Robert Harron
{{short description|American actor}}
{{Use mdy dates|date=September 2014}}
{{Infobox person
| name = Robert Harron
| image = Robert Harron - Hartsook, ca. 1918.jpg
| image_size =
| alt =
| caption = Harron in 1918
| birth_date = {{birth date|1893|4|12|mf=yes}}
| birth_place = New York City, U.S.
| death_date = September 5, 1920 (aged 27)
| death_place = New York City, U.S.
| death_cause =
| other_names = Bobby Harron
| resting_place = Calvary Cemetery, Queens
| occupation = Actor
| years_active = 1907–1920
| relatives = John Harron (brother)
}}
Robert Emmett Harron (April 12, 1893 – September 5, 1920){{cite web|url=https://www.tcm.com/tcmdb/person/348298%7C131890/Robert-Harron#overview|title=Robert Harron|website=Turner Classic Movies|date=2023|access-date=3 June 2023}} was an American motion picture actor of the early silent film era. Although he acted in over 200 films, he is possibly best recalled for his roles in the D.W. Griffith directed films The Birth of a Nation (1915) and Intolerance (1916).
File:Sunshine Alley 1917.jpg, Harron, actress Mae Marsh, and cameraman George W. Hill]]
Early life and family
Born in New York City, Harron was second oldest child of nine siblings in a poor, working-class Irish Catholic family.{{cite book|last=Slide|first=Anthony|title=Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses|year=2002|publisher=The University Press of Kentucky|isbn=0-813-12249-X|pages=[https://archive.org/details/biographicalauto00slid/page/173 173, 175]|url=https://archive.org/details/biographicalauto00slid/page/173}} Harron's younger siblings John (nicknamed "Johnnie"), Mary, and Charles also became actors while one of his younger sisters, Tessie, was an extra in silent films. Charles was killed in a car accident in December 1915.{{cite book|last=Vazzana|first=Eugene Michael|title=Silent Film Necrology|year=2001|publisher=McFarland & Company Incorporated Pub|isbn=0-786-41059-0|page=230}} Tessie died of Spanish influenza in 1918 while Harron's brother John died of spinal meningitis in 1939.{{cite book|last=Soister|first=John T. |title=American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929|year=2012|publisher=McFarland|isbn=978-0-786-48790-5|pages=20–21}}{{cite book|last1=Kear|first1=Lynn|last2=King|first2=James|title=Evelyn Brent: The Life and Films of Hollywood's Lady Crook|year=2009|publisher=McFarland|isbn=978-0-786-45468-6|page=212}}{{cite book|last=Golden|first=Eve|title=Golden Images: 41 Essays on Silent Film Stars|year=2000|publisher=McFarland|isbn=0-786-48354-7|page=49}}
Harron attended the Saint John Parochial School in Greenwich Village. At the age of fourteen, he found work as an errand boy at American Biograph Studios near Union Square in Manhattan to help support his family.{{cite book|last=Lowery|first=Carolyn|title=The First One Hundred Noted Men and Women of the Screen|year=1920|publisher=Moffat, Yard|page=66}} In addition to cleaning duties, Harron also appeared as an extra in a few shorts for Biograph.Golden 2002 p.50
Career
Within a year of working for Biograph, Harron was noticed by newly hired director D.W. Griffith. Harron quickly became a favorite of Griffith, and Griffith began to give the 14-year-old increasingly larger film roles. His first film for Griffith was the 1908 comedy A Calamitous Elopement. (He fit the delivery boy costume and was repeatedly used in such roles until he outgrew the outfit.) The teenaged Harron was often cast by Griffith in the role of the "sensitive" and "naïve" boy, who was overwhelmingly sympathetic and appealing to American film-goers in the very early years of American motion pictures and not far removed from Harron's real-life persona; Harron was often described as a quiet and soft-spoken youth. It was these traits that helped garner much public interest in the young actor, especially amongst young female fans. In 1912 alone, Harron appeared in nearly forty films at Biograph.Golden 2002 pp.50-51
Harron is probably best recalled for his roles in the three epic Griffith films: 1914's Judith of Bethulia, opposite Blanche Sweet, Mae Marsh, Henry B. Walthall, and Dorothy and Lillian Gish; 1915's controversial all-star cast The Birth of a Nation; and 1916's colossal multi-scenario Intolerance opposite such popular stars of the era as Lillian Gish, Mae Marsh, Miriam Cooper, Wallace Reid, Harold Lockwood and Mildred Harris. One of Harron's most popular roles of the era came in 1919 when he starred opposite Lillian Gish in the Griffith directed romantic film True Heart Susie.
