Netochka Nezvanova (author)

Netochka Nezvanova has been described by cultural critics as "an elusive online identity"{{Cite news|last=Ackerman|first=Elise|date=2001-05-05|title=Programmer's identity a cyberage mystery|work=San Jose Mercury News|url=http://www.siliconvalley.com/docs/news/svtop/artst050501.htm|archive-url=https://web.archive.org/web/20011031153507/http://www.siliconvalley.com/docs/news/svtop/artst050501.htm|access-date=2020-12-23|archive-date=2001-10-31}} and "a collective international project".{{Cite book|last=Cramer|first=Florian|url=https://archive.org/details/WordsMadeFlesh|title=WORDS MADE FLESH : Code, Culture, Imagination|publisher=Piet Zwart Institute|year=2005|location=Rotterdam|pages=114–115}} In 2020, art critic Amber Husain describes NN as an "avatar of avant-garde internet performance" that "became as known for her abstract and usable software artworks as she did for aggressive displays of anonymous cyber-domination".{{Cite journal|last=Husain|first=Amber|date=2020-09-01|title=Virtual Tower, 'Virtual' Pit: On Potentiality and the Status of Unrealised Art|url=https://www.journals.uchicago.edu/doi/10.1086/712848|journal=Afterall: A Journal of Art, Context and Enquiry|volume=50|pages=76–93|doi=10.1086/712848|s2cid=229162276|issn=1465-4253}}

In 2001, Netochka Nezvanova was named as one of the Top 25 Women on the Web by a San Francisco non-profit group.{{Cite web|date=2001-03-31|title=Top25 Award - The Winners|url=http://www.top25.org/winner.html|access-date=2020-12-23|archive-url=https://web.archive.org/web/20010331173155/http://www.top25.org/winner.html|archive-date=2001-03-31}}

In her article published March 2002 for online magazine Salon, Katharine Mieszkowki dubbed NN the "most feared woman on the Internet", and speculated on her real identity – "A female New Zealander artist, a male Icelander musician or an Eastern European collective conspiracy?".{{Cite news|last=Mieszkowski|first=Katharine|date=March 2, 2002|title=The most feared woman on the Internet|work=Salon|url=https://www.salon.com/2002/03/01/netochka/|access-date=2020-12-23}}

Florian Cramer stated that NN "was a collective international project" that "presented itself as a sectarian cult, with its software as the object of worship". Cramer describes how the origin of NN's messages was obscured by "a web of servers and domain registrations spanning New Zealand, Denmark and Italy", while Mieszkowki observes that "e-mail from Netochka's various aliases has also been sent from ISPs in Chicago, New Zealand, Australia and Amsterdam".

In 2006, the Austrian Institut für Medienarchäologie (IMA) released a 20-minute documentary film, directed by Elisabeth Schimana, titled Rebekah Wilson aka Netochka Nezvanova.{{Cite web|last=Schimana|first=Elisabeth|date=2006|title=portrait #02 Rebekah Wilson aka Netochka Nezvanova|url=https://ima.or.at/en/imafiction/video-portrait-02-rebekah-wilson-aka-netochka-nezvanova/|access-date=2020-12-23|website=IMA Institut für Medienarchäologie}} In this video documentary, Rebekah Wilson discusses her central role in the NN collective, disclosing how she legally changed her name to Netochka Nezvanova in 1999, before changing it back to her birth name in 2005.

{{further|nato.0+55+3d}}

Besides the numerous software projects, her CD entitled "KROP3ROM||A9FF" was released by Decibel Records in 1997. A second CD entitled sin(x) was released by 0f0003 in 2000.

