Our Lady of the Assassins (film)

{{Other uses|Our Lady of the Assassins (disambiguation){{!}}La virgen de los sicarios}}

{{Infobox film

| name = Our Lady of the Assassins

| image = Lavirgendelossicarios.png

| caption = Theatrical release poster

| native_name = {{Infobox name module|es|La virgen de los sicarios}}

| director = Barbet Schroeder

| screenplay = Fernando Vallejo

| based_on = {{based on|Our Lady of the Assassins|Fernando Vallejo}}

| producer = {{Plainlist|

Margaret Ménégoz
Barbet Schroeder

}}

| starring = {{Plainlist|

Germán Jaramillo
Anderson Ballesteros
Juan David Restrepo
Manuel Busquets

}}

| cinematography = Rodrigo Lalinde

| editing = Elsa Vásquez

| music = Jorge Arriagada

| distributor = {{Plainlist|

Paramount Classics (Colombia and United States){{cite web|title=Paramount Classics guns for Schroeder's Assassins|website=Screen Daily|first=Patrick|last=Frater|date=29 October 2000|access-date=4 November 2021|url=https://www.screendaily.com/paramount-classics-guns-for-schroeders-assassins/404036.article}}
Vértigo Films (Spain){{cite web|title=Our Lady of the Assassins (1999)|website=UniFrance|access-date=4 November 2021|url=https://en.unifrance.org/movie/21335/our-lady-of-the-assassins}}
Les Films du Losange (France)

}}

| released = {{Film date|df=yes|2000|9|1|Telluride Film Festival|2000|9|20|France|2000|10|11|Spain|2000|11|24|Colombia}}

| runtime = 98 minutes

| country = {{Plainlist|

Colombia
Spain
France

}}

| language = Spanish

| gross = $624,525{{cite web |url=https://www.boxofficemojo.com/title/tt0250809/ |title=Our Lady of the Assassins (2000) |website=Box Office Mojo |access-date=23 January 2022}}

}}

Our Lady of the Assassins ({{langx|es|La virgen de los sicarios}}) is a 2000 Spanish-language romantic crime drama film directed by Barbet Schroeder from a screenplay by Fernando Vallejo, based on his 1994 novel of the same title. The film follows a Colombian author in his 50s who returns to his hometown of Medellín after 30 years of absence to find himself trapped in an atmosphere of violence and murder caused by drug cartel warfare.

Plot

Fernando meets Alexis, a handsome gay youth, at a party of one of his old friends and immediately falls for him. The two begin a relationship which, apart from the sex, consists mainly in Fernando telling Alexis how pastoral the city was when he left, while Alexis explains to Fernando the ins and outs of everyday robbery, violence, and shootings. Even though Fernando has come home to die, his sarcastic worldview is mellowed somewhat by his relationship with Alexis.

He soon discovers that Alexis is a gang member and hitman (or sicario) himself, and that members of other gangs are after him. After several assassination attempts fail because of Alexis' skillful handling of his Beretta, he is finally killed by two boys on a motorcycle. Fernando is partly responsible for this, as Alexis' weapon has been lost before the murder due to Fernando's suicidal impulses.

Fernando visits Alexis' mother and gives her some money, and then walks through the streets aimlessly when he encounters Wilmar (Juan David Restrepo), who bears a striking resemblance to Alexis, not only in his looks but in his entire manner.

He invites Wilmar for lunch and the two begin an affair, rekindling the kind of relationship he had with Alexis. Wilmar is also a killer, but it is a shocking revelation to Fernando when he finds out that Wilmar is the one who shot Alexis. He vows to kill Wilmar, but then learns it was Alexis who started the violence by killing Wilmar's brother, calling for vengeance on him by Wilmar.

When Wilmar goes to say goodbye to his mother before he and Fernando leave the country together, he is killed as well. Seeing that the vicious cycle of atrocities in Medellín denies happiness, Fernando presumably commits suicide, if the last scene is taken to hint at that.

Cast

{{ill|Germán Jaramillo|es}} as Fernando
{{ill|Anderson Ballesteros|es}} as Alexis
Juan David Restrepo as Wilmar
{{ill|Manuel Busquets|es}} as Alfonso

Production

The film was shot with early high-definition video cameras (Sony HDW-700) in the year 2000. The digital video gives the film a cinéma vérité look and was one of the first uses of HD video for a feature film.{{citation needed|date=January 2016}}