Ne Zha (2019 film)#Follow-ups and future

A Chaos Pearl, birthed from the primordial essences of heaven and earth, begins siphoning energies gluttonously. The Supreme Lord Yuanshi Tianzun dispatches his disciples Taiyi Zhenren and Shen Gongbao to subdue the sentient pearl. Due to its ability to absorb energy, Taiyi and Shen are unable to defeat it. Tianzun uses the Seven-Colored Sacred Lotus to separate the pearl into two opposite components: the Spirit Pearl and the Demon Orb. Tianzun places a heavenly curse upon the Demon Orb: in three years time, it will be destroyed by heavenly lightning. Tianzun then instructs Taiyi to take the Spirit Pearl to be reincarnated as the third son of Li Jing in the town of Chentang Pass, to be named Ne Zha.

Blinded by jealousy, Shen steals the Spirit Pearl and causes Li Jing's pregnant wife Lady Yin to give birth to a reincarnation of the Demon Orb, Ne Zha. Taiyi tells them that Ne Zha's fate is sealed: in three years' time the heavenly curse placed upon the Demonic Orb will kill him. Li travels to Heaven with Taiyi in an attempt to plead for Ne Zha's life, but is told the curse is irremovable.

Meanwhile, Shen brings the stolen Spirit Pearl to the Dragon King of the East Sea. The Dragon King infuses the Spirit Pearl into an egg, giving birth to his third son, Ao Bing, whom the Dragon King allows Shen to take as a disciple. The dragons resent that they are confined to the ocean floor as prisoners of the Heavenly Court, and hope that since Ao Bing is born from the Spirit Pearl, they will be deemed worthy by Heaven and allowed to ascend and become xian (immortals).

To tame his demonic nature and make him happy, Ne Zha's parents lie to him, telling him he was born of the Spirit Pearl and is destined to be a great demon hunter. Ne Zha studies under Taiyi and acquires great skills, but is still not allowed to hunt demons. Becoming impatient, he escapes his confines to hunt demons on his own. While chasing a yaksha trying to devour a little girl, Ne Zha burns down a fishing village. Ao Bing joins Ne Zha's fight but is petrified by the yaksha. Ne Zha cleverly defeats the yaksha and rescues both Ao Bing and the little girl, and he and Ao Bing become friends. However, his actions are misunderstood by the townsfolk of the destroyed village. They deem Ne Zha a malicious demon, which causes him to lash out at the villagers, hurting many of them. Ne Zha's parents and Tai Yi arrive to stop him. After Li learns that it was all just a misunderstanding, he plans to prove Nezha's innocence on his upcoming birthday party.

Ten days later, the Li household organizes a lavish birthday party for their son, inviting the townsfolk to attend. Shen visits Ne Zha before the party and reveal the truth of Ne Zha's nature to him. Furious at his parents' deception, Ne Zha unleashes his true demonic form and nearly kills his father until Ao Bing intervenes. Feeling betrayed, Ne Zha leaves to await his fate.

While thanking Ao Bing, Li discovers that he is the reincarnation of the Spirit Pearl. Knowing that if this is revealed, all of dragon kind will be condemned forever, Ao Bing acts on Shen's command. He creates a massive sheet of ice above the town, intending to bury the town and eliminate all witnesses. Meanwhile, Ne Zha learns that when his father is visited Heaven to plead for his life, he accepted an enchantment that would allow him to trade his life for Ne Zha's. Moved by his father's sacrifice, Ne Zha returns to the village to stop Ao Bing. Unleashing his full demonic form, Ne Zha defeats Ao Bing, but spares his life for being his only friend.

When the heavenly lightning approaches, Ne Zha surrenders to his fate but is unexpectedly joined by Ao Bing. Linking hands, they unleash the Chaos Pearl's ability to absorb energy. Their mortal bodies cannot withstand the full energy of the strike and are destroyed, but with Taiyi's help, they survive as spirits.

In the mid-credits scene, the Dragon King vows vengeance on the citizens of Chentang Pass for what happened to Ao Bing. The other three Dragon Kings of the Four Seas appear and use this as an opportunity to make a deal with him. Meanwhile, in an unknown location, a sneak peek of the movie Jiang Ziya is introduced.

