar - Centre of Fine Arts, Brussels, 2013.
- Margins Of Excess. Self-published, 2018. Edition of 1500 copies.
- Red Ink. Self-published, 2018. Edition of 850 copies.
=Publications paired with others=
- Controversy. Brussels: Lyre Press, 2017. With Sam Weerdmeester. {{ISBN| 9789082465532}}. With texts by Lars Kwakkenbos, J.M. Susperregui and Hans Durrer.
- Lotus. By Pinckers and Quinten De Bruyn.{{cite web|access-date=2022-01-25|title=Book: Lotus by Max Pinckers and Quinten De Bruyn - 1854 Photography|url=https://www.1854.photography/2017/07/lotus-pinckers/|website=www.1854.photography}}
- Self-published, 2011. With text by Hans Theys, "Our Ladies of the Flowers". Edition of 40 copies.
- Brussels: Lyre Press, 2016. {{ISBN|9789082465518}}. Edition of 3000 copies. With text by Hans Theys, "Our Ladies of the Flowers" (revised for the 2016 edition).
- Mamihlapinatapai. Self-published, 2012. By Pinckers and Michiel Burger. With a text by Laura van Grinsven, "Exchanging Gazes". Edition of 1200 copies. Produced on the occasion of the exhibition Mamihlapinatapai: A look shared by two people, each wishing that the other will initiate something that both desire but which neither one wants to start, Flemish Arts Centre De Brakke Grond, The Netherlands, October 2012.
- Floating Worlds. Brussels: Lyre Press; Bolzano, Italy: Rorhof, 2016. With Daisuke Yokota. {{ISBN|9788890981791}}. With a text by Colin Pantall. A catalogue of an exhibition curated by Nicolò Degiorgis at Foto-Forum Gallery, Bolzano, Italy, May 2016. The book includes Yokota's "Linger" and Pinckers' "Two Kinds of Memory and Memory Itself."{{cite web |url=http://www.rorhof.com/books/max-pinckers--daisuke-yokota---foto-forum/ |title=Max Pinckers & Daisuke Yokota - Foto Forum : RORHOF |website=www.rorhof.com |url-status=dead |archive-url=https://web.archive.org/web/20160924011248/http://www.rorhof.com/books/max-pinckers--daisuke-yokota---foto-forum/ |archive-date=2016-09-24}}
=Publications with contributions by Pinckers=
- The World Atlas of Street Photography. New Haven and London: Yale University Press, 2014. {{ISBN|978-0-300-20716-3}}. Edited by Jackie Higgins. With a foreword by Max Kozloff.
Selected exhibitions with others or during festivals
- The Struggle for Freedom in: ________, Lagos Photo Festival 2015, Lagos, Nigeria, October–November 2015. Pair exhibition with Michiel Burger.{{cite web|url = http://www.lagosphotofestival.com/exhibit/the-struggle-for-freedom-in- | access-date = 23 April 2016 | publisher = Lagos Photo | title = The Struggle for Freedom in ___________}}
- Picture This: Contemporary Photography and India, Philadelphia Museum of Art, Philadelphia, USA, December 2015 – April 2016. Photographs by Pinckers, Gauri Gill, Sunil Gupta, and Pamela Singh.{{cite web|url = http://www.philamuseum.org/exhibitions/836.html | access-date = 23 April 2016 | publisher = Philadelphia Museum of Art | title = Picture This: Contemporary Photography and India}}
Awards
- 2013: One of the British Journal of Photography's 'Ones To Watch'
- 2013: Shortlisted, First PhotoBook category, Paris Photo–Aperture Foundation PhotoBook Awards, for The Fourth Wall{{cite web|url = http://www.parisphoto.com/paris/program/2013/the-2013-paris-photo-aperture-foundation-photobook-awards/the-fourth-wall | access-date = 23 April 2016 | publisher = Paris Photo | title = First PhotoBook shortlist: The Fourth Wall}}{{cite web|url = http://aperture.org/blog/announcing-the-paris-photo-aperture-foundation-photobook-awards-shortlist-selections/ | access-date = 23 April 2016 | publisher = Aperture Foundation | title = Announcing The Paris Photo–Aperture Foundation PhotoBook Awards Shortlist Selections| date = 23 September 2013 }}
- 2014: Runner-up, Aperture Portfolio Prize, for Will They Sing Like Raindrops or Leave Me Thirsty
- 2014: First prize, Photographic Museum of Humanity 2014 grant, Buenos Aires, Argentina. A prize of $2000 for Will They Sing Like Raindrops or Leave Me Thirsty.{{cite web|url = http://www.bjp-online.com/2014/04/max-pinckers-wins-photographic-museum-of-humanity-2014-grant/ | date = 29 April 2014 | access-date = 17 April 2016 | first = Gemma | last = Padley | magazine = British Journal of Photography | title = Max Pinckers wins Photographic Museum of Humanity 2014 Grant}}
- 2015: Shortlisted for the Anamorphosis Prize, USA, for Will They Sing Like Raindrops or Leave Me Thirsty{{cite web|url = http://www.anamorphosisprize.com/shortlist/ | accessdate = 23 April 2016 | publisher = Anamorphosis Prize | title = Shortlist: The Anamorphosis Prize}}
- 2015: Edward Steichen Award Laureate, Luxembourg{{cite web|url = http://www.lagosphotofestival.com/exhibit/the-struggle-for-freedom-in- | access-date = 23 April 2016 | publisher = The Edward Steichen Award Luxembourg | title = Friday 20 November 2015: Award Ceremony 2015}}{{cite web|url = http://www.lagosphotofestival.com/exhibit/the-struggle-for-freedom-in- | access-date = 23 April 2016 | publisher = The Edward Steichen Award Luxembourg | title = Friday 20 November 2015: Award Ceremony 2015}}
- 2018: Leica Oskar Barnack Award for his series "Red Ink", made in 2017 in North Korea for The New Yorker.{{cite news|accessdate=2018-09-07 |title=Winners of 2018 Leica Oskar Barnack Awards Announced {{!}} PDN Online |url= https://www.pdnonline.com/features/industry-updates/awards-competitions/winners-of-2018-leica-oskar-barnack-awards-announced/|newspaper=Photo District News |date=6 September 2018}}{{cite web |accessdate=2018-09-07|title=International Photo Contest – The Leica Oskar Barnack Award|url=https://www.leica-oskar-barnack-award.com/en/|website=International Photo Contest – The Leica Oskar Barnack Award}}
Collections
Pinckers' work is held in the following public collections:
- Fotomuseum Antwerp (FOMU), Antwerp, Belgium{{cite news|accessdate=2018-05-30|title=Image - Fotomuseum Provincie Antwerpen|url=https://www.fotomuseum.be/en/collection/3-collections/image.html|newspaper=Fotomuseum Provincie Antwerpen}}
- Fotomuseum Winterthur, Winterthur, Switzerland: prints of The Fourth Wall{{cite web|accessdate=2018-05-30|title=Max Pinckers - Artist - Collection - Explore - Fotomuseum Winterthur|url=https://www.fotomuseum.ch/en/explore/collection/series/17005_the_fourth_wall|website=www.fotomuseum.ch}}
- Huis Marseille, Museum for Photography, Amsterdam, Netherlands: 2 prints (as of May 2018){{cite news|accessdate=2018-05-30|title=Max Pinckers - Huis Marseille|url=https://www.huismarseille.nl/en/fotograaf/max-pinckers/|newspaper=Huis Marseille}}
See also
References
{{reflist}}
External links
- {{Official website|www.maxpinckers.be}}
{{Authority control (arts)}}
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