Piano key frequencies#List

This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A₄), tuned to 440 Hz (referred to as A440).{{Cite web|url=http://www.ericweisstein.com/encyclopedias/music/EqualTemperament.html|title=Equal Temperament -- from Eric Weisstein's Treasure Trove of Music|last=Weisstein|first=Eric|website=Eric Weisstein's Treasure Trove of Music|url-status=live|archive-url=https://web.archive.org/web/20190614131343/http://www.ericweisstein.com/encyclopedias/music/EqualTemperament.html|archive-date=2019-06-14|access-date=2019-12-26}}{{Cite web|url=https://www.yuvalnov.org/temperament/|title=Explaining the Equal Temperament|last=Nov|first=Yuval|website=www.yuvalnov.org|url-status=live|archive-url=https://web.archive.org/web/20190526025417/https://www.yuvalnov.org/temperament|archive-date=2019-05-26|access-date=2019-12-26}} Every octave is made of twelve steps called semitones. A jump from the lowest semitone to the highest semitone in one octave doubles the frequency (for example, the fifth A is 440 Hz and the sixth A is 880 Hz). The frequency of a pitch is derived by multiplying (ascending) or dividing (descending) the frequency of the previous pitch by the twelfth root of two (approximately 1.059463). For example, to get the frequency one semitone up from A₄ (A{{music|#}}₄), multiply 440 Hz by the twelfth root of two. To go from A₄ up two semitones (one whole tone) to B₄, multiply 440 twice by the twelfth root of two (or once by the sixth root of two, approximately 1.122462). To go from A₄ up three semitones to C₅ (a minor third), multiply 440 Hz three times by the twelfth root of two (or once by the fourth root of two, approximately 1.189207). For other tuning schemes, refer to musical tuning.

This list of frequencies is for a theoretically ideal piano. On an actual piano, the ratio between semitones is slightly larger, especially at the high and low ends, where string stiffness causes inharmonicity, i.e., the tendency for the harmonic makeup of each note to run sharp. To compensate for this, octaves are tuned slightly wide, stretched according to the inharmonic characteristics of each instrument.{{Cite web|url=https://www.pianotechnician.com/tuning.html|title=Information on Piano Tuning|last=Citak|first=Ray|website=www.pianotechnician.com|url-status=live|archive-url=https://web.archive.org/web/20190226033129/http://www.pianotechnician.com/tuning.html|archive-date=2019-02-26|access-date=2019-12-26}} This deviation from equal temperament is called the Railsback curve.

The following equation gives the frequency {{mvar|f}} (Hz) of the {{mvar|n}}^th key on the idealized standard piano with the 49th key tuned to A₄ at 440 Hz:

: $f(n) = \left(\sqrt[12]{2}\,\right)^{n-49} \times 440 \,\text{Hz}\, = 2^{\frac{n-49}{12}} \times 440 \,\text{Hz}\,$

where {{mvar|n}} is shown in the table below.

Conversely, the key number of a pitch with a frequency {{mvar|f}} (Hz) on the idealized standard piano is:

: $n = 12 \, \log_2\left({\frac{f}{440 \,\text{Hz}}}\right) + 49$

List

File:Piano Frequencies.svg (cyan) and A440 (yellow) highlighted]]

File:Piano key frequencies.png

Values in bold are exact on an idealized standard piano. Keys shaded gray are rare and only appear on extended pianos. The normal 88 keys were numbered 1–88, with the extra low keys numbered 89–97 and the extra high keys numbered 98–108. A 108-key piano that extends from C₀ to B₈ was first built in 2018 by Stuart & Sons.{{Cite web|url=https://www.abc.net.au/news/2018-09-15/worlds-first-108-key-concert-grand-piano-built-by-australian/10246340|title=Australian behind world's grandest piano|last=Wills|first=Oscar|last2=King|first2=Rosie|date=2018-09-15|website=ABC News|language=en-AU|publication-place=Australia|url-status=live|archive-url=https://web.archive.org/web/20190611190146/https://www.abc.net.au/news/2018-09-15/worlds-first-108-key-concert-grand-piano-built-by-australian/10246340|archive-date=2019-06-11|access-date=2019-12-26}} (Note: these piano key numbers 1–108 are not the {{mvar|n}} keys in the equations or the table.)

class="wikitable sortable" style="text-align:center;"

