Rasmus Fleischer

{{short description|Swedish historian and musician}}

{{Use dmy dates|date=March 2025}}

{{Infobox person

| image = Rasmus Fleischer 2108.jpg

| caption = Fleischer in 2021

| birth_date = {{birth date and age |year=1978 |month=4 |day=19 |df=y}}

| birth_place = Halmstad, Sweden

| occupation = Historian
Essayist
Musician

| nationality = Swedish

| known_for = Piratbyrån

}}

Rasmus Fleischer (born 19 April 1978 in Halmstad) is a Swedish historian, essayist and musician. He earned his Ph.D. in history in 2012 with a dissertation that was also published as a book of 640 pages: "The political economy of music: Legislation, sound media and the defence of live music, 1925–2000".{{cite web|url=http://www.rasmusfleischer.se/english/the-political-economy-of-music/|title=Rasmus Fleischer » The political economy of music – English summary of Ph.D. thesis|publisher=|accessdate=25 November 2016}}

He is a researcher at the department of economic history, Stockholm University, while continuing to also publishing non-academic articles and books. Since 2004 he has been running the blog Copyriot.{{cite web|url=http://copyriot.se/|title=COPYRIOT - Multiplication can produce powerful numbers|publisher=|accessdate=25 November 2016}} He is a frequent speaker at transmediale,[https://transmediale.de/content/rasmus-fleischer Transmediale: Rasmus Fleischer] addressing topics ranging from "the automation of rave"[https://copyriot.se/2019/02/04/the-next-step-in-the-automation-of-rave-transcript-from-a-workshop-at-transmediale/ The next step in the automation of rave? (Transcript from a workshop at Transmediale)] and "how money is failing"[https://copyriot.se/2018/02/02/how-money-is-failing/ How money is failing] to questions about contemporary fascism[https://copyriot.se/2018/02/22/from-cyber-libertarianism-to-national-populism-the-many-faces-of-fascism-part-1/ From cyber-libertarianism to national-populism (The many faces of fascism, part 1)] and the problems of speaking about "internet freedom".[https://copyriot.se/2014/02/03/some-thoughts-about-the-idea-of-internet-freedom-in-times-of-counter-revolution/ Some thoughts about the idea of “internet freedom” in times of counter-revolution]

He was part of a transdisciplinary team of researchers investigating the music streaming company Spotify and co-authored the book "Spotify Teardown" (MIT Press, 2019).{{cite web|url=https://mitpress.mit.edu/books/spotify-teardown

|title=MIT Press: Spotify Teardown Inside the Black Box of Streaming Music}} as well as another book on Spotify, published in Swedish and Danish.[http://mondial.se/utgivning/den-svenska-enhorningen/ Mondial: Den svenska enhörningen][https://gaffa.dk/anmeldelse/138604/tankevaekkende-bog-om-spotifys-historie Gaffa.dk: Tankevækkende bog om Spotifys historie]

Between 2019 and 2023 he worked together with another economic historian, Daniel Berg, in a research project on the history of economic statistics, funded by the Swedish Research Council: "Valuations of quality in the Consumer Price Index and its significance for social and economic history".{{cite web|url=http://indexkritik.se/in-english/|title=Valuations of quality in the Consumer Price Index and its significance for social and economic history}} The main findings of this research was published in late 2023 as a book titled Varors värde.{{cite web|url=https://www.daidalos.se/varors-v%C3%A4rde-br-kvalitetsv%C3%A4rderingar-i-konsumentprisindex-under-1900-talet.htm|title=Daidalos: Varors värde. Kvalitetsvärderingar i konsumentprisindex under 1900-talet}}

Musical activities

Fleischer has also studied at the Royal College of Music and, amongst other musical activities, interpreted medieval music in the ensemble Vox Vulgaris which released an album in 2003 and was, after being inactive for many years, resuming activities in 2019.{{cite web|url=https://voxvulgaris.bandcamp.com/|title=Vox Vulgaris|accessdate=8 January 2020}} His main instruments are recorder and clarinet. In recent years, he has been playing together with members of bands like Dungen{{cite web|url=http://www.discogs.com/Life-On-Earth-A-Space-Water-Loop/release/2887211|title=Life On Earth! - A Space Water Loop|website=Discogs |publisher=|accessdate=25 November 2016}} and appears on an LP by Our Solar System in 2013.{{cite web|url=http://copyriot.se/2013/05/02/solsystem-i-majafton/|title=COPYRIOT - Solsystem i majafton|publisher=|accessdate=25 November 2016}}

Political background

Fleischer's political background is leftist, without any known party affiliation. In the early 2000s, he worked for some years as a journalist for Arbetaren, the weekly newspaper of the Central Organisation of the Workers of Sweden, a syndicalist union. Around the same time, he criticized parts of the Swedish political left for tendencies of nationalism"Nationalvänstern - så funkar den", Arena (issue 1, 2004). [http://www.tidskriftenarena.se/ Arena] is a Swedish leftist political magazine. and during the 2006 Lebanon War, he criticized Swedish anti-war demonstrators for siding up with Hezbollah supporters.[http://copyriot.blogspot.com/2006/07/mndag-p-mllan-uppfljning-kring.html Måndag på Möllan (uppföljning kring Hizbollah)], his blog Copyriot on 26 July 2006.

Since 2010, Fleischer's writings has appeared several times in the anarchist magazine Brand and has written essays presenting the thought of the Marxian thinker Robert Kurz.[https://enemiesofutopia.wordpress.com/2012/07/20/robert-kurz-and-the-collapse-of-modernity-an-introduction/ Robert Kurz and the collapse of modernity – an introduction][https://www.rasmusfleischer.se/2014/07/vardekritisk-kristeori-att-tanka-kapitalets-sammanbrott/ Värdekritisk kristeori – att tänka kapitalets sammanbrott]

Writing

File:Bokmässan 2024 326 – Rasmus Fleischer.jpg in 2024.]]

Fleischer's essay Det postdigitala manifestet (2009, in Swedish) analyzes how the contemporary culture of digital abundance produces a reevaluation of physical presence, taking examples mainly from the area of music. It has been published also in Finnish and in 2013 selected parts of it was published in an English translation by E-flux magazine in 2013.

His second book, the double volume Boken & Biblioteket, was published in October 2011, also in Swedish. The first book is about books, including discussions about the political economy of publishing, the history of print on demand, the durability of e-books, the aesthetics of audiobooks and robot publishing. The second book discusses the library both in terms of a selective institution, a digital interface and a post-digital space.

Besides from his books, writings by Fleischer appear in a number of anthologies as well as in magazines and newspapers, though not much of it has been translated to languages other than Swedish. As of 2023, he is a regular contributor to Aftonbladet, Göteborgs-Posten and Flamman.

Bibliography

  • [http://www.rasmusfleischer.se/skriverier/postdigitalt-manifest/ Det postdigitala manifestet] (2009), 82 pages, {{ISBN|91-973586-9-X}}
  • [http://www.inkbokforlag.com/b&b.html Boken & Biblioteket] (2011).
  • [http://www.inkbokforlag.com/mpe.html Musikens politiska ekonomi] (2012).
  • [http://libris.kb.se/bib/14764542 Tapirskrift] (2013).
  • [http://libris.kb.se/bib/21788394 Den svenska enhörningen: storyn om Spotify], with Pelle Snickars (2018).
  • [https://mitpress.mit.edu/books/spotify-teardown Spotify Teardown: Inside the Black Box of Streaming Music], with Maria Eriksson, Anna Johansson, Pelle Snickars and Patrick Vonderau (MIT Press, 2019).

Notes

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