Harron's film career continued to flourish throughout the 1910s, and he was occasionally paired with leading actresses Mae Marsh and Lillian Gish with romantic plots, often in roles that cemented his "sensitive boy" image. Harron had, in fact, a burgeoning off-screen romantic relationship with Dorothy Gish.{{cite book|last=Slide|first=Anthony|title=Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses|year=2002|publisher=The University Press of Kentucky|isbn=0-813-12249-X|pages=[https://archive.org/details/biographicalauto00slid/page/174 174, 175]|url=https://archive.org/details/biographicalauto00slid/page/174}} By 1920, Harron had grown too old to continue playing the juvenile roles that had launched his career. He began losing leading man roles to Richard Barthelmess.{{cite book|last=Stokes|first=Melvyn |title=D.W. Griffith's the Birth of a Nation: A History of the Most Controversial Motion Picture of All Time|year=2007|publisher=Oxford University Press|isbn=978-0-199-88751-4|page=cvi}} Later that year, D.W. Griffith agreed to loan Harron to Metro Pictures for a four-picture deal. His first film for Metro, also the last film of his career, was the comedy Coincidence.{{cite book|last=Schickel|first=Richard |title=D.W. Griffith: An American Life|year=1996|publisher=Hal Leonard Corporation|isbn=0-879-10080-X|page=439}} The film was released in 1921, after Harron's death.
Death
In late August 1920, Harron traveled by train from Los Angeles to New York City to attend the premiere of the film Way Down East and a preview of what would become his final film, Coincidence. Harron checked into the Hotel Seymour on September 1 with his friend, screenwriter and director Victor Heerman, with whom he was sharing a room. Harron and Heerman attended the preview for Coincidence later that day. Heerman later said that the preview went poorly, as the film was not well received by the audience.
After the premiere, Harron returned to his hotel room alone. At some point during the evening, Harron sustained a gunshot wound to the chest. According to published reports and Harron's own account, he had the gun in his trunk along with his clothes and other possessions. As he was removing clothes from the trunk, the gun fell to the floor and discharged. Harron was hit in the chest, the bullet having punctured his lung.{{cite news|url=https://news.google.com/newspapers?id=XZUVAAAAIBAJ&pg=5148,555251&dq=robert+harron&hl=en|title=MOVIE STAR SHOOTS SELF BY ACCIDENT|date=September 2, 1920|work=The Milwaukee Sentinel|page=1|access-date=December 10, 2012}}
{{cite book|last=Affron|first=Charles|title=Lillian Gish: Her Legend, Her Life|year=2001|publisher=University of California Press|isbn=0-520-23434-0|page=148}} Harron called the hotel desk for assistance and was still conscious when the hotel manager came to his room. Not realizing he was seriously wounded, Harron joked with the manager that he was in a "devil of a fix" having shot himself. He initially refused to let the manager call an ambulance, only wanting to be examined by a local physician in his room. After a physician could not be found, Harron relented and agreed to allow the manager to call an ambulance. When medics arrived and attempted to transport Harron using a stretcher, he insisted on being taken down in a chair. As he had lost a considerable amount of blood, medics had to convince Harron that he needed to be transported on a stretcher.
