Robene and Makyne

{{short description|Poem by Robert Henryson}}

{{Use dmy dates|date=April 2022}}

Image:Good shepherd draw.gif

"Robene and Makyne" is a short poem by the 15th-century Scottish makar Robert Henryson. It is an early written example of Scottish pastourelle, derived from the ballad stanza form.{{cite journal |last1=Moore |first1=Arthur K. |title=Robene and Makyne |journal=The Modern Language Review |date=1948 |volume=43 |issue=3 |pages=400–403 |doi=10.2307/3716768 |jstor=3716768 }}

Origins and structure

File:Robene and Makyn.jpg, published in The Evergreen: A Northern Seasonal, The Book of Spring, Patrick Geddes and Colleagues (1895)]]

Robene and Makyne (also spelt Mawkin) are stock names for peasant characters, a shepherd and a country maiden. Henryson presents the two characters in the sparest of terms and much in the poem has to be inferred. Strictly speaking, nothing in the text verifies precisely who Makyne might be. In the first half of the poem, she declares longstanding love for Robene, but he is indifferent to her feelings. Minds quickly change and in the closing arc the hopeless declaration is from Robene. This simple dramatic reversal comes at the golden section. Makyne's rejection of Robene is final.{{cite journal |id={{ProQuest|750842865}} |last1=Cornelius |first1=Michael G |title=Robert Henryson's Pastoral Burlesque 'Robene and Makyne' (c.1470) |journal=Fifteenth Century Studies; Rochester |volume=28 |date=2003 |pages=80–96 }}

Henryson's writing suggests subtexts around the issue of chastity, a material issue in the late medieval Church and of possible relevance in the poet's own life {{Citation needed|date=March 2023}}. The spareness allows different and perhaps dissonant readings to be simultaneously present, but any "allegorical" implications are present without pretentiousness or loss of authentic feeling and the poem stands as a simple comic creation with a surprisingly wide range of emotion and intriguing tonal ambiguity {{Citation needed|date=March 2023}}.

The closure, peculiar in its effect, evokes feelings of emptiness and a sense of musical return."I do not know which to prefer,

:The beauty of inflections

:Or the beauty of innuendoes,

:The blackbird whistling

:Or just after."

:Wallace Stevens, "Thirteen Ways of Looking at a Blackbird."

Extract

Stanzas 12 and 13 of "Robene and Makyne," where the first stanza is spoken by Makyne, followed by Robene:

:"Robene, thow hes hard soung and say

:In gestis and storeis auld,

:The man that will nocht quhen he may

:Sall haif nocht quhen he wald.

:I pray to Jesu every day

:Mot eik thair cairis cauld

:That first preiss with the to play

:Be firth, forest or fawld."

:"Makyne, the nicht is soft and dry,

:The wedder is warme and fair,

:And the grene woid rycht neir us by

:To walk attour allquhair;

:Thair ma na janglour us espy,

:That is to lufe contrair;

:Thairin, Makyne, bath ye and I

:Unsene we ma repair."

See also

References

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Further reading

  • {{cite book |last1=Henryson |first1=Robert |title=Robene and Makyne: And The Testament of Cresseid |date=1824 |publisher=James Ballantyne |url=https://archive.org/details/robeneandmakynea00henruoft }}
  • {{cite journal |last1=Flynn |first1=Caitlin |title=Courting Love: Comedy and Genre in Robene and Makyne |journal=Studies in Scottish Literature |date=15 December 2019 |volume=45 |issue=2 |pages=83–97 |url=https://scholarcommons.sc.edu/ssl/vol45/iss2/12/ }}
  • {{cite journal |last1=Petrina |first1=Alessandra |title=Deviations from Genre in Robert Henryson's 'Robene and Makyne' |journal=Studies in Scottish Literature |date=1999 |volume=31 |issue=1 |url=https://scholarcommons.sc.edu/ssl/vol31/iss1/9/ }}