Pulitzer Prize for Drama

{{Short description|American award for distinguished plays}}

{{Pulitzer}}

The Pulitzer Prize for Drama is one of the seven American Pulitzer Prizes that are annually awarded for Letters, Drama, and Music. It is one of the original Pulitzers, for the program was inaugurated in 1917 with seven prizes, four of which were awarded that year.[http://www.pulitzer.org/awards/1917 "1917 Winners"]. The Pulitzer Prizes. Retrieved 2013-12-20. (No Drama prize was given, however, so that one was inaugurated in 1918, in a sense.) It recognizes a theatrical work staged in the U.S. during the preceding calendar year.

Until 2007, eligibility for the Drama Prize ran from March 1 to March 2 to reflect the Broadway "season" rather than the calendar year that governed most other Pulitzer Prizes.

The drama jury, which consists of one academic and four critics, attends plays in New York and in regional theaters. The Pulitzer board can overrule the jury's choice; in 1986, the board's opposition to the jury's choice of the CIVIL warS resulted in no award being given.{{cite web |url=http://broadwayscene.com/tag/pulitzer-prize/ |title=Pulitzer Prize |website=Broadway Scene|date=22 June 2015 }}

In 1955 Joseph Pulitzer, Jr. pressured the prize jury into presenting the Prize to Cat on a Hot Tin Roof, which the jury considered the weakest of the five shortlisted nominees ("amateurishly constructed... from the stylistic points of view annoyingly pretentious"), instead of Clifford Odets' The Flowering Peach (their preferred choice) or The Bad Seed, their second choice.Fischer, Heinz-Dietrich & Erika J. Fischer. The Pulitzer Prize Archive: A History and Anthology of Award-Winning Materials in Journalism, Letters, and Arts München: K.G. Saur, 2008. {{ISBN|3-598-30170-7}} {{ISBN|9783598301704}} p. 246 Edward Albee's Who's Afraid of Virginia Woolf? was selected for the 1963 Pulitzer Prize for Drama by that award's committee. However, the committee's selection was overruled by the award's advisory board, the trustees of Columbia University, because of the play's then-controversial use of profanity and sexual themes. Had Albee been awarded, he would be tied with Eugene O'Neill for the most Pulitzer Prizes for Drama (four).

Awards and nominations

In its first 106 years to 2022, the Drama Pulitzer was awarded 91 times; none were given in 15 years and it was never split.

The most recipients of the prize in one year was five, when Michael Bennett, James Kirkwood, Jr., Nicholas Dante, Marvin Hamlisch, and Edward Kleban shared the 1976 prize for the musical A Chorus Line.

=Notes=

marks winners of the Tony Award for Best Play.


* marks winners of the Tony Award for Best Musical.


marks nominees of the Tony Award for Best Play or the Tony Award for Best Musical

=1910s=

class="wikitable" style="width:98%"
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! style="width:11%;"| Year

! style="width:45%;"| Production

! style="width:44%;"| Author

rowspan="2" style="text-align:center" | 1917
style="background:

| {{N/A|no award}}

| {{N/A}}

rowspan="2" style="text-align:center" | 1918
style="background-color:lightyellow;"

| Why Marry?

| Jesse Lynch Williams

rowspan="2" style="text-align:center" | 1919
style="background:

| {{N/A|no award}}

| {{N/A}}

=1920s=

class="wikitable" style="width:98%"
style="background:#bebebe;"

