Radoslav Rochallyi

Rochallyi was born in Bardejov, Czechoslovakia in a family with Lemko and Hungarian roots.{{cite journal

|editor=Peabody Richard

|title=When he comes out-R.Rochallyi

|journal=Gargoyle Magazine

|issue=75

|year=2022

|url=https://gargoylemagazine.com/75-2/

|publisher=Paycock Press

|location=Washington, USA

|issn=0162-1149

|language=EN

|archive-url=https://web.archive.org/web/20220928134321/https://gargoylemagazine.com/75-2/

|archive-date=2022-09-28

|access-date=2022-11-21

|url-status=live

}}{{cite web

|url=https://thedecadentreview.com/author/radoslavrochallyi/

|title=Radoslav Rochallyi

|author=Dimitri Kaufman

|publisher=The Decadent Review

|archive-url=https://web.archive.org/web/20221027095624/https://thedecadentreview.com/author/radoslavrochallyi/

|archive-date=2022-10-27

|access-date=2022-11-21

|url-status=live

}} He start reading even before started primary school. The first book he read was the book Black Ships by Maciej Słomczyński. Around his eight years, he came across Lermontov's poems. Rochallyi started writing poetry as a ten-year-old, and he published own works in magazines from the age of sixteen.{{citation

|url=https://www.gutspublishing.com/post/rado-rochallyi-interview-cyber-smut

|title=Radoslav Rochallyi Interview

|year=2020

|publisher=Guts Publishing|location=London, United Kingdom

|language=en

|archive-url=https://web.archive.org/web/20220401193624/https://www.gutspublishing.com/post/rado-rochallyi-interview-cyber-smut

|archive-date=2022-04-01

|access-date=2022-11-21

|url-status=live}}

{{cite web

|url=https://www.mensa.sk/clen/322

|title=Mensa Slovensko: Radoslav Rochallyi

|publisher=Mensa

|archive-url=https://web.archive.org/web/20190330221502/https://www.mensa.sk/clen/322

|archive-date=2019-03-30

|access-date=2022-11-21

|url-status=dead

}}{{citation

|last=Cifra

|first=Stefan

|url=https://www.spolok-slovenskych-spisovatelov.sk/products/rochallyi-radoslav/

|title=Rochallyi's member medallion

|year=2017

|publisher=Association of Slovak Writers

|location=Slovakia

|language=sk

|archive-url=https://web.archive.org/web/20220727042005/https://www.spolok-slovenskych-spisovatelov.sk/products/rochallyi-radoslav/

|archive-date=2022-07-27

|access-date=2022-11-21

|url-status=live

}} In an interview with Rowayat literary journal, he described his early cognitive orientation as being strongly system-focused. This orientation was characterized by his fascination with logic, patterns, and structured language. He experienced difficulties with conventional social interaction and verbal communication during childhood, finding typical social codes inaccessible. Consequently, he gravitated toward formal systems.{{cite journal

|author=Fatima Elkalay

|title=Interview with Radoslav Rochallyi

|journal=Rowayat literary journal

|issue=12

|year=2025

|url=https://rowayat.org/interview-with-radoslav-rochallyi/

|publisher=Rowayat’s publishing

|location=Egypt

|issn=2054-6521

|language=EN

}}

In 2001, he resided in Attleborough, England, where he wrote texts for his mathematical poetry. In 2009, Rochallyi went on a pilgrimage, following the Camino de Santiago (Way Camino Primitivo) to Santiago de Compostela.{{cite journal |editor1-last=Patton |editor1-first=Shaw |date=2024-04-05 |title=Rochallyi-Hidden sorrows are the fuel of pain |url=https://www.barzakhmag.net/winter-2024-poetry-blog/2023/7/4/wendy-barry-gyngt-btj94-j3rff |journal=Barzakh |publisher=University of Albany |issue= winter 2024 |access-date=2024-04-10}}

The Author graduated in Management at the London International Graduate School and holds a certificate in Fine arts, which he received at the Pratt Institute.{{cite web

|url=https://www.pw.org/directory/writers/radoslav_rochallyi

|title=Radoslav Rochallyi profile

|date=21 May 2020

|access-date=2023-06-26

}}{{cite journal

|editor=Phillipe Martin Chatelain

|title=Poetry / @rochallyi /

|journal=In Parentheses Literary Magazine (Fall 2020)

|volume=6

|issue=2

|page=4

|url=https://inparentheses.art/2020/10/15/now-available-in-parentheses-volume-6-issue-2-contributor-list/

|location=USA

|year= 2020

|publisher= IN PARENTHESES.ART

|language=en

|archive-url=https://web.archive.org/web/20220526050629/https://inparentheses.art/2020/10/15/now-available-in-parentheses-volume-6-issue-2-contributor-list/

|archive-date=2022-05-26

|access-date=2022-11-21

|url-status=live

}} He also studied philosophy, and mathematics (linear algebra).{{cite journal

|last=Carlaftes

|first=Peter

|title=The Media Promises

|journal=MAINTENANT 14-Contemporary Dada Art & Writing

|volume=14

|year=2020

|url=http://threeroomspress.com/product/maintenant-14-contemporary-dada-art-writing/

|publisher=Three Rooms Press

|location=New York, USA

|isbn=978-1-941110-91-1

|language=EN

|archive-url=https://web.archive.org/web/20200718091508/http://threeroomspress.com/product/maintenant-14-contemporary-dada-art-writing/

|archive-date=2020-07-18

|access-date=2022-11-21

|url-status=dead

}}

He is a member of Mensa.

Mathematical elements such as symmetry, geometry, equations, and numbers are common themes in his work. Using a wide range of media, Rochallyi creates visual patterns.

{{cite journal |author= |editor1-last=Whitaker |editor1-first=Cassandra |editor2-last=Meg |editor2-first=Ellis |date=2023-04-30 |title=My Freedom I Regain by Radoslav Rochallyi |url=https://www.broadkillreview.com/post/my-freedom-i-regain-by-radoslav-rochallyi |journal=The Broadkill Review |location=USA |publisher=Broadkill River Press |volume=18.1 |issue=2023 |issn=1935-0538 |oclc=76893150 |language=EN}}

He perceives his work as a combination of philosophy,

{{cite journal |author= |editor1-last=Xu |editor1-first=Kerryn |date=2025 |title=Cháron |url=https://apricitymagazine.com/portfolio/chraron-triptych-mier_c-1-mier_c-2/ |journal=Apricity Magazine |location=North Carolina |publisher=University of Texas at Austin College of Fine Arts|language=EN}}

poetry, painting, and mathematics.