• Lü Yanting as the child Nezha, son of Li Jing and Lady Yin
• Joseph Cao (囧森瑟夫) as the adolescent Nezha
• Han Mo as Ao Bing, the Dragon King's third son
• Chen Hao as Li Jing, Nezha's father and the chief who governs Chentang Pass. He becomes a noble father willing to sacrifice his own life to rescue his son Nezha
• Lü Qi as Lady Yin, Nezha's mother and the chieftess who also governs Chentang Pass.
• Zhang Jiaming as Taiyi Zhenren, Nezha's master, a Taoist immortal who lives on the Kunlun.
• Yang Wei as Shen Gongbao, Taiyi's brother and Ao Bing's master

• Jordan Cole as Ne Zha
• Griffin Puatu as adolescent Ne Zha
• Aleks Le as Ao Bing
• Vincent Rodriguez III as Li Jing
• Stephanie Sheh as Lady Yin
• Mike Pollock as Taiyi Zhenren
• Jaden Waldman as Shen Gongbao

The film tells the mythological origins of Nezha, who is a protection deity in Chinese folk religion, and its story is loosely based on the literary version of the myth that forms two chapters of Investiture of the Gods, a Ming-dynasty shenmo novel, traditionally attributed to Xu Zhonglin, which incorporates various existing myths into a wider narrative.

The story has been adapted for the screen many times before, at least as early as 1927{{Citation needed|date=October 2020}} or 1928,{{Cite web|url=https://movie.douban.com/subject/26413854/|language=zh-cn |script-title=zh:哪吒出世 (豆瓣)|website=movie.douban.com}} whether on its own (as in the 1979 traditionally-animated film Nezha Conquers the Dragon King) or as part of adaptations of the whole of Investiture of the Gods (such as the 2016 live-action film League of Gods).

In addition, the film's character design draws scholar's attention. For example, Ne Zha as the major character is depicted as ugly, unlike his appearance in the myth, he is depicted as a devil boy in Ne Zha (2019), who is ugly, cool, and destructive, which resulted in people all be afraid of him.{{Cite journal |last=Wang |first=Xin-Xin |date=2020-10-01 |title=Research on the Value Shift of Ne zha's Character Image in Different Periods : Take Ne Zha : I am the destiny(2019) and Ne Zha Conquers the Dragon King(1979) as Examples |url=https://doi.org/10.21184/jkeia.2020.10.14.7.239 |journal=Journal of the Korea Entertainment Industry Association |volume=14 |issue=7 |pages=245 |doi=10.21184/jkeia.2020.10.14.7.239|url-access=subscription }} This character design, according to Wang, is intentional. It on the one hand sets the contrast for the character before and after awakening which is toward the end of the story; on the other hand, it sets a stage for the audience to sympathize with him when they come to his inner world. One of the challenging parts of this intentional character design is that it is difficult for the audience to accept him as the heroic protagonist, in other words, it is difficult for them "to identify with this ugly character". However, this difficulty is resolved by the depiction of his inner beauty, namely, although his outer appearance might be ugly, his inner character is nonetheless beautiful, despite the fact that doing so demands a lot of skills.

Moreover, another scholar, Zhuying Li (2024), argues that Ne Zha (2019) is different from earlier versions, like the one from 1979, because it has a "national-style" look. The movie is based on both ancient myths and modern Chinese national stories, as well as a modern interpretation of Daoist philosophy. This style mixes modern scientific and cinematic techniques with Daoist values like improving oneself and fighting against fate. According to Li, this mix not only makes China's cultural identity stronger at home, but it also lets China spread its soft power around the world by turning myths into modern stories.{{Cite journal |last=Li |first=Zhuying |date=22 February 2024 |title=The transformation of images of Nezha and the changing cultural discourses in Chinese national style animated films from 1979 to 2019 |journal=Humanities and Social Sciences Communications |volume=11 |issue=300 |pages=8–10|article-number=300 |doi=10.1057/s41599-024-02802-2 |doi-access=free }}

