Mount Vernon Arts Lab

Taking inspiration from Joe Meek, and from Daniel Miller's work as The Normal, Mulholland began creating avant-garde/post-rock recordings in 1996, and soon found the support of independent labels such as Via Satellite and Earworm, who between them issued a series of vinyl-only releases during 1997 and 1998.Strong, Martin C. (2003) The Great Indie Discography, Canongate, {{ISBN|1-84195-335-0}}, p. 880 Mulholland used a range of electronic and acoustic instruments including Moog synthesizers, theremin, and a specially-built unit which he calls a "Turbine Generator".Pilkington, Mark (2007) "[http://www.forteantimes.com/features/interviews/483/mount_vernon_arts_lab.html Mount Vernon Arts Lab: True sounds of the underground] {{webarchive|url=https://web.archive.org/web/20090824230139/http://www.forteantimes.com/features/interviews/483/mount_vernon_arts_lab.html |date=24 August 2009 }}", Fortean Times, June 2007 The debut mini-album, Gummy Twinkle, was issued in September 1998, featuring guest appearances from Pete Kember (aka Sonic Boom) and Norman Blake of Teenage Fanclub. He then signed a deal with Ochre Records, who issued his second mini-set, a collaboration with Adrian Utley of Portishead, featuring a single 23-minute track, "Warminster". A second mini-set followed for Ochre, this time recorded 100 feet below ground in the abandoned nuclear bunker at Troywood. A final album as Mount Vernon Arts Lab was released in 2001 on Via Satellite; The Séance at Hobs Lane was inspired by "Victorian skullduggery, outlaws, secret societies and subterranean experiences", and featured guest appearances from Blake, Utley, Isobel Campbell, and Barry 7 (of Add N to (X)). It has been described as "a music distilled from the nuclear age".Domke, Graham "[http://www.mapmagazine.co.uk/index.cfm?page=984F1E34-BDF5-2379-71075D0184E53D92&articleid=260 Mount Vernon Arts Lab – The Seance At Hobs Lane] {{webarchive|url=https://web.archive.org/web/20080306125842/http://www.mapmagazine.co.uk/index.cfm?page=984F1E34-BDF5-2379-71075D0184E53D92&articleid=260 |date=6 March 2008 }}", MAP magazine Mulholland released further work under the name Mount Vernon Astral Temple, including Musick That Destroys Itself (2003), Bent Sinister By Sound (2005).

Many of MVAL's tracks are inspired by historical locations, and Mulholland has been described as the "godfather" of psychogeographic rock, and the inspiration for the Ghost Box Music record label.Rogers, Jude (2008) "[https://www.theguardian.com/music/2008/jun/06/filmandmusic1.filmandmusic77 A sonic postcard from the past: Jude Rogers on the ghost sounds of psychogeographic rock]", The Guardian, 6 June 2008

Mulholland went on to become the composer-in-residence at Glasgow University's geography department.

In 2009, Mulholland and Utley again collaborated, with a performance at the Le Weekend festival in Stirling.Cooper, Neil (2009) "[http://www.list.co.uk/article/17896-le-weekend/ Le Weekend]", The List, 28 May 2009

• Nova EP (1997), Via Satellite
• "Window" (1997), Earworm – split with Omit
• Talvin Stardust EP (1997), Via Satellite
• William Green EP (1998), Via Satellite
• "Imber" (1998), Earworm – one-sided 7-inch single, split with Electroscope

• Gummy Twinkle (1998), Via Satellite
• Warminster (1999), Ochre – with Adrian Utley
• One Minute Blasts Rising to Three and then Diminishing (2000), Ochre
• The Séance at Hobs Lane (2001), Via Satelliterereleased in 2008 on Ghost Box Records
• Musick That Destroys Itself (2003), Eskatonas Mount Vernon Astral Temple
• Untitled (2003), Eskaton
• Bent Sinister by Sound (2005), Further – CDR-only issue, limited to 33 copies

;Compilations:

• E for Experimental (1999), Ochre

• Creeping Bent Singles Club 7" (1997), Creeping Bent – "Bad Vibrations" (Mount Vernon Arts Lab deconstructed by Scientific Support Dept.)
• Just Like Jeff 7-inch, Boa Records – "Sky Men" (Electroscope with Mount Vernon Arts Lab)
• After Hours (1997), After Hours – "The Mind Field"
• Spooky Sounds of Now (1997), Vesuvius – "Scooby Don't"
• Sunday 14 Sept.. '97 (1997), Enraptured – "Automatic Frequency Control"
• Electronic Lullabies (1998), Creeping Bent – "MV 3"
• The Battle of Bosworth (1998), Trunk – "Electroluminessence"
• Bentism – The Underground Sounds of Creeping Bent (1999), Creeping Bent – "Remix" (remix by Scientific Support Dept.)
• 271199 (2000), Ochre – "Abstracts"
• Infrasonic Waves (2001), Ochre – "Broadcasting"
• The Electronic Bible Chapter 1 (2004), White Label Music – "Hobgoblins" (Coil remix), "The Hackney Homonculus" (as N)
• Not Alone (2006), Durtro/Jnana – "The Postal Workers Night Out"as Black Noise
• Electric Brain Storms Vol.1 (2008), The Pod Room (podcast by Future Sound of London) – "Mv3"
• Ritual And Education (2008), Ghost Box – "The Black Drop", "The Submariner's Song"
• Infrasonic Waves Volume III 7-inch EP, Ochre – "Broadcasting"

{{Reflist}}

• [http://www.discogs.com/artist/Mount+Vernon+Arts+Lab Mount Vernon Arts Lab] at Discogs.com

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Category:Scottish post-rock groups

Category:Scottish electronic rock musical groups

Category:Ghost Box Music artists