Our Man in Marrakesh

{{Short description|1966 British film by Don Sharp}}

{{Use dmy dates|date=April 2016}}

{{Use British English|date=April 2016}}

{{Infobox film

| name = Our Man in Marrakesh

| image = Our Man in Marrakesh - UK cinema poster.jpg

| caption = British cinema poster by Tom Chantrell

| director = Don Sharp

| writer = Peter Yeldham

| based_on = original story by Peter Welbeck (Harry Alan Towers)

| producer = Harry Alan Towers

| starring = Tony Randall
Senta Berger
Herbert Lom
Wilfrid Hyde-White
Terry-Thomas

| cinematography = Michael Reed

| editing = Teddy Darvas

| music = Malcolm Lockyer

| studio = Marrakesh Film

| distributor = Anglo-Amalgamated
American International Pictures (US)

| released = {{Film date|df=y|1966|05|05|UKThe Times, 5 May 166, page 20: Humorous variations on theme of the secret agent - found in The Times Digital Archive 2014-07-20}}

| runtime = 92 minutes

| country = United Kingdom

| language = English

}}

Our Man in Marrakesh (also known as Intriga Brutal;{{Cite web |title=Our Man in Marrakesh |url=https://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150039170 |access-date=10 February 2025 |website=British Film Institute Collections Search}} U.S. title: Bang! Bang! You're Dead!) is a 1966 British comedy spy film directed by Don Sharp and starring Tony Randall, Herbert Lom and Senta Berger.{{cite web |url=https://movies.nytimes.com/movie/84384/Our-Man-in-Marrakesh/overview |archive-url=https://web.archive.org/web/20110520220651/http://movies.nytimes.com/movie/84384/Our-Man-in-Marrakesh/overview |url-status=dead |archive-date=20 May 2011 |department=Movies & TV Dept. |work=The New York Times |publisher=Baseline & All Movie Guide |author=Hal Erickson |title=Our Man in Marrakesh|author-link=Hal Erickson (author) |date=2011 |access-date=21 October 2008}}{{cite magazine|first=Stephen|last=Vagg|magazine=Filmink|url=https://www.filmink.com.au/forgotten-british-moguls-nat-cohen-part-three-1962-68/|date=21 January 2025|access-date=21 January 2025|title=Forgotten British Moguls: Nat Cohen – Part Three (1962-68)}} It was written by Peter Yeldham from a story by Harry Alan Towers (as Peter Welbeck) and produced by Towers.

In the film, a courier transports the bribe money intended to pay for a fixed vote in the United Nations. The courier's identity is unknown, but they are thought to be one of the six persons traveling from Casablanca to Marrakesh on a bus. Intrigue surrounds the traveling group.

Plot

One of six travellers who catch the bus from Casablanca airport to Marrakesh is carrying $2 million to pay a powerful local man (Herbert Lom) to fix United Nations votes on behalf of an unnamed nation. But not even the powerful man knows which of them it is - and his background checks reveal that at least three of them aren't who they claim to be.

As agents from other nations may be among them, he and his henchmen have to be very careful until the courier chooses to reveal himself - or herself. Amidst the international espionage and involvement of criminal gangs, an American businessman finds himself at the centre of the situation and, assisted by an attractive super-spy, must set out to clear his name.

Main cast

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Production

Writer Yeldham and director Sharp were both Australians who worked several times with Harry Alan Towers.{{cite magazine|first=Stephen|last=Vagg|url=https://www.filmink.com.au/unsung-aussie-filmmakers-don-sharp-top-25/|magazine=Filmink|title=Unsung Aussie Filmmakers: Don Sharp – A Top 25|date=July 27, 2019}} Sharp said "it had a cast which showed you where the money had come from." The film was shot in Morocco using "frozen" funds owed to Warner Bros. Sharp says just before filming started Warner's revealed that the exchange rate meant their funds would not cover the cost for the whole film so Towers had to scramble to raise additional financing. This involved Towers arranging for suitcases of cash to be smuggled into the country.{{cite interview |last=Sharp |first=Don |subject-link= |interviewer=

Teddy Darvas and Alan Lawson |title=Don Sharp Side 4|work= |date=2 November 1993 |publisher=History Project |location=London |url= https://historyproject.org.uk/interview/don-sharp|access-date=14 July 2021}}

Reception

Our Man in Marrakesh opened in London on 5 May 1966, the same day as A Man Could Get Killed and the day before Modesty Blaise. This caused the critic in The Times to write a combined review titled "Humorous variations on theme of the secret agent", where Our Man in Marrakesh is noted for having a story similar to A Man Could Get Killed. The reviewer wrote: "There are one or two nice ideas, like the chase through the dyers’ quarter, with skeins of boldly-coloured wool impeding pursuer and pursued. But the dialogue is mostly so clod-hopping, especially when it tries to be funny, and is delivered so portentously, that director Don Sharp’s occasional pretty pictures fail noticeably to lighten the load."

The Monthly Film Bulletin wrote: "Nicely photographed on location and kept moving at a spanking pace, this is a spy spoof that works because it keeps the thread of the plot well in hand, spreads a few plausible red herrings, and on its own absurd level suspends disbelief without sending up the lunatic conventions. Tony Randall is a pleasantly reluctant hero, the two young women are outstandingly glamorous, Herbert Lom is sinister and suave, and the supporting cast of British stalwarts does its usual stuff with reliability and competence. There is also a 'small bonus in the belated but splendidly characteristic appearance of Terry-Thomas as the Anglophile Arab."{{Cite journal |date=1 January 1966 |title=Our Man in Marrakesh |volume=33 |issue=384 |pages=96 |id={{ProQuest|1305837167}} |magazine=The Monthly Film Bulletin}}

Tony Sloman in The Radio Times Guide to Films gave the film 2/5 stars, writing: "The excellent Tony Randall stars as an American tourist caught up in spy antics in Morocco. The scenery is fabulous and the second-rung supporting cast fun to watch, but the script and production budget would defeat the hardiest director. Still, veteran professionals such as Herbert Lom, Wilfrid Hyde White and Terry-Thomas do what they can with the material, and Klaus Kinski and John Le Mesurier turn up, too."{{Cite book |title=Radio Times Guide to Films |publisher=Immediate Media Company |year=2017 |isbn=9780992936440 |edition=18th |location=London |pages=693}}

References

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