• 0f0003 propaganda (1998) - this program algorithmically generates animated graphics and synthetic sounds.
• b1257+12 (1998) - a software for sound deconstruction and composition. The intricate operator interface allows for radical manipulation of soundloops in realtime, offering a large amount of control parameters which, every now and then, take a life of their own. The name of the software refers to a rapidly rotating neutron star.
• @¶31®�≠ Ÿ (1998) - this software extracts random samples from a CD and creates a stochastical remix, accompanied by futuristic-looking graphics (according to the reference documents, it is intended for use with the krop3rom||a9ff release).
• m9ndfukc.0+99 and k!berzveta.0+2 (1999) - two programs written in Java interpreting network data, very likely preliminary versions of nebula.m81.{{Cite web|date=2016-10-27|title=NET ART ANTHOLOGY: m9ndfukc.0+99|url=https://anthology.rhizome.org/m9ndfukc-0-99|access-date=2021-10-18|website=NET ART ANTHOLOGY: m9ndfukc.0+99}} In a 2018 interview, Andrew McKenzie describes m9ndfukc.0+99 as "a way to visualize, in a creative way, many different perspectives on the same data. It was basically a Java application in a browser".{{Cite book |title=The Art Happens Here : Net Art Anthology |publisher=Rhizome |year=2019 |isbn=978-0692173084 |pages=126–128}}
• kinematek.0+2 (1999) - another Java application that performs "animated image generation from internet www data", incorporating parts of nebula.m81.
• nebula.m81 (1999) - an experimental web browser written in Java, rendering HTML code into abstract sounds and graphics. Awarded at the International Music Software Competition in Bourges 1999 and at Transmediale 2001 (first prize in the category "Artistic Software").{{Cite web|title=Netochka Nezvanova {{!}} transmediale|url=https://transmediale.de/content/netochka-nezvanova-0|access-date=2020-12-23|website=transmediale.de}} Described by jury member Florian Cramer as "an experimental web browser that turned browsing into something resembling measurement data evaluation".{{cite web|url=http://www.nettime.org/Lists-Archives/nettime-l-0408/msg00087.html |title=|\|05+/-\|_G!/-\.m2cht.fre!!! |>!G35+ [weiss, taiuti, cramer] |publisher=
• !=z2c!ja.0+38 (1999) - an application that generates a dense visual texture based on the user's keyboard input. It (ab)uses Mac OS' QuickDraw capability and can therefore be seen as a preliminary step towards nato.0+55.

• "krop3ropm||a9ff", audio CD, Decibel Records, 1997 (re-released by 0f0003 in 1998, with additional material by The Hafler Trio).R.A. Falesch: [https://web.archive.org/web/20030117135004/http://homepage.interaccess.com/~raf/A9FF.html It's All in How You Hex It], Retrieved on: 2008-01-15
• "A9FF" (1997), a piece for tape by Rebekah Wilson, performed at Victoria University of Wellington in February 1998.{{cite web|url=http://www.ibiblio.org/emusic-l/back-issues/vol110/vol111/emusic-l.log9802a |title=Retrieved on: 2008-01-15 |access-date=2014-06-02}}
• "8'|sin.x(2^n)", hybrid CD containing audio and mp2 data tracks (1999, self-produced).{{cite web|url=http://www.nettime.org/Lists-Archives/nettime-bold-0009/msg00073.html |title=Retrieved on: 2008-01-15 |publisher=Nettime.org |access-date=2014-06-02}}
• Trilogy of theatre pieces in collaboration with vocalist Ayelet Harpaz, based on haikus by the Japanese poet Masaoka Shiki ("Two Autumns", "I Keep Asking How Deep The Snow's Gotten"; "Spring: Still Unfurled"; presented in Utrecht, Amsterdam and Moscow, 2001–2002).{{cite web|url=http://www.circadian.net/ayelet/a&nn.html |title=Retrieved on: 2008-01-15 |publisher=Circadian.net |access-date=2014-06-02}}
• "Poztgenom!knuklearporekomplekz", included on the CD Strewth! An Abstract Electronic Compilation, published in 2002 by the Australian record label Synaesthesia.{{cite web|url=http://www.dustedmagazine.com/reviews/398 |title=Retrieved on: 2008-01-15 |publisher=Dustedmagazine.com |date=2002-10-17 |access-date=2014-06-02}}
• "La lumière, la lumière .. c'est la seule .." (2002), for viola, piano, percussion and electronics. Commissioned by Ensemble Intégrales, performed in Ireland, Belgium, Switzerland, Austria and Germany (2003–2005).[http://www.ensemble-integrales.com/htmlsenglisch/informationaboutprograms/repnr.html Retrieved on: 2008-01-15] {{webarchive |url=https://web.archive.org/web/20070805144602/http://www.ensemble-integrales.com/htmlsenglisch/informationaboutprograms/repnr.html |date=August 5, 2007 }}
• "A History of Mapmaking" or "Aerial Photography and 31 Variations on a Cartographer's Theme", for amplified cello and light controller, composed and performed by Rebekah Wilson. Performances in Auckland (Transacoustic Festival 2005),[http://www.audiofoundation.org.nz/trans/homm.htm Retrieved on: 2008-01-15] {{webarchive |url=https://web.archive.org/web/20081016095553/http://www.audiofoundation.org.nz/trans/homm.htm |date=October 16, 2008 }} Ljubljana (City of Women 2006 Festival),[http://www.cityofwomen.org/2006/en/program/ima Retrieved on: 2008-01-15] {{webarchive |url=https://web.archive.org/web/20071103132616/http://www.cityofwomen.org/2006/en/program/ima |date=November 3, 2007 }} Berlin (Transmediale 2007),{{Cite web |url=http://archive.transmediale.de/site07/january31+M50ebd5febaf.html |title=Retrieved on: 2010-11-21 |access-date=2010-11-21 |archive-url=https://web.archive.org/web/20110724204203/http://archive.transmediale.de/site07/january31+M50ebd5febaf.html |archive-date=2011-07-24 |url-status=dead }} Linz (Ars Electronica 2007).

