Mother Russia (Renaissance song)

{{Infobox song

| name = Mother Russia

| cover =

| alt =

| type = single

| artist = Renaissance

| album = Turn of the Cards

| B-side = "I Think of You"

| released = 7 October 1974 (US) {{cite web|url=https://dutchcharts.nl/showitem.asp?interpret=Renaissance&titel=Mother+Russia&cat=s|title=Renaissance singles US cat no}}

| recorded =

| studio =

| venue =

| genre = Progressive rock{{cite web|url=https://www.popmatters.com/the-100-best-classic-progressive-rock-songs-part-3-60-41-2495397028.html|title=The 100 Best Classic Progressive Rock Songs: Part 3, 60-41|last=Murphy|first=Sean|date=March 28, 2017|website=PopMatters|access-date=June 8, 2019}}{{cite web|url=https://www.mcall.com/entertainment/lehigh-valley-music/mc-ent-renaissance-artsquest-center-mingo-fishtrap-bethlehem-20180314-story.html|title=Prog-rockers Renaissance, funk band Mingo Fishtrap, tributes to Queen, Everly Brothers and Cream set at ArtsQuest Center|last=Moser|first=John J.|date=March 14, 2018|website=The Morning Call|access-date=June 8, 2019}}

| length = {{Duration|m=9|s=30}} (album)
{{Duration|m=3|s=07}} (single)

| label = {{hlist|BTM|Sire|RCA}}

| writer = Michael Dunford (music)
Betty Thatcher (lyrics)

| producer = Richard Gottehrer
Dick Plant

| prev_title = Carpet of the Sun

| prev_year = 1973

| next_title = "Carpet of the Sun" (live)

| next_year = 1976

}}"Mother Russia" is the closing song on Renaissance's 1974 album Turn of the Cards. It also appears on the 1976 live album Live at Carnegie Hall, the compilation Tales of 1001 Nights, Vol. 1, and several other Renaissance concert albums.

The song is a tribute to Russian fiction writer Aleksandr Solzhenitsyn, who had been forced by the USSR government to leave the Soviet Union earlier in 1974. Written as usual by poet Betty Thatcher, the lyrics are based on Solzhenitsyn's famous fiction novel about Soviet repression, One Day in the Life of Ivan Denisovich.Romano, Will (2010). Mountains come out of the sky: an illustrated history of prog rock (1st Ed.). Montclair, NJ: Blackbeat Books. p. 133. {{ISBN|978-0-87930-991-6}} Because fans of the band were surprised at the move into topical songwriting, singer Annie Haslam has had often to point out to interviewers that "Mother Russia" really refers to Solzhenitsyn.

Musically, the full version of "Mother Russia" begins with a sparse, string-driven introduction marked by occasional piano crescendos. Around two minutes into the song, Haslam's voice enters, and the next three minutes of the song contain six verses in three pairs describing Solzhenitsyn's plight, in between which are short interludes of strings and acoustic guitar.

The last five minutes of the full song consist of a three-minute instrumental interlude with the full band performing over wordless vocals by Haslam, followed by a repeat of the last two verses to finish. Recording engineer and co-producer Dick Plant stated:

I think that the real thrust of the music came from John Tout's piano. I don't think Renaissance ever wanted to do anything that they couldn't reproduce on stage.

The music to "Mother Russia" is credited to Michael Dunford, but the song is cited by Renaissance bassist Jon Camp as being a case where he made major compositional contributions without being credited for them; he claims authorship of the instrumental interlude.Jon Camp Interview 2012, from Renaissance Fanfare site (now offline).