Piano Concerto No. 3 (Villa-Lobos)
{{Infobox musical composition
| name = Piano Concerto No. 3
| type = Concerto
| composer = Heitor Villa-Lobos
| image = Heitor Villa-Lobos (c. 1922).jpg
| caption = Heitor Villa-Lobos
| key =
| catalogue = W512
| dedication = Arnaldo Estrella
| duration = 26 minutes
| occasion =
| movements = 4
| composed = {{Timeline-event|date={{Start date|1952}}–{{End date|1957|df=y}}|location=Rio de Janeiro, New York}}
| publisher = Max Eschig
| published = {{Timeline-event|date={{Start date|1984}}|location=Paris}} (reduction for two pianos)
| scoring = {{hlist|piano|orchestra}}
| premiere_date = {{Timeline-event|date={{Start date|1957|08|24|df=y}}}}
| premiere_location = Theatro Municipal, Rio de Janeiro
| premiere_conductor = Eleazar de Carvalho
| premiere_performers = {{ill|Arnaldo Estrella|pt||ru| Эстрела, Арналду}}; Orchestra Sinfônica do Theatro Municipal
| first_recording = {{start date|1984|06|df=y}} Fernando Lopes, piano; Orquestra Sinfônica Municipal de Campinas; conducted by Benito Juarez. Released as part of a 4-LP set of the five Villa-Lobos Piano Concertos, Energia de São Paulo LPVL 01/25 – LPVL 04/25.
}}
File:Theatro Municipal do Rio de Janeiro, fachada.jpg, venue of the concerto's premiere]]
The Piano Concerto No. 3, W512, is a composition for piano and orchestra by the Brazilian composer Heitor Villa-Lobos, written in 1952–57. A performance lasts about 26 minutes.
History
Villa-Lobos began composing the Third Concerto in Rio de Janeiro in 1952, but interrupted work in favour of other commissions, completing it in New York only in 1957, five years after composing the Fourth Concerto and three years after completing the Fifth Concerto. It was first performed on 24 August 1957 at the Theatro Municipal in Rio de Janeiro, by Arnaldo Estrella (to whom the score is dedicated), and the Orquestra Sinfônica Brasileira; conducted by Eleazar de Carvalho.{{sfn|Villa-Lobos, sua obra|2009|pp=57–58}}
Instrumentation
The work is scored for solo piano and an orchestra consisting of piccolo, 2 flutes, 2 oboes, cor anglais, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 2 trombones, tuba, timpani, percussion (tam-tam, cymbal, vibraphone), celesta, harp, and strings.
Analysis
The concerto has four movements:
- Allegro non troppo
- Andante con moto
- Scherzo (Vivace) – Cadenza
- Allegro vivace (decisivo)
The transparent, Aeolian main theme of the first movement recalls the openings of some of Sergei Prokofiev's concertos and the Third Piano Concerto of Béla Bartók. In general, the concerto is "athematic", avoiding characteristic melodies. The slow movement is an exception, with lyrical, clear themes.{{sfn|Tarasti|1995|p=347}}
Discography
- Heitor Villa-Lobos: 5 concertos para piano e orquestra. Fernando Lopes, piano; Orquestra Sinfônica Municipal de Campinas; conducted by Benito Juarez. Recorded 18–24 June 1984, in the Teatro Interno do Centro de Covivência Cultural da Campinas. LP recording, 4 discs: 12 inch, 33⅓ rpm, stereo. Energia de São Paulo: LPVL 01/25 – LPVL 04/25. São Paulo: Energia de São Paulo, [1984?].
- Heitor Villa-Lobos: Five Piano Concertos. Cristina Ortiz, piano; Royal Philharmonic Orchestra, conducted by Miguel Ángel Gómez Martínez. Recorded at the Walthamstow Assembly Hall in October 1989, January and July 1990. 2-CD set: stereo. London 430 628-2 (430 629-2 and 430 630–2). London: The Decca Record Company Limited, 1992.
- Heitor Villa-Lobos: Cinco Conciertos para Piano y Orquesta. Elvira Santiago, piano (Concerto No. 1); Ulises Hernández, piano (Concerto No. 2); Patricio Malcolm, piano (Concerto No. 3); Harold López-Nussa, piano (Concerto No. 4); Roberto Urbay, piano (Concerto No. 5); Orquesta Sinfónica Nacional de Cuba, conducted by Enrique Pérez Mesa. Concerto No. 3 recorded at the Teatro Auditorium Amadeo Roldán, Havana, Cuba, 10 December 2003, as part of the XXV Festival Internacional del Nuevo Cine Latinoamericano. 2 CDs + 1 DVD. Colibrí DVD/CD 050. Havana: Colibrí, 2006.
References
{{reflist|20em}}
=Cited sources=
- {{wikicite|ref={{harvid|Tarasti|1995}}|reference=Tarasti, Eero. 1995. Heitor Villa-Lobos: The Life and Works, 1887–1959, translated from the Finnish by the author. Jefferson, North Carolina, and London: McFarland. {{ISBN|0-7864-0013-7}}.}}
- {{wikicite|ref={{harvid|Villa-Lobos, sua obra|2009}}|reference=[http://museuvillalobos.org.br/ingles/bancodad/VLSO_1.0.pdf Villa-Lobos, sua obra]. 2009. Version 1.0. MinC / IBRAM, and the Museu Villa-Lobos. Based on the third edition, 1989.}}
Further reading
- Appleby, David P. 2002. Heitor Villa-Lobos: A Life (1887–1959). Lanham, Maryland: Scarecrow Press. {{ISBN|978-0-8108-4149-9}}.
- Fortes Filho, Raimundo M. de Melo. 2004. Concerto Para Piano e Orquestra n. 1 de Villa-Lobos: Um Estudo Analítico-Interpretativo. Masters thesis, Universidade Federal da Bahia.
- Johnson, Bret. 1992. "Villa-Lobos: Piano Concertos Nos. 1–5 by Cristina Ortiz, Miguel Gomez- Martinez". Tempo, New Series, No. 182, Russian Issue (September): 60–61.
- Peppercorn, Lisa M. 1984. Villa-Lobos's Commissioned Compositions. Tempo, New Series, No. 151 (December), pp. 28–31.
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