! rowspan="2" width="30px" |Piano key number

! rowspan="2" width="30px" |MIDI note number

! rowspan="2" width="150px" |Helmholtz name{{Cite web|url=http://www.flutopedia.com/octave_notation.htm|title=Octave Notation|last=Goss|first=Clint|date=2019-02-18|website=Flutopedia|url-status=live|archive-url=https://web.archive.org/web/20190512205909/http://flutopedia.com/octave_notation.htm|archive-date=2019-05-12|access-date=2019-12-26}}

! rowspan="2" width="140px" |Scientific pitch name

! rowspan="2" width="20px" |{{mvar|n}}

! rowspan="2" width="138px" |Frequency {{mvar|f}}({{mvar|n}}) (Hz) (Equal temperament) {{Cite web|url=https://pages.mtu.edu/~suits/notefreqs.html|title=Frequencies of Musical Notes, A4 = 440 Hz|last=Suits|first=Bryan|year=1998|website=Physics of Music — Notes|publisher=Michigan Tech University|url-status=live|archive-url=https://web.archive.org/web/20191216163453/https://pages.mtu.edu/~suits/notefreqs.html|archive-date=2019-12-16|access-date=2019-12-26}}

! colspan="6" | Corresponding open strings on other instruments

! colspan="6" | Vocal Ranges

!width="5%" {{vert header| Violin }}

!width="6%" {{vert header|Viola}}

!width="7%" {{vert header|Cello}}

!width="7%" {{vert header|Bass}}

!width="9%" {{vert header|Guitar}}

!width="5%" {{vert header|Ukulele}}

!width="5%" {{vert header|Soprano}}

!width="6%" {{vert header|Mezzo-soprano}}

!width="7%" {{vert header|Contralto}}

!width="7%" {{vert header|Tenor}}

!width="9%" {{vert header|Baritone}}

!width="5%" {{vert header|Bass}}

bgcolor="lightgray" |108

| bgcolor="lightgray" |119

| bgcolor="lightgray" |b′′′′′

| bgcolor="lightgray" |B₈

| bgcolor="lightgray" |99

| bgcolor="lightgray" |7902.133

| bgcolor="lightgray" |

bgcolor="darkslategray" style="color:white"|107

| bgcolor="lightgray" | 118

| bgcolor="lightgray" | a{{music|#}}′′′′′/b{{music|b}}′′′′′

| bgcolor="lightgray" | A{{music|#}}₈/B{{music|b}}₈

| bgcolor="lightgray" | 98

| bgcolor="lightgray" | 7458.620

| bgcolor="lightgray" |

bgcolor="lightgray"|106

| bgcolor="lightgray" | 117

| bgcolor="lightgray" | a′′′′′

| bgcolor="lightgray" | A₈

| bgcolor="lightgray" | 97

| bgcolor="lightgray" |7040.000

| bgcolor="lightgray" |

bgcolor="darkslategray" style="color:white"|105

| bgcolor="lightgray" | 116

| bgcolor="lightgray" | g{{music|#}}′′′′′/a{{music|b}}′′′′′

| bgcolor="lightgray" | G{{music|#}}₈/A{{music|b}}₈

| bgcolor="lightgray" | 96

| bgcolor="lightgray" |6644.875

| bgcolor="lightgray" |

bgcolor="lightgray"|104

| bgcolor="lightgray" | 115

| bgcolor="lightgray" | g′′′′′

| bgcolor="lightgray" | G₈

| bgcolor="lightgray" | 95

| bgcolor="lightgray" |6271.927

| bgcolor="lightgray" |

bgcolor="darkslategray" style="color:white"|103

| bgcolor="lightgray" | 114

| bgcolor="lightgray" | f{{music|#}}′′′′′/g{{music|b}}′′′′′

| bgcolor="lightgray" | F{{music|#}}₈/G{{music|b}}₈

| bgcolor="lightgray" | 94

| bgcolor="lightgray" | 5919.911

| bgcolor="lightgray" |

bgcolor="lightgray" | 102

| bgcolor="lightgray" | 113

| bgcolor="lightgray" | f′′′′′

| bgcolor="lightgray" | F₈

| bgcolor="lightgray" | 93

| bgcolor="lightgray" | 5587.652

| bgcolor="lightgray" |

bgcolor="lightgray" | 101

| bgcolor="lightgray" | 112

| bgcolor="lightgray" | e′′′′′

| bgcolor="lightgray" | E₈

| bgcolor="lightgray" | 92

