Pandora Press

{{Short description|Publishing imprint for feminist books}}

Pandora Press is a UK feminist publishing imprint that was founded in 1983 by Philippa Brewster{{cite magazine|url=https://www.thebookseller.com/news/editor-publisher-and-literary-agent-philippa-brewster-dies-aged-74|title=Editor, publisher and literary agent Philippa Brewster dies aged 74|first=Melina|last=Spanoudi|magazine=The Bookseller|date=1 November 2024|access-date=4 November 2024}} at Routledge and Kegan Paul, with Dale Spender as editor-at-large.{{cite news|url=https://www.theguardian.com/world/2023/dec/19/dale-spender-obituary|title=Dale Spender obituary|newspaper=The Guardian|first=Julie|last= Bindel|author-link=Julie Bindel|date=19 December 2023}} It was the first imprint to produce a list devoted primarily to feminist non-fiction.{{Cite book|last=Murray|first=Simone|title=Mixed Media: Feminist Presses and Publishing Politics|publisher=Pluto Press|year=2004|isbn=9780745320151|location=London|pages=13–17, 94–95}} Among early Pandora Press titles were Spender's There's Always Been a Women's Movement This Century (1983) and Time and Tide Wait for No Man (1984), and other authors published by the imprint included Marge Piercy (Stone, Paper, Knife, 1983) and Jeanette Winterson (Oranges Are Not the Only Fruit, 1985, winner of the Whitbread Award for a first novel).{{cite news|url=https://www.theguardian.com/books/2004/may/29/fiction.jeanettewinterson|title=Redemption songs|first=Maya|last=Jaggi|author-link=Maya Jaggi|newspaper=The Guardian|date=29 May 2004}} Brewster took on a book written by the women of Greenham Common, about which she has said: "That seemed to fulfill what we really wanted to do. ...We were all part of the women's movement. We represented it, but we also informed it."{{cite news|url=https://www.theguardian.com/books/2013/mar/14/virago-changed-publishers-attitudes-women|title=Has Virago changed the publishing world's attitudes towards women?|newspaper=The Guardian|first=Kira|last=Cochrane|date=14 March 2013}} Also a commissioning editor for Pandora Press was Candida Lacey, who went on to become publisher of Myriad Editions for 15 years.{{cite magazine|url=https://www.thebookseller.com/news/lacey-departs-myriad-company-scales-back-1273540|title=Lacey departs Myriad after 15 years as parent firm 'scales back' publishing|magazine=The Bookseller|date=28 July 2021|first=Ruth|last=Comerford|access-date=19 February 2024}}{{cite book|url=https://myriadeditions.com/wp-content/uploads/2017/11/Margaret-Busby-Introduction-and-Acknowledgements-New-Daughters-of-Africa-Myriad-Editions.pdf|chapter=Acknowledgements|first=Margaret|last=Busby|author-link=Margaret Busby|title=New Daughters of Africa|publisher=Myriad Editions|page=xxiii|date=2019}}

Pandora Press was committed to addressing women's contribution to literary history and to showing, according to The New York Times, that "women were the mothers of the novel and that any other version of its origin is but a myth of male creation", as demonstrated in Spender's 1986 work Mothers of the Novel: 100 Good Women Writers Before Jane Austen.{{Cite news|last=Gilbert|first=Sandra M.|date=4 May 1986|title=Paperbacks; From Our Mothers' Libraries – Women Who Created the Novel|language=en-US|newspaper=The New York Times|url=https://www.nytimes.com/1986/05/04/books/paperbacks-from-our-mothers-libraries-women-who-created-the-novel.html|access-date=19 February 2024|issn=0362-4331}} As well as exploring the output of female writers of the 17th, 18th and early 19th centuries, whose work had been overlooked by male historians and literary critics, Spender produced an accompanying series for Pandora Press that featured such writers as Maria Edgeworth, Charlotte Lennox, Mary Hays and Mary Brunton.

The imprint published titles by such notable contemporary writers as Michelene Wandor (ed. On Gender and Writing, 1983, with contributors including Sara Maitland, Judith Kazantzis, Wendy Mulford, Libby Houston, Michèle Roberts, Angela Carter, Noel Greig, Rozsika Parker, Alison Hennegan, Jill Tweedie, Angela Phillips, Mary Stott, Penelope Shuttle, Peter Redgrove, Pam Gems, Eva Figes, Margaret Drabble and Fay Weldon),{{cite web|url=https://michelenewandor.co.uk/non-fiction/|title=Books {{!}} Non-Fiction|website=Michelene Wandor website|access-date=20 February 2024}}{{cite web|url=https://search.lib.buffalo.edu/discovery/fulldisplay?vid=01SUNY_BUF:everything&tab=Everything&docid=alma990017565540204803&lang=en&context=L&adaptor=Local%20Search%20Engine&offset=0|title=On gender and writing / edited by Michelene Wandor|website=lib.buffalo.edu|access-date=20 February 2024}} and Cynthia Enloe (Bananas, Beaches and Bases: Making Feminist Sense of International Politics, 1989), among others.{{cite web|url=https://exhibitions.lib.udel.edu/50-feminist-books/books-21-30/|title=50 Feminist Books That Changed Our Lives|publisher=University of Delaware|access-date=20 February 2024}}

As reported by Simone Murray in Mixed Media: Feminist Presses and Publishing Politics (Pluto Press, 2004), Pandora Press became part of HarperCollins Publishers for a while, before being "sold in January 1998 to the small-scale North London independent, Rivers Oram Press."{{cite book|last=Murray|first=Simone|chapter=Introduction|title=In Mixed Media: Feminist Presses and Publishing Politics|page=13|publisher=Pluto Press|date=2004|doi=10.2307/j.ctt184qpx0.5}}