Mixtape#In hip hop

{{Short description|Musical project}}File:Lil Wayne (23513397583).jpg, who has a total of 29 mixtapes, is regarded as one of the most successful mixtape artists.{{Cite web |last=freezepeachnow |date=2020-11-20 |title=How The Late 2000’s Hip Hop Mixtape Movement Became Immortalized |url=https://freezepeachnow.com/2020/11/20/how-the-2000s-hip-hop-mixtape-movement-became-immortalized/ |access-date=2024-10-31 |website=Freezepeach |language=en-US}}]]{{About||video|Video mixtape||Mixtape (disambiguation)}}

{{Use dmy dates|date=March 2020}}

In the modern music industry, a mixtape is a musical project, typically with looser constraints than that of an album or extended play. Unlike the traditional album or extended play, mixtapes are labeled as laid-back projects that allow artists more creative freedom and less commercial pressure.{{Cite web |date=2020-10-17 |title=Five Cent Sound |url=https://5centsound.com/blog/what-even-is-a-mixtape |access-date=2024-10-30 |website=Five Cent Sound |language=en-US}} The term has significantly increased in popularity over the years due to high-profile artists marketing their projects as such.{{Cite web |last=II |first=C. Vernon Coleman IIC Vernon Coleman |date=2019-11-05 |title=60 of the Best Hip-Hop Mixtapes Since 2000 |url=https://www.xxlmag.com/best-hip-hop-mixtapes-since-2000/ |access-date=2024-10-30 |website=XXL Mag |language=en}}{{Cite web |last=Kameir |first=Rawiya |title=Drake: Dark Lane Demo Tapes |url=https://pitchfork.com/reviews/albums/drake-dark-lane-demo-tapes/ |access-date=2024-10-30 |website=Pitchfork |language=en-US}}

Prior to the decline of physical media, mixtapes were defined as homemade compilations of music played through a cassette tape, CD, or digital playlist and became significant in hip-hop culture. The songs were typically beatmatched and consisted of seamless transitions at their beginnings and endings with fades or abrupt edits.{{cite web|title=Mixtape|url=http://www.merriam-webster.com/dictionary/mixtape|publisher=Merriam Webster|access-date=2012-04-04}} It was then defined as relatively any musical project by an up-and-coming artist. Now, mixtapes have become a label of promotion and marketing for album-like projects.{{Cite web |title=The Significance of the Mixtape in the Streaming Era – Spotify for Artists |url=https://artists.spotify.com/blog/the-significance-of-the-mixtape-in-the-streaming-era |access-date=2024-10-30 |website=artists.spotify.com |language=en}} Dictionary.com writes that "the line between an album and a mixtape can be blurry," and that streaming services rely on the artist to make that determination.{{Cite web |last= |date=2023-08-16 |title=Mixtape vs. Album: What’s The Difference? |url=https://www.dictionary.com/e/mixtape-vs-album/ |access-date=2024-12-30 |website=Dictionary.com |language=en-US}}

History

= Cassette mixtapes (1970s–1990s) =

File:Funky Stuff mixtape.jpg mixtape with a handwritten label: "Funky Stuff"]]

File:8trackmixtape.JPG

The idea of mixtapes was conceived in the early 1970s with the genesis of hip-hop. In the 1970s, DJs such as Grandmaster Flash and the Furious Five, Afrika Bambaataa, and DJ Hollywood would often distribute recordings of their club performances through cassette tapes, bringing a wider audience to the hip-hop sound.{{Cite web |last= |date=2024-07-31 |title=The History of Hip Hop Mixtapes |url=https://hiphophouseparty.net/blog/the-history-of-hip-hop-mixtapes/ |access-date=2024-10-31 |website=HipHopHouseParty.net |language=en-US}} These cassettes eventually became colloquially known as mixtapes. The introduction of the Sony Walkman in 1979 saw major improvements in the mobility and practicality of mixtapes.{{Cite news |last=Mendiola |first=Orlando |title=How Mixtapes Remixed Music History—and Its Future |url=https://www.wired.com/story/history-of-mixtapes-future/ |access-date=2024-10-31 |work=Wired |language=en-US |issn=1059-1028}}