| bgcolor="lightgray" | 5274.041

| bgcolor="lightgray" |

bgcolor="darkslategray" style="color:white" | 100

| bgcolor="lightgray" | 111

| bgcolor="lightgray" | d{{music|#}}′′′′′/e{{music|b}}′′′′′

| bgcolor="lightgray" | D{{music|#}}₈/E{{music|b}}₈

| bgcolor="lightgray" | 91

| bgcolor="lightgray" | 4978.032

| bgcolor="lightgray" |

bgcolor="lightgray" | 99

| bgcolor="lightgray" | 110

| bgcolor="lightgray" | d′′′′′

| bgcolor="lightgray" | D₈

| bgcolor="lightgray" | 90

| bgcolor="lightgray" | 4698.636

| bgcolor="lightgray" |

bgcolor="darkslategray" style="color:white" | 98

| bgcolor="lightgray" | 109

| bgcolor="lightgray" | c{{music|#}}′′′′′/d{{music|b}}′′′′′

| bgcolor="lightgray" | C{{music|#}}₈/D{{music|b}}₈

| bgcolor="lightgray" | 89

| bgcolor="lightgray" | 4434.922

| bgcolor="lightgray" |

bgcolor="white" style="color:black" | 88

|108

|c′′′′′ 5-line octave

|C₈ Eighth octave

|88

|4186.009

bgcolor="white" style="color:black" | 87

|107

|b′′′′

|B₇

|87

|3951.066

bgcolor="black" style="color:white" | 86

|106

|a{{music|#}}′′′′/b{{music|b}}′′′′

|A{{music|#}}₇/B{{music|b}}₇

|86

|3729.310

bgcolor="white" style="color:black" | 85

|105

|a′′′′

|A₇

|85

|3520.000

bgcolor="black" style="color:white" | 84

|104

|g{{music|#}}′′′′/a{{music|b}}′′′′

|G{{music|#}}₇/A{{music|b}}₇

|84

|3322.438

bgcolor="white" style="color:black" | 83

|103

|g′′′′

|G₇

|83

|3135.963

bgcolor="black" style="color:white" | 82

|102

|f{{music|#}}′′′′/g{{music|b}}′′′′

|F{{music|#}}₇/G{{music|b}}₇

|82

|2959.955

bgcolor="white" style="color:black" | 81

|101

|f′′′′

|F₇

|81

|2793.826

bgcolor="white" style="color:black" | 80

|100

|e′′′′

|E₇

|80

|2637.020

bgcolor="black" style="color:white" | 79

|99

|d{{music|#}}′′′′/e{{music|b}}′′′′

|D{{music|#}}₇/E{{music|b}}₇

|79

|2489.016

bgcolor="white" style="color:black" | 78

|98

|d′′′′

|D₇

|78

|2349.318

bgcolor="black" style="color:white" | 77

|97

|c{{music|#}}′′′′/d{{music|b}}′′′′

|C{{music|#}}₇/D{{music|b}}₇

|77

|2217.461

bgcolor="white" style="color:black" | 76

|96

|c′′′′ 4-line octave

|C₇ Double high C

|76

|2093.005

bgcolor="white" style="color:black" | 75

|95

|b′′′

|B₆

|75

|1975.533

bgcolor="black" style="color:white" | 74

|94

|a{{music|#}}′′′/b{{music|b}}′′′

|A{{music|#}}₆/B{{music|b}}₆

|74

|1864.655

bgcolor="white" style="color:black" | 73

|93

|a′′′

|A₆

|73

|1760.000

bgcolor="black" style="color:white" | 72

|92

|g{{music|#}}′′′/a{{music|b}}′′′

|G{{music|#}}₆/A{{music|b}}₆

|72

|1661.219

bgcolor="white" style="color:black" | 71

|91

|g′′′

|G₆

|71

|1567.982

bgcolor="black" style="color:white" | 70

|90

|f{{music|#}}′′′/g{{music|b}}′′′

|F{{music|#}}₆/G{{music|b}}₆

|70

|1479.978

bgcolor="white" style="color:black" | 69

|89

|f′′′

|F₆

|69

|1396.913

bgcolor="white" style="color:black" | 68

|88

|e′′′

|E₆

|68

|1318.510

bgcolor="black" style="color:white" | 67

|87

|d{{music|#}}′′′/e{{music|b}}′′′

|D{{music|#}}₆/E{{music|b}}₆

|67

|1244.508

bgcolor="white" style="color:black" | 66

|86

|d′′′

|D₆

|66

|1174.659

bgcolor="black" style="color:white" | 65

|85

|c{{music|#}}′′′/d{{music|b}}′′′

|C{{music|#}}₆/D{{music|b}}₆

|65

|1108.731

bgcolor="white" style="color:black" | 64

|84

|c′′′ 3-line octave

|C₆ Soprano C (High C)