Harron was taken to Bellevue Hospital Center where he remained conscious but in critical condition. While he was being treated, Harron was arrested for possessing a firearm without a permit under the Sullivan Act and placed in the hospital's prison ward.Staff report (September 2, 1920). [https://www.nytimes.com/1920/09/02/archives/rob-harron-shot-as-his-pistol-falls-film-star-in-critical-condition.html Rob. Harron shot as his pistol falls. Film star in critical condition as result of accidental wound. Faces Sullivan Act charge. He is moved into prison ward at Bellevue after policeman places him under arrest.] New York Times Shortly after the shooting, rumors arose that the shooting was not accidental and Harron had attempted suicide. There was speculation that Harron was disappointed over being passed over for the leading role in Way Down East (Richard Barthelmess was ultimately cast). Several of Harron's friends rejected the attempted suicide theory. Victor Heerman, with whom he often went on double dates and was staying with Harron in the Hotel Seymour, later said that he visited Harron in the hospital and he denied that he had attempted suicide. Harron admitted the gun belonged to him, but claimed that he had brought it with him because he did not want the gun at the family home in Los Angeles. Harron told Heerman that his younger brother Johnnie had become "hard to handle" and he feared leaving the gun at the family home where Johnnie could find it. Harron told Heerman that he wrapped the gun up in a pair of his trousers and placed them in his suitcase. On the night of the shooting, Harron said he had gone to retrieve the trousers from his suitcase to have them pressed when the gun fell out onto the floor and discharged. Harron also told a priest who visited him in the hospital that the shooting was an accident.
Despite Harron's denial, rumors of attempted suicide persisted. One such rumor was that Harron attempted suicide over the breakup of his relationship with Dorothy Gish. Victor Heerman rejected this theory because Harron, a teetotaler and virgin, was a devout Catholic who would have deemed suicide a mortal sin. Actresses Miriam Cooper and Lillian Gish, both of whom were friends with Harron, agreed with Heerman's reasoning. Cooper and Gish also believed Harron would not have attempted suicide as he was his family's major source of income and had plans to start shooting a new film with Elmer Clifton.
Friends who visited Harron in the hospital were optimistic about his recovery, as he appeared to be on the mend.Slide 2002 p.175 However, on September 5, four days after he was shot, Harron died of his wound.Staff report (September 6, 1920). [https://www.nytimes.com/1920/09/06/archives/robert-harron-dies-actor-succumbs-to-wound-received-in-pistol.html Robert Harron dies; actor succumbs to wound received in pistol accident.] New York Times He is interred at Calvary Cemetery in Woodside, Queens, New York City.
Filmography
class="wikitable sortable" |
Year
! Title ! Role ! class="unsortable" | Notes |
---|
1907
| Dr. Skinum | Boy at Door | Short film |
1907
| Mr. Gay and Mrs. | Messenger | Short film |
1908
| Son | Short film |
1908
| The Snowman | A child | Short film |
1908
| | Short film |
1908
| Monday Morning in a Coney Island Police Court | Young Man | Short film |
1908
| George Wilkinson | Short film |
1909
| Theatre Audience | Short film, Uncredited |
1909
| Fighter | Short film |
1909
| Boy On Street | Short film |
1909
| Jones and the Lady Book Agent | Messenger |Short film |
1909
| Theatre Usher | Short film |
1909
| | Short film |
1909
| Farmer | Short film |
1909
| Stagehand / Usher | Short film |
1910
| Ramona | | Short film |
1910
| At Post Office | |
1911
| | Short film |
1911
| White Rose's Brother | Short film |
1911
| Teenage Arden Son | Part II |
1911
| The Old Soldier's Son | Short film |
1911
| Among Students | Short film |
1911
| In Wagon Train | Short film |
1911
| A Union soldier | Short film |