Director Jiaozi spent two years in total to write the screenplay, and the film was in production for three years.{{cite news |author1=Katherine Chen |title=Nezha Becomes China's Highest-Grossing Animation Ever |url=https://www.thatsmags.com/shanghai/post/29036/nezha-beats-zootopia-to-become-china-s-top-grossing-animation |access-date=10 August 2019 |work=thatsmags |date=8 August 2019}}{{cite news|url=https://www.zaobao.com.sg/realtime/china/story20190728-976243 |script-title=zh:五年筹备 66版修改 动画电影《哪吒之魔童降世》上映两小时票房破亿 |work=zaobao.com |date=2019-07-27 |language=zh}}

The film has more than 1,318 special effects shots, and it took over 20 Chinese special effects studios, employing more than 1,600 people, to realize the film's fairy tale setting, the mysterious Dragon King's Palace, and a complex fight between fire and water. One scene alone took two months to complete.{{cite news|url=https://k.sina.com.cn/article_7154574029_1aa7222cd00100il4k.html |script-title=zh:《哪吒之魔童降世》能否延续《大圣归来》的传奇 |work=sina |date=2019-07-24 |language=zh}}

Executive production company and distributor Beijing Enlight Pictures premiered Ne Zha on 11 July 2019 in Beijing, followed by an encore on 12 July. The film was given a limited release in IMAX and China Film Giant Screen premium large format theatres on 13 July, and was released nationwide on 26 July.{{Cite news|script-title=zh:国漫《哪吒之魔童降世》宣布提档7月底公映|url=http://ent.ifeng.com/c/7nykkzWuJGU|access-date=2019-07-26|date=2019-07-02|publisher=iFeng|language=zh}}

The film was released in cinemas in English-speaking regions in Mandarin with English subtitles around the end of August and beginning of September 2019.{{citation needed|date=April 2023}}

It was released in Australia on 23 August and in New Zealand on 29 August, distributed by CMC Pictures.{{Cite web|url=https://passport.weibo.com/visitor/visitor?entry=miniblog&a=enter&url=https%3A%2F%2Fweibo.com%2F6004526697%2FI2smAocwD%3Ffrom%3Dpage_1006066004526697_profile%26wvr%3D6%26mod%3Dweibotime&domain=.weibo.com&ua=php-sso_sdk_client-0.6.28&_rand=1576685360.5469|title=Sina Visitor System|website=passport.weibo.com}} It was released in the United States and Canada in select IMAX 3D venues on 29 August, followed by other cinemas on 6 September, distributed by Well Go USA Entertainment.{{Cite web|url=https://www.wellgousa.com/films/ne-zha|title=NE ZHA (2019)|website=Well Go USA Entertainment}} It was released in the United Kingdom and Ireland, including in select IMAX 3D venues, on 30 August, distributed by CMC Pictures in collaboration with Cine Asia.{{Cite web|url=https://passport.weibo.com/visitor/visitor?entry=miniblog&a=enter&url=https%3A%2F%2Fweibo.com%2F6004526697%2FI3pc66WmD%3Ffrom%3Dpage_1006066004526697_profile%26wvr%3D6%26mod%3Dweibotime&domain=.weibo.com&ua=php-sso_sdk_client-0.6.28&_rand=1576685357.9269|title=Sina Visitor System| website= passport.weibo.com}}{{Cite web|url=https://bbfc.co.uk/releases/ne-zha-2019|archive-url=https://web.archive.org/web/20190826200246/https://bbfc.co.uk/releases/ne-zha-2019|url-status=dead|archive-date=26 August 2019|title=Ne Zha|website=bbfc.co.uk}}{{Cite web|url=https://www.launchingfilms.com/release-schedule?filmSearch=Ne+Zha|title=Past, present and future releases to Past, Present and Future Releases | UK Recent and Upcoming Movie|website=launchingfilms.com}}

The film grossed 600 million yuan (est. $84 million) in its first three days alone. It broke local records with a $91.5 million opening, the highest ever for an animated film in China.{{Cite news|script-title=zh:国漫崛起！《哪吒之魔童降世》票房已过亿|url=http://ent.sina.com.cn/m/c/2019-07-25/doc-ihytcitm4647313.shtml|access-date=2019-07-26|author=Mia|date=2019-07-25|publisher=sina|language=zh}}