In the 1980s and 1990s, mixtapes evolved as recordings of exclusive tracks, freestyles, and remixes. They also started becoming a visible element of youth culture.{{Cite web |last=StrettoBlaster |first=fabioruolo for |date=2023-06-22 |title=Hip-Hop Mixtapes 101: A Love Story Of Tapes And Craftsmen |url=https://strettoblaster.com/pieces/hip-hop-mixtapes-history/ |access-date=2024-10-31 |website=strettoblaster.com |language=en}} This blended both the underground and commercial appeal of mixtapes together. A notable development in mixtapes at this time was the "chopped and screwed" technique created by DJ Screw in Texas. This technique created a slow-tempo sound for mixtapes, later becoming a staple of Southern hip-hop. Another development of the mixtape were the creations of the remix and the mashup, which gave pre-existing songs a new sound to their original counterpart.{{Cite web |last=admin |date=2024-01-11 |title=The Art of the Remix: How Remixes Transform Original Tracks |url=https://blog.novecore.com/the-art-of-the-remix-how-remixes-transform-original-tracks/ |access-date=2024-10-31 |website=Novecore Blog |language=en-US}}

In the 1990s, mixtapes eventually moved to CD burners and MP3 players as the cassette tape declined. The curation of mixtapes became more intimate as well, as many curators would assemble songs in their tapes as an overarching theme that they could send to their audience. This was highlighted in Nick Hornby's novel High Fidelity, released in 1995:

To me, making a tape is like writing a letter — there’s a lot of erasing and rethinking and starting again. A good compilation tape, like breaking up, is hard to do. You’ve got to kick off with a corker, to hold the attention ***, and then you’ve got to up it a notch, or cool it a notch, and you can’t have white music and black music together, unless the white music sounds like black music, and you can’t have two tracks by the same artist side by side, unless you’ve done the whole thing in pairs and… oh, there are loads of rules.{{Cite book |last=Hornby |first=Nick |title=High fidelity |date=1996 |publisher=Gollancz |isbn=978-0-575-05748-7 |edition=5. impression |location=London}}

= Redefining the mixtape (2000s–2010s) =

In the 2000s, mixtapes transitioned from physical media to a synonym for unofficial albums that may have legal issues being officially released.{{Cite web |last=Rys |first=Dan |date=2017-01-26 |title=Mixtapes & Money: Inside the Mainstreaming of Hip-Hop’s Shadow Economy |url=https://www.billboard.com/music/rb-hip-hop/mixtapes-money-hip-hop-shadow-economy-mainstream-7669109/ |access-date=2024-11-01 |website=Billboard |language=en-US}} They also became significant to developing artist recognition. Artists like 50 Cent used mixtapes to build their reputation before being signed to a label.{{Cite web |last=Wilson |first=Payton |title=Check out these 14 best mixtapes in Hip Hop |url=https://www.revolt.tv/article/14-best-mixtapes-in-hip-hop |access-date=2024-10-31 |website=REVOLT}} This also allowed for more artistry as mixtapes were not confined by the legal restrictions of a record label. As a result of his mixtapes' success, he released his critically acclaimed album, Get Rich or Die Tryin'.{{Cite web |last=tolsen |date=2015-11-12 |title=Greatest of All Time Billboard 200 Albums |url=https://www.billboard.com/charts/greatest-billboard-200-albums/ |access-date=2024-11-01 |website=Billboard |language=en-US}}

By the mid-to-late 2000s, the definition of the original mixtape in the 1970s seemed to vanish, and instead became the term for any musical project to promote rising artists. The creation of the streaming platform DatPiff introduced the publishing of mixtapes online and for free, which made mixtapes easier to obtain.{{Cite web |date=2023-03-16 |title=A Requiem For The Datpiff Era |url=https://www.stereogum.com/2217030/a-requiem-for-the-datpiff-era/columns/lots-of-commas/ |access-date=2024-10-31 |website=Stereogum |language=en}}

In 2015, Canadian rapper Drake released his mixtape If You're Reading This It's Too Late significantly muddling the line between mixtapes and albums, setting the precedent that an album-like project could be promoted as a mixtape.

