Quarter to Three

{{More citations needed|date=September 2016}}

{{Infobox song

| name = Quarter to Three

| cover = Quarter to Three.jpg

| alt = A picture of Gary "U.S." Bonds with his own name, the name of the song, and Legrand Records logo above it

| type = single

| artist = Gary U.S. Bonds

| album = Dance 'Til Quarter To Three With U.S. Bonds

| B-side = Time Ole Story

| released = May 1961

| recorded =

| studio =

| venue =

| genre = Rock and roll{{cite book|title= Electric Shock: From the Gramophone to the iPhone - 125 Years of Pop Music|first=Peter|last=Doggett|date= 1 January 2015|chapter= Soul Food|page= 283|publisher=The Bodley Head|location= London|isbn=978-1-847-92218-2

|url=https://books.google.com/books/about/Electric_Shock.html?id=guSsCAAAQBAJ|access-date= 20 February 2025}}

| length = 2:31

| label = Legrand Records

| writer = Gene Barge, Frank J. Guida, Joseph F. Royster, Gary Anderson

| producer = Frank J. Guida

| prev_title = Not Me

| prev_year = 1961

| next_title = School Is Out

| next_year = 1961

}}

"Quarter to Three" is a popular song, adapted and expanded from "A Night with Daddy 'G' – Part 1" (Legrand LEG 1004), an instrumental by the Church Street Five, which was written by Gene Barge, Frank Guida and Joseph Royster, and sung by Gary U.S. Bonds. "Quarter to Three" appears on The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list.

Background

The 45rpm single of "A Night with Daddy 'G'" identifies the composers by their last names only – Barge, Guida, Royster – and identifies the music publisher as Pepe Music (BMI). The Legrand Records 45 release of the vocal "Quarter to Three" version adds "Anderson" to the author credits (on some record releases), since that was Bonds' birthname and he supplied the vocal arrangement.{{cite book |publisher=WorldCat database |title=Quarter to three/Time ole story |oclc = 23130449}}

The single was recorded with very rough sound quality (compared to other records at the time). Producer Frank Guida has been quoted on subsequent CD reissues that his production sound was exactly what he wanted it to sound like. Noted British producer and columnist Jack Good felt compelled to devote his entire Disc magazine column to praising the "fuzzy, muzzy, and distorted" sound of the U.S. Bonds hit release. The article was subtitled "This record could never have been made in Britain".{{cite magazine |magazine=Disc magazine |title=This record could never have been made in Britain |last=Good |first=Jack |date=July 15, 1961 |page=5 |url=http://freespace.virgin.net/radio.210_2/jackgood/jackgood.htm |access-date=29 January 2012 |url-status=dead |archive-url=https://web.archive.org/web/20110918105856/http://freespace.virgin.net/radio.210_2/jackgood/jackgood.htm |archive-date=18 September 2011 }} There have been books written, such as those of the series Rock On: The Illustrated Encyclopedia of Rock N' Roll by Norm N. Nite, that have stated that this record was recorded "accidentally" (that no one knew the tape recorder was on at a session).

Members of the Church Street Five (otherwise known as Gene Barge's band) played on this and all of the other Legrand and S.P.Q.R releases, including Jimmy Soul's sides. Members of this group included Ron "Junior" Farley on bass, Willie Burnell on piano, Leonard Barks on trombone, Emmet Shields on drums, and Gene Barge on sax. Eric Shauls and Wayne Beckner also played guitar on this record and various other records produced by Frank Guida (Earl Swanson played the sax solo on this side as well).

Chart performance

The song became a number-one hit on the Billboard Hot 100 in the United States on June 26, 1961, and remained there for two weeks. On the Hot R&B Sides chart it went to number 3.{{cite book |title= Top R&B/Hip-Hop Singles: 1942-2004|last=Whitburn |first=Joel |author-link=Joel Whitburn |year=2004 |publisher=Record Research |page=69}}

The UK release on Top Rank International JAR 575 reached number 7 in the UK chart on September 2, 1961. In this release and the original release in the United States, the record's B-side is "Time Ole Story" (Beckner).

Later versions

|first = Fred

|title = The Billboard Book of Number One Hits – revised & enlarged

|publisher = Billboard Books

|date = 1992

|location = New York

|page = [https://archive.org/details/billboardbookofn0000bron/page/93 93]

|isbn = 0-8230-8298-9

|url-access = registration

|url = https://archive.org/details/billboardbookofn0000bron/page/93

}} appearing on the Hammersmith Odeon London '75 concert document and, as performed in 1979, the No Nukes film.

Song influence

  • In his book The Wanderer, Dion DiMucci stated that "Quarter to Three" was the inspiration for his hit "Runaround Sue", which was written by Dion and Ernie Maresca and which also peaked at #1 on the Hot 100.{{citation needed|date=August 2013}}
  • The lyric "Where else can you do a half a million things all at a Quarter to Three?" from the Huey Lewis and the News song The Heart of Rock & Roll was inspired by "Quarter to Three".
  • The melody from "Dear Future Husband", a 2015 hit by Meghan Trainor, is inspired by the melodies from both "Quarter to Three" and "Runaround Sue".{{cite news|last=Gamboa|first=Glenn|url=http://www.dispatch.com/content/stories/life_and_entertainment/2014/11/11/1111-meghan-trainor-talks-bass.html|title=Meghan Trainor talks 'Bass' and what's next|work=The Columbus Dispatch|date=November 11, 2014|access-date=December 1, 2019}}
  • The song is referenced in the Ernie Maresca solo hit "Shout! Shout! (Knock Yourself Out)" (1962).

See also

References