{{cite journal |author= |editor1-last=Abrams |editor1-first=Katy |editor2-last= Powell |editor2-first=Mark |date=2023-11-20 |title=Dame |url=https://coldmountainreview.appstate.edu/submission/dame/ |journal=Cold Mountain Review |location=North Carolina |publisher=Appalachian State University |volume=51 |issue=2023 Issue on Renewal |issn=1534-1488 |language=EN |archive-url=https://web.archive.org/web/20231203200438/https://coldmountainreview.appstate.edu/submission/dame/ |archive-date=2023-12-03|access-date=2023-12-03}}

Rochallyi is the author of fifteen books. In addition to Slovak and English, Rochallyi writes in Hungarian,{{cite journal |author= |date=2023 |title=Parnasszus 2023. évi 3. száma|url=https://parnasszus.hu/megjelent-a-parnasszus-2023-evi-3-szama/ |journal= Parnasszus |issue=3–2023 |issn=1219-3275|publisher= TIPP-Cult Kft.|location=1147 Budapest, Gyarmat u. 106.}} Czech,{{cite journal

|author =

|year = 2021

|title = Her voice had a tone of complete silence

|editor = Ludvík Hess

|journal = Divoké Vino

|url = https://www.divokevino.cz/11521/rochallyi.php

|page =

|issue = 115

|publisher = Divoke Vino/Praha

|language = cs

|issn = 1214-6099

|archive-url=https://web.archive.org/web/20210924130717/https://www.divokevino.cz/11521/rochallyi.php

|archive-date=2021-09-24

|access-date=2022-11-21

|url-status=live

}}{{cite journal

|author =

|title = Matematická poezie

|editor = Martin Vlček

|journal = Pandora

|url = http://www.revuepandora.cz/casopis/

|page = 46

|issue = 41

|publisher = Spolek Pandora

|issn = 1801-6782

|archive-url=https://web.archive.org/web/20220525013103/http://www.revuepandora.cz/casopis/

|archive-date=2022-05-25

|access-date=2022-11-21

|url-status=live

}} and German.{{cite journal

|author = Rochallyi

|date =

|title = Grüsse

|editor = Stephan Tikatsch(Hrsg.)

|journal = SYLTSE - Zeitung für Schwerdenkeleien & Leichtsinnigenten

|archive-url = https://web.archive.org/web/20230823000000/https://syltse.weebly.com/

|archive-date = 2023-08-23

|url = https://syltse.weebly.com/

|page = 68

|issue = 5

|publisher = SYLTSE

}} [https://drive.google.com/file/d/1YlhArX8bAq0-hHrCrGsWwoYp6NtxCAjv/view Alt URL]{{cite journal

|title=Die Beständigkeit der Erinnerung

|journal=Exodus Magazin

|volume=44

|issue=44

|year=2022

|publisher=EXODUS

|url=https://exodusmagazin.de/who-is-who/autoren/621-rochallyi-radoslav.html

|location=Germany

|language=de

|issn=1860-675X

|archive-url=https://web.archive.org/web/20220527215528/https://exodusmagazin.de/who-is-who/autoren/621-rochallyi-radoslav.html

|archive-date=2022-05-27

|access-date=2022-11-21

|url-status=live

}} He debuted with the collection of poetry Panoptikum: Haikai no renga (2004), written in Japanese haiku.

According to Jan Balaz, the poetry of Radoslav Rochally is characterized by the use of a free verse, which gives the author the necessary freedom and directness to retain the specific nature of the testimony without embellishments.{{cite journal

|last=Baláž

|first=Jan

|title=Rochallyi's married poetic duo

|journal=Literary Weekly

|volume=32

|issue=7–8

|pages=17

|url=https://literarnytyzdennik.sk//wp-content//uploads//2018//11//LT-07-08-2019.pdf

|year=2019

|publisher=The Cultural-literary academy

|location=Bratislava

|issn=0862-5999

|language=sk

|archive-url=https://web.archive.org/web/20201126184118/https://literarnytyzdennik.sk//wp-content//uploads//2018//11//LT-07-08-2019.pdf

|archive-date=2020-11-26

|access-date=2022-11-21

|url-status=live

}}

According to Lenka Vrebl, the perception of Radoslav Rochallyi is not playful, it is serious, direct and focused.{{cite journal

|last=Vrebl

|first=Lenka

|title=Rochallyi's poet known and unknown. Analysis of creation

|journal=Obrys-Kmen

|volume=2019

|issue=24

|url=http://www.obrys-kmen.cz/index.php/rocnik-2019/282-24-2019-26-cervna-2019/2856-basnik-znamy-i-neznamym

|location=Praha

|publisher=Union of the Czech Writers

|issn=1210-1494

|language=cs

|archive-url=https://web.archive.org/web/20220612111744/http://www.obrys-kmen.cz/index.php/rocnik-2019/282-24-2019-26-cervna-2019/2856-basnik-znamy-i-neznamym

|archive-date=2022-06-12

|access-date=2022-11-21

|url-status=live

}}

The book was published in Slovak, English and German in 2019. The book Mythra Invictus has received a positive reception.{{cite journal

|last=Stachova

|first=Olivia

|title=Questions of the essence of being

|journal=Literarny Tyzdennik

|volume=33

|issue=11–12

|year=2020

|publisher=Kulturno-literarna akademia|location=Bratislava

|issn=0862-5999

|language=sk

}}{{cite journal

|last=Cobejova

|first=Alexandra

|title= Experiment with poetics of myth

|url=https://literarnytyzdennik.sk/v-stankoch-hladajte-literarny-tyzdennik-11-12-2020/

|journal=Literarny Tyzdennik

|volume=33

|issue=11–12

|year=2020

|publisher=Kulturno-literarna akademia

|location=Bratislava

|issn=0862-5999

|language=sk

|archive-url=https://web.archive.org/web/20200325155546/https://literarnytyzdennik.sk/v-stankoch-hladajte-literarny-tyzdennik-11-12-2020/

|archive-date=2020-03-25

|access-date=2022-11-21

|url-status=dead

}} According to Dominik Petruška, Mythra Invictus is a highly abstract work in terms of the ideas it presents, but at the same time it is very concrete through the feelings of the main character. The text evokes a strong aesthetic impression, which is ensured by the simple language in which complex philosophical questions are told.{{cite web

|url= https://www.inlibri.online/recenzia-na-knihu-mythra-invictus-od-dominika-petrusku/

|title= Review of the book Mythra Invictus by Dominik Petruška

|last= Petruska

|first= Dominik

|year= 2021

|publisher= Inlibry

|location= Kosice, Slovakia

|language= sk

|asin=

}} Rochallyi said in an interview that he was more influenced by the archetypal story of Gilgamesh in his writing than by Mithrianism itself.{{cite web

|url= https://www.inlibri.online/rozhovor-so-spisovatelom-filozofom-a-menezerom-radoslavom-rochallyim-zijeme-v-dobe-kedy-nie-je-mozne-bezvyhradne-verit-nicomu/

