Revenge of an Actress

{{Short description|1929 Chinese silent film by Bu Wancang and Wang Hanlun}}

{{Infobox film

| name = Revenge of an Actress

| image =

| alt =

| caption =

| native_name = {{Infobox Chinese/Chinese|child=yes|hide=yes|header=none|t={{linktext|女伶|復仇|記}}|s={{linktext|女伶|复仇|记}}|p=Nǚlíng Fùchóu Jì|l=Record of an Actress's Revenge}}

| director = {{plainlist|

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| writer =

| screenplay = Bao Tianxiao

| story =

| based_on =

| producer =

| starring = {{plainlist|

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| narrator =

| cinematography =

| editing =

| music =

| studio = Hanlun Film Company

| distributor =

| released = {{Film date|1929||||df=y}}

| runtime =

| country = China

| language = Silent

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}}

Revenge of an Actress ({{zh|first=t|t=女伶復仇記|s=女伶复仇记|p=nǚlíng fùchóu jì}}) is a 1929 Chinese silent film. It follows a love triangle between two students and an actress, whereby she seeks revenge for her lover being blinded by her scorned suitor. Initially directed by Bu Wancang, directing was taken over by star Wang Hanlun when Bu proved unreliable; production and editing was also handled by Wang through her Hanlun Film Company. The film was reportedly a commercial success, allowing Wang to retire from the film industry.

Plot

Two students, Long and Yu, have fallen in love with the actress Youlan. She falls in love with Yu, spurning Long, who blinds his former friend in a fit of rage. Youlan seeks to avenge her beloved, but dies with her vengeance unfulfilled.{{sfn|China Film Publishing House|2005|p=4}}

Production

Having begun her career with Orphan Rescues Grandfather in 1923 and established a reputation as a tragedienne, the actress Wang Hanlun had failed to receive her salary when working for Shanghai's dominant Mingxing and Tianyi film companies. Frustrated by the situation, as well as what she perceived to be an exploitive time in Singapore, Wang decided to produce one final film before retiring. She thus established the Hanlun Film Company, renting space in a building owned by Minxin.{{sfn|Wei|2017}} As her logo, she used an image of a cat, imitating the lion used by Metro-Goldwyn-Mayer.{{sfn|Zhang|2008|p=11}}

Wang purchased a screenplay, then titled Blind Love, from the dramatist Bao Tianxiao for 800 yuan (equivalent to ¥{{formatnum:{{#expr:({{Inflation|CN|800|cursign=¥|1929|r=-3}} / 676.199) round -3}}}} in 2019).{{sfn|Wang|2016|p=55}} She hired Bu Wancang to handle directing, but after he proved unreliable and spent much of his time gambling on horses, Wang decided to finish the film, now titled Revenge of an Actress, herself.{{sfn|Wei|2012|p=15}} Further setbacks emerged when Minxin reclaimed its office space, requiring Wang to finish filming{{sndash}} with the assistance of Cai Chusheng{{sndash}} at her home.{{sfn|Wei|2017}} She therefore became one of China's earliest women directors, preceded by Xie Caizhen (An Orphan's Cry, 1925){{sfn|Wei|2012|p=15}} and Yang Naimei (A Wondrous Woman, 1928).{{sfn|Wei|2018}}

Once principal photography was completed, Wang edited Revenge of an Actress herself. After purchasing a projector, she spent forty days at home, playing and cutting the film bit by bit until she achieved the finished product.{{sfn|Wei|2012|p=15}} Thematically, the film was a family melodrama, drawing heavily from the Mandarin Ducks and Butterflies school of literature.{{sfn|Wei|2017}} It starred Wang as the titular actress, with other roles filled by {{ill|Gao Zhanfei|zh|高占非}}, Fei Boqing, and Cai Chusheng.{{sfn|Cheng|1980|p=626}}

Release and reception

Revenge of an Actress was released in 1929, going on tour across China with stops that included Suzhou, Beijing, and Wuxi.{{sfn|Zhang|2008|p=11}} During the intermission, she would stand on stage and speak with audience members, obtaining feedback.{{sfn|Chang|1999|p=136}} The film was reportedly a commercial success, allowing Wang to leave the film industry. She used part of the profits to finalize her divorce from her estranged husband, with other profits being used to study cosmetology. In 1930, she opened the Hanlun Beauty Salon in Shanghai.{{sfn|Wei|2017}}

