No Good Deed (2002 film)

{{Infobox film

| name = No Good Deed

| image = No good deed.jpg

| caption = Theatrical release poster

| director = Bob Rafelson

| writer = {{ubl|Christopher Cannan|Steve Barancik}}

| based_on = {{basedon|"The House in Turk Street"|Dashiell Hammett}}

| starring = {{ubl|Samuel L. Jackson|Milla Jovovich|Stellan Skarsgård}}

| producer = {{ubl|Barry M. Berg|David Braun}}

| music = Jeff Beal

| cinematography = Juan Ruiz Anchía

| editing = William S. Scharf

| studio =

| distributor = Mac Releasing

| released = {{Film date|2002|06|29|Moscow Film Festival|2003|09|12|United States}}

| runtime = 97 minutes

| country = Germany
United States

| language = English

| budget = $12 million{{cite web | url=https://www.boxofficemojo.com/release/rl2959574529/ | title=No Good Deed }}

| gross = $1.4 million{{cite web | url=https://www.boxofficemojo.com/release/rl2959574529/ | title=No Good Deed }}

}}

No Good Deed is a 2002 American crime thriller film directed by Bob Rafelson, his last feature film. It stars Samuel L. Jackson, Milla Jovovich, Stellan Skarsgård and Doug Hutchison. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett. The original music score is by Jeff Beal.

It was entered into the 24th Moscow International Film Festival.{{cite web | title=24th Moscow International Film Festival (2002) | url=http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=2002 | accessdate=2013-03-30 | work=MIFF | url-status=dead | archiveurl=https://web.archive.org/web/20130328141921/http://moscowfilmfestival.ru/miff34/eng/archives/?year=2002 | archivedate=2013-03-28 }}

Plot

Jack Friar is a police detective who, while doing a friend a favor and searching for a runaway teenager on Turk Street, stumbles upon a bizarre band of criminals about to pull off a bank robbery. Jack finds himself being held hostage while the criminals decide what to do with him, and the leader's beautiful girlfriend Erin is left alone to watch Jack.

Erin, who is a master manipulator of the men in the gang, reveals another side to Jack – a melancholy romantic who could have been a classical cellist. She finds Jack's captivity an irresistible turn-on and he cannot figure out if she is being honest or if she is manipulating him as well. Before the gang returns, Jack and Erin's connection intensifies, leaving the fate of the money in question.