On 2 August 2019, Ne Zha became the highest-grossing animated film of all time in China, a record held by Zootopia ($235.6 million) since 2016.{{Cite web|url=https://www.screendaily.com/news/nezha-beats-zootopia-to-become-biggest-animation-of-all-time-in-china/5141709.article|title = 'Nezha' beats 'Zootopia' to become biggest animation of all time in China}} On 7 August 2019, Ne Zha became the fastest animated film to reach $400 million (in 12 days). It is currently the highest-grossing animated film of all time in a single market ($703.71 million in China) overtaking Incredibles 2 (2018) ($608.5 million in North America), the highest-grossing non-Disney or Pixar animated film in a single market, overtaking Shrek 2 (2004) ($441.2 million in North America), and the highest-grossing non-English spoken animated film, overtaking Spirited Away (2001) ($361.1 million worldwide).{{cite news |title=Ne Zha leads Chinese mainland box office for 7th day |url=http://www.chinadaily.com.cn/a/201908/02/WS5d439f4ca310cf3e35563847.html |access-date=10 August 2019 |work=chinadaily |date=2 August 2019}}{{cite news |first=Alex |last=Dudok de Wit |title=Nezha Smashes $460 Million Box Office, Set To Overtake Avengers: Endgame In China |url=https://www.cartoonbrew.com/box-office-report/nezha-smashes-460-million-set-to-overtake-avengers-endgame-in-china-177974.html |access-date=10 August 2019 |work=Cartoon Brew |date=9 August 2019}}{{cite news |first=Rebecca |last=Davis |title=China Box Office: Nezha Is 10th-Highest Grosser Ever in China After Two Weekends |url=https://variety.com/2019/film/news/nezha-avengers-endgame-china-box-office-1203291674/ |access-date=10 August 2019 |date=5 August 2019}} Upon reaching $700 million (in 46 days), it became the first animated feature film in film history to reach that milestone in a single market.

The film gained highly positive reviews from critics.

Douban, a Chinese media rating site, gave the film 8.7 out of 10.{{cite news|url=http://www.sohu.com/a/330149944_827831|script-title=zh:30万人评《哪吒之魔童降世》依旧8.7分！颠覆还是合理改编？|work=Sohu|date=29 July 2019|language=zh}}

The review aggregator Rotten Tomatoes reported that {{RT data|score}} of critics have given the film a positive review based on {{RT data|count}} reviews, with an average rating of {{RT data|average}}.{{cite web|url=https://www.rottentomatoes.com/m/ne_zha|title=Ne Zha (2019)|website=Rotten Tomatoes|publisher=Fandango|access-date={{RT data|access date|df=dmy}}}} On Metacritic, the film has a weighted average score of 54 out of 100 based on 5 critics, indicating "mixed or average reviews".{{cite web|url=https://www.metacritic.com/movie/ne-zha|title=Ne Zha Reviews|work=Metacritic|publisher=CBS Interactive|access-date=3 May 2020}}

In 2019, the film was awarded Best Animation, Best Animation Director and Best Animation Screenplay in the 16th China Animation & Comic Competition Golden Dragon Award.{{Cite web |title=第16届中国动漫金龙奖颁奖大会 THE 16TH CACC GOLDEN DRAGON AWARDS CEREMONY |url=http://www.cicfcn.com/banjiang16}} In 2020, the film was awarded Best Animated Feature in the 33rd Golden Rooster Award.{{Cite web |date=2020-11-09 |title=第33届金鸡奖公布提名名单 |url=http://www.leshan.cn/html/6A4DEEDADC39436D/2020/11/09/view_F2C610F386DF16A2.html}} The same year, the director Jiaozi has been awarded Best Screenplay in the 35th Hundred Flowers Award.{{Cite web |date=2020-08-04 |title=第35届大众电影百花奖候选影片名单公布，《中国机长》《流浪地球》等入围 |website=Sohu |url=https://www.sohu.com/a/411460581_120759142}} In 2023, the film was awarded Excellent Feature Film in the 18th Huabiao Film Awards.{{Cite web |date=2023-05-25 |title=Produced in Chengdu, "NE ZHA : I am The Destiny" has Won The Excellent Feature Film Award at the 18th Huabiao Film Awards |url=https://news.cri.cn/20230525/5a553e0e-e377-8d55-a43a-189cf8f8e32f.html}}