|title= Interview with Radoslav Rochalyi: We live in a time when it is impossible to believe in anything unconditionally

|last= Lukáš

|first= Perny

|year= 2021

|publisher= Inlibry

|location= Kosice, Slovakia

|language= sk

|asin=

}}

According to one of the reviews, Mythra Invictus focuses on the personal crisis of a male character named Caut. We could polemically connect the word Caut with the English word caution, but we find a more precise meaning in the Romance languages. Latin gives the meaning of caution, in Romanian the word caut means to look for. And from the overall concept of the work, it is clear that Caut is really looking for the meaning of his existence and the meaning of human existence in general. Rochallyi built the book in the form of a dialog, where Caut does not appear alone in the book, but is seconded by Mythra. The book has 24 chapters.{{cite web |url=https://beswebzine.sk/radoslav-rochallyi-mythra-invictus-2019/ |title=Radoslav Rochallyi – Mythra Invictus (2019) |last=Filozof |first=Mizantrop |date=2024-05-01 |website=beswebzine.sk |publisher=Bes Webzine |access-date=2024-05-01 |quote=}}

The book PUNCH was published in English and German in 2019. In the DNA-Canvases of Poetry collection he uses mathematical equations to express his poetry.

{{cite book

|last= Rochallyi

|first= Radoslav

|year= 2019

|title=DNA- Leinwänden der Poesie

|publisher=European Open Culture Network o.z.

|pages= 39

|isbn= 978-80-973501-2-3

}}

In addition to his book, poetic equations have also been published in many anthologies and journals. For example, in anthologies and journals published at Stanford University,{{cite journal

|author =

|date = 2021-05-08

|title = The World Pretends to Be Burning

|editor = Lorenzo Bartolucci, Katherine G. T. Whatley

|journal = Mantis, Stanford Journal of Poetry, Criticism, and Translations.

|page = 128

|issue = 19

|publisher = Stanford University

|issn = 1540-4544

|oclc = 49879239

}} California State University,{{cite journal

|author =

|date = 2021-05-08

|title = RTAW

|editor = Sarah Pape

|journal = Watershed Review at Chico State

|volume = 43

|url = https://watershedreview.com/poetry/radoslav-rochallyi/

|publisher = California State University

|archive-url=https://web.archive.org/web/20220327023841/https://watershedreview.com/poetry/radoslav-rochallyi/

|archive-date=2022-03-27

|access-date=2022-11-21

|url-status=live

}} Utah Tech University,{{cite journal

|author =

|date = 2020-10-28

|title = The Halved

|url = https://www.r7review.com/post/the-halved

|journal = Route 7 Review

|volume = 1

|issue = 8

|publisher = Dixie State University

|issn = 2694-1481

|archive-url=https://web.archive.org/web/20220829093107/https://www.r7review.com/post/the-halved

|archive-date=2022-08-29

|access-date=2022-11-21

|url-status=live

}} University of Olivet,

{{cite book

|year= 2020

|title=The Garfield Lake Review

|chapter=One PoeMath

|edition= 2020

|editor= Jack Caporuscio

|location=MI, USA

|publisher=Olivet College

|page= 51

|url= https://www.garfieldlakereview.com/_files/ugd/cf6e9e_7d0af410efee496b93b0cfd61293a952.pdf

|archive-url=https://web.archive.org/web/20220325014118/https://www.garfieldlakereview.com/_files/ugd/cf6e9e_7d0af410efee496b93b0cfd61293a952.pdf

|archive-date=2022-03-25

|access-date=2022-11-21

|url-status=live

}} or Las Positas College.{{cite journal

|last=Melissa

|first=Korber

|title=Poetica

|journal=Havik 2020: Homeward- the las Positas College Journal of Arts and Literature

|volume=1

|year=2020

|url=https://havikjournal.wixsite.com/website/arts

|publisher=The Las Positas College

|location=CA, USA

|language=EN

}}

The book PUNCH was published only in English in 2020. In the Punch collection, author uses poems based on mathematics, especially on mathematical equations. Both the texts and the equations are based on the author's need to divide the text into a semantically and formally clear form. This work does not belong to concrete, pattern, graphic, code, FIB, or visual poetry. It is an alternative approach to creation.

{{cite journal

|last = Rochallyi

|first = Radoslav

|editor1-last = McFarland

|editor1-first = Allie

|editor2-last = Jordan

|editor2-first = Bolay

|title = A dozen, A.I

|url = https://antilang.ca/current-issue/

|journal = Antilang

|volume = 8

|issue = Fall 2020

|page = 45

|publisher = The Anti-Languorous Project

|publication-place = Canada

|issn = 2561-5610

|name-list-style = vanc

|archive-url=https://web.archive.org/web/20201115002557/https://antilang.ca/current-issue/

|archive-date=2020-11-15

|access-date=2022-11-21

|url-status=dead

}}

Poetic equations from the Punch collection was reviewed and published in journals.{{cite journal

|author=

|date=2020-10-20

|title=Respirator Blues by Radoslav Rochallyi

|url=https://thewaxpaper.com/rochallyi-2-poems

|journal=The Wax Paper

|volume=3

|issue=11

|pages=50

|issn=2641-6433

|publisher=The Wax Paper ltd

|location=Chicago, USA

|archive-url=https://web.archive.org/web/20221116180424/https://thewaxpaper.com/rochallyi-2-poems

|archive-date=2022-11-16

|access-date=2022-11-21

|url-status=live

}}{{cite journal

|last=Pufpaf

|first=Tyler

|title=The Media Promises

|journal=Variant Literature Journal

|volume=1

|issue=3

|year=2020

|url=https://variantlit.com/issue-three/

|publisher=Variant Literature Inc.

|location=North Carolina, USA

|isbn=9781714921188

|language=EN

|archive-url=https://web.archive.org/web/20220520212923/https://variantlit.com/issue-three/

|archive-date=2022-05-20

|access-date=2022-11-21

|url-status=live

}}{{cite journal

|editor=Igor V. Zaitsev

|title=A dozen, Ice on, A:I

|journal=Night Picnic Press

|volume=3

|issue=3

|year=2020

|url=https://www.nightpicnic.net/vol-3-issue-3

|publisher= Night Picnic Press, LLC

|location=New York, USA

|isbn=9781970033137

|language=EN

|archive-url=https://web.archive.org/web/20201212153219/https://www.nightpicnic.net/vol-3-issue-3

|archive-date=2020-12-12

|access-date=2022-11-21

|url-status=live

}}

By Andrea Schmidt Rochallyi be able to find a bearable relationship between the mathematical formalism and freedom. Schmidt argues that his poetry is a critique of semantics and language as such. Schmidt, in a review in the Rain Taxi, writes that PUNCH can be considered one of the most important works of experimental poetry in the last decade. Later, journal Dunes Review published his poem written in a geometric plotter.{{cite journal

|last=Rochallyi

|first=Rado

|editor=Jennifer Yeatts, Teresa Scollon

|title=Vector and Termination

|journal= Dunes Review

|volume=27.1

|issue=Summer 2023

|location=Traverse City, Michigan

|publisher= Michigan Writers, Inc.

