Memoirs of a Sinner

{{Infobox film

| name = Memoirs of a Sinner

| image = Memoirs of a Sinner.jpg

| caption =

| director = Wojciech Jerzy Has

| producer =

| writer = Michal Komar

| based_on = {{based on|The Private Memoirs and Confessions of a Justified Sinner|James Hogg}}

| starring = Piotr Bajor
Maciej Kozłowski
Janusz Michalowski
Hanna Stankówna
Ewa Wiśniewska

| music = Jerzy Maksymiuk

| cinematography = Grzegorz Kedzierski

| editing = Barbara Lewandowska-Conio and Wanda Zeman

| studio =

| distributor = Zespol Filmowy "Rondo"

| released = {{Film date|df=y|1986|10|20|}}

| runtime = 114 minutes

| country = Poland

| language = Polish

| budget =

}}

Memoirs of a Sinner ({{langx|pl|Osobisty pamiętnik grzesznika przez niego samego spisany}}) is a 1986 Polish film directed by Wojciech Has, starring Piotr Bajor. The film is an adaptation of James Hogg's The Private Memoirs and Confessions of a Justified Sinner (1824) and tells the tale of the protagonist Robert and his doppelganger.

Premise

Robert (Piotr Bajor) is exhumed from the grave by a gang of grave robbers and is forced to recount his life story - a struggle between good and evil, embodied in his doppelganger whom he eventually kills.[https://web.archive.org/web/20160305114713/http://www.nytimes.com/movies/movie/120987/Osobisty-Pamietnik-Grzesznika-Przez-Niego-Samego-Spisany/overview Osobisty Pamietnik Grzesznika Przez Niego Samego Spisany (1986)] New York Times Movies

Cast

Production

The film was filmed in the village of Klęk in the Polish province of Łódź.[http://www.filmpolski.pl/fp/index.php?film=121626 Osobisty pamiętnik grzesznika przez niego samego spisany] filmpolski.pl

Release

The film was released on 20 October 1986.{{Cite web |title=FilmPolski.pl |url=https://www.filmpolski.pl/fp/index.php |access-date=2023-07-29 |website=FilmPolski |language=pl}} Jerzy Maksymiuk's score won the award for Best Score at the 1986 Polish Film Festival.

Comparison with the book

Has maintains the strangeness central to the novel, although he tends to focus on the creation of unease, intrigue and beautiful images rather than Hogg's satire on Calvinist predestination.Cairns, David (14 November 2013) [http://mubi.com/notebook/posts/the-forgotten-both-of-me The Forgotten: Both of Me] MUBI.com Notebook

See also

References

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