! style="width:11%;"| Year

! style="width:45%;"| Production

! style="width:44%;"| Author

rowspan="2" style="text-align:center" | 1920
style="background-color:lightyellow;"

| Beyond the Horizon

| Eugene O'Neill

rowspan="2" style="text-align:center" | 1921
style="background-color:lightyellow;"

| Miss Lulu Bett

| Zona Gale

rowspan="2" style="text-align:center" | 1922
style="background-color:lightyellow;"

| Anna Christie

| Eugene O'Neill

rowspan="2" style="text-align:center" | 1923
style="background-color:lightyellow;"

| Icebound

| Owen Davis

rowspan="2" style="text-align:center" | 1924
style="background-color:lightyellow;"

| Hell-Bent Fer Heaven

| Hatcher Hughes

rowspan="2" style="text-align:center" | 1925
style="background-color:lightyellow;"

| They Knew What They Wanted

| Sidney Howard

rowspan="2" style="text-align:center" | 1926
style="background-color:lightyellow;"

| Craig's Wife

| George Kelly

rowspan="2" style="text-align:center" | 1927
style="background-color:lightyellow;"

| In Abraham's Bosom

| Paul Green

rowspan="2" style="text-align:center" | 1928
style="background-color:lightyellow;"

| Strange Interlude

| Eugene O'Neill

rowspan="2" style="text-align:center" | 1929
style="background-color:lightyellow;"

| Street Scene

| Elmer Rice

=1930s=

class="wikitable" style="width:98%"
style="background:#bebebe;"

! style="width:11%;"| Year

! style="width:45%;"| Production

! style="width:44%;"| Author

rowspan="2" style="text-align:center" | 1930
style="background-color:lightyellow;"

| The Green Pastures

| Marc Connelly

rowspan="2" style="text-align:center" | 1931
style="background-color:lightyellow;"

| Alison's House

| Susan Glaspell

rowspan="2" style="text-align:center" | 1932
style="background-color:lightyellow;"

| Of Thee I Sing

| George S. Kaufman
Morrie Ryskind
Ira Gershwin

rowspan="2" style="text-align:center" | 1933
style="background-color:lightyellow;"

| Both Your Houses

| Maxwell Anderson

rowspan="2" style="text-align:center" | 1934
style="background-color:lightyellow;"

| Men in White

| Sidney Kingsley

rowspan="2" style="text-align:center" | 1935
style="background-color:lightyellow;"

| The Old Maid

| Zoë Akins

rowspan="2" style="text-align:center" | 1936
style="background-color:lightyellow;"

| Idiot's Delight

| Robert E. Sherwood

rowspan="2" style="text-align:center" | 1937
style="background-color:lightyellow;"

| You Can't Take It with You

| Moss Hart
George S. Kaufman

rowspan="2" style="text-align:center" | 1938
style="background-color:lightyellow;"

| Our Town

| Thornton Wilder

rowspan="2" style="text-align:center" | 1939
style="background-color:lightyellow;"

| Abe Lincoln in Illinois

| Robert E. Sherwood

=1940s=

class="wikitable" style="width:98%"
style="background:#bebebe;"

! style="width:11%;"| Year

! style="width:45%;"| Production

! style="width:44%;"| Author

rowspan="2" style="text-align:center" | 1940
style="background-color:lightyellow;"

| The Time of Your Life

| William Saroyan

rowspan="2" style="text-align:center" | 1941
style="background-color:lightyellow;"

| There Shall Be No Night

| Robert E. Sherwood

rowspan="2" style="text-align:center" | 1942
style="background:

| {{N/A|no award}}

| {{N/A}}

rowspan="2" style="text-align:center" | 1943
style="background-color:lightyellow;"

| The Skin of Our Teeth

| Thornton Wilder

rowspan="2" style="text-align:center" | 1944
style="background:

| {{N/A|no award}}[https://www.pulitzer.org/winners/richard-rodgers-and-oscar-hammerstein-ii Although no Drama award was given in 1944], that year Richard Rodgers and Oscar Hammerstein II were presented with a Special Award and Citation for the landmark musical Oklahoma!