|issn=1545-3111

|language=en

}}

The book was published in English, and Slovak in 2020. It is a logical-ethical essay and a thought experiment on free will. It deals with the problem of free will and determinism, where the author argues that free will as we perceive it is an illusion and that moral decisions are not really moral. According to another source, it is a logical-philosophical analysis of morality and power, describing morality only as an adaptive characteristic of a social being.{{cite web

|url= https://www.inlibri.online/rozhovor-so-spisovatelom-filozofom-a-menezerom-radoslavom-rochallyim-zijeme-v-dobe-kedy-nie-je-mozne-bezvyhradne-verit-nicomu/

|title= Esse

|author=

|year= 2020

|publisher= Elibro

|location= Prague

|language= cs

|asin=

}}

The book was published in English in 2021. Steven J Fowler in an annotation to the book # Mathaeata wrote that Rochallyi builds poetry in mathematical terms, situating a droll humour laced with Nietzchean declaration within the context of brilliantly innovative visual design.{{cite book |url=https://books.google.com/books?id=QCWNzgEACAAJ

|title=# Mathaeata

|last=Fowler

|first=Steven J

|date=2021

|publisher= EOCN

|isbn=9788097373719

|access-date=2021-11-01

|quote=

}} Both magazines and journals have published mathematical poems from this collection.{{cite magazine |last=Rochallyi |first=Radoslav |date=2021 |title=Fly away |url=https://www.southfloridapoetryjournal.com/issue-22-poetry-pg-2-aug-21.html |magazine=South Florida Poetry Journal |location=FL |publisher=South Florida Poetry Journal |access-date=2024-08-29}}{{cite magazine |last=Rochallyi |first=Radoslav |date=2022 |title=In English |url=https://literarybohemian.com/visual-poetry/in-english/ |magazine=The Literary Bohemian |location=Krumlov, Czech Republic |publisher=The Literary Bohemian c/o |access-date=2024-08-29}}{{cite magazine |last=Rochallyi |first=Radoslav |date=2022 |title=VISUAL POETRY |url=https://writersalliance.org/bacopa-literary-review-2022/ |magazine=Bacopa Literary Review 2022 |location=FL |publisher=Writers Alliance of Gainesville |access-date=2024-08-29}}

The book was published in Slovak in 2022, by Drewo a srd publishing house in Bratislava. In review of the book Rovnicová poézia, Eva Urbanova wrote that penetrating the secrets of this type of poetry really requires not only willingness, but also knowledge, even though the author himself gives partial instructions in the introduction to the book. And although the reviewer did not understand most of the complicated formulas, she found that logic is not always necessary: on the contrary, where logic decreases, adventure increases. In this way, some poems became humorous statement.{{cite magazine |last=Eva |first=Urbanová |date=2023-10-13 |title=Nevyspytateľné cesty poézie |url=https://www.litcentrum.sk/clanok/nevyspytatelne-cesty-poezie |url-status=live |magazine=Knižná revue 2023/07-08 |location=Bratislava |publisher=The Slovak Literary Centre |archive-url=https://web.archive.org/web/20240129164958/https://www.litcentrum.sk/clanok/nevyspytatelne-cesty-poezie |archive-date=29 January 2024 |access-date=29 January 2024 }} Mathematical poems from this collection, which Rochallyi translated into English, also appeared in journals published in the United States.{{cite magazine |last=Rochallyi |first=Radoslav |date=2024 |title=Visual Poetry |page=5 |issue=11 |url=https://www.mignolo.art/ptp/11 |magazine=Pinky Thinker Press |location=NJ |publisher=mignolo arts center |access-date=2024-08-29}}{{cite magazine |last=Rochallyi |first=Radoslav |date=2024 |title=Lost connection | issue=43 |url=https://www.musepiepress.com/shotglass/radoslav_rochallyi3.html |magazine=Shot Glass Journal |location=NJ |publisher=Muse-Pie Press |access-date=2024-08-29}}

His book Equation Poetry was mentioned in the Kandelaber podcast, which is dedicated to the evaluation of literature, as an exceptional poetry book in the year 2022.{{cite podcast |last=Sivanic |first=Peter |title=Reader's Diary #21 — The best books and comics of 2022 |publisher=Kandelaber oz |date=12 December 2022 |time=43:50 |url=https://soundcloud.com/kndlbr/citatelsky-dennik-21-7-12-2022?in=kndlbr/sets/itate-sk-denn-k |access-date=29 January 2024}}

His work includes mainly philosophy, visual arts, and poetry, while linking each of these elements with mathematical symbols.

{{cite journal |year=2024 |editor1-last=Cripps |editor1-first=Camilla |editor2-last=Webb |editor2-first=Jen |title=The honest face of sadness |url=https://www.meniscus.org.au/_files/ugd/7c40c1_acd46b3b259f4f4ba7b600dcdd87eeb3.pdf |format=Pdf |journal=Meniscus Literary Journal |language=en |location=Australia |publisher=Australasian Association of Writing Programs (AAWP) |volume=12 |issue=2 |page= |pages=277 |issn=2202-8862 |access-date=2024-12-15}} Rochallyi uses mathematical language as an organizational principle and at the same time uses mathematical symbols to describe intonation notation, or to define various types of specifications whose semantics are easier or more effective to express in non-verbal form.{{cite web

|url=https://novotvar.sk/author.php?aut=181&lang=en

|title=Radoslav Rochallyi

|author=

|date=

|website=Novotvar

|publisher= The international literary festival Novotvar

|quote=1

|archive-url=https://web.archive.org/web/20220724094550/https://novotvar.sk/author.php?aut=181&lang=en

|archive-date=2022-07-24

|access-date=2022-11-21

|url-status=live

}}

He's trying to finish off aesthetic-logical minimalism as a system that brings aesthetics and logic together in content and uses mathematical and geometric patterns in form. In Magpiezine, he said he tries to answer the question of how deep meanings can be communicated through simple, aesthetically pleasing forms of math and geometry. This minimalist approach is the foundation of his artistic and aesthetic communication style.{{cite journal

| editor = Rachel Bash

| date = 2025

| title = Fractures

| journal = Magpie

| page = 60

| issue = 2

| publisher = The Howler Project

| url = https://www.magpiezine.com/issue-two

}}

In the field of philosophy, he was influenced by the work of physicist Max Tegmark and mathematician G. H. Hardy. In the field of creation, he was shaped by the works of early experimental avant-garde artists (painters and poets).{{cite web

|url=https://www.pw.org/directory/writers/radoslav_rochallyi

|title=Poets & Writers Directory › Radoslav Rochallyi

|author=

|website=Poets & Writers

|date=21 May 2020

|publisher=Poets & Writers, Inc.

