Nicholas Chare

{{Use dmy dates|date=March 2018}}

{{Infobox scientist

| name = Nicholas Chare

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| occupation = Lecturer in gender studies at the University of Melbourne

| known_for = Auschwitz and Afterimages: Abjection, Witnessing and Representation (2011)
After Francis Bacon: Synaesthesia and Sex in Paint (2012)

| website = [https://histart.umontreal.ca/repertoire-departement/professeurs/professeur/in/in19754/sg/Nicholas%20Chare/ Profile]

| awards = 2007 Leverhulme Trust Award

| workplaces = University of Melbourne

| fields = Gender studies

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Nicholas Chare is a professor of art history at the Université de Montréal. He received his Bachelor of Arts in English and the history of art from the University of Leeds in 1997, and his Master of Arts in the social history of art from the same institution in 1998.{{cite news|url=http://www.culture-communication.unimelb.edu.au/study/gender_studies/nicholas-chare|access-date=25 June 2013|title=Dr Nicholas Chare: Culture and Communication|publisher=University of Melbourne|work=Faculty of Arts: School of Culture and Communication|year=2013}} He received his PhD from the University of Leeds in 2005. He has served as an instructor at the University of Melbourne,{{cite news|last=McManus|first=Bridget|title=Sexism cops heat in the kitchen; Cover Story|date=30 May 2013|work=The Age|location=Melbourne, Australia|page=7; Section: Green Guide|publisher=The Age Company Limited}} the University of Leeds, the University of Reading, the University of York, and Goldsmiths, University of London.

He is the author of Auschwitz and Afterimages: Abjection, Witnessing and Representation, After Francis Bacon: Synaesthesia and Sex in Paint and co-editor of Representing Auschwitz: At the Margins of Testimony (2013) and Matters of Testimony : Interpreting the Scrolls of Auschwitz (2017).

Chare was a 2007 recipient of the Leverhulme Trust Award recognising his research into paintings by Francis Bacon.{{cite news|title=Leverhulme Trust Awards|date=7 November 2007|work=The Times|location=London|page=68; Section: Features|publisher=Times Newspapers Limited|quote=Nicholas Chare, BA, MA, PhD, Department of History of Art and Architecture, University of Reading, Hearing Francis Bacon's paintings}}