| {{N/A}}

rowspan="2" style="text-align:center" | 1945
style="background-color:lightyellow;"

| Harvey

| Mary Coyle Chase

rowspan="2" style="text-align:center" | 1946
style="background-color:lightyellow;"

| State of the Union

| Russel Crouse
Howard Lindsay

rowspan="2" style="text-align:center" | 1947
style="background:

| {{N/A|no award}}

| {{N/A}}

rowspan="2" style="text-align:center" | 1948
style="background-color:lightyellow;"

| A Streetcar Named Desire

| Tennessee Williams

rowspan="2" style="text-align:center" | 1949
style="background-color:lightyellow;"

| Death of a Salesman

| Arthur Miller

=1950s=

class="wikitable" style="width:98%"
style="background:#bebebe;"

! style="width:11%;"| Year

! style="width:45%;"| Production

! style="width:44%;"| Author

rowspan="2" style="text-align:center" | 1950
style="background-color:lightyellow;"

| South Pacific*

| Richard Rodgers
Oscar Hammerstein II
Joshua Logan

rowspan="2" style="text-align:center" | 1951
style="background:

| {{N/A|no award}}

| {{N/A}}

rowspan="2" style="text-align:center" | 1952
style="background-color:lightyellow;"

| The Shrike

| Joseph Kramm

rowspan="2" style="text-align:center" | 1953
style="background-color:lightyellow;"

| Picnic

| William Inge

rowspan="2" style="text-align:center" | 1954
style="background-color:lightyellow;"

| The Teahouse of the August Moon

| John Patrick

rowspan="2" style="text-align:center" | 1955
style="background-color:lightyellow;"

| Cat on a Hot Tin Roof

| Tennessee Williams

rowspan="2" style="text-align:center" | 1956
style="background-color:lightyellow;"

| The Diary of Anne Frank

| Albert Hackett
Frances Goodrich

rowspan="2" style="text-align:center" | 1957
style="background-color:lightyellow;"

| Long Day's Journey into Night

| Eugene O'Neill

rowspan="2" style="text-align:center" | 1958
style="background-color:lightyellow;"

| Look Homeward, Angel

| Ketti Frings

rowspan="2" style="text-align:center" | 1959
style="background-color:lightyellow;"

| J.B.

| Archibald MacLeish

=1960s=

class="wikitable" style="width:98%"
style="background:#bebebe;"

! style="width:11%;"| Year

! style="width:45%;"| Production

! style="width:44%;"| Author

rowspan="2" style="text-align:center" | 1960
style="background-color:lightyellow;"

| Fiorello!*

| Jerome Weidman
George Abbott
Jerry Bock
Sheldon Harnick

rowspan="2" style="text-align:center" | 1961
style="background-color:lightyellow;"

| All the Way Home

| Tad Mosel

rowspan="2" style="text-align:center" | 1962
style="background-color:lightyellow;"

| How to Succeed in Business Without Really Trying*

| Frank Loesser
Abe Burrows

rowspan="2" style="text-align:center" | 1963
style="background:

| {{N/A|no award}}The Pulitzer committee recommended Edward Albee's Who's Afraid of Virginia Woolf? *, but the Pulitzer board, who have sole discretion in awarding the prize, rejected the recommendation, due to the play's perceived vulgarity, and no award was given instead.
  Klein, Alvin. "Albee's 'Tiny Alice,' The Whole Enchilada". The New York Times. May 24, 1998: CT11.

| {{N/A}}

rowspan="2" style="text-align:center" | 1964
style="background:

| {{N/A|no award}}

| {{N/A}}

rowspan="2" style="text-align:center" | 1965
style="background-color:lightyellow;"

| The Subject Was Roses

| Frank D. Gilroy

rowspan="2" style="text-align:center" | 1966
style="background:

| {{N/A|no award}}

| {{N/A}}

rowspan="2" style="text-align:center" | 1967
style="background-color:lightyellow;"

| A Delicate Balance

| Edward Albee

rowspan="2" style="text-align:center" | 1968
style="background:

| {{N/A|no award}}

| {{N/A}}

rowspan="2" style="text-align:center" | 1969
style="background-color:lightyellow;"

| The Great White Hope

| Howard Sackler

=1970s=

class="wikitable" style="width:98%"
style="background:#bebebe;"