• Decoder (film)

{{reflist|2}}

• {{cite web |url=http://twenteenthcentury.com/saul/useless.htm |title = Useless Utilities |last = Albert |first = Saul |date= May 2002 |access-date = 2007-08-24 }}
• {{cite web |url = http://www.medienkunstnetz.de/themes/generative-tools/read_me/ |title = Read_me, run_me, execute_me. Code as Executable Text: Software Art and its Focus on Program Code as Performative Text |publisher=Medien Kunst Netz

|last=Arns |first=Inke |year=2004 |access-date = 2007-08-24 }}

• {{cite web |url = http://www.nettime.org/Lists-Archives/nettime-l-0205/msg00150.html |title = Nameless Nobodies as Virtual Intelligence |publisher=Nettime-l

|last = Carroll |first = Thomas |date= 2002-05-21 |access-date = 2007-08-24 }}

• {{cite journal |last=Nezvanova |first=Netochka |year=2000 |title=The Internet, A Musical Instrument in Perpetual Flux |journal=Computer Music Journal |volume=24 |issue=3 |pages=38–41 |doi=10.1162/014892600559434|s2cid=43348879 }}
• Sollfrank, Cornelia (2002). "Not Every Hacker is a Woman", in: Technics of Cyberfeminism, Claudia Reiche (ed.), Thealit, 2002, ISBN 3-930924-03-X.
• Neue Kraft, Neues Werk (Transcodeur Express), a documentary film by Ninon Liotet, Olivier Schulbaum and Platoniq, shown on ARTE on April 25, 2002, features an interview with NN. [http://www.platoniq.net/nknw/ http://www.platoniq.net/nknw/]
• IMA fiction: portrait #2 06, a video portrait of Rebekah Wilson, directed by Elisabeth Schimana and produced by The Austrian Institute for Media Archeology. Presented at the Transmediale festival on January 31, 2007. [http://www.ima.or.at/ http://www.ima.or.at]

• [https://www.salon.com/2002/03/01/netochka/ Salon.com Technology: The most feared woman on the Internet], by Katharine Mieszkowski (March 1, 2002).
• A portrait of Netochka Nezvanova, artistic software by Adrian Ward. [https://web.archive.org/web/20021231002124/http://stub.org/br/?61 Classic version] (2001) / [https://web.archive.org/web/20070812001951/http://www.signwave.co.uk/go/products/portrait Mac OS X version] (2003)
• [http://artnetweb.com/newsletter/00_02.html A conversation between Netochka Nezvanova and Frederic Madre] (March 22, 2000) for the Walker's Art Entertainment Network
• [https://web.archive.org/web/20090614052623/http://www.subtletechnologies.com/2006/symposium/Dan.html Living in Limnos, Betwixt and Between: A Trans-Reality Balkan Odyssey], by Gheorghe Dan
• [https://web.archive.org/web/20110711091645/http://www.ggttctttat.com/data/pikz/isea09/nn%20isea09.txt] - "The Strange Adventures of Netochka Nezvanova in the Lands Without"
• [http://www.liveart.org/motherboard/articles/02_dramatical.html] - "Dramatical NN", seminar/lecture script by Amanda Steggell, June 11, 2002

{{DEFAULTSORT:Nezvanova, Netochka}}

Category:Net.artists

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