= Streaming era and the modern mixtape =

The popularization of streaming platforms and the rapid decline of physical media such as CDs and cassettes have significantly altered the definition of a mixtape and rendered the physical mixtape obsolete. Today, mixtapes are generally considered an alternative to studio albums, especially in genres of hip-hop, R&B, and indie music.{{Cite web |last=Jul 26 |first=Kai |last2=Acevado |date=2022-07-26 |title=17 Unforgettable Mixtapes That Now Are On Streaming Services |url=https://www.one37pm.com/music/mixtapes-on-streaming-services |access-date=2024-10-30 |website=www.one37pm.com |language=en}} They allow artists to release music without industry-level expectations expected from the likes of a concept album.{{Cite web |date=2017-02-22 |title=Do Mixtapes Still Matter? |url=https://www.redbull.com/us-en/do-mixtapes-still-matter |access-date=2024-11-01 |website=Red Bull |language=en-us}} Mixtapes have become staples in the music industry and are sometimes released as holdovers or low-key releases between studio albums. Lesser-known artists may release them free online on more accessible streaming platforms like SoundCloud to gain exposure, while well-known industry artists who release mixtapes usually promote them as "commercial mixtapes" as they are released on profitable streaming platforms such as Spotify or Apple Music.{{Cite web |last=Ramirez |first=Matthew |title=Puff Daddy: MMM |url=https://pitchfork.com/reviews/albums/21272-mmm/ |access-date=2024-11-11 |website=Pitchfork |language=en-US}} Notable examples of commercial mixtapes include Street Gossip by Lil Baby, MMM (Money Making Mitch) by Puff Daddy, and Dark Lane Demo Tapes by Drake.{{Cite web |last=Centeno |first=Tony M. CentenoTony M. |date=2018-12-11 |title=Lil Baby’s 'Street Gossip' Mixtape Hits No. 2 on Billboard 200 - XXL |url=https://www.xxlmag.com/lil-baby-street-gossip-mixtape-no-2-billboard-200/ |access-date=2024-11-11 |website=XXL Mag |language=en}}{{Cite web |last=Kameir |first=Rawiya |title=Drake: Dark Lane Demo Tapes |url=https://pitchfork.com/reviews/albums/drake-dark-lane-demo-tapes/ |access-date=2024-11-11 |website=Pitchfork |language=en-US}}

Release and marketing

While mixtapes used to be distributed for free, Spotify, Apple Music, and Soundcloud have blurred the line between what is considered a full-on album versus what is considered a mixtape.{{Cite web |title=What's The Difference Between A Mixtape And An Album? |url=https://yonamariemusic.com/yona/blog/564/whats-the-difference-between-a-mixtape-and-an-album |access-date=2024-10-30 |website=Yona Marie Music |language=en}}{{Cite web |last=Administrador |date=2023-12-20 |title=Difference Between Mixtape And Album |url=https://difference.com.ar/general/difference-between-mixtape-and-album/ |access-date=2024-10-30 |website=Difference |language=en-US}}

However, artists typically distinguish an album from a mixtape in two ways:{{Cite web |date=2013-10-11 |title=MIXTAPE OR ALBUM. WHAT’S THE DIFFERENCE? |url=https://www.mixtapemadness.com/blog/music/mixtape-or-album-whats-the-difference |access-date=2024-10-30 |website=Mixtape Madness |language=en}}