! style="width:11%;"| Year

! style="width:45%;"| Production

! style="width:44%;"| Author

rowspan="2" style="text-align:center" | 1970
style="background-color:lightyellow;"

| No Place to Be Somebody

| Charles Gordone

rowspan="2" style="text-align:center" | 1971
style="background-color:lightyellow;"

| The Effect of Gamma Rays on Man-in-the-Moon Marigolds

| Paul Zindel

rowspan="2" style="text-align:center" | 1972
style="background:

| {{N/A|no award}}

| {{N/A}}

rowspan="2" style="text-align:center" | 1973
style="background-color:lightyellow;"

| That Championship Season

| Jason Miller

rowspan="2" style="text-align:center" | 1974
style="background:

| {{N/A|no award}}

| {{N/A}}

rowspan="2" style="text-align:center" | 1975
style="background-color:lightyellow;"

| Seascape

| Edward Albee

rowspan="2" style="text-align:center" | 1976
style="background-color:lightyellow;"

| A Chorus Line*

| Michael Bennett
Nicholas Dante
James Kirkwood, Jr.
Marvin Hamlisch
Edward Kleban

rowspan="2" style="text-align:center" | 1977
style="background-color:lightyellow;"

| The Shadow Box

| Michael Cristofer

rowspan="2" style="text-align:center" | 1978
style="background-color:lightyellow;"

| The Gin Game

| Donald L. Coburn

rowspan="2" style="text-align:center" | 1979
style="background-color:lightyellow;"

| Buried Child

| Sam Shepard

=1980s=

class="wikitable" style="width:98%"
style="background:#bebebe;"

! style="width:11%;"| Year

! style="width:45%;"| Production

! style="width:44%;"| Author

rowspan="2" style="text-align:center" | 1980
style="background-color:lightyellow;"

| Talley's Folly

| Lanford Wilson

rowspan="2" style="text-align:center" | 1981
style="background-color:lightyellow;"

| Crimes of the Heart

| Beth Henley

rowspan="2" style="text-align:center" | 1982
style="background-color:lightyellow;"

| A Soldier's Play

| Charles Fuller

rowspan="3" style="text-align:center" | 1983
style="background-color:lightyellow;"

| 'night, Mother

| Marsha Norman

True West

| Sam Shepard

rowspan="4" style="text-align:center" | 1984
style="background-color:lightyellow;"

| Glengarry Glen Ross

| David Mamet

Fool for Love

| Sam Shepard

Painting Churches

| Tina Howe

rowspan="4" style="text-align:center" | 1985
style="background-color:lightyellow;"

| Sunday in the Park with George

| James Lapine
Stephen Sondheim

The Dining Room

| A. R. Gurney

The Gospel at Colonus

| Lee Breuer
Bob Telson

rowspan="3" style="text-align:center" | 1986
style="background:

| {{N/A|no award}}

| {{N/A}}

the CIVIL warS: a tree is best measured when it is down

| Robert Wilson

rowspan="4" style="text-align:center" | 1987
style="background-color:lightyellow;"

| Fences

| August Wilson

Broadway Bound

| Neil Simon

A Walk in the Woods

| Lee Blessing

rowspan="4" style="text-align:center" | 1988
style="background-color:lightyellow;"

| Driving Miss Daisy

| Alfred Uhry

Boys' Life

| Howard Korder

Talk Radio

| Eric Bogosian

rowspan="4" style="text-align:center" | 1989
style="background-color:lightyellow;"

| The Heidi Chronicles

| Wendy Wasserstein

The Piano Lesson

| August Wilson

M. Butterfly

| David Henry Hwang

=1990s=

class="wikitable" style="width:98%"
style="background:#bebebe;"