|location=USA

|archive-url=https://web.archive.org/web/20220325140539/https://www.pw.org/directory/writers/radoslav_rochallyi

|archive-date=2022-03-25

|access-date=2022-11-21

|url-status=live

}}

In the French magazine Recours au poème n ° 212, Rochally's philosophy of creation is described as mathematical determinism.{{cite journal

| editor = Marilyne Bertoncini and Carole Mesrobian

| date = 2021-12-30

| title = Radoslav Rochallyi, Envoler et autres poèmes

| journal = Recours au poème

| page = 1

| issue = 212

| publisher = Recours au Poème (Nice, France)

| url = https://www.recoursaupoeme.fr/radoslav-rochallyi-envoler-et-autres-poemes/

| issn = 2269-0298

|archive-url=https://web.archive.org/web/20220529021641/https://www.recoursaupoeme.fr/radoslav-rochallyi-envoler-et-autres-poemes/

|archive-date=2022-05-29

|access-date=2022-11-21

|url-status=live

}}

In an interview in the literary magazine Tiny spoon, he claims that all the free decisions we have made and will make are determined by the mathematical nature of reality. Art and unconditional love are the only ways to turn your back on determinism, at least for a while.{{cite web |url=https://tinyspoon.org/2023/03/25/tiny-talks-with-radoslav-rochallyi/ |title=Tiny talks with Radoslav Rochallyi |date=25 March 2023 |publisher=Tiny Spoon-Literary Magazine |access-date=2023-03-26 |archive-url=https://web.archive.org/web/20230326071614/https://tinyspoon.org/2023/03/25/tiny-talks-with-radoslav-rochallyi/ |archive-date=2023-03-26 |url-status=live }}

Rochallyi used an experimental poetic form of the golden ratio around 2012.{{cite web

|url= https://www.mathvalues.org/masterblog/golden-ratio-poetry-mathematical-poetry-according-to-

|title= GOLDEN RATIO POETRY: MATHEMATICAL POETRY ACCORDING TO Φ

|last= Rochallyi

|first= Radoslav

|year= 2022

|editor = Deanna Haunsperger

|publisher= Mathematical Association of America

|location= Washington D.C.

|language= en

|asin=

|archive-url=https://web.archive.org/web/20220607183612/https://www.mathvalues.org/masterblog/golden-ratio-poetry-mathematical-poetry-according-to-

|archive-date=2022-06-07

|access-date=2022-11-21

|url-status=live

}}

It follows a strict structure based on the golden number 1.618033 in syllables. Typically represented in the form of six lines, 1/6/1/8 / (0) / 3/3 - with so many words or syllables on the line that correspond to the golden number. The only limitation of poetry according to the golden number is the number of words or syllables followed by the sequence number 1.618033. The Greek letter Phi represents the golden ratio. Its value is 1.618034. In Golden Divine collection (2015), he tried to link poetry with Fi (φ) and hence the number 1,618034 in non-graphical form and with a golden section in its graphic form.{{cite journal

|last=Vrebl

|first=Lenka

|title=Rochallyi's poet known and unknown. Analysis of creation

|journal=Obrys-Kmen

|volume=2019

|issue=24

|url=http://www.obrys-kmen.cz/index.php/rocnik-2019/282-24-2019-26-cervna-2019/2856-basnik-znamy-i-neznamym

|location=Praha

|publisher=Union of the Czech Writers|issn=1210-1494

|language=cs

|archive-url=https://web.archive.org/web/20190627203432/http://www.obrys-kmen.cz/index.php/rocnik-2019/282-24-2019-26-cervna-2019/2856-basnik-znamy-i-neznamym

|archive-date=2019-06-27

|access-date=2022-11-21

|url-status=live

}}

Schmidt argues that his Golden Divine is a prototype of formal fundamentalism in poetry, employing a restriction according to the Greek letter phi.{{cite journal

|author=Andrea Schmidt

|date=2021

|title=PUNCH

|url=https://www.raintaxi.com/punch/

|journal= Rain Taxi

|issue=Summer 2021

|oclc=939786025

|issn=1943-4383

|publisher=Rain Taxi, Inc.

|location=Minneapolis, USA

|archive-url=https://web.archive.org/web/20210901211306/https://www.raintaxi.com/punch/

|archive-date=2021-09-01

|access-date=2022-11-21

|url-status=live

}}

The only limitation of "Golden Ratio Poetry" is that the number of words or syllables follows the sequence of digits in 1.618034. Sarah Glaz of the Department of Mathematics, University of Connecticut wrote that although the decimal expansion of any irrational number is infinite, the counting pattern in the poem uses only an approximation of the number itself, so R. Rochallyi used a modified decimal expansion of ɸ as the number of words or syllables per line of his poems. Specifically, he stopped at the 6th decimal place and rounded the last number from 3 to 4.{{cite conference

| conference = Bridges Richmond 2024

| conference-url = https://www.bridgesmathart.org/b2024/

| author = Glaz, Sarah

| title = Experimenting with the Golden Ratio in Poetry

| pages = 31–38

| book-title = Proceedings of Bridges 2024: Mathematics, Art, Music, Architecture, Culture

| year = 2024

| editor = Verrill, Helena and Kattchee, Karl and Gould, S. Louise and Torrence

| isbn = 978-1-938664-49-6

| issn = 1099-6702

| publisher = Tessellations Publishing

| location = Virginia Commonwealth University, Richmond, Virginia, USA

| url = http://archive.bridgesmathart.org/2024/bridges2024-31.html

}}

Equation Poetry uses mathematical language as an organizational principle and at the same time uses mathematical symbols to describe intonation notation (for example, nervous³), or to define various types of specifications that are simpler or more efficient to express in non-text form. In Acta Victoriana Rochallyi claims that every formal rule in poetry is a mathematical rule.{{cite journal

|last= Rochallyi

|first=Radoslav

|date=2021

|editor= Marco Istasy and Claire Ellis

|title= Equations/ Just for today

|url= https://issuu.com/actavictoriana/docs/av145.2_full_original

|language= en

|journal=Acta Victoriana

|publisher= Victoria University, Toronto

|issue= 2021

|issn= 0700-8406

|archive-url=https://web.archive.org/web/20220813012806/https://issuu.com/actavictoriana/docs/av145.2_full_original

|archive-date=2022-08-13

|access-date=2023-03-17

|url-status=live

}}

This restriction defines the form of poetry. Hence, it can be said that (almost) no form of poetry can do without mathematics.{{cite web

|url= https://www.mathvalues.org/masterblog/equation-poetry

|title= EQUATION POETRY

|last= Rochallyi

|first= Radoslav

|year= 2021

|editor = Deanna Haunsperger

|publisher= Mathematical Association of America

|location= Washington D.C.