|64

|1046.502

| rowspan="25" {{yes C

}

| bgcolor="white" style="color:black" | 63

|83

|b′′

|B₅

|63

|987.7666

| bgcolor="black" style="color:white" | 62

|82

|a{{music|#}}′′/b{{music|b}}′′

|A{{music|#}}₅/B{{music|b}}₅

|62

|932.3275

| bgcolor="white" style="color:black" | 61

|81

|a′′

|A₅

|61

|880.0000

| rowspan="25" {{yes C|}}

| bgcolor="black" style="color:white" | 60

|80

|g{{music|#}}′′/a{{music|b}}′′

|G{{music|#}}₅/A{{music|b}}₅

|60

|830.6094

| bgcolor="white" style="color:black" | 59

|79

|g′′

|G₅

|59

|783.9909

| bgcolor="black" style="color:white" | 58

|78

|f{{music|#}}′′/g{{music|b}}′′

|F{{music|#}}₅/G{{music|b}}₅

|58

|739.9888

| rowspan="25" {{yes C|}}

| bgcolor="white" style="color:black" | 57

|77

|f′′

|F₅

|57

|698.4565

| bgcolor="white" style="color:black" | 56

|76

|e′′

|E₅

|56

|659.2551

|E (5 String Viola)

| bgcolor="black" style="color:white" | 55

|75

|d{{music|#}}′′/e{{music|b}}′′

|D{{music|#}}₅/E{{music|b}}₅

|55

|622.2540

| bgcolor="white" style="color:black" | 54

|74

|d′′

|D₅

|54

|587.3295

| bgcolor="black" style="color:white" | 53

|73

|c{{music|#}}′′/d{{music|b}}′′

|C{{music|#}}₅/D{{music|b}}₅

|53

|554.3653

| rowspan="25" {{yes C|}}

| bgcolor="white" style="color:black" | 52

|72

|c′′ 2-line octave

|C₅ Tenor C

|52

|523.2511

| bgcolor="white" style="color:black" | 51

|71

|b′

|B₄

|51

|493.8833

| High B (Optional for 12 String Guitar)

| bgcolor="black" style="color:white" | 50

|70

|a{{music|#}}′/b{{music|b}}′

|A{{music|#}}₄/B{{music|b}}₄

|50

|466.1638

| bgcolor="white" style="color:black" | 49

|69

|a′

| bgcolor="yellow" style="color:black" |A₄ A440

| bgcolor="yellow" style="color:black" |49

| bgcolor="yellow" style="color:black" |440.0000

| High A (Optional)

| A

| rowspan="25" {{yes C|}}

| bgcolor="black" style="color:white" | 48

|68

|g{{music|#}}′/a{{music|b}}′

|G{{music|#}}₄/A{{music|b}}₄

|48

|415.3047

| High Ab (12 Single String Bass)

| bgcolor="white" style="color:black" | 47

|67

|g′

|G₄

|47

|391.9954

| High G

| bgcolor="black" style="color:white" | 46

|66

|f{{music|#}}′/g{{music|b}}′

|F{{music|#}}₄/G{{music|b}}₄

|46

|369.9944

| bgcolor="white" style="color:black" | 45

|65

|f′

|F₄

|45

|349.2282

| bgcolor="white" style="color:black" | 44

|64

|e′

|E₄

|44

|329.6276

|High E (5 String Cello)

|High E

| rowspan="25" {{yes C|}}

| bgcolor="black" style="color:white" | 43

|63

|d{{music|#}}′/e{{music|b}}′

|D{{music|#}}₄/E{{music|b}}₄

|43

|311.1270

| High Eb (12 String Single String Bass)