! style="width:11%;"| Year

! style="width:45%;"| Production

! style="width:44%;"| Author

rowspan="4" style="text-align:center" | 1990
style="background-color:lightyellow;"

| The Piano Lesson

| August Wilson

And What of the Night?

| María Irene Fornés

Love Letters

| A. R. Gurney

rowspan="4" style="text-align:center" | 1991
style="background-color:lightyellow;"

| Lost in Yonkers

| Neil Simon

Prelude to a Kiss

| Craig Lucas

Six Degrees of Separation

| John Guare

rowspan="6" style="text-align:center" | 1992
style="background-color:lightyellow;"

| The Kentucky Cycle

| Robert Schenkkan

Conversations with My Father

| Herb Gardner

Miss Evers' Boys

| David Feldshuh

Two Trains Running

| August Wilson

Sight Unseen

| Donald Margulies

rowspan="4" style="text-align:center" | 1993
style="background-color:lightyellow;"

| Angels in America: Millennium Approaches

| Tony Kushner

The Destiny of Me

| Larry Kramer

Fires in the Mirror

| Anna Deavere Smith

rowspan="4" style="text-align:center" | 1994
style="background-color:lightyellow;"

| Three Tall Women

| Edward Albee

Keely and Du

| Jane Martin

A Perfect Ganesh

| Terrence McNally

rowspan="4" style="text-align:center" | 1995
style="background-color:lightyellow;"

| The Young Man from Atlanta

| Horton Foote

The Cryptogram

| David Mamet

Seven Guitars

| August Wilson

rowspan="4" style="text-align:center" | 1996
style="background-color:lightyellow;"

| Rent*

| Jonathan Larson

A Fair Country

| Jon Robin Baitz

Old Wicked Songs

| Jon Marans

rowspan="5" style="text-align:center" | 1997
style="background:

| {{N/A|no award}}

| {{N/A}}

Collected Stories

| Donald Margulies

The Last Night of Ballyhoo

| Alfred Uhry

Pride's Crossing

| Tina Howe

rowspan="4" style="text-align:center" | 1998
style="background-color:lightyellow;"

| How I Learned to Drive

| Paula Vogel

Freedomland

| Amy Freed

Three Days of Rain

| Richard Greenberg

rowspan="4" style="text-align:center" | 1999
style="background-color:lightyellow;"

| Wit

| Margaret Edson

Running Man

| Cornelius Eady
Diedre Murray

Side Man

| Warren Leight

=2000s=

class="wikitable" style="width:98%"
style="background:#bebebe;"

! style="width:11%;"| Year

! style="width:45%;"| Production

! style="width:44%;"| Author

rowspan="4" style="text-align:center" | 2000
style="background-color:lightyellow;"

| Dinner with Friends

| Donald Margulies

In the Blood

| Suzan-Lori Parks

King Hedley II

| August Wilson

rowspan="4" style="text-align:center" | 2001
style="background-color:lightyellow;"

| Proof

| David Auburn

The Play About the Baby

| Edward Albee

The Waverly Gallery

| Kenneth Lonergan

rowspan="4" style="text-align:center" | 2002
style="background-color:lightyellow;"

| Topdog/Underdog

| Suzan-Lori Parks

The Glory of Living

| Rebecca Gilman

Yellowman

| Dael Orlandersmith

rowspan="4" style="text-align:center" | 2003
style="background-color:lightyellow;"

| Anna in the Tropics

| Nilo Cruz

The Goat or Who Is Sylvia?