|language= en

|asin=

|archive-url=https://web.archive.org/web/20211104182400/https://www.mathvalues.org/masterblog/equation-poetry

|archive-date=2021-11-04

|access-date=2022-11-21

|url-status=live

}} In the Author's Note in Roanoke Review he mentioned that they both have symbolism, algorithmic basis, structures, formulas, and symmetry. Combining the two is completely natural, as is reading and studying their patterns.{{cite journal

|last= Rochallyi

|first=Radoslav

|date=2021

|editor= Mary Crockett Hill

|title= 3 poems

|url= http://www.roanokereview.org/poetry2021/radoslav-rochallyi

|language= en

|journal=Roanoke Review

|publisher=Roanoke College

|issue= 2021

|issn= 0035-7367

|archive-url=https://web.archive.org/web/20211106143207/http://www.roanokereview.org/poetry2021/radoslav-rochallyi

|archive-date=2021-11-06

|access-date=2022-11-21

|url-status=live

}}

Rochallyi claim that the ambition of Equation Poetry should not be to preserve the meaning of the equation, but to preserve the form, formula and symmetry as accurately as possible.{{cite book

|year= 2019

|title=Spoken To Different People

|chapter=Chapter 3-Mixed Bag

|location=Mumbai, India

|publisher=Poets' Choice

|pages= 150

|isbn= 9781946211149

}} Preserving its full meaning would define the content of poetry and not just form. In such a case, we would not even be making poetry because the resulting poem would be a cluster of precisely positioned words, but without the general meaning. And we wouldn't be creating anything mathematical either; the resulting equation would simply not make sense.{{cite journal

|last= Rochallyi

|first=Radoslav

|date=2021-10-27

|editor1-last= Sulej

|editor1-first= Peter

|title= Rovnicová poézia

|trans-title= Equation Poetry

|url= https://www.vlna.sk/vlna-88-s-temou-cas/

|language= sk

|journal= Vlna

|volume= 88

|issue= 2021

|pages=120

|issn= 1335-5341

|oclc= 45012887

|archive-url=https://web.archive.org/web/20211104182355/https://www.vlna.sk/vlna-88-s-temou-cas/

|archive-date=2021-11-04

|access-date=2022-11-21

|url-status=live

}}

According to Rochallyi's article in The Minnesota Review, Equation Poetry is characterized by a greater freedom of writing, or at least the possibility of choosing the equations used, which in itself defines the freedom of its creation. And this is a freedom much greater than that provided by most of the strict structural forms.{{cite journal

|last= Rochallyi

|first=Radoslav

|date=2022-11-01

|editor1-last= Watson

|editor1-first= Janell

|title= Δt = Panta rei

|url= https://read.dukeupress.edu/the-minnesota-review/article-abstract/2022/99/53/342520/t-Panta-rei

|language= en

|journal= The Minnesota Review

|volume= 2022

|issue= 99

|pages=53–54

|issn= 0026-5667

|eissn= 2157-4189

|doi= 10.1215/00265667-9993097

|s2cid=255914856

|archive-url= https://web.archive.org/web/20230119062532/https://read.dukeupress.edu/the-minnesota-review/article-abstract/2022/99/53/342520/t-Panta-rei

|archive-date= 2023-01-19

|access-date= 2022-01-19

|url-status=live

|url-access= subscription

}}

For Rochallyi, 2022 and 2023 are the years of answering whether vector poetry can provide an extended visual interpretation of the language unavailable through traditional notation and interpretation. The combination of time, space, movement, and direction can expand all aspects of a text and its meaning. His endeavor aims to investigate the semantics/semiotics of vectors in poetry as a response to the problem of creating meaningful patterns. Rochallyi believe that Vectors can be used to create a sense of movement in a poem. For example, words can flow smoothly from one to another, creating a sense of rhythm and movement. It can add another layer of meaning to the poem and make it more interesting to explore.{{cite journal

|last=Rochallyi

|first=Radoslav

|editor=Melissa Ford Lucken

|title=I pay with blood

|journal= Washington Square Review

|volume=2023

|issue=Summer

|location=MI 48933

|publisher= Lansing Community College

|issn=

|language=en

}}

Vector Poetry replaces words or partial phrases with vectors. In vector poetry, words are arranged in a specific way to visually represent the poem's meaning. Just as a vector is defined by its direction and length, each word or sentence is represented by a line that points in a particular direction and has a certain length. Vector poetry is a form of mathematical expressionism in art. It can capture words, emotions, movement, and location.{{cite web

|url= https://www.mathvalues.org/masterblog/vector-poetry

|title= Vector Poetry

|last= Rochallyi

|first= Radoslav

|year= 2023

|publisher= Mathematical Association of America

|location= Washington D.C.

|language= en

|asin=

|archive-url=https://web.archive.org/web/20230629141849/https://www.mathvalues.org/masterblog/vector-poetry

|archive-date=2023-06-29

|access-date=2023-06-29

|url-status=live

}}

In an essay entitled Classification of Mathematical Poetry in Hyperrhiz Journal, Rochallyi described vector poetry as a method of creating poetry and vectorizing poetry through vector space-VSP.

His vector poetry captures states, space, and time to showcase a concise but poetic expression.{{cite web

|url= https://www.pennreview.org/time-in-a-glass-spoon

|title= time in a glass spoon

|last= Rochallyi

|first= Radoslav

|year= 2022

|editor = Peyton Toups

|publisher= The Penn Review,University of Pennsylvania

|location= Philadelphia

|language= en

|archive-url=https://web.archive.org/web/20230605063805/https://www.pennreview.org/time-in-a-glass-spoon

|archive-date=2023-06-05

|access-date=2023-06-10

|url-status=live

}}{{cite journal

|last=Rochallyi

|first=Radoslav

|title=Cheeky

|journal= The Rialto (poetry magazine)

|volume=2023

|issue=100

|url=https://www.therialto.co.uk/pages/product/rialto-magazine-100/

|location=Norwich

|publisher= The Rialto

|issn= 0268-5981

|language=en

|archive-url=https://web.archive.org/web/20230601140828/https://www.therialto.co.uk/pages/product/rialto-magazine-100/

|archive-date=2023-06-01

|access-date=2023-06-10

|url-status=live

}} It achieves an emotional effect by moving a word or phrase across a grid of vector space, creating a visual and especially emotional effect, or by using mathematical equations to create shapes and movements.{{cite journal