1911
| Bakeshop Assistant | Short film |
1912
| At Soda Fountain | Short film, Uncredited |
1912
| At Dance | Short film |
1912
| On Street / At Farewell Party | Short film |
1912
| In Tenement | Short film |
1912
| One Is Business, the Other Crime | Delivery Boy | Uncredited, Short film |
1912
| In Smuggler Band | Short film |
1912
| The Murdered Indian's Son | Short film |
1912
| The Prospector's Son | Short film |
1912
| In Crowd / Accident Witness | Short film |
1912
| Young Man on Street | Short film |
1912
| At Stage Door | Short film |
1912
| Friends | Stableboy | Short film, Uncredited |
1912
| The Rival / In Club | Short film |
1912
| A Feud in the Kentucky Hills | A brother | Short film |
1912
| Beau at Ice Cream Festival | Short film, Uncredited |
1912
| Rival Gang Member / In Alley / At Dance | Short film |
1912
| Heredity | Indian | Short film |
1912
| The Southern Boy | Short |
1912
| On Porch | Short film |
1912
| | Short film |
1912
| Youth outside church | Short film |
1912
| My Hero | The Young Man | Short film |
1912
| Young Burglar | Short film |
1912
| Witness to Accident | Short film |
1913
| Union Member | Short film |
1913
| Brothers | The Father's Favorite Son | Short film |
1913
| Minor Role | Short film |
1913
| The Desk Clerk | Short film |
1913
| In Telegraph Office | Short film |
1913
| Gato's Brother | Short film |
1913
| Fate | The Beloved Son | Short film |
1913
| The Deputy | Short film |
1913
| The Son | Short film |
1913
| Asylum Guard | Short film |
1913
| The Farmer's Adopted Son | Short film |
1913
| The Messenger | Short film |
1913
| One of the Son's Friends | Short film |
1913
| The Battle at Elderbush Gulch | The father | Short film |
1913
| The Tender Hearted Boy | Short film |
1913
| Jim | |
1913
| Strongheart | |
1914
| Nathan | |
1914
| John Andrews, the son | Lost film |
1914
| Harry Faulkner | Short, Prologue - Weakhands (The Old Days) |
1914
| The Great Leap; Until Death Do Us Part | Bobby Dawson | Lost film |
1914
| American lover | Lost film |
1914
| The Easterner, Robert Winthrop | |
1914
| Larry Joyce | Lost film |
1914
| The Rebellion of Kitty Belle | Joe Belle | Short film |
1914
| The Grocer's boy | |
1914
| The Idiot | The Idiot | Short film |
1915
| Tod Stoneman | |
1915
| The Outcast | Bob | Lost film |
1915
| American lover | Lost film |
1915
| Her Shattered Idol | Robert | |
1915
| Henry Gaylord | Lost film |
1916
| Jimmie Vance | |
1916
| A Child of the Paris Streets | Jimmie Parker | |
1916
| A Wild Girl of the Sierras | Bob Jordan | Lost film |
1916
| The Marriage of Molly-O | Larry O'Dea | Lost film |
1916
| Intolerance: Love's Struggle Throughout the Ages | The Boy (Modern Story) | |
1916
| The Little Liar | Bobby | Lost film |
1916
| Edward Holmes | Lost film |
1917
| Jimmie Bates | Lost film |
1918
| Frank Trent | |
1918
| Ned Morris | Lost film |
1918
| The Boy, Douglas Gordon Hamilton | Uncredited |
1918
| Jim Young | Lost film |
1918
| Edward Livingston | Lost film |
1918
| John L. Logan, Jr. | |
1919
| James Grey | |
1919
| William Jenkins | |
1919
| The Mother and the Law | The Boy | |
1919
| Jimmie Hilton | |
1921
| Billy Jenks | Posthumous release |
References
{{Reflist}}
{{Portal|Biography}}
Bibliography
- John Holmstrom, The Moving Picture Boy: An International Encyclopaedia from 1895 to 1995, Norwich, Michael Russell, 1996, p. 10.
External links
{{commons category}}
- {{IMDb name|0366008}}
- Robert Harron at [http://www.goldensilents.com/stars/robertharron.html Silents Are Golden]
- {{Find a Grave|7434490}}
{{Authority control}}
{{DEFAULTSORT:Harron, Robert}}
Category:20th-century American male actors
Category:Male actors from New York City
Category:American male child actors
Category:American male film actors
Category:American people of Irish descent
Category:American male silent film actors
Category:Burials at Calvary Cemetery (Queens)
Category:Deaths by firearm in Manhattan
Category:Firearm accident victims in the United States