Scholars have interpreted Ne Zha (2019) as a significant shift in the Chinese individual identity. According to Chen and Lau (2021), Ne Zha, who is the protagonist in the story, represents Chinese individuals who are multi-layered and trying to control their own future.{{Cite journal |last=Chen & Lau |first=Shih-Wen & Sin Wen |date=21 Feb 2021 |title=The New Chinese Individual: Confronting the Divided Self in Ne Zha: Birth of the Demon Child |url=https://doi.org/10.1080/10357823.2021.1884647 |journal=Asian Studies Review |volume=45 |issue=4 |pages=675|doi=10.1080/10357823.2021.1884647 |url-access=subscription }} As the plot of the story goes, the Chinese young generation, who are just like Ne Zha, must "negotiate the public and private, individual desires and communal needs.". Besides, the film is received as a reflection of China's transitioning image of a child. As a classical story, Ne Zha as a child was represented as an aggressive figure capable of violence in the Mao era, however, after the period, he shifted to an individual in need of protection.

In addition, in Animation, scholars Thomas Whyke, Joaquin Mugica, and Melissa Brown (2021) argue that Nezha (2019) has been positioning itself as a ‘modern take’ on ‘ancient culture’. This restored take on the past demonstrates that mainstream ‘blockbuster’ animation is also capable of post modern ‘infidelity’ to the original sources. Such a restoration, as they noted, is accomplished through the technological elements (3D animations, CGIs); accordingly, the technology ‘constitute a significant visual shift in style from earlier ‘national style’ animation, visually referencing more mainstream, international, ‘blockbuster’ films far more than Chinese traditional art.’{{Cite journal |last=Whyke, Mugica, and Brown |first=Thomas William, Joaquin Lopez, and Melissa Shani |date=November 22, 2021 |title=Contemporizing the National Style in Chinese Animation: The Case of Nezha (2019) |url=https://doi.org/10.1177/17468477211049354 |journal=Animation |volume=16 |issue=3 |pages=163–166|doi=10.1177/17468477211049354 |url-access=subscription }}

Having overtaken Monkey King: Hero is back (2015) as the top-grossing Chinese animated film of all time and Zootopia (2016) as the highest-grossing animation of all time at the Chinese box office, Nezha (2019) enjoys great popularity within Chinese audiences, especially youth. Scholars Thomas Whyke, Joaquin Mugica, and Melissa Brown (2021) argue that the ‘nuanced, implying mutual friendship’ relationship between the character Nezha and Aobing ‘anticipates and caters to the prevalence of BL (Boy’s Love) fandom within China - with numerous online discussions and fan art interpreting them as a potential romantic couple.’ Despite general popularity, the response from domestic audiences varies, with some appreciating its innovative story-telling and some criticizing it as merely a ‘recasting of ‘tired’ modern tropes.’

Since its release, "Nezha" has resonated with global users on various mainstream social media platforms.{{Cite journal |last=Wei |first=Yanan |date=2025-01-30 |title=Role of Social Media in the Global Reception of Chinese Animation: A Case Study of 'Nezha' |journal=Environment-Behaviour Proceedings Journal |volume=10 |issue=31 |pages=63–69|doi=10.21834/e-bpj.v10i31.6509 |doi-access=free }} Users on multiple platforms such as TikTok and YouTube were attracted by the main theme of the film - "Challenging fate", and they voluntarily participated in the discussions and explanations of various Chinese cultures in the film. Some respondents mentioned that the movie analysis videos on YouTube helped them understand the Chinese cultural symbols in the movies by deeply analyzing the meanings of various Chinese cultures in the movies.

The success of "Nezha" is widely regarded as a significant milestone in the history of Chinese animated films. The substantial investment and multi-studio collaboration during the production of "Nezha" marked the official entry of Chinese animated films into the era of industrialized 3D animation. However, the success of "Nezha" as a commercial film still cannot whitewash the problems that Chinese animated films have always faced, such as complicated scripts and shallow depth of character development.{{Cite book |last1=Lin |first1=Shiya |last2=Wang |first2=Anqi |last3=Yu |first3=Danni |chapter=Analysis of the Development of Domestic 3D Animation - Take Nezha: Birth of the Demon Child as an Example |date=2023-03-01 |title=Proceedings of the 2nd International Conference on Education, Language and Art (ICELA 2022) |volume=730 |pages=231–238 |doi=10.2991/978-2-38476-004-6_30 |isbn=978-2-38476-003-9|doi-access=free }} Wang and Lin, by analyzing the successes and flaws of "Nezha", suggested that increasing investment in original scripts and integrating film production resources could all contribute to the development of China's film industry in the future.