| Edward Albee

Take Me Out

| Richard Greenberg

rowspan="4" style="text-align:center" | 2004
style="background-color:lightyellow;"

| I Am My Own Wife

| Doug Wright

Man from Nebraska

| Tracy Letts

Omnium Gatherum

| Theresa Rebeck
Alexandra Gersten-Vassilaros

rowspan="4" style="text-align:center" | 2005
style="background-color:lightyellow;"

| Doubt: A Parable

| John Patrick Shanley

The Clean House

| Sarah Ruhl

Thom Pain (based on nothing)

| Will Eno

rowspan="5" style="text-align:center" | 2006
style="background:

| {{N/A|no award}}

| {{N/A}}

Miss Witherspoon

| Christopher Durang

The Intelligent Design of Jenny Chow

| Rolin Jones

Red Light Winter

| Adam Rapp

rowspan="5" style="text-align:center" | 2007
style="background-color:lightyellow;"

| Rabbit Hole

| David Lindsay-Abaire

Bulrusher

| Eisa Davis

Orpheus X

| Rinde Eckert

Elliot, a Soldier's Fugue

| Quiara Alegría Hudes

rowspan="4" style="text-align:center" | 2008
style="background-color:lightyellow;"

| August: Osage County

| Tracy Letts

Dying City

| Christopher Shinn

Yellow Face

| David Henry Hwang

rowspan="4" style="text-align:center" | 2009
style="background-color:lightyellow;"

| Ruined

| Lynn Nottage

Becky Shaw

| Gina Gionfriddo

In the Heights*

| Lin-Manuel Miranda
Quiara Alegría Hudes

=2010s=

class="wikitable" style="width:98%"
style="background:#bebebe;"

! style="width:11%;"| Year

! style="width:45%;"| Production

! style="width:44%;"| Author

rowspan="5" style="text-align:center" | 2010
style="background-color:lightyellow;"

| Next to Normal

| Tom Kitt
Brian Yorkey

Bengal Tiger at the Baghdad Zoo

| Rajiv Joseph

The Elaborate Entrance of Chad Deity

| Kristoffer Diaz

In the Next Room (or The Vibrator Play)

| Sarah Ruhl

rowspan="4" style="text-align:center" | 2011
style="background-color:lightyellow;"

| Clybourne Park

| Bruce Norris

Detroit

| Lisa D'Amour

A Free Man of Color

| John Guare

rowspan="4" style="text-align:center" | 2012
style="background-color:lightyellow;"

| Water by the Spoonful

| Quiara Alegría Hudes

Other Desert Cities

| Jon Robin Baitz

Sons of the Prophet

| Stephen Karam

rowspan="4" style="text-align:center" | 2013
style="background-color:lightyellow;"

| Disgraced

| Ayad Akhtar

Rapture, Blister, Burn

| Gina Gionfriddo

4000 Miles

| Amy Herzog

rowspan="4" style="text-align:center" | 2014
style="background-color:lightyellow;"

| The Flick

| Annie Baker

The (Curious Case of the) Watson Intelligence

| Madeleine George

Fun Home*

| Jeanine Tesori
Lisa Kron

rowspan="4" style="text-align:center" | 2015
style="background-color:lightyellow;"

| Between Riverside and Crazy

| Stephen Adly Guirgis

Marjorie Prime

| Jordan Harrison

Father Comes Home From the Wars (Parts 1, 2, 3)

| Suzan-Lori Parks

rowspan="4" style="text-align:center" | 2016
style="background-color:lightyellow;"

| Hamilton*

| Lin-Manuel Miranda

The Humans

| Stephen Karam

Gloria

| Branden Jacobs-Jenkins

rowspan="4" style="text-align:center" | 2017
style="background-color:lightyellow;"

| Sweat

| Lynn Nottage

A 24-Decade History of Popular Music

| Taylor Mac

The Wolves

| Sarah DeLappe

rowspan="4" style="text-align:center" | 2018
style="background-color:lightyellow;"

| Cost of Living

| Martyna Majok

Everybody

| Branden Jacobs-Jenkins

The Minutes

| Tracy Letts

rowspan="4" style="text-align:center" | 2019
style="background-color:lightyellow;"

| Fairview

| Jackie Sibblies Drury

Dance Nation

| Clare Barron

What the Constitution Means to Me

| Heidi Schreck

=2020s=

class="wikitable" style="width:98%"
style="background:#bebebe;"