References

{{reflist|20em}}

Sources

{{refbegin|40em}}

  • {{cite book

|url=https://books.google.com/books?id=IFZ6AAAAIAAJ

| script-title=zh:百年电影与江苏, 1905–2005

| location=Beijing

|trans-title=A Century of Film and Jiangsu, 1905–2005

| date=2005

| publisher=China Film Publishing House

|language=Chinese

| isbn=978-7-106-02389-8

|ref={{sfnRef|China Film Publishing House|2005}}

}}

  • {{cite book

|url=https://books.google.com/books?id=vD6I4hP4CDMC

| title=Cinema and Urban Culture in Shanghai, 1922–1943

| location=Redwood City, California

| isbn=978-0-8047-3572-8

| editor1-last=Zhang

| editor1-first=Yingjin

| date=1999

| publisher=Stanford University Press

|last=Chang

|first=Michael

|chapter=The Good, the Bad, & the Beautiful: Movie Actresses & Public Discourse in Shanghai, 1920s-1930s

|pages=128–159

}}

  • {{cite book

|script-title=zh:中国电影发展史: 初稿

|language=Chinese

|trans-title=History of the Development of Chinese Cinema: A Preliminary Review

|volume=1

|url=https://books.google.com/books?id=qpovAQAAIAAJ

| author1-mask=Cheng Jihua (程季华)

| last1=Cheng

| first1=Jihua

| publisher=China Film Publishing House

| location=Beijing

| date=1980

}}

  • {{cite book

|last=Wang

|first=Qingyi

|date=2016

|publisher=Social Sciences Academic Press

|isbn=978-7-5097-8950-6

|author1-mask=Wang Qinyi (王青亦)

|script-title=zh:制造性别:现代中国的性别传播

|trans-title=Manufacturing Gender: Gender Communication in Modern China

|language=Chinese

|location=Beijing

|url=https://books.google.com/books?id=KUKhEAAAQBAJ

}}

  • {{Cite book

|chapter=Women's Trajectories in Chinese and Japanese Cinemas: A Chronological Overview

|url=https://books.google.com/books?id=m2jAlNI14_wC

|series=Dekalog 4

|title=On East Asian Filmmakers

|editor1-last=Taylor

|editor1-first=Kate E.

|volume=4

|pages=13–45

|last1=Wei

|first1=S. Louisa

|year=2012

|publisher=Wallflower Press

|location=Brighton

|isbn=978-1-906660-31-4

}}

  • {{cite journal

|doi=10.7916/d8-zc8b-7c47

|date=2017

|url=https://wfpp.columbia.edu/pioneer/helen-wang

|last1=Wei

|first1=S. Louisa

|title=Helen Wang

|editor1-last=Gaines

|editor1-first=Jane

|editor2-last=Vatsal

|editor2-first=Radha

|editor3-last=Dall'Asta

|editor3-first=Monica

|journal=Women Film Pioneers Project

|publisher=Columbia University Libraries

}}

  • {{cite journal

|doi=10.7916/d8-zc8b-7c47

|date=2018

|last1=Wei

|url=https://wfpp.columbia.edu/pioneer/helen-wang

|first1=S. Louisa

|title=Yang Naimei

|editor1-last=Gaines

|editor1-first=Jane

|editor2-last=Vatsal

|editor2-first=Radha

|editor3-last=Dall’Asta

|editor3-first=Monica

|journal=Women Film Pioneers Project

|publisher=Columbia University Libraries

}}

  • {{cite book

|url=https://books.google.com/books?id=jJr5QKqWpcEC

| script-title=zh:昨夜星光燦爛: 民國影壇的28位巨星

|language=Chinese

| trans-title=Stars Shining in the Night: 28 Superstars in the Film Industry of the Republic of China

| isbn=978-986-221-078-9

| author1-mask=Zhang Wei (張偉)

| last1=Zhang

|first1=Wei

| volume=1

| date=2008

| publisher=Showway Publishing

| location=Taipei

}}

{{refend}}