Shi, Shen, and Chen (2024) look at how Ne Zha was used in global media as a way for people from different cultures to talk to each other. Their research looks at news stories and comments left by people from different countries on the internet. Even though the people were from different cultures, the movie's emotional story and strong images helped them connect with it. People say that Ne Zha was a success not only because of its technical achievements, but also because it combined Chinese myths with storytelling styles from all over the world to make a new kind of space. This mix of styles made the movie appeal to people from different cultures and changed how people think about Chinese animation outside of China.{{Cite journal |last=Shi, Shen, and Chen |first=Xinran, Tianjian, and Zimu |date=2024-10-04 |title=A Study on the Cross-Cultural Communication Effect of Ne Zha in Overseas Media and Audiences |journal=Journal of Humanities and Social Sciences Studies |volume=6 |issue=1 |pages=5–7 |doi=10.32996/jhsss.2024.6.10.2|doi-access=free }} Shi et al. say that the movie shows how planned aesthetic and narrative choices can turn national cinema into transnational cinema.

It was confirmed that Ne Zha would be the first instalment of a cinematic universe based on Investiture of the Gods. A second film, Jiang Ziya was slated for release on 25 January 2020 in China,{{cite news|title=Chinese mythology series Jiangziya relay Nezha at the beginning of the new year|url=https://www.jqknews.com/news/279660-Chinese_mythology_series_Jiangziya_relay_Nezha_at_the_beginning_of_the_new_year.html|access-date=17 December 2019|work=jqknews.com|date=25 September 2019}} but following the COVID-19 pandemic, all Chinese New Year releases were cancelled. It was released on 1 October 2020, which aligned with China's national day, in both China and the U.S.{{Cite web|url=https://www.imdb.com/title/tt11177804/releaseinfo?ref_=tt_ov_inf|title = Legend of Deification (2020) - IMDb|website = IMDb}}

A direct sequel to the film, Ne Zha 2, was released on 29 January 2025.{{cite news|last=Milligan|first=Mercedes|title=Animated Box Office God 'Nezha' Returns in New Sequel Trailer|url=https://www.animationmagazine.net/2025/01/animated-box-office-god-nezha-returns-in-new-sequel-trailer/|access-date=29 January 2025|work=Animation Magazine|date=January 13, 2025}}{{cite news|title=「四川造」電影《哪吒之魔童鬧海》釋新預告 高燃之戰暗藏玄機|url=https://portal.sina.com.hk/news-china/sina/2025/01/26/1106612/%E3%80%8C%E5%9B%9B%E5%B7%9D%E9%80%A0%E3%80%8D%E9%9B%BB%E5%BD%B1%E3%80%8A%E5%93%AA%E5%90%92%E4%B9%8B%E9%AD%94%E7%AB%A5%E9%AC%A7%E6%B5%B7%E3%80%8B%E9%87%8B%E6%96%B0%E9%A0%90%E5%91%8A-%E9%AB%98%E7%87%83/|access-date=29 January 2025|work=Sina.com|date=26 January 2025|language=Zh}}

• List of submissions to the 92nd Academy Awards for Best International Feature Film
• List of Chinese submissions for the Academy Award for Best International Feature Film

{{Notelist}}

{{Reflist}}

• {{Official website|https://www.wellgousa.com/films/ne-zha|U.S. and Canada official web page}}
• {{Official website|http://cococartoon.com|Coco Animation 可可豆动画}}
• {{IMDb title|10627720}}
• {{Mojo title|nezha}}
• {{Rotten Tomatoes|ne_zha}}
• {{douban|26794435}}
• {{Mtime|251525}}

{{Chinese submission for Academy Awards}}

{{Investiture of the Gods}}

{{Golden Rooster Award Best Animation}}

Category:2019 films

Category:2019 3D films

Category:2010s fantasy adventure films

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Category:Animated films based on Investiture of the Gods

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