! style="width:11%;"| Year

! style="width:45%;"| Production

! style="width:44%;"| Author

!Ref

rowspan="4" style="text-align:center" | 2020
style="background-color:lightyellow;"

| A Strange Loop*

| Michael R. Jackson

|

Heroes of the Fourth Turning

| Will Arbery

|

Soft Power

| David Henry Hwang and Jeanine Tesori

|

rowspan="4" style="text-align:center" |2021
style="background-color:lightyellow;"

| The Hot Wing King

| Katori Hall

|{{cite web |title=The Hot Wing King Wins the 2021 Pulitzer Prize for Drama |url=https://www.broadwayworld.com/article/THE-HOT-WING-KING-Wins-the-2021-Pulitzer-Prize-for-Drama-20210611 |website=Broadway World}}

Circle Jerk

| Michael Breslin and Patrick Foley

|

Stew

| Zora Howard

|

rowspan="4" style="text-align:center" |2022
style="background-color:lightyellow;"

| Fat Ham

| James Ijames

|[https://www.pulitzer.org/prize-winners-by-category/218 2022 Pulitzer Prizes]

Kristina Wong, Sweatshop Overlord

| Kristina Wong

|

Selling Kabul

| Sylvia Khoury

|

rowspan=4 style="text-align:center" |2023
style="background-color:lightyellow;"

|English

|Sanaz Toossi

|[https://www.pulitzer.org/prize-winners-by-category/218 2023 Pulitzer Prizes]

The Far Country

|Lloyd Suh

|

On Sugarland

|Aleshea Harris

|

rowspan=4 style="text-align:center" |2024
style="background-color:lightyellow;"

|Primary Trust

|Eboni Booth

|[https://www.pulitzer.org/prize-winners-by-category/218 2024 Pulitzer Prizes]

Here There Are Blueberries

|Amanda Gronich and Moises Kaufman

Public Obscenities

|Shayok Misha Chowdhury

|

rowspan=4 style="text-align:center" |2025
style="background-color:lightyellow;"

|Purpose

|Branden Jacobs-Jenkins

|

The Ally

| Itamar Moses

|

Oh, Mary!

| Cole Escola

|

Notes

{{reflist|group=Note|refs=

The Nominating Jury acknowledged their first choice, 'The Civil Wars', was unconventional and "not a play in any traditional sense of the word". The only other option they offered was Hannah and Her Sisters by Woody Allen, which they realized was not a traditional nominee for a drama award, due to it being a film, but thought they would "raise the question of... eligibility" anyway.}}

Musicals

Ten musicals have won the Pulitzer Prize for Drama, roughly one per decade from the 1930s to the 2020s¹. They are: George and Ira Gershwin's Of Thee I Sing (1932), Rodgers and Hammerstein's South Pacific (1950), Bock & Harnick's Fiorello! (1960), Frank Loesser's How to Succeed in Business Without Really Trying (1962), Marvin Hamlisch, Edward Kleban, James Kirkwood, Jr., and Nicholas Dante's A Chorus Line (1976), Stephen Sondheim's and James Lapine's Sunday in the Park with George (1985), Jonathan Larson's Rent (1996), Brian Yorkey and Tom Kitt's Next to Normal (2010), Lin-Manuel Miranda's Hamilton (2016), and Michael R. Jackson's A Strange Loop (2020). Though it did not win for Drama, Oklahoma! was awarded a special Pulitzer Prize in 1944.

Of note, South Pacific won the 1950 Pulitzer for Drama but its source material, James Michener's Tales of the South Pacific, also won the 1948 Pulitzer Prize for Fiction.

Sunday in the Park with George and Next to Normal are the only musicals that won the Pulitzer Prize and did not also win the Tony Award for Best Musical; the latter won the authors Tonys for Best Original Score and Best Orchestrations.{{ibdb show|id=483135|title=Next to Normal}} Of Thee I Sing opened before the Tony Awards existed.

