New Amsterdam Records

New Amsterdam Records was founded to support the developing genre of music coming from people with great educations in composition who were also influenced by pop and jazz music and did not fit into the music industry binary of classical or pop.Joseph Dalton, [http://www.newmusicbox.com/article.nmbx?id=6057 "On Record - An Overview of the State of Contemporary Music Recording (Part 1): Still Spinning"], June 8, 2009, accessed July 7, 2010

NewAm has been described favorably by Seth Colter Walls in Newsweek as breaking down genre boundaries, "making a nice little tradition out of breaking tradition," and striking a healthy balance between old traditions (such as classical and jazz) and contemporary music."Seth Colter Walls, [http://www.newsweek.com/2009/04/24/jazz-standards-that-aren-t.html "Jazz Standards That Aren’t'"], April 25, 2009, accessed July 7, 2010

In an interview with mental floss magazine, co-founder Judd Greenstein explains that they look for artists "whose work is a reflection of truly integrated musical influences. In other words, we don’t want classical-goes-rock or electronic-music-with-some-violins – we want music where people are being as personal and honest as they can be, while opening themselves up fully to all the music that they love."David K. Israel, [http://www.mentalfloss.com/blogs/archives/25190 "How to Start a Record Label, with New Amsterdam Records"] {{Webarchive|url=https://web.archive.org/web/20110615073055/http://www.mentalfloss.com/blogs/archives/25190 |date=2011-06-15 }}, May 5, 2009, accessed July 7, 2010

Furthermore, in an interview with I Care If You Listen, co-founders and co-artistic directors William Brittelle, Judd Greenstein, and Sarah Kirkland Snider stated that “This variety stems from the inherent variety of individual composers not just as composers, but as listeners, each with a unique experience of listening to music in the world, and each therefore with a unique way of manifesting that experience in newly-created art. This is what we call a musical “voice,” and the voices of composers we release draw from an innumerable set of influences. A post-genre approach to composition inherently breeds a distinctiveness in those composers’ musical voices.”{{Cite web|url=https://www.icareifyoulisten.com/2018/12/5-questions-new-amsterdam-records-10th-anniversary/|title=5 Questions to New Amsterdam Records on their 10th Anniversary|last=Ihnen|first=Megan|date=2018-12-27|website=I CARE IF YOU LISTEN|language=en-US|access-date=2019-04-29}}

Making an album can involve many costs, such as renting a recording studio, paying the musicians, creating album art, and manufacturing copies of the album. At New Amsterdam, the musician, not the label, picks up the cost of making the album, but the musician gets a higher percentage of royalties that come from sales.{{cite web|last1=Kadet|first1=Anne|title=Brooklyn Label Makes Music, but Not Much Money|url=https://www.wsj.com/articles/brooklyn-label-makes-music-but-not-much-money-1464343381|website=Wall Street Journal|accessdate=20 December 2016|date=27 May 2016}}

In 2017, the label revamped its model to function as an all-in-one non-profit record label, presenter and artist service organization, aiming to create long-term sustainability in the face of a quickly changing music industry. Their support continues to extend far beyond album distribution, and artists continue to retain full ownership of their recordings. NewAm partners with artists to share the costs through project-specific fundraising and grants 100% of album sales directly to the artists.

In 2019 New Amsterdam announced two initiatives, including a new partnership with Nonesuch Records and the Windmill Series, a digitally-focused set of releases made available to subscribers in addition to the existing release schedule. The Nonesuch partnership sees the release of approximately three albums per year to support contemporary American composers in realizing ambitious creative projects, with initial releases from composers William Brittelle, Caroline Shaw, and Daniel Wohl.{{Cite web|url=https://www.nonesuch.com/journal/new-amsterdam-nonesuch-records-announce-partnership-support-contemporary-american-composers-2019-01-29|title=New Amsterdam, Nonesuch Records Announce Partnership to Support Contemporary American Composers - Nonesuch Records|website=Nonesuch Records Official Website|language=en|access-date=2019-04-29}} The Windmill Series has seen releases from artists including Arooj Aftab, Timo Andres, Gemma Peacocke, and more. After a subscription exclusivity period, Windmill Series releases are available digitally worldwide.{{Cite web|url=https://www.newamrecords.com/windmill-series|title=New Amsterdam Records - Windmill Series|website=New Amsterdam Records|language=en-US|access-date=2019-04-29}}

They are distributed by Naxos Records in North America.

Justin Davidson, music critic for New York, wrote, "They're part of this generation of people who get out of music school with all of these incredible skills, and all of this culture, and all of this creativity — fully aware that nobody is going to hand them a career. There's no superstructure of an established music industry that is going to pay any attention to these people, because they're not even paying attention to the much more established, mainstream conductors and violinists and orchestras. The ability to get noticed by having some record executive take an interest in you and record you — you know, that's really practically a thing of the past. If you want to make recordings, you've really got to do it yourself."Tom Vitale, [https://www.npr.org/templates/story/story.php?storyId=90951497 "NPR's All Things Considered, 'A New Label for Music's New Blood'"], May 29, 2008, accessed June 30, 2010

For New Amsterdam's and (Le) Poisson Rouge's 10-Year Anniversary show in 2018, Davidson write “In their decade of existence, (Le) Poisson Rouge and New Amsterdam have helped seed whole forests of music far beyond the five boroughs.”{{Cite web|url=https://www.vulture.com/2018/06/ten-years-of-the-new-new-music-scene.html|website=www.vulture.com|access-date=2019-04-29|title=On 10 Years of the New New-Music Scene, and 30 Years of My Own |date=8 June 2018 }}

NewAm have been compared to Bang on a Can, who also built their own label, community, and performance circuit, in a similar manner, 20 years ago. The difference, however, between the two is that Bang on a Can shared a common musical aesthetic — minimalism — whereas NewAm is more of a musical umbrella. NewAm's artists have become increasingly popular among a broad public while Bang on a Can's primary supporters continue to be larger, more established cultural institutions. "The interesting thing about this group of people, and New Amsterdam, is the real lack of interest in anything that you could call aesthetic categories, or rules about what does and doesn't belong in their sphere of influence," Justin Davidson says.

{{Reflist}}

• [http://www.newamsterdamrecords.com/ New Amsterdam Records official website]
• [https://www.npr.org/templates/story/story.php?storyId=90951497 NPR's All Things Considered feature]
• [https://web.archive.org/web/20110713025719/http://indigestmag.com/blog/?p=6789 An interview of New Amsterdam Records founder Judd Greenstein with publisher J.A. Tyler]

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Category:Classical music record labels

Category:Experimental music record labels

Category:American jazz record labels

Category:American independent record labels