| bgcolor="white" style="color:black" | 42

|62

|d′

|D₄

|42

|293.6648

| bgcolor="black" style="color:white" | 41

|61

|c{{music|#}}′/d{{music|b}}′

|C{{music|#}}₄/D{{music|b}}₄

|41

|277.1826

| bgcolor="white" style="color:black" | 40

|60

|c′ 1-line octave

| bgcolor="skyblue" style="color:black" |C₄ Middle C

| bgcolor="skyblue" |40

| bgcolor="skyblue" |261.6256

| C

| bgcolor="white" style="color:black" | 39

|59

|B₃

|39

|246.9417

| bgcolor="black" style="color:white" | 38

|58

|a{{music|#}}/b{{music|b}}

|A{{music|#}}₃/B{{music|b}}₃

|38

|233.0819

| bgcolor="white" style="color:black" | 37

|57

|A₃

|37

|220.0000

| bgcolor="black" style="color:white" | 36

|56

|g{{music|#}}/a{{music|b}}

|G{{music|#}}₃/A{{music|b}}₃

|36

|207.6523

| bgcolor="white" style="color:black" | 35

|55

|G₃

|35

|195.9977

| Low G

| bgcolor="black" style="color:white" | 34

|54

|f{{music|#}}/g{{music|b}}

|F{{music|#}}₃/G{{music|b}}₃

|34

|184.9972

| bgcolor="white" style="color:black" | 33

|53

|F₃

|33

|174.6141

|High F (7 String)

| bgcolor="white" style="color:black" | 32

|52

|E₃

|32

|164.8138

|High E (5th tuning, 5 String Bass)

| bgcolor="black" style="color:white" | 31

|51

|d{{music|#}}/e{{music|b}}

|D{{music|#}}₃/E{{music|b}}₃

|31

|155.5635

| bgcolor="white" style="color:black" | 30

|50

|D₃

|30

|146.8324

| bgcolor="black" style="color:white" | 29

|49

|c{{music|#}}/d{{music|b}}

|C{{music|#}}₃/D{{music|b}}₃

|29

|138.5913

| bgcolor="white" style="color:black" | 28

|48

|c small octave

|C₃

|28

|130.8128

|C (5 String)

|C (6 string)

| bgcolor="white" style="color:black" | 27

|47

|B₂

|27

|123.4708

| bgcolor="black" style="color:white" | 26

|46

|A{{music|#}}/B{{music|b}}

|A{{music|#}}₂/B{{music|b}}₂

|26

|116.5409

| bgcolor="white" style="color:black" | 25

|45

|A₂

|25

|110.0000

|A (5th tuning Upright)

| bgcolor="black" style="color:white" | 24

|44

|G{{music|#}}/A{{music|b}}

|G{{music|#}}₂/A{{music|b}}₂

|24

|103.8262

| bgcolor="white" style="color:black" | 23

|43

|G₂

|23

|97.99886

| bgcolor="black" style="color:white" | 22

|42

|F{{music|#}}/G{{music|b}}

|F{{music|#}}₂/G{{music|b}}₂

|22

|92.49861

| bgcolor="white" style="color:black" | 21

|41

|F₂

|21

|87.30706

| Low F (6 String)

| bgcolor="white" style="color:black" | 20

|40

|E₂

|20

|82.40689

|Low E

| bgcolor="black" style="color:white" | 19

|39

|D{{music|#}}/E{{music|b}}

|D{{music|#}}₂/E{{music|b}}₂

|19

|77.78175

| bgcolor="white" style="color:black" | 18

|38

|D₂

|18

|73.41619

| bgcolor="black" style="color:white" | 17

|37

|C{{music|#}}/D{{music|b}}

|C{{music|#}}₂/D{{music|b}}₂

|17

|69.29566

| bgcolor="white" style="color:black" | 16

|36

|C great octave

|C₂ Deep C

|16

|65.40639

| bgcolor="white" style="color:black" | 15

|35

|B͵

|B₁

|15

|61.73541

|Low B (7 string)

| bgcolor="black" style="color:white" | 14

|34

|A{{music|#}}͵/B{{music|b}}͵

|A{{music|#}}₁/B{{music|b}}₁

|14

|58.27047

| bgcolor="white" style="color:black" | 13

|33

|A͵

|A₁

|13

|55.00000

| bgcolor="black" style="color:white" | 12

|32

|G{{music|#}}͵/A{{music|b}}͵

|G{{music|#}}₁/A{{music|b}}₁

|12

|51.91309

| bgcolor="white" style="color:black" | 11

|31

|G͵

|G₁

|11

|48.99943

|G (5th tuning Upright)

| bgcolor="black" style="color:white" | 10

|30

|F{{music|#}}͵/G{{music|b}}͵

|F{{music|#}}₁/G{{music|b}}₁

|10

|46.24930

|Low F{{music|#}} (8 string)

| bgcolor="white" style="color:black" | 9

|29

|F͵

|F₁

|43.65353

|Low F (6 String)