|last=Rochallyi

|first=Radoslav

|title=Classification of Mathematical Poetry

|journal= Hyperrhiz: New Media Cultures

|date=2023

|volume=2023

|issue=26

|url=http://hyperrhiz.io/hyperrhiz26/artist-statements/mathematical-poetry.html

|location= North Carolina

|publisher= North Carolina State University

|issn= 1555-9351

|doi= 10.20415/hyp/026.a01

|language=en

|archive-url=https://web.archive.org/web/20230608102336/http://hyperrhiz.io/hyperrhiz26/artist-statements/mathematical-poetry.html

|archive-date=2023-06-08

|access-date=2023-06-10

|url-status=live

|doi-access=free

}}

Rochallyi's visual work includes collage and painting. All his paintings and collages contain equations or mathematical elements. Primarily operators, equations and vectors.{{cite web |title=Project: Posters for peace |author= |date= |url=https://www.peacemuseumvienna.com/posters-for-peace |publisher=Peace Museum Vienna - Friedensmuseum Wien |location=Austria |access-date=2024-03-25 |quote=}} His collages have been published mainly in magazines.{{cite web |title=Arts & Media- Radoslav Rochallyi |author= |date=2022 |url=https://english.illinoisstate.edu/euphemism/18-1/home/arts-media/ |publisher=Illinois State University |location=US |access-date=2023-06-29 |quote=}} In 2020, he was included in a selection of artists in the catalog 101 Contemporary Artists and more.{{cite web |title=101 Contemporary Artists and more |author=Contemporary Artists Book Collection by CoA |date=2020 |url=https://www.collectartwork.org/post/101contemporaryartistsandmore_ |publisher=CoA |location=Georgia |access-date=2023-12-16 |quote=}} In 2023, he was finalist in the Nanjing International Biennal, organised by Nanjing University of the Arts.{{cite web |title=Winners- Nanjing International Biennial of Poster for Peace 2023 |author= |date=2023 |url=https://en.ipbp.org.cn/selection |publisher=School of Design, Nanjing University of the Arts |location=China |access-date=2023-12-16 |quote=}} In 2024, he was selected for an art residency in Slovakia,{{cite web

|url=https://poton.sk/desat-letnych-umeleckych-pobytov-v-batovciach/

|title=Desať letných umeleckých pobytov v Bátovciach

|author=

|date=2024

|publisher=Divadlo Poton

|location=Slovakia

|access-date=2024-07-30

|quote=

}} where he attempted to translate poetic equations into paintings, trying to figure out how to adapt the horizontal rigor of the equations to different forms.{{cite web

|url=https://www.gutspublishing.com/post/equatorial-poetry-radoslav-rochallyi

|title=Equatorial Poetry

|author=Julianne Ingles

|date=2024

|publisher=Guts Publishing

|location=UK

|access-date=2024-07-30

|quote=

}}

His paintings have been exhibited, for example:

• Post Factual 2024- Solo exhibition, Galerie Lichtenštejnský dům, Breclav, Czech Republic{{cite web | title=Galerie Lichtenštejnský dům | website=Městské muzeum a galerie Břeclav | url=https://www.muzeumbv.cz/aktuality/rado-rochallyi-post-factual/ | language=cs | access-date=2024-12-15}}
• Beep Painting Biennial 2024, elysium gallery, Swansea, Wales, UK{{cite web

|url=https://www.elysiumgallery.com/beep-painting-biennial-2024/

|title=Artists

|author=

|date=2024

|publisher=Elysium Gallery

|location=UK

|access-date=2024-07-30

|quote=

}}

• Po-Mosty Wielokulturowości, Częstochowa and Lviv, Poland and Ukraine{{cite web

|url=https://www.joanna-banek.pl/2024/07/01/festiwal-po-mosty-wielokulturowosci-wystawa-we-lwowie-i-czestochowie/

|title=ARTYŚCI

|author=

|date=2024

|publisher=Joanna Banek

|location=Poland

|access-date=2024-07-30

|quote=

}}

• Número Seis. Punto, The Wrong Biennale, Alicante, Spain{{cite web

|url=https://thewrong.org/2023-24

|title=2o23/24 artists

|author=

|date=2024

|publisher=The Wrong Studio

|location=Spain

|access-date=2023-02-03

|quote=

}}

• Szépművészeti Múzeum, Budapest, Hungary{{cite web

|url=https://www.szepmuveszeti.hu/mutargyak/illyen-es-harboru/

|title=ÍLLYEN ÉS HÁRBORÚ

|author=

|date=2019

|publisher=Szépművészeti Múzeum

|location=Budapest, Hungary

|archive-url=https://web.archive.org/web/20220704233551/https://www.szepmuveszeti.hu/mutargyak/illyen-es-harboru-2/

|archive-date=2022-07-04

|access-date=2023-03-10

|quote=

}}

• #social 2022, CICA Museum, Soul, South Korea{{cite web |title=Exhibition- Social 2022 |author= |date=October 2022 |url=https://cicamuseum.com/wp-content/uploads/social2022_Catalogue.pdf |publisher=CICA Museum |location=Soul, South Korea |access-date=2023-03-10 |quote=}}
• Progress. On Contemporary and Future Society, GALLERY Loosenart, Rome, Italy{{cite web |title=Exhibition-PROGRESS, ON CONTEMPORARY AND FUTURE SOCIETY |author= |date=December 2022 |url=https://www.loosenart.com/pages/news-progress-on-contemporary-and-future-society |publisher=GALLERY Loosenart |location=Rome, Italy |access-date=2023-03-10 |quote=}}
• Collecting & Reassembling, Richmond Art Gallery, Richmond, BC, Canada{{cite web |title=Collecting & Reassembling: International Mail Art Exhibition and Fundraiser |author= |date=September 2023 |url=https://www.richmondartgallery.org/mail-art |publisher=Richmond Art Gallery |location=Richmond, BC, Canada|access-date=2023-03-10}}
• III Convocatoria", MIDECIANT, Innovation Centre in Art and New Technologies, The International Museum of Electrography, University of Castilla-La Mancha, Cuenca, Spain{{cite web |title=III Convocatoria |author= |date=2023 |url=https://www.calameo.com/read/006678516e0b580e055fc |publisher=University of Castilla |location=Spain |access-date=2023-12-16}}
• /’Fu:bar/ Glitch art Exhibition, Institut Français En Croatie in Zagreb, Croatia{{cite web |title=FUBAR EXPO ARTIST & WORK LIST |author= |date=2023 |url=https://fubar.space/2023/expo-art/ |publisher=Institut Français En Croatie in Zagreb |location=Croatia|access-date=2023-12-16}}
• Electronics, new media, robotics in art context, Pandora Kunstgalerie, Berlin, Germany{{cite web |title=Electronics, new media, robotics in art context |author= |date=2023 |url=https://artfacts.net/exhibition/electronics-new-media-robotics-in-art-context/1135276 |publisher=Artfacts GmbH |location=Germany|access-date=2023-12-16}}
• Magic + Miracles, Kreiva Gallery, Bridlington, United Kingdom{{cite web |title=MAGIC+ MIRACLES |author= |date=2023 |url=https://www.kreivagallery.com/exhibitions/ |publisher=Kreiva Gallery |location=UK|access-date=2023-12-16}}
• Queer Ecologies, Galerie FaVU, Brno, Czech Republic{{cite web |title=Vernisáž výstavy Queer Ecologies v Galerii FaVU, středa 15. května 2024 18:00 |author= |date=2024 |url=https://www.favu.vut.cz/aktuality-z-favu-f26745/vernisaz-vystavy-queer-ecologies-v-galerii-favu-streda-15-kvetna-2024-18-00-d258007 |publisher=Faculty of Fine Arts - Brno - VUT |location=Czech Republic|access-date=2024-05-19}}