File:Faces sandwich.jpg by Mac Miller. People downloading the mixtape would have to make their own sandwich before being able to listen.{{Cite web |date=2014-05-26 |title=No Sandwich, No Dice. Mac Miller’s Faces. |url=https://keepinginventory.wordpress.com/2014/05/26/no-sandwich-no-dice-mac-millers-faces/ |access-date=2024-10-30 |website=the inventory |language=en}}]]

= Marketing =

The marketing of a mixtape is usually minimal, spontaneous, and unorthodox. In contrast, studio albums often have more professional media campaigns, music videos and a set release. Because of a mixtape's "unpredictability" that varies from artist, mixtapes may entertain fans with excitement due to surprise releases.

= Digital release and promotion =

On streaming platforms, mixtapes are nearly identical in format, as both include album art, titles, and track lists. However, mixtapes may lack the proper promotion and radio play that traditional albums offer. Artists may informally promote their mixtapes by posting to their own social media (as opposed to having a management team do it) or by directly engaging with their fans online.

Purpose

File:Travi$ Scott 2015.jpg performing his mixtape at a concert in anticipation for his album. {{Cite web |date=2015-03-13 |title=Travi$ Scott Performs New Music in NYC |url=https://hypebeast.com/2015/3/travi-scott-performs-new-music-in-nyc |access-date=2024-10-30 |website=Hypebeast}}]]

For independent and emerging artists, mixtapes are a gateway to building a fanbase and experimenting with their sound. For established artists, mixtapes can be used as an outlet for personal expression and experimentation to escape the pressures of a record label or commercial appeal.{{Cite web |last=Talent |first=Underground |date=2024-04-15 |title=Types of Music Releases & What they Mean, From EPs to Mixtapes |url=https://undergroundtalent.co.uk/types-of-music-releases-eps-to-mixtapes/ |access-date=2024-10-30 |website=Underground Talent |language=en-US}}{{Cite web |date=2023-04-02 |title=What is a Mixtape? {{!}} Print Your Vinyl |url=https://www.printyourvinyl.com/blogs/guides/what-is-a-mixtape |access-date=2024-10-30 |website=PrintYourVinyl |language=en}} The absence of formal promotion, industry-standard production, or chart performance makes mixtapes often feature more raw and experimental sounds, which may be preferable to their fans. The value of a mixtape lies in its ability to define the artist rather than an industry standard, making it an important concept in music.{{Cite web |last=Pitchfork |date=2016-06-29 |title=The 50 Best Rap Mixtapes of the Millennium |url=https://pitchfork.com/features/lists-and-guides/9908-the-50-best-rap-mixtapes-of-the-millennium/ |access-date=2024-10-30 |website=Pitchfork |language=en-US}}{{Cite web |title=Watch Lil Wayne and 2 Chainz Pick Their Greatest Mixtapes of All Time |url=https://www.complex.com/music/a/markelibert/lil-wayne-2-chainz-pick-their-greatest-mixtape |access-date=2024-10-30 |website=www.complex.com |language=en}}

Mixtapes can also serve as a precursor to an upcoming album for artists. As an example, Travis Scott released his mixtape, Days Before Rodeo as an anticipation project for his debut album, Rodeo.{{Cite web |title=10 years later, Days Before Rodeo is still Travis Scott’s best |url=https://www.thefader.com/2024/09/04/10-years-later-days-before-rodeo-is-still-travis-scotts-best |access-date=2024-10-30 |website=The FADER |language=en}} Another example is While We Wait by singer and songwriter Kehlani. The name of the tape highlights the informal circumstances of the mixtape, which was released in interim to give her fans music to listen to before the release of her album, It Was Good Until It Wasn't.