| bgcolor="white" style="color:black" | 8

|28

|E͵

|E₁

|41.20344

| bgcolor="black" style="color:white" | 7

|27

|D{{music|#}}͵/E{{music|b}}͵

|D{{music|#}}₁/E{{music|b}}₁

|38.89087

| bgcolor="white" style="color:black" | 6

|26

|D͵

|D₁

|36.70810

| bgcolor="black" style="color:white" | 5

|25

|C{{music|#}}͵/D{{music|b}}͵

|C{{music|#}}₁/D{{music|b}}₁

|34.64783

| Low C#(9 String)

| bgcolor="white" style="color:black" | 4

|24

|C͵ contra-octave

|C₁ Pedal C

|32.70320

|C (Upright Extension or 5th tuning)

| bgcolor="white" style="color:black" | 3

|23

|B͵͵

|B₀

|30.86771

|B (5 string)

| bgcolor="black" style="color:white" | 2

|22

|A{{music|#}}͵͵/B{{music|b}}͵͵

|A{{music|#}}₀/B{{music|b}}₀

|29.13524

| bgcolor="white" style="color:black" | 1

|21

|A͵͵

|A₀

|27.50000

| bgcolor="darkslategray" style="color:white" | 97

| bgcolor="lightgray" | 20

| bgcolor="lightgray" | G{{music|#}}͵͵/A{{music|b}}͵͵

| bgcolor="lightgray" | G{{music|#}}₀/A{{music|b}}₀

| bgcolor="lightgray" |0

| bgcolor="lightgray" | 25.95654

| bgcolor="lightgray" |

| bgcolor="lightgray" | Low G# (10 String)

| bgcolor="lightgray" |

| bgcolor="lightgray" | 96

| bgcolor="lightgray" | 19

| bgcolor="lightgray" | G͵͵

| bgcolor="lightgray" | G₀

| bgcolor="lightgray" | −1

| bgcolor="lightgray" | 24.49971

| bgcolor="lightgray" |

| bgcolor="darkslategray" style="color:white" | 95

| bgcolor="lightgray" | 18

| bgcolor="lightgray" | F{{music|#}}͵͵/G{{music|b}}͵͵

| bgcolor="lightgray" | F{{music|#}}₀/G{{music|b}}₀

| bgcolor="lightgray" | −2

| bgcolor="lightgray" | 23.12465

| bgcolor="lightgray" |

| bgcolor="lightgray" | 94

| bgcolor="lightgray" | 17

| bgcolor="lightgray" | F͵͵

| bgcolor="lightgray" | F₀

| bgcolor="lightgray" | −3

| bgcolor="lightgray" | 21.82676

| bgcolor="lightgray" |

| bgcolor="lightgray" | 93

| bgcolor="lightgray" | 16

| bgcolor="lightgray" | E͵͵

| bgcolor="lightgray" | E₀

| bgcolor="lightgray" | −4

| bgcolor="lightgray" | 20.60172

| bgcolor="lightgray" |

| bgcolor="darkslategray" style="color:white" | 92

| bgcolor="lightgray" | 15

| bgcolor="lightgray" | D{{music|#}}͵͵/E{{music|b}}͵͵

| bgcolor="lightgray" | D{{music|#}}₀/E{{music|b}}₀

| bgcolor="lightgray" | −5

| bgcolor="lightgray" | 19.44544

| bgcolor="lightgray" |

| bgcolor="lightgray" | 91

| bgcolor="lightgray" | 14

| bgcolor="lightgray" | D͵͵

| bgcolor="lightgray" | D₀

| bgcolor="lightgray" | −6

| bgcolor="lightgray" | 18.35405

| bgcolor="lightgray" |

| bgcolor="darkslategray" style="color:white" | 90

| bgcolor="lightgray" | 13

| bgcolor="lightgray" | C{{music|#}}͵͵/D{{music|b}}͵͵

| bgcolor="lightgray" | C{{music|#}}₀/D{{music|b}}₀

| bgcolor="lightgray" | −7

| bgcolor="lightgray" | 17.32391

| bgcolor="lightgray" |

| bgcolor="lightgray" | 89

| bgcolor="lightgray" | 12

| bgcolor="lightgray" | C͵͵ sub-contra-octave

| bgcolor="lightgray" | C₀ Double Pedal C

| bgcolor="lightgray" | −8

| bgcolor="lightgray" | 16.35160

| bgcolor="lightgray" |

References

Category:Piano

Category:Musical tuning

Piano key frequencies#List

List

See also

References