Resistance through culture
Resistance through culture (also called cultural resistance, resistance through the aesthetic,{{cite web|url=http://revistacultura.ro/nou/2010/05/insemnari-marunte-despre-rezistenta-prin-cultura-si-despre-un-roman-care-schimba-lumea/|title=Insemnari marunte despre rezistenta prin cultura si despre un român care schimba lumea|publisher=Cultura|language=ro|date=May 20, 2010|last=Simion|first=Eugen|access-date=January 26, 2014}} or intellectual resistance){{cite web|url = http://www.observatorcultural.ro/Exilul-inainte-si-dupa-exil*articleID_6365-articles_details.html|title = Exilul, inainte si dupa exil|publisher = Observator cultural|language = ro|last = Corbea|first = Andrei|date = 30 May 2000|access-date = 10 Aug 2015}} is a form of nonconformism. It is not open dissent, but a discreet stance.{{cite book|editor1-last=McDermott |editor1-first=Kevin |editor2-last=Stibe |editor2-first=Matthew|title=Revolution and Resistance in Eastern Europe: Challenges to Communist Rule|location=Oxford, New York |publisher= Berg|pages=90, 91|isbn=978-1-84520-258-3}}
A revolt "so well hidden that it seems nonexistent",{{cite web|url = http://www.romlit.ro/rezistena_cultural_la_nceputurile_comunismului|title = Rezistenţa culturală la începuturile comunismului|publisher = România literară|last = Marcu|first = Luminița|access-date = 10 Aug 2015|language = ro|date = 2002|archive-url = https://web.archive.org/web/20150924131444/http://www.romlit.ro/rezistena_cultural_la_nceputurile_comunismului|archive-date = 24 September 2015|url-status = dead}} it is a quest "to extend the boundaries of official tolerance, either by adopting a line considered by authorities to be ideologically suspect, or by highlighting certain contemporary social problems, or both." Criticized for being "utopian, and thus inadequate to the realities of that age",{{cite book|title=In Marx's Shadow: Knowledge, Power and Intellectuals in Eastern Europe and Russia|year=2010|editor1-last=Bradatan|editor1-first=Costica|editor2-last=Oushakine|editor2-first=Serguei Alex.|publisher=Lexington Books|location=Plymouth, UK|page=54|isbn=978-0-7391-3624-9}} during the time of the Communist regimes in Europe, it was also a surviving formula, a modality for writers and artists to cheat Communist censorship without going the whole way into open political opposition.{{cite web|url = http://www.romaniaculturala.ro/articol.php?cod=7884|title = Memorie si exil|publisher = romaniaculturala.ro|language = ro|last = Cesereanu|first = Ruxandra|date = 2005|access-date = 10 Aug 2015|url-status = dead|archive-url = https://web.archive.org/web/20150924123644/http://www.romaniaculturala.ro/articol.php?cod=7884|archive-date = 2015-09-24}}{{cite book|title=Phenomenology 2005: Selected Essays from the Euro-Mediterranean Area, Part 1|editor1-last=Copoeru|editor1-first=Ion|editor2-last=Sepp|editor2-first=Hans Rainer|publisher=Zeta Books|year=2007|page=74}}
Romania
One of the most sharply criticized phrases in post-revolutionary Romania,{{cite web|url = http://www.observatorcultural.ro/Textualism-socialist-si-rezistenta-prin-cultura-in-proza-anilor-80*articleID_22362-articles_details.html|title = "Textualism socialist" şi "rezistenţă prin cultură" în proza anilor '80|last = Dinițoiu|first = Adina|publisher = Observator cultural|language = ro|date = September 2009|access-date = 10 Aug 2015}} considered to be not much more than "blowing in the wind" by Romanian-born German Nobel literature prize winner Herta Müller,{{cite web|url=http://jurnalul.ro/special-jurnalul/cazul-noica-si-scoala-de-la-paltinis-i-564554.html|title=Cazul Noica şi şcoala de la Păltiniş (I)|publisher=jurnalul.ro|language=ro|date=January 10, 2011|access-date=January 26, 2014|archive-url=https://web.archive.org/web/20140202103235/http://jurnalul.ro/special-jurnalul/cazul-noica-si-scoala-de-la-paltinis-i-564554.html|archive-date=February 2, 2014|url-status=dead}} and "not only resignation [...] but complicity with the terrorist communism" by Romanian exiled writer Paul Goma,{{cite book|title=Grundbegriffe und Autoren ostmitteleuropäischen Exilliteraturen 1945-1989 Ein Beitrag zur Systematisierung und Typologisierung|last1=Behring|first1=Eva|last2=Brandt|first2=Juliane|last3=Dozsai|first3=Monika|last4=Kliems|first4=Alfrun|last5=Richter|first5=Ludwig|last6=Trepte|first6=Hans-Christian|publisher=Franz Steiner Verlag|location=Stuttgart|year=2004|language=de|page=641}} so-called "resistance through culture" has often been linked to Constantin Noica's so-called "Păltiniș School".{{Cite journal |last=GRIGORE |first=VASILICA |last2=MITRACHE |first2=GEORGETA |last3=PREDOIU |first3=RADU |date=2016-08-30 |title=Analogical transfer capacity and the discrimination reaction time in elite female tennis players |url=http://dx.doi.org/10.15303/rjeap.2016.si1.a11 |journal=Psiworld 2015 Proceedings |publisher=Romanian Society of Experimental Applied Psychology |doi=10.15303/rjeap.2016.si1.a11|url-access=subscription }}
In the fine arts, Corneliu Baba, among others, is sometimes considered to be an example of a painter who was nonconformist in this way.{{cite web|url=http://www.tvrplus.ro/emisiune-rezistenta-prin-cultura-351|title=Somnul de 50 de ani al creaţiei|publisher=tvrplus.ro|language=ro|access-date=January 26, 2014}}