The award goes to the playwright, although production of the play is also taken into account. In the case of a musical being awarded the prize, the composer, lyricist and book writer are generally the recipients. An exception to this was the first Pulitzer ever awarded to a musical: when Of Thee I Sing won in 1932, book authors George S. Kaufman and Morrie Ryskind, as well as lyricist Ira Gershwin, were cited as the winners, while composer George Gershwin's contribution was overlooked by the committee. The reason given was that the Pulitzer Prize for Drama is a dramatic award, and not a musical one. However, by 1950 the Pulitzer committee included composer Richard Rodgers as a recipient when South Pacific won the award, in recognition of music as an integral and important part of the theatrical experience.Flinn, Denny Martin. Musical! A Grand Tour. Schirmer, first edition (April 17, 1997), pages 230–31. {{ISBN|0-02-864610-X}}

Additionally, since 1983, when the identity of finalists was first disclosed, five musicals have been finalists for the Pulitzer Prize for Drama. They are: Lee Breuer and Bob Telson's The Gospel at Colonus (1985); Lin-Manuel Miranda and Quiara Alegría Hudes' In the Heights (2009); Jeanine Tesori and Lisa Kron's Fun Home (2014); Taylor Mac's A 24-Decade History of Popular Music (2017); and David Henry Hwang and Jeanine Tesori's Soft Power (2020).

¹All listed dates are Prize years. Generally, the musical in question opened in New York during either the preceding calendar year or the preceding Broadway season.

Multiple wins and nominations

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The following individuals received two or more Pulitzer Prizes for Drama:

class="wikitable" style="text-align: center;"
scope="col" width="55" style="text-align:center" | Wins

! scope="col" style="text-align:center" | Playwright

! scope="col" width="55" | Nominations

4

| Eugene O'Neill

| 4

rowspan=2 | 3

| Edward Albee

| 5

Robert E. Sherwood

| 3

rowspan=5 | 2

| August Wilson

| 6

George S. Kaufman

| rowspan=4 | 2

Lynn Nottage
Thornton Wilder
Tennessee Williams

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The following individuals received two or more nominations:

class="wikitable" style="text-align: center;"
scope="col" width="55" | Nominations

! scope="col" style="text-align:center" | Playwright

rowspan=1 style="text-align:center" | 6

| August Wilson

rowspan=1 style="text-align:center" | 5

| Edward Albee

rowspan=1 style="text-align:center" |4

| Eugene O'Neill

rowspan=8 style="text-align:center" |3

| Quiara Alegría Hudes

David Henry Hwang
Branden Jacobs-Jenkins
Tracy Letts
Donald Margulies
Suzan-Lori Parks
Robert E. Sherwood
Sam Shepard
rowspan=17 style="text-align:center" |2

| Jon Robin Baitz

Gina Gionfriddo
John Guare
A.R. Gurney
Richard Greenberg
Tina Howe
Stephen Karam
George S. Kaufman
David Mamet
Lin-Manuel Miranda
Lynn Nottage
Sarah Ruhl
Neil Simon
Jeanine Tesori
Alfred Uhry
Thornton Wilder
Tennessee Williams

{{col-end}}

Lynn Nottage is the only female playwright to win the prize twice. She and August Wilson are the only playwrights of color to accomplish this feat.

Jon Robin Baitz, Gina Gionfriddo, John Guare, A.R. Gurney, Richard Greenberg, Tina Howe, Stephen Karam, Sarah Ruhl and Jeanine Tesori have each been named finalists twice without winning. David Henry Hwang is the only person to have been named a finalist thrice without winning. Lin-Manuel Miranda and Jeanine Tesori are the only people to be named as a finalist twice for writing/composing a musical, with Miranda winning in 2016.

References

{{reflist |25em |refs=

[http://www.pulitzer.org/bycat/Drama "Drama"]. The Pulitzer Prizes (pulitzer.org). Retrieved 2013-12-20.

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