Legal issues

Many well-known mixtapes are ineligible to be released on streaming platforms due to sample clearance issues or any licensing issues.{{Cite web |last=bfc-admin |date=2019-12-11 |title=Behind the scenes of streaming pop music: legal disputes, clearance issues, rights |url=https://symphony.org/behind-the-scenes-of-streaming-pop-music-legal-disputes-clearance-issues-rights/ |access-date=2024-11-01 |website=Symphony |language=en-US}} This has prevented many praised mixtapes from being released on bigger streaming platforms. A well-known example of a mixtape that isn't available on major streaming platforms for these reasons is Nostalgia, Ultra by Frank Ocean.{{Cite web |date=2012-03-01 |title=The Eagles' rep responds to Frank Ocean's 'Hotel California' sample |url=https://www.latimes.com/archives/blogs/pop-hiss/story/2012-03-01/the-eagles-rep-responds-to-frank-oceans-hotel-california-sample |access-date=2024-11-01 |website=Los Angeles Times |language=en-US}}{{Cite web |title=J. Cole Talks 'Friday Night Lights,' Says He Hopes to Release It on Streaming Services |url=https://www.complex.com/music/a/cmplxjoshua-espinoza/j-cole-says-he-hopes-to-release-friday-night-lights-on-streaming-services |access-date=2024-11-01 |website=www.complex.com |language=en}}

However, some mixtapes have overcome their sample clearances, granting them the ability to be released on major streaming platforms. Some of these include Acid Rap by Chance the Rapper, Live. Love. ASAP by ASAP Rocky, So Far Gone by Drake and Friday Night Lights by J. Cole.{{Cite web |last=Glicksman |first=Josh |date=2019-06-28 |title=Chance the Rapper’s Hit Song ‘Juice’ Missing From ‘Acid Rap’ on Streaming Services, Replaced by 30-Second Charity Request |url=https://www.billboard.com/music/rb-hip-hop/chance-the-rapper-juice-acid-rap-streaming-services-8518032/ |access-date=2024-11-01 |website=Billboard |language=en-US}}{{Cite web |last=Robinson |first=Joshua |date=2021-10-28 |title=A$AP Rocky's Re-Release Of "Live.Love.A$AP" Is Dropping 2 Fan-Favorite Tracks |url=https://www.hotnewhiphop.com/402808-asap-rockys-re-release-of-liveloveasap-cuts-kissin-pink-and-out-of-this-world-news |access-date=2024-11-01 |website=HotNewHipHop |language=en}}

See also

References

{{reflist|30em}}

Further reading

  • Gallagher, David (30 January 2003). "[https://www.nytimes.com/2003/01/30/technology/circuits/30mixx.html For the mix tape, a digital upgrade and notoriety]". The New York Times.
  • Hornby, Nick (1995). High Fidelity. {{ISBN|1-57322-551-7}}.
  • Hornby, Nick (2003). Songbook. {{ISBN|1-57322-356-5}}.
  • Keller, Joel (22 January 2004). [http://www.salon.com/tech/feature/2004/01/22/mix_tape_one/index_np.html PCs killed the mix-tape star]. Salon.
  • Mobley, Max (5 December 2007). [https://web.archive.org/web/20080223100154/http://crawdaddy.wolfgangsvault.com/Article.aspx?id=4390 "Requiem for the Mixtape"]. Crawdaddy!.
  • Moore, Thurston (2004). Mix Tape. {{ISBN|0-7893-1199-2}}.
  • McMahon, Andrew (2005): "The Mixed Tape", Everything in Transit—Jack's Mannequin.
  • O'Brien, Geoffrey (2004). Sonata for Jukebox. {{ISBN|1-58243-192-2}}.
  • Paul, James (26 September 2003). [https://www.theguardian.com/arts/fridayreview/story/0,12102,1049363,00.html Last night a mix tape saved my life]. The Guardian.
  • Sante, Luc (13 May 2004). [http://www.nybooks.com/articles/17096 Disco Dreams]. The New York Review of Books. (This review of Songbook and Sonata for Jukebox describes the mix tape as "one part Victorian flower album, one part commonplace book, one part collage, and one part recital.")

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Category:Sound production technology

Category:Compilation albums

Category:Audiovisual ephemera