In 2018, he won second and third place in the 2018 SSS Reader's Prize literary competition for the poetry collection Panoptikum and the prose book Letter for a Son.{{cite journal |last1=Mikolaj |first1=Dušan |last2=Valek |first2=Igor |last3=Cifra |first3=Štefan |date=2018-11-14 |title=Reader's Prize 2017 |issue=39–40 |volume=2018 |language=sk |journal=Literary Weekly |location=Bratislava |publisher=Cultural and literary academy |issn=0862-5999}} In 2023 he won the second place in the Percy Bysshe Shelley Remembered Poetry Contest organized by The GroundUp from NY, USA.{{cite web |title=Percy Bysshe Shelley Remembered Poetry Contest Runners-Up |author=TheGroundUpUnited |date=2023-08-24|url=https://www.thegrounduppublication.com/post/percy-bysshe-shelley-remembered-poetry-contest-runners-up |publisher=The GroundUp |location=New York |access-date=2024-08-21 |quote=}}

He has been a multiple Pushcart nominee. In 2024, he was nominated for Best of the Net 2025 by The Broadkill Review.{{cite web |title=Congratulations to our 2024 2025 Nominees |author=The Broadkill Review |date=2024|url=https://www.broadkillreview.com/winter-spring-2025-coming-jan-1-2025 |publisher=The Broadkill Review |location=Peninsula |access-date=2024-08-07 |quote=}}

In 2023, he was finalist in the Nanjing International Biennal, organised by Nanjing University of the Arts.{{cite web |title=Winners- Nanjing International Biennial of Poster for Peace 2023 |author= |date=2023 |url=https://en.ipbp.org.cn/selection |publisher=School of Design, Nanjing University of the Arts |location=China |access-date=2023-12-16 |quote=}} In 2024, he was selected for an art residency in Slovakia{{cite web

|url=https://poton.sk/desat-letnych-umeleckych-pobytov-v-batovciach/

|title=Desať letných umeleckých pobytov v Bátovciach

|author=

|date=2024

|publisher=Divadlo Poton

|location=Slovakia

|access-date=2024-07-30

|quote=

}}

In 2024, he has been included in the Beep Painting Biennial 2024 at the Elysium Gallery.{{cite web

|url=https://www.elysiumgallery.com/beep-painting-biennial-2024/

|title=Artists

|author=

|date=2024

|publisher=Elysium Gallery

|location=UK

|access-date=2024-07-30

|quote=

}}

• 2004 – Panoptikum: Haikai no renga. [in Slovak]. {{ISBN|978-1981294893}}.
• 2014 – Yehidah. [in Slovak] 2014. 67 p. {{ISBN|978-1523354542}}.
• 2015 – Golden Divine. [in Slovak] Brno: Tribun EU, 34 p. {{ISBN|978-80-263-0877-5}}.
• 2015 – Blood. [in Slovak]2015. 43 p. {{ISBN|978-80-972031-7-7}}.
• 2016 – Torwalden. [in Slovak] 2016. {{ISBN|978-1534848702}}.
• 2018 – Mechanics of everyday life. [in Slovak] 2018. {{ISBN|978-80-8202-030-7}}.
• 2018 – Arété.[in Slovak] 2018. {{ISBN|978-80-8202-041-3}}
• 2019 – DNA: Leinwänden der Poesie [in German] {{ISBN|978-8097350116}}
• 2019 – DNA: Canvases of Poetry [in English] {{ISBN|978-8097350123}}
• 2020 – PUNCH [in English] {{ISBN|978-8097373702}}
• 2021 – # mathaeata [in English], {{ISBN|9788097373719}}
• 2022 – Rovnicová poézia/ Equation Poetry. [in Slovak] Bratislava: Drewo a srd, 96 p.{{ISBN|978-80-89550-80-7}}
• 2023 – A vague report of a strange time: a non-mathematically poetic [in English] Tulsa: Yorkshire Publishing {{ISBN|978-1960810311}}
• 2023 – oo [in English] Nat 1 Publishing LLC, Audience Askew, Auburn {{ASIN|B0CNV7Y1GC}}

• 2017 – A Letter for a son.Brno: Tribun EU, 2017. 98 p. [in English] {{ISBN|978-80-263-1195-9}}.
• 2019 – Mythra Invictus. The destiny of man. Bratislava: VSSS, 2019. 108 p. [in English] [in German] {{ISBN|9788082020857}}.
• 2020 – ESSE. Theorems on morality and power. Bratislava: EOCN. 168p. [in English] {{ISBN|978-80-9735-013-0}}.

• 2023 - Classification of Mathematical Poetry, Hyperrhiz Journal

{{Portal|Poetry|Biography|Visual arts|Mathematics|Arts}}

• Visual poetry
• Mathematics and art
• Conceptual art
• Concrete poetry

{{Reflist|30em}}

{{wikiquote}}

• {{commons category-inline}}
• Personal page, url: https://rochallyi.com
• The ARCHIVE OF DIGITAL ART (ADA, the former Database of Virtual Art), Universität für Weiterbildung Krems, url: https://www.digitalartarchive.at/database/artists/general/artist/rochallyi.html
• Kulturvernetzung Niederösterreich GmbH. 2019. url: https://www.kulturvernetzung.at/de/rochallyi/
• Artfacts database url:https://artfacts.net/artist/radoslav-rochallyi/889129

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{{DEFAULTSORT:Rochallyi, Radoslav}}

Category:People from Bardejov

Category:Slovak poets

Category:Slovak philosophers

Category:1980 births

Category:Living people

Category:20th-century Slovak writers

Category:21st-century Slovak painters

Category:Conceptual artists

Category:Contemporary painters

Category:Postmodernists

Category:Mensans

Category:20th-century male writers

Category:Male novelists

Category:Mathematical artists

Category:Slovak essayists

Category